We have something else to celebrate this Independence Day: a new Beyoncé song.
The iconic singer released “Morning Dew (Donk),” a sultry, ‘90s-coded R&B track, Saturday morning with no warning.
It’s a special Fourth of July holiday gift to her fans, according to a news release about the song — and Queen Bey’s first piece of new music in two years.
The single starts the clock on a 60-day countdown to the singer’s 45th birthday and the reissue of B’Day, her hit sophomore album that first dropped 20 years ago, on Sept. 4, 2006.
Sorry, BeyHive, no word on Act III, the highly anticipated, unnamed, and unreleased final chapter of Beyoncé’s three-part album project. The Today show reported that fans shouldn’t expect any sort of Act III announcement this week.
Act II, aka Cowboy Carter, Beyoncé’s award-winning foray into country music, was another example of the singer’s use of the Fourth of July holiday as a means to explore and challenge themes surrounding American identity, especially the Black and Southern experience. Last year, Beyoncé’s Cowboy Carter D.C. tour stop took place on the Fourth of July.
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The show highlighted Black empowerment as Beyoncé opened the show wrapped in a large American flag, just a few miles from the U.S. Capitol.
While it’s not the Act III fans have been waiting for, “Morning Dew (Donk)” is an exciting new portfolio addition.
It was written by Beyoncé, Pharrell Williams, The-Dream and Darius Dixon, and produced by Beyoncé and Pharrell Williams. The song features Williams’ signature four-count producer tag.
Sporting orange swim trunks and not much else, Gunter was one of 12 new men who entered the show on episode 18 of Love Island USA.
It’s all part of Casa Amor, the mid-season twist where OG contestants split off into two villas and are forced to explore new connections. Gunter, 25, was one of a dozen men and six women who’ve been introduced to the show in the last two nights.
He was also one of the men chosen to stay: Those 12 men were quickly cut to six in the same episode.
Proving Philly is the center of the universe — even on a remote Fijian island and even at Casa Amor, Gunter was quick to tell North Philly native Melanie Moreno that he went to Drexel.
In a prior episode, Moreno, 24, told her most consistent connection, Sincere Rhea — who’s from Cape May — that her dream first date for them would be to walk through Penn’s Landing.
But with Rhea away at the other villa with new arm candy and the OG women forced to explore connections with their own new crop of islanders, Gunter stood out.
He chose to kiss both Moreno and Jen Terry as part of a challenge and later won the women over by talking about family life and his cooking chops.
“I want my wife sipping red wine on the countertop while I’m cooking,” he said. “I love to chef. Y’all will never go hungry with me around.”
While attending college in Philly, where he majored in sports studies, Gunter achieved virality for his likeness to Hurts.
Two years ago, in a TikTok reshared by accounts including ESPN, Gunter’s then-girlfriend (now-former Division I golfer and prominent sports broadcaster and social media personality Emma Carpenter) said he’d get mistaken for Hurts “everywhere we go.”
Gunter told The Inquirer at the time that the comparisons started coming around his sophomore year — along with stares and photo requests — but he welcomed the attention for the most part.
“I think it’s funny. And I mean, he’s not a bad guy to be compared to,” he said. “It’s an awesome comparison to be mistaken for that guy.”
Even Drexel’s Lacrosse program got in on the fun, posting on Instagram in 2023: “All we’re saying is that we’ve never seen @_ronniegunter and @jalenhurts together.”
Born and raised in Minnesota before heading Northeast for school, Gunter lives in New York these days, where he works as a program director for the nonprofit Harlem Lacrosse.
So far, no one on Love Island has made any comments about Gunter’s resemblance to Hurts. But there’s a lot more island time to play out.
Spotify is reading you for filth again, and it’s not even December yet.
In honor of the streaming service’s 20th anniversary, it’s ready to embarrass you with 20 years’ worth of listening history — or as many years as you’ve used the app.
The streaming platform dropped Spotify 20 on Tuesday, a feature that lets users look back at their time on the app in a digestible, data-forward and visually aesthetic way.
It’s kind of like Spotify Wrapped — the popular annual wrap-up — but it sums up decades of users’ ever-evolving music tastes instead of just one calendar year.
“Spotify 20: Your Party of the Year(s) … gives you a playful, nostalgia-driven look back at your music listening history,” the platform said in a statement. “It reveals the moments that have defined your time with us through never-before-shared data.”
