The former “Jersey Shore” star said in a video posted to TikTok that a biopsy had revealed the stage one cancer.
“Obviously not the news that I was hoping for,” she said, sitting in her car between medical appointments. “But also not the worst news, just because they caught it so early, thank freaking God.”
She urged her followers to get Pap smears, and said she is likely to have a hysterectomy after her initial treatment.
“So 2026 is not panning out how I wanted it to,” she said.
Polizzi became one of the breakout stars of “Jersey Shore” from its debut on MTV in 2009. She was on the reality show for six seasons and appeared in the later spinoffs “Snooki & JWoww” and “Jersey Shore: Family Vacation.”
Now 38, she still lives in New Jersey, has been married for 11 years and has three children.
Eric Dane, the celebrated actor best known for his roles on Grey’s Anatomy and Euphoria and who later in life became an advocate for ALS awareness, died Thursday. He was 53.
His representatives said Mr. Dane died from amyotrophic lateral sclerosis, known also as Lou Gehrig’s disease, less than a year after he announced his diagnosis.
“He spent his final days surrounded by dear friends, his devoted wife, and his two beautiful daughters, Billie and Georgia, who were the center of his world,” said a statement that requested privacy for his family. “Throughout his journey with ALS, Eric became a passionate advocate for awareness and research, determined to make a difference for others facing the same fight. He will be deeply missed, and lovingly remembered always. Eric adored his fans and is forever grateful for the outpouring of love and support he’s received.”
Mr. Dane developed a devoted fan base when his big break arrived in the mid-2000s: He was cast as Dr. Mark Sloan, aka McSteamy, on the ABC medical drama Grey’s Anatomy, a role he would play from 2006 until 2012 and reprise in 2021.
Although his character was killed off on the show after a plane crash, Mr. Dane’s character left an indelible mark on the still-running show: Seattle Grace Hospital became Grey Sloan Memorial Hospital.
In 2019, he did a complete 180 from the charming McSteamy and became the troubled Cal Jacobs in HBO’s provocative drama Euphoria, a role he continued in up until his death.
Mr. Dane also starred as Tom Chandler, the captain of a U.S. Navy destroyer at sea after a global catastrophe wiped out most of the world’s population, in the TNT drama TheLast Ship. In 2017, production was halted as Mr. Dane battled depression.
In April 2025, Mr. Dane announced he had been diagnosed with ALS, a progressive disease that attacks nerve cells controlling muscles throughout the body.
ALS gradually destroys the nerve cells and connections needed to walk, talk, speak, and breathe. Most patients die within three to five years of a diagnosis.
Mr. Dane became an advocate for ALS awareness, speaking a news conference in Washington on health insurance prior authorization. “Some of you may know me from TV shows, such as Grey’s Anatomy, which I play a doctor. But I am here today to speak briefly as a patient battling ALS,” he said in June 2025. In September of that year, the ALS Network named Mr. Dane the recipient of their advocate of the year award, recognizing his commitment to raising awareness and support for people living with ALS.
Mr. Dane was born on Nov. 9, 1972, and raised in Northern California. His father, who the actor said was a Navy veteran and an architect, died of a gunshot wound when Mr. Dane was 7. After high school, he moved to Los Angeles to pursue acting, landing guest roles on shows like Saved by the Bell, Married … With Children, Charmed, and X-Men: the Last Stand, and one season of the short-lived medical drama Gideon’s Crossing.
A memoir by Mr. Dane is scheduled to be published in late 2026. Book of Days: A Memoir in Moments will be released by Maria Shriver’s The Open Field, a Penguin Random House imprint. According to Open Field, Mr. Dane’s memoir covers key moments in his life, from his first day at work on Grey’sAnatomy to the births of his two daughters and learning that he had ALS.
“I want to capture the moments that shaped me — the beautiful days, the hard ones, the ones I never took for granted — so that if nothing else, people who read it will remember what it means to live with heart,” Mr. Dane said in a statement about the book. “If sharing this helps someone find meaning in their own days, then my story is worth telling.”