The feature is only available via Spotify’s mobile app and concludes with a playlist (that’s also desktop-friendly) of your top 120 tracks.
The wrap-up also tells you: your first day on Spotify, the total number of songs you’ve streamed, the first song you listened to on Spotify, and your all-time most-streamed artist.
Taylor Swift performs during the first of three Eras Tour performances at Lincoln Financial Field in Philadelphia on Friday, May 12, 2023. .
In addition to personal stats, Spotify crunched the numbers for all its users’ listening history over the last two decades. Perhaps unsurprisingly, the most-streamed artist across the board over the last 20 years was none other than Berks County native Taylor Swift. The most-streamed song over 20 years was “Blinding Lights” by The Weeknd.
Hilariously, Spotify 20 was a surprise to the general public, meaning users couldn’t try to intentionally manipulate their results the way they do with Wrapped. That said, this is your warning that you have about six months and change until Spotify Wrapped 2026 drops.
If you’d like to try the Spotify 20 feature yourself, click the prompt within the app or visit spotify.com/20 and scan the QR code with your phone.
VENTURA, Calif. — Britney Spears was arrested Wednesday night in Southern California and booked early the following morning, though the charge was not clear, according to the Ventura County Sheriff’s office website.
Messages seeking comment were left with the sheriff’s office; the California Highway Patrol, which was identified as the arresting agency; and Spears’ representative.
Spears was arrested around 9:30 p.m. in Ventura County and released on Thursday, sheriff’s office records show. She has a May 4 court date scheduled.
Spears, born in Mississippi and raised in Louisiana, was a teen pop phenomenon who became a defining superstar of the ’90s and 2000s. She rose to fame from Disney Channel’s “The Mickey Mouse Club” to MTV and beyond, with such era-defining hits like “… Baby One More Time,” “Oops! … I Did It Again” and “Toxic.”
Most of her albums have been certified platinum, according to the Recording Industry Association of America, with two diamond titles: 1999’s “ … Baby One More Time” and 2000’s “Oops! … I Did It Again.” Her last full-length album, “Glory,” was released in 2016.
Spears became a focus of tabloids in the early 2000s, and a source of public scrutiny, as she battled mental illness and paparazzi documented the details of her private life.
Later, as cultural opinion evolved to recognize the misogynistic media coverage of the time, Spears’ fight to control her life became the focus of the #FreeBritney movement. In 2008, Spears was placed under a court-ordered conservatorship, run primarily by her father and his lawyers, that would control her personal and financial decisions for well over a decade. It was dissolved in 2021. Two years later, she released a bestselling, tell-all memoir, “The Woman in Me.”
Noel Mayo, 88, formerly of Philadelphia, widely recognized as the first Black owner of an American industrial design firm, first Black American college chair of an industrial design department, first Black industrial design graduate of Philadelphia College of Art, award-winning super mentor, and champion of professional diversity, equity, and inclusion, died Thursday, Jan. 29, of a probable heart attack at an assisted living center in Delaware County.
Rejected for an industrial design job after college because he was Black, Professor Mayo went on to found Noel Mayo Associates Inc.in Philadelphia in 1964. He spent 11 years in the late 1970s and ’80s as a professor and first Black chair of the industrial design department at what became the now-defunct University of the Arts, and 27 years, from 1989 to 2016, as a governor-appointed eminent scholar in art and design technology at Ohio State University.
“Dr. Mayo leaves behind a transformative legacy,” former colleagues at Ohio State said in a tribute,“whose impact shaped generations of students, elevated the field of design, and advanced diversity and inclusion across the profession.”
As the trailblazing owner and president of Noel Mayo Associates for decades, he and his staff designed all kinds of products, interiors, exteriors, graphics, mobile exhibits, and signage systems for companies and private clients around the world. He worked with NASA, IBM, Black & Decker, Philadelphia International Airport, museums, government agencies, and public institutions.
He collaborated with Lutron Electronics for 45 years and is named on hundreds of its design and utility patents. In 1984, he remodeled the mayor’s City Hall office after Wilson Goode replaced Bill Green. In 1988, he advised officials at the old Spectrum on the placement of a Julius Erving statue in South Philadelphia.