Mr. Dane is survived by his wife, actor Rebecca Gayheart, and their two teen daughters, Billie Beatrice and Georgia Geraldine. Gayheart and Mr. Dane wed in 2004 and separated in September 2017. Gayheart filed for divorce in 2018, but later filed to dismiss the petition. In a December essay for New York magazine’s The Cut reflecting on Mr. Dane’s diagnosis, Gayheart called their dynamic “a very complicated relationship, one that’s confusing for people.” She said they never got a divorce, but dated other people and lived separately.
“Our love may not be romantic, but it’s a familial love,” she said. “Eric knows that I am always going to want the best for him. That I’m going to do my best to do right by him. And I know he would do the same for me. So whatever I can do or however I can show up to make this journey better for him or easier for him, I want to do that.”
On the night of Feb. 4, at about 9:30, Christine Nangle received a text. It was from her boss Matt Selman, executive producer of the Fox program The Simpsons.
He had an idea. A mutual friend of theirs, Defector writer Dan McQuade, had recently died of neuroendocrine cancer at the age of 43. McQuade was a Simpsons superfan who embraced all of Philadelphia’s quirks, from tacky boardwalk T-shirts to the comically small La Salle smoke machine.
The Simpsons was about to air its 800th episode, set in Philadelphia. It included a litany of local references, many of them obscure to anyone outside the Delaware Valley.
McQuade had been planning to write about it. He hoped to get together to discuss the episode with Nangle and Selman while simultaneously watching and riffing on another Philadelphia-based show — Do No Harm, a medical drama McQuade described as “weird and bad.”
But that never happened. McQuade’s condition worsened. He died Jan. 28 at his parents’ home in Bensalem.
The Simpsons episode seemed tailor-made for McQuade. The producers hadn’t sent the final video to Fox studios yet. So, Selman made a proposal: Why not add a Dan McQuade Easter egg?
Nangle, a writer and producer on the show, couldn’t believe it. A few days earlier, she’d had the same thought, and almost texted it to her boss. But she assumed that it would be too late, because the episode was set to air on Feb. 15.
Matt Selman and Christine Nangle pictured at “The Simpsons” 800th episode party on Feb. 6.
The coworkers began to scour footage for any spot they could fit a Simpson-size, shaggy-bearded Philadelphian. Nangle considered putting him in the Mütter Museum, when Homer visited with a National Treasure-themed contingent.
But that was ruled out. So was the “Philadelphia Super Bowl Riot of 2018.” Selman worried viewers wouldn’t be able to recognize McQuade among the crowd of rabid fans.
“That was the Super Bowl when the Eagles beat my beloved Patriots, because of Bill Belichick’s inflexibility,” the executive producer said. “I thought about jamming him into that, but you wouldn’t have been able to see his cute little face. His little hairstyle.”
Instead, Selman found the perfect scene. About halfway through the episode, at the 10:49 mark, Homer goes to a Roots concert. The camera pans to the front row.
In the upper right-hand corner, wearing a kelly green satin jacket, with his long hair parted down the middle, is Dan McQuade.
“If it brought his family an ounce of relief, for one millisecond, then it was worth it,” Selman said.
Dan McQuade’s likeness was utilized in a scene depicting a concert by The Roots.
‘This is a good idea’
Selman had known McQuade for about five or six years. They were both alumni of the University of Pennsylvania, where they worked as editors at the Daily Pennsylvanian and 34th Street Magazine.
McQuade was 11 years younger, so they never met on campus. But Selman developed an appreciation for his work, and an online friendship blossomed.
Nangle, who grew up in Oxford Circle and attended Little Flower High School, met McQuade only once, when they were teenagers. But like Selman, she got to know him through his writing.
“He did this whole piece about the Franklin Mills Mall,” she said. “Just having somebody give voice to something that you thought was a mundane, dumb part of your life, and elevate it and make it seem like it matters, is really cool. You feel really seen.”
She added: “I barely remember meeting him in high school, but just reading his work, I was like, ‘It’s crazy that I’m not friends with this guy.’ And I was like, ‘Next time I’m in the city, we have to hang out.’”
Long after the producers moved to Los Angeles to work on the show, McQuade remained their portal to Philadelphia’s idiosyncrasies. In a way, Nangle looked to him as a kindred spirit.
They were both trying to bring a bit of the city’s character to a national audience. For Nangle, that meant slipping Delco accents and eccentric characters into her shows.
Selman would often go back and forth with McQuade about general Philadelphia weirdness. But they’d also talk about The Simpsons, of which McQuade was a lifelong fan.
A few times, the writer managed to combine his two passions.
“He’d text me photos of bootleg Bart Simpson T-shirts that he found,” Selman said. “And mail them to me. He would always send them to me.”
McQuade and Selman had been planning a story around The Simpsons’ 800th episode for months. In October, the writer flew out to Los Angeles, to discuss it more in person.
(Selman characterized this as more of a “fun-hang session.”)
They toured the Fox studio and went to the gift shop, where McQuade purchased Itchy and Scratchy toys for his son, Simon. They finished the day with lunch at Moe’s Cafe.
“There was a Philly cheesesteak on the menu,” Selman said. “And he was like, ‘I know this is going to be terrible, but I’m going to get it anyway.’
“He didn’t think it was that good. He was a champ about it, though.”
At the time, McQuade seemed to be in good health and good spirits. He’d told Selman about his cancer diagnosis but said that he “was doing OK.”
When the executive producer heard that his friend had died, he was shocked. Selman read McQuade’s obituary, and looked back on a video of Simon playing with the Itchy and Scratchy toys.
Then, the concept came to him.
Selman reached out to line producer Richard Chung. Chung’s job was to streamline episode production — and it was rare for The Simpsons to add a character, even a minor one, so last-minute. Selman wasn’t sure how Chung would react.
It would cost the company money and time. Not every line producer would have approved. But Chung did.
“This is a good idea,” he said.
The likeness of late writer Dan McQuade used in a recent episode of “The Simpsons” went through several iterations.
Going ‘full Santa Claus’
The next day, Chung started working on adding McQuade to the episode. He reached out to a character designer, who drew out a sketch.
After it was done, Selman brought the concept to Drew Magary and David Roth at Defector. He asked what they recommended McQuade wear.
“They said, ‘Put him in the kelly green Eagles satin jacket,’” Selman recalled. “So, we were able to put that implied jacket on him.
“And then we just kind of looked for good pictures of his funny hair.”
Dan McQuade’s Defector colleagues Drew Magary and David Roth recommended that the illustrators capture McQuade in his kelly green Eagles jacket.
Selman and Nangle decided to replace a generic member of the crowd at The Roots concert with McQuade.
It was unclear to Selman, or Magary, or Roth, if McQuade liked or disliked The Roots. But it was the best spot to include him. McQuade would be positioned right behind the Phillie Phanatic (tweaked to avoid copyright infringement).
“I don’t know if [Dan] was or was not a Roots fan,” Selman said. “They didn’t seem to know. I think they would have known if he was a huge fan, but I hope he wasn’t an enemy.
“Plus, legal-version of Gritty and legal-version of Phanatic are both there. So, I assumed he liked them. They all went together.”
‘The Simpsons’ illustrators replaced a random fan at The Roots concert with a likeness of Dan McQuade.
Less than 48 hours after Selman and Nangle exchanged texts, McQuade was added to the show. He was included in the first-aired broadcast on Feb. 15, as well as the legacy version (on Disney+).
The late writer’s appearance lasted only nine seconds, but fans caught on.
Later that night, Nangle confirmed on Bluesky that it was indeed an homage to McQuade. Her post quickly went viral. She received all sorts of messages and mentions.
“I guess they didn’t want to put his Mass card from the funeral [there],” Nangle said. “So, they put that image instead, which took my breath away.”
It was a hectic process, but Selman and Nangle are grateful they could honor McQuade in their unique way. They hope this episode can provide some joy to his loved ones, when they’re missing their Simpsons-loving friend.
“Having this job gives you magic Santa Claus powers to bring joy to people,” Selman said. “And you can’t use your Santa Claus powers all the time, to bring joy to everybody.