He designed computer-driven telephones in the 1980s that could dial 96 phone numbers automatically and leave messages. “I realize how pressured this is,” he told the Daily News for a 1984 story about design and technology’s effect on modern life. “But people want it.”
Professor Mayo was featured in a 1977 story by Inquirer design critic Ellen Kaye, and she praised the “visual fluidity” he created in a refurbished Bala Cynwyd high-rise condo. She wrote about his work again in 1978, and he said design “revolves around problem-solving from a logical point of view.”
In a 1995 story, Inquirer design critic Thomas Hine noted his commercial success with early light-dimmer switches and said it “helped Lutron to transform itself from a small manufacturer to an important name in its industry.” In a recent video interview, Professor Mayo said: “I see the problems as kind of opportunities that other people didn’t see. … So I look for opportunities for innovation.”
Professor Mayo was featured in The Inquirer in 1995.
As chair at Philadelphia College of Art and its successor, University of the Arts, he grew the industrial design department from the school’s ninth largest to its third largest. In online tributes, former students called him “a true icon” and “a doorway into a world of possibility, dignity, and community.”
He told The Inquirer in 1978: “Something looks good when it looks rational. That is how I work myself, and that is what I try to teach my students.”
At Ohio State, Professor Mayo taught product, interior, and graphic design courses, and researched accelerated learning processes using music, color, relaxation techniques, interactive computers, and video. Former colleagues there praised “his blend of rigor, generosity, calmness, and mentorship” in a tribute.
Professor Mayo worked hard to recruit Black and other minority designers and students to his company and college courses. He created mentoring programs and developed an extensive network of minority business contacts.
He was one-time president of the Philadelphia Economic Council and the Greater Philadelphia Community Development Corp. He wrote articles for many publications and served on boards at University of the Arts, the Society for Environmental Graphic Design, and other groups.
He was a fellow of the Interior Design Council of Philadelphia, a juror for art and design competitions, and a member of the Philadelphia Art Commission. Asked to advise young designers in the recent video interview, he said: “Try to be as innovative as you can. … Ask questions. … Being open is critical.”
Noel Mayo was born Dec. 30, 1937, in Orange, N.J. He attended a boarding school in Chester County and earned a bachelor’s degree in design in 1960 at what became Philadelphia College of Art and then University of the Arts.
Professor Mayo designed this exterior.
He married, divorced, and later married Leslie Butler.
Professor Mayo enjoyed roller skating, was good at darts, and earned an honorary doctorate from Massachusetts College of Art and Design.
“He was easygoing with a great sense of humor,” said Virginia Gehshan, a design colleague and longtime friend. “He was really an amazing genius. He was ahead of his time.”
In addition to his wife, Professor Mayo is survived by other relatives.
A celebration of his life is to be held later.
Professor Mayo received the Design Pioneer Award in 2019.
The former “Jersey Shore” star said in a video posted to TikTok that a biopsy had revealed the stage one cancer.
“Obviously not the news that I was hoping for,” she said, sitting in her car between medical appointments. “But also not the worst news, just because they caught it so early, thank freaking God.”
She urged her followers to get Pap smears, and said she is likely to have a hysterectomy after her initial treatment.
“So 2026 is not panning out how I wanted it to,” she said.
Polizzi became one of the breakout stars of “Jersey Shore” from its debut on MTV in 2009. She was on the reality show for six seasons and appeared in the later spinoffs “Snooki & JWoww” and “Jersey Shore: Family Vacation.”
Now 38, she still lives in New Jersey, has been married for 11 years and has three children.
Dilys E. Blum, 78, of Philadelphia, senior curator emeritus of costume and textiles at the Philadelphia Art Museum, author, lecturer, mentor, and world traveler, died Saturday, Dec. 27, of complications from cancer at Thomas Jefferson University Hospital.
For 38 years, from 1987 to her retirement in 2025, Ms. Blum served as the museum’s curator of costume and textiles. In that role, she organized the museum’s vast treasure trove of textile artifacts, traveled the world to research noted fashion designers and eclectic collections, and created more than 40 memorable exhibitions about Renaissance velvets, contemporary fashion, Asian textiles, carpets, African American quilts, and dozens of other curios.