Stephen Colbert isn’t backing down in an extraordinary public dispute with his bosses at CBS over what he can air on his late-night talk show.
On The Late Show Tuesday, Colbert said he was surprised by a statement from CBS denying that its lawyers told him he couldn’t show an interview with Democratic Texas Senate candidate James Talarico — which the host said had happened the night before.
He then took a copy of the network statement, wrapped it in a dog poop bag, and tossed it away.
Colbert had instead shown his Talarico interview on YouTube, but told viewers why he couldn’t show it on CBS. The network was concerned about FCC Chairman Brendan Carr trying to enforce a rule that required broadcasters to give “equal time” to opposing candidates when an interview was broadcast with one of them.
“We looked and we can’t find one example of this rule being enforced for any talk show interview, not only for my entire late-night career, but for anyone’s late-night career going back to the 1960s,” Colbert said.
Although Carr said in January he was thinking about getting rid of the exemption for late-night talk shows, he hadn’t done it yet. “But CBS generously did it for him,” Colbert said.
Not only had CBS been aware Monday night that Colbert was going to talk about this issue publicly, its lawyers had even approved it in his script, he said. That’s why he was surprised by the statement, which said that Colbert had been provided “legal guidance” that broadcasting the interview could trigger the equal time rule.
“I don’t know what this is about,” Colbert said. “For the record, I’m not even mad. I really don’t want an adversarial relationship with the network. I’ve never had one.”
He said he was “just so surprised that this giant global corporation would not stand up to these bullies.” CBS is owned by Paramount Global.
Colbert is a short-timer now at CBS. The network announced last summer that Colbert’s show, where President Donald Trump is a frequent target of biting jokes, would end in May. The network said it was for economic reasons but others — including Colbert — have expressed skepticism that Trump’s repeated criticism of the show had nothing to do with it.
This week’s dispute with Colbert also recalls last fall, when ABC took late-night host Jimmy Kimmel off the air for a remark made about the killing of conservative activist founder Charlie Kirk, only to reinstate him following a backlash by viewers.
As of Wednesday morning, Colbert’s YouTube interview with Talarico had been viewed more than five million times, or roughly double what the comic’s CBS program draws each night. The Texas Democrat also reported that he had raised $2.5 million in campaign donations in the 24 hours after the interview.
CBS late-night host Stephen Colbert rebuked his own network Monday night, claiming that lawyers for parent company Paramount Skydance prohibited him from airing an interview with Texas State Rep. James Talarico, a Democratic candidate for the U.S. Senate, over concerns it would violate the Federal Communications Commission’s equal time rule.
“You know who is not one of my guests tonight?” Colbert asked his audience. “That’s Texas state representative James Talarico. He was supposed to be here, but we were told in no uncertain terms by our network’s lawyers, who called us directly, that we could not have him on the broadcast.”
In response, the studio audience booed.
“Then I was told, in some uncertain terms, that not only could I not have him on, I could not mention me not having him on,” Colbert continued. “And because my network clearly does not want us to talk about this, let’s talk about this.” A representative for Paramount Skydance did not respond to a request for comment.
Colbert launched into a segment about the FCC’s equal time rule, which requires broadcasters to provide equal opportunity to political candidates. News and talk show interviews have traditionally been exempt from the mandate. But in January, the FCC, issued a public notice saying that daytime and nighttime talk shows would have to apply for a exemptions to the equal time rule for each of their programs.
“Importantly, the FCC has not been presented with any evidence that the interview portion of any late night or daytime television talk show program on air presently would qualify for the bona fide news exemption,” the FCC’s notice read.
At the time, Anna M. Gomez, the FCC’s lone Democrat, called the notice “misleading” and said nothing has changed about the FCC’s requirements.
In a statement Tuesday, Gomez wrote that CBS’s decision is an example of “corporate capitulation in the face of this Administration’s broader campaign to censor and control speech” and said that the FCC has “no lawful authority to pressure broadcasters for political purposes.”
“CBS is fully protected under the First Amendment to determine what interviews it airs, which makes its decision to yield to political pressure all the more disappointing,” she said.
In a statement Tuesday afternoon, CBS defended itself and pushed back against Colbert’s account.
“THE LATE SHOW was not prohibited by CBS from broadcasting the interview with Rep. James Talarico,” a spokesperson for the network said in a statement. “The show was provided legal guidance that the broadcast could trigger the FCC equal-time rule for two other candidates, including Rep. Jasmine Crockett, and presented options for how the equal time for other candidates could be fulfilled. THE LATE SHOW decided to present the interview through its YouTube channel with on-air promotion on the broadcast rather than potentially providing the equal-time options.”
Colbert is already on his way out of CBS, set to depart the network in May when his show goes off the air. CBS announced over the summer that it is canceling The Late Show, the long-running talk show once hosted by David Letterman, which it claimed is “purely a financial decision.”
Led by Chairman Brendan Carr, the FCC in President Donald Trump’s second term has remade itself as a speech enforcer tackling perceived liberal bias in the media industry. Carr’s speech agenda has been marked by investigations of media companies and threats to take action against broadcasters that do not follow rarely enforced FCC rules. He has frequently invoked a little-used “news distortion” policy as justification, a practice condemned by a bipartisan group of former FCC chairs and commissioners in a November letter.
Following on-air comments in September by ABC’s Jimmy Kimmel in the wake of conservative activist Charlie Kirk’s killing, Carr suggested on a podcast that the agency could take action against the network and its parent company Disney, which owns broadcast licenses across the country.
“We can do this the easy way or the hard way,” Carr told conservative podcast host Benny Johnson about Kimmel. “These companies can find ways to change conduct and take actions on Kimmel, or there’s going to be additional work for the FCC ahead.” Carr drew bipartisan criticism for his role in the episode, with Sen. Ted Cruz (R., Texas) likening him to a cinema mafioso. ABC suspended Kimmel for several days in September.
Last summer the FCC approved an $8 billion deal for David Ellison’s Skydance to buy CBS parent company Paramount after a series of concessions. Skydance pledged to conduct a review of CBS’s programming and agreed to refrain from diversity, equity and inclusion initiatives. It also appointed an ombudsman with Republican Party ties to handle claims of bias.
In July, CBS also settled a lawsuit from Trump, who claimed that a 60 Minutes interview with political rival Kamala Harris was “deceitful” in its editing. Colbert claimed the $16 million settlement was a “big, fat bribe.” The network canceled The Late Show three days later.
Colbert’s criticism also comes amid another corporate pursuit for Paramount Skydance.
The company is trying to persuade Warner Bros. Discovery to accept its hostile bid to buy the company rather than sell to Netflix. It’s unclear whether the FCC would have a role in such a deal, even if Paramount is involved, because no broadcast spectrum licenses would be changing hands. Still, any deal of this size would need government approval, probably from Trump’s Justice Department, where antitrust chief Gail Slater just resigned.
In December, Trump has said he would be “involved” in vetting the Netflix-Warner Bros. deal, which has massive implications for Hollywood, movie theaters and streaming. More recently, Trump backtracked, saying he is “not involved” in the deal.
Talarico, 36, has been a member of the Texas House of Representatives since 2018 and more recently has been a rising star in the Democratic Party. He is running for a U.S. Senate seat in Texas, which is holding its primary contests on March 3.
Though Colbert’s interview with Talarico didn’t broadcast over the airwaves, it was made available on YouTube.
“This is the party that ran against cancel culture,” Talarico told Colbert. “Now they’re trying to control what we watch, what we say, what we read. And this is the most dangerous kind of cancel culture — the kind that comes from the top.”
When The Simpsons writer Christine Nangle got a chance to pen the Philadelphia episode that airs Sunday night, the comedian from Oxford Circle knew it was high stakes — and local audiences would be watching closely.
“It was a lot of pressure. I was joking like, ‘If they hate it, they’re gonna burn my parents’ house down, and if they love it, they’re gonna burn my parents’ house down,’” Nangle said with a laugh.