She was cited as the world’s foremost authority on avant-garde Italian fashion designer Elsa Schiaparelli, and her 2003 exhibition “Shocking! The Art and Fashion of Elsa Schiaparelli” drew 83,000 visitors. Francesco Pastore, the heritage and cultural projects manager at the House of Schiaparelli in Paris, said: “Her remarkable research, her generosity in sharing knowledge, and her contribution to fashion studies have deeply enriched our field.”
Ms. Blum (right) and colleague Monica Brown tend to a museum exhibit in 2011.
In a recent tribute, former museum colleagues marveled at her “technical expertise and cultural insight,” and credited her for reinvigorating the once-neglected textiles collection. Daniel Weiss, director and chief executive officer of the museum, said: “She transformed this museum’s costume and textiles department into a program respected around the world.”
She told The Inquirer in 1990: “We wanted to remind them that we were here.”
Before Philadelphia, Ms. Blum was a textile conservator at the Chicago Conservation Center and the Brooklyn Museum, and senior assistant keeper of the costume and textile department at the Museum of London. She earned a bachelor’s degree in art history at Connecticut College and studied afterward at the University of Manchester in England and the Courtauld Institute of Art at the University of London.
“She was fearless in her pursuit of perfection in her work,” said her sister Galen. Her sister Sydney said: “She was dedicated to her craft and scholarship.”
Ms. Blum (left) was close to her sisters Sydney (center) and Galen.
An avid reader and writer, Ms. Blum wrote and cowrote several books about textiles and designers, and 2021’s Patrick Kelly: Runway of Love, coauthored with former colleague Laura L. Camerlengo, earned a 2023 honorable mention publication award from the Costume Society of America. She also wrote essays for exhibition catalogs, served on editorial boards for journals, lectured around the world, and was active with the International Council of Museums, the Association of Art Museum Curators, and other groups.
In 2025, to celebrate Ms. Blum’s retirement, Camerlengo praised her “deep knowledge, creative vision, and contagious passion for the field.” She said: “Dilys is one of the most influential figures in the world of fashion and textile arts.”
Ms. Blum’s work and fashion viewpoints were featured often in The Inquirer. In 1997, she said: “People don’t dress up anymore.” In 1999, she said: “I think we’ve lost the joy in dressing. There’s this trend away from clutter in dress and decorating. It’s pared down to the point of visual boredom.”
In 2001, she said it was easy to differentiate between New Yorkers and Philadelphians. “New Yorkers,” she said, “will invariably be wearing the accessory of the moment, a pashmina shawl, a Kate Spade bag, a Prada loafer.”
Ms. Blum left “an enduring legacy woven through the art museum and the generations of scholars and visitors who now see costumes and textiles as central to the story of art,” former museum colleagues said.
Dilys Ellen Blum was born July 11, 1947, in Ames, Iowa. She and her parents moved to Hamilton, N.Y., when she was 1, and the family traveled with her father, an economics professor at Colgate University, on teaching sabbaticals abroad. When she was 12, Ms. Blum spent a year with her parents and sisters living in Norway and touring Europe in a Volkswagen Beetle.
Her mother was an artist and seamstress, and she and Ms. Blum spent many nights poring over clothes patterns on their dining room table. She enjoyed reading murder mysteries and traveling the world in search of new museum-worthy artifacts.
She lived in South Philadelphia, was diagnosed with cancer three years ago, and talked often with her sisters on the telephone. “I admired her seriousness and humility,” Sydney said. Galen said: “From my perspective, I was in awe of her.”
In addition to her sisters, Ms. Blum is survived by a niece, Juniper, and other relatives.
A memorial service is to be held later.
Former museum colleagues said Ms. Blum’s writing “consistently amplified the makers and wearers of extraordinary objects, and their intertwined relationships.”
Jeffrey A. Woodley, 71, formerly of Philadelphia, internationally celebrated celebrity hairstylist, scholar, youth track and field star, mentor, and favorite uncle, died Wednesday, Dec. 10, of complications from acute respiratory distress syndrome at Mount Sinai West Hospital in Manhattan.
Reared in West Philadelphia, Mr. Woodley knew early that he was interested and talented in hairstyling, beauty culture, and fashion. He experimented with cutting and curling on his younger sister Aminta at home, left Abington High School before his senior year to attend the old Wilfred Beauty Academy on Chestnut Street, and quickly earned a chair at Wanamakers’ popular Glemby Salon at 13th and Chestnut Streets.