The idea originally came from Simpsons producer Mike Price, who grew up in South Plainfield, N.J., and suggested a visit to Philadelphia as a plot premise to Nangle, knowing she was a native.
Co-executive producer and writer Christine Nangle at “The Simpsons” 800th episode party in Los Angeles.
Last summer, Nangle and Price brainstormed what could bring their beloved cartoon family to the city and they landed on a nod to the National Dog Show. It was partially inspired by Nangle’s own 11-year-old rescue pit bull, Philby, who had just died. (Nangle got a shoutout in the episode with a competition sponsored by “Philby’s Poop Bags.”)
Titled “Irrational Treasure,” the episode is a spoof of the 2004 film National Treasure. A group of historians believe that the Simpsons’ family dog, Santa’s Little Helper, is a descendant of Benjamin Franklin’s greyhounds, and holds the key to finding the inventor’s long-lost treasure somewhere in the city.
Before getting to Philly, Santa’s Little Helper gains weight as Homer (Dan Castellaneta) overfeeds and spoils him. When the dog eats Marge’s (Julie Kavner) ambrosia salad full of toxic grapes, they rush to the emergency veterinarian, voiced byThe Pitt star Noah Wyle.
Marge consults with Adrienne (Brunson), a canine nutritionist and trainer who gets the dog working out to “Far From Over,” the ‘80s track by Frank Stallone (Sylvester’s brother). The pair enroll Santa’s Little Helper in competitions to help build agility, and he soon becomes a winner who can qualify for the big dog show in Philadelphia.
Adrienne (Quinta Brunson) and Santa’s Little Helper in ‘The Simpsons’ episode “Irrational Treasure.”
“I basically wrote this [Adrienne] role for Quinta, and she said yes, which is awesome,” said Nangle, who’s a big fan of Brunson’s Philly-set sitcom, Abbott Elementary. “When we recorded it, I said to her, ‘Thank you for saying yes, because I didn’t have a second choice, and I don’t know what I would have done.’”
Though the whole family wants to go to the show, Marge insists that only she and Santa’s Little Helper attend. But Homer has other plans and he manages to stow away in the trunk for the 18-hour drive.
Actor Kevin Bacon with “The Simpsons” co-executive producer and writer Christine Nangle and executive producer Mike Price.
“Philadelphia, my kind of town,” Homer says with reverence. “Throwing ice balls at Santa Claus, climbing greasy street lamps. The city Lenny Dykstra learned to be crazy, where every steak is cheesed and every tush is pushed. Even though I’ve never been, I feel like I was born there and I never left.”
When they arrive — passing a welcome sign calling the city “The Big Scrapple” — a hotel concierge (Bacon) greets them: “Yo! Welcome to the Hotel Philadelphia. We offer 24-hour room service from our full Boyz to Menu. If you need a wooder or any other jawn just ring the Patti LaBelle and we’ll send a jabroni right up.” (Boyz II Men also contributed their own version of The Simpsons theme song for the episode.)
The “Fresh Prince suite” in ‘The Simpsons’ Philadelphia episode.
That legendary Philly accent was essential to his character, and Nangle knew Bacon could do it well. “From [hearing] the first ‘Yo,’ I felt homesick, like, immediately,” she said.
They stay in the graffiti-covered Fresh Prince suite and Marge soon finds Homer’s list of “Awesome things for me to do in Philadelphia,” from head-butting a local, to a Mare of Easttown tour, to ripping off a piece of Jason Kelce’s beard.
“How is a dirtbag tour of the city supporting the dog?” Marge asks, exasperated.
The answer? Distraction tactic. The group of historians, who call themselves H.O.A.G.I.E. Men (Historians of America’s Great Inventors and Enlightened Men), ask Homer to take them to Santa’s Little Helper and he lies, telling them his wife and dog are on a tour of the city.
Cue tourist montage: Homer eats cheesesteaks at Dalessandro’s, Pat’s, and Geno’s, pizza at Down North, Tastykakes at the Navy Yard factory, and cherry water ice on the Schuylkill in front of Boathouse Row. He takes selfies at the Mütter Museum and the Rocky statue, which appears alongside multiple other bronzes memorializing characters from the boxing franchise like Apollo Creed, Ivan Drago, Mickey, and “Hanging Side of Beef.” Of course they stop at Wawa, too — Nangle always makes sure she stops for a soft pretzel when she visits home.
Homer (Dan Castellaneta) eats a cheesesteak in South Philly in an upcoming episode of ‘The Simpsons.’
They head to a Phillies game where the Phanatic gives Homer a noogie, and then to a Flyers game where Gritty beats him up on the ice. The mascots then join the group to drink beers and watch The Roots in concert.
“I didn’t want it to just be tourist spots, I wanted to make it places where actual Philadelphians would go,” said Nangle about selecting which locations to spotlight. “It really feels like a balance, because the show is watched worldwide — I want people to get it, but I also want people who are from the area to appreciate it. And not be mad at me.”
Homer, Marge, Adrienne, and the dog all reunite at a fictional Colonial Firefighting Museum, where Nangle cameos as a security guard (“Get outta here, ya dirts!” she yells.) Turns out the H.O.A.G.I.E. Men weren’t the only ones looking for the special dog — Adrienne reveals that she, too, seeks Franklin’s treasure and she takes Santa’s Little Helper with her to Betsy Ross’ house to unlock the vault.
Questlove voices a Segway tour guide in ‘The Simpsons’ episode “Irrational Treasure.”
Marge finally makes the Rocky reference and shouts “Adrienne!” after the dog chooses the trainer over her. She and Homer chase after them, getting interrupted by a Mummers Parade and Segway tour (led by Questlove) that stops to watch a reenactment of “the Battle of Broad Street, also known as the Super Bowl 52 Riot.”
In the end, Marge and Homer save Santa’s Little Helper from Adrienne, who winds up jumping after Franklin’s key into a crumbling pit while shouting “Go, Birds!” on the way down.
Nangle had hoped the episode would’ve aired after a second Super Bowl win for the Eagles this year; instead, she was just happy that the Patriots lost. Out of the dozens of Philly references packed into the episode, her favorite joke is the shot of a beautiful dog park called “Michael Vick Reparation Park.” (The former Eagles quarterback was convicted of dogfighting.)
“I cannot believe we were allowed to do it,” she said. “Of course, as someone who had a rescue pit bull, it’s an issue that I care a lot about, but it was just so fun.”
A shot from ‘The Simpsons’ 800th episode showing Gritty, Homer Simpson (Dan Castellaneta), and the Phanatic at a Roots concert. Late Philadelphia journalist Dan McQuade is pictured on the top right.
Out of all the ways to make the episode authentically Philly, there was one more thing that Nangle and The Simpsons team wanted to do: Give beloved Philly journalist Dan McQuade, who died last month, a spotlight.
Nangle and McQuade met back in high school and he was a big fan of the show and planned to write about the Philly episode.
“It’s just so sad that he’s not gonna be able to see this episode,” said Nangle.
Though it was too late to make it into the broadcast version of the episode, the Disney+ version will show an animated McQuade standing behind the Phanatic in the scene at The Roots concert.
The“Irrational Treaure” episode of “The Simpsons” airs Sunday, Feb. 15 at 8 p.m. ET on FOX.
Philadelphia sports fans will soon be presented with a first — a chance to actually save money during the streaming wars.
Beginning this week, YouTube TV is rolling out a sports-specific plan featuring channels with major sports rights that will cost $64.99 a month, $18 less than what it currently charges for a subscription.
New subscribers can nab the deal for $54.99 a month for a year.
The plan will include all the major broadcast networks — ABC, NBC, CBS, and Fox — and cable channels that hold sports rights, including ESPN’s networks (and full access to ESPN Unlimited beginning in the fall), FS1, TNT, TBS, TruTV (for the NCAA men’s basketball tournament), CBS Sports Network, Golf Channel, and USA Network, the U.S. home of Premier League games.