He went to New York in the mid-1970s after being recruited by famed stylist Walter Fontaine and spent the next 30 years doing hair for hundreds of actors, entertainers, models, athletes, and celebrities. He styled Diahann Carroll, Whitney Houston, Aretha Franklin, Anita Baker, Angela Bassett, Halle Berry, and Tyra Banks.
He worked with Denzel and Pauletta Washington, Eddie Murphy, Jasmine Guy, Lynn Whitfield, Pam Grier, Melba Moore, Jody Watley, and Karyn White. His hairstyles were featured in GQ, Vanity Fair, Ebony, Jet, Essence, Vibe, Vogue Italia, and other publications, and in advertising campaigns for L’Oréal and other products.
Mr. Woodley poses with actor Lynn Whitfield.
For years, actor Terry Burrell said, “He was the go-to hair stylist for every Black diva in New York City.” Pauletta Washington said: “He was responsible for so much of who I became as an artist and a friend.”
Mr. Woodley worked for Zoli Illusions in New York, Europe, Africa, and elsewhere around the world, and collaborated often with noted makeup artists Reggie Wells and Eric Spearman. Model Marica Fingal called Mr. Woodley “uber talented” on Instagram and said: “He was one of the most skilled artists, creating stunning, innovative styles for models and celebs alike.”
Friendly and curious, Mr. Woodley told Images magazine in 2000 that learning about the people in his chair was important. “A woman’s hairstyle should take into account the type of work she does, her likes, her dislikes, and her fantasies,” he said. “I’m a stylist, but I never impose hair styles on any client. When we arrive at our finished style, it’s always a collaboration.”
His hairstyles appeared on record albums and at exhibitions at the Philadelphia Art Museum and elsewhere. He was quoted often as an expert in coiffure and a fashion forecaster. In 1989, he told a writer for North Carolina’s Charlotte Post: “Texture is the key. … Cut will still be important, but the lines will be more softened and much less severe.”
Mr. Woodley (right) handles hair styling for singer Anita Baker while makeup artist Reggie Wells attends to her face.
In 2000, he told Images that “low maintenance is the way of the future.” He said: “Today’s woman is going back to school. She has the corporate job. She has children that she needs to send off to school. She doesn’t have time anymore to get up and spend 35 to 40 minutes on her hair. She wants something she can get up and go with.”
He retired in 2005 after losing his sight to glaucoma. So he earned his General Educational Development diploma, attended classes at the Borough of Manhattan Community College, and studied literature, Black history, and spiritual writing.
“The entirety of his life was inspired by an insatiable thirst for knowledge,” said his friend Khadija Kamara.
He was working on his memoir and still taking classes when he died. “He lived life on his own terms,” Burrell said, “and my respect and admiration for his determination will forever be inspiring.”
Mr. Woodley smiles with track stars and celebrities Jackie Joyner-Kersee (left) and Florence Griffith Joyner.
As a youth, Mr. Woodley excelled in sprints, relays, and the high jump at St. Rose of Lima Catholic School and Abington High School, and for the Philadelphia Pioneers and other local track and field teams. He ran on Abington’s 440-yard relay team that won the PIAA District 1 championship race at the 1970 Penn Relays and helped set a meet record in the four-lap relay at a 1971 Greater Philadelphia Track and Field Coaches Association indoor meet.
Family and friends called him authentic, generous, and proud of his Philadelphia roots. He mentored his nieces and nephews and hosted them on long visits to his home in New York.
“He was one of the most talented people around and always a lot of fun,” a friend said on Facebook. “A beautiful soul and spirit who made others beautiful.”
Jeffrey Alan Woodley was born May 30, 1954, in Philadelphia. He had an older brother, Alex, and two younger sisters, Aminta and Alicia, and ran cross-country as well as track in high school.
Mr. Woodley (left) worked with actor and musician Pauletta Washington and makeup stylist Eric Spearman.
He was always an avid reader and loved dogs, especially his guide dog Polly. He was a foodie and longtime member of the Abyssinian Baptist Church choir in Harlem. His close family and friends called him Uncle Jeff.
“He was a fun-loving, spirited, and passionate individual,” his brother said. “Uncle Jeff loved the Lord and poured his heart into his work as well as family.”
At the beginning of “Eras Tour” rehearsals, in a Before-Travis Kelce (BTK) timeline, the Berks County native is shown wearing a gray oversized Eagles sweatshirt as she walks into a practice space.
Paparazzi have spotted Swift repping the crew neck before, which is fitting since she’s discussed at length over the years her memories of her dad watching Eagles games and her love for the team.
This is a very important reminder to everyone that Taylor Swift is an Eagles fan. 🦅 pic.twitter.com/Sw4viIt8MV
In fact, on her first Philadelphia night of the “Eras Tour,” Swift sang “gold rush” as a surprise song and confirmed the lyric “my Eagles T-shirt hanging from the door,” was in fact about the team and not the band.
“I love the band the Eagles, but guys, like, come on, I’m from Philly,” Swift said that night in 2023 (and yes, a celebratory Birds chant did break out from the crowd).
It’s also worth noting that Swift’s Eagles sweatshirt appears to be unofficial — the team’s house style dictates that the eagle profile should always face left, with the plumage forming a subtle letter ‘E.’
Of course as the docuseries progresses, we see an After-Travis Kelce (ATK) style evolution, and a lot more red and gold — gross.
2. The audiobook
At a point in the series where Swift is trying to calm her nerves, she lies on a couch and starts listening to an audiobook.
It turns out, that book excerpt was from none other than South Philly author Liz Moore’s The God of the Woods.
Moore and her book, which is a multigenerational mystery drama set in the Adirondacks, are having a good year. The God of the Woods was on multiple book club shortlists, including Barack Obama’s, and was just announced for a Netflix adaptation last week. Moore will serve as a co-showrunner, writer, and executive producer.
Swift wasn’t alone in her book selection. The God of the Woods was the most checked-out print book of the year across all of Philadelphia’s library branches. (We don’t know about audiobook stats because those are managed by a third party.)
3. Scenes from Philly shows at the Linc
In the portion of the series that discusses the sheer pandemonium that the “Eras Tour” caused, with epic tailgates (known as Taylorgates), economic boosts, and overall good vibes, it seems only right that footage from outside the Philly shows were used as the ultimate visual aid.
The docuseries even relies on a Philly voice to summarize things best:
“I’ve never seen this before in my life,” Jon McCann, a local content creator who goes by The Philly Captain, says in a perfectly thick regional accent. “It’s like Woodstock but without the drugs.”
4. The directors and post-production
The End of an Era was directed by Don Argott and Sheena M. Joyce, the local duo behind films including Rock School, Batman & Bill, and notably, Kelce — the documentary about Swift’s soon-to-be brother-in-law and former Eagle, Jason Kelce. The directors are both based in Philadelphia.
All six episode credits also list Philadelphia as a post-production location.
Despite President Donald Trump’s wishes, Jimmy Kimmel won’t be going off the air any time soon.
ABC announced the network signed a one-year contract extension with the late-night host on Monday.
Kimmel’s previous, multiyear contract was set to expire in May. The extension means Jimmy Kimmel Live! will continue through at least May of 2027.
The news comes on the heels of Kimmel’s temporary suspension following remarks he made about the assassination of conservative activist, Charlie Kirk. Trump praised the suspension at the time.
Following a public outcry, ABC lifted the suspension, and Kimmel returned to the air with stronger ratings than he had before.
Since then, Trump has continued to take jabs at Kimmel, who has resumed making jokes and digs at the president’s expense, performing a 10-minute monologue on Trump and the Jeffrey Epstein files in one episode and ragging on his approval ratings.
“I’ve watched some of the people that host,” Trump said. “Jimmy Kimmel was horrible, and some of these people, if I can’t beat out Jimmy Kimmel in terms of talent, then I don’t think I should be president.” (Kimmel has never hosted the Kennedy Center Honors. He has hosted the Oscars four times.)
Trump has continued to set his sights on other late-night TV hosts, including Stephen Colbert — whose show will end in May with CBS citing financial reasons for its cancelation — Jon Stewart, and, most recently, Seth Meyers.
Stewart will remain at his weekly post on The Daily Show for another year, Paramount, a Skydance Corporation, announced last month. Meyers’ Late Night with Seth Meyers is under contract with NBC through 2028.