NBC Sports Philadelphia also will be included in the slimmed-down sports bundle for those who live in the Philadelphia TV market, a YouTube spokesperson confirmed. So will NBC’s other three regional sports networks in their respective areas: Boston, the San Francisco Bay Area, and Northern California. NBC Sports Philadelphia also still will be available to stream without a cable subscription through Peacock and MLB.TV.
YouTubeTV’s sports bundle will also include league-centric channels like the NFL Network (now owned by ESPN), the Big Ten Network, and NBA TV, which this season basically just airs a whip-around show called The Association and a handful of NBA games.
While the plan gets sports fans the bulk of NFL, MLB, NBA, and NHL games, there are a few omissions. Amazon’s Prime Video, which features Thursday Night Football, weekly NBA games, and playoff games in both leagues, isn’t included. It also doesn’t include the handful of NFL and MLB games streamed by Netflix, or Apple TV+’s Friday Night Baseball or MLS games.
Another notable omission is MLB Network, which hasn’t been available on YouTube TV since 2023 because of a carriage dispute.
YouTube TV is also rolling out slimmed-down subscription offerings for entertainment fans ($54.99 a month), a sports-plus-news package ($71.99 a month), and a family-focused plan ($69.99 a month).
Why now? Growth. YouTubeTV is the third-largest cable TV provider in the country and growing, with over 10 million subscribers, trailing just Charter (12.6 million) and Comcast (11.3 million). While Comcast has been shedding video customers, Charter has been able to stem its losses by offering its own skinny bundle, something fans and non-fans alike have been complaining about for years.
YouTube, the free older brother of YouTube TV, hasn’t been quiet about wanting to stream more NFL games in the near future. It could get its wish as soon as next season.
As part of its purchase of NFL Media and the NFL Network, ESPN agreed to give the league back the TV rights to four games. Those will now head to the marketplace, where YouTube is expected be among the bidders. It’s no surprise that YouTube CEO Neal Mohan was among the big names sitting with NFL commissioner Roger Goodell in his Super Bowl box on Sunday at Levi’s Stadium.
“We really value our partnership with the NFL,” Christian Oestlien, YouTube’s vice president of subscription product, told Bloomberg.com in a recent interview. “Everything we’ve done with them so far has been really successful. And so we’re very excited about the idea that we could be doing more with them.”
YouTube’s biggest competitor for those four games likely will be Netflix, which is entering the last year of its three-season deal to stream NFL Christmas games. Ted Sarandos, Netflix’s co-CEO, was also in Goodell’s booth.
YouTube streamed its first NFL game last season, the Week 1 matchup between the Kansas City Chiefs and Los Angeles Chargers played in São Paulo, Brazil. The game drew 17.3 million global viewers, including 16.2 million in the United States, a big number boosting the streamer’s chances of landing more games.
More sports media news
ESPN will broadcast next year’s Super Bowl in Los Angeles, and you’re going to hear a lot over the next year about it being the network’s first. But it has aired on sister network, ABC. As pointed out by Sports Media Watch’s Jon Lewis, ABC has broadcast three Super Bowls since being purchased by ESPN’s parent company, Disney, in 1996 — in 2000, 2003, and 2006, with coverage featuring Chris Berman and a number of ESPN personalities. The Super Bowl also has aired in Spanish on ESPN Deportes.
Happy trails to the laptop of The Athletic’s Tony Jones, which was destroyed after it was hit by a T-shirt shot by a cannon during the fourth quarter of Sunday’s Super Bowl. Jones said the rolled-up T-shirt hit his computer, which then hit him in the face, cracking the screen and preventing him from filing a story.
NBC will air MLB games this season for the first time since 1989 and is filling out its broadcast bench, adding studio analysts (and recent MLBers) Clayton Kershaw, Anthony Rizzo, and Joey Votto. You might not see much of them during the regular season, but all three will be part of NBC’s coverage of the wild-card series, which it’s taking over from ESPN.
Super Bowl viewership numbers will be out later Tuesday. If you care about such things and have seen numbers on social media, ignore them. The Eagles’ blowout win last year against the Chiefs averaged over 127 million viewers, peaking with Kendrick Lamar’s halftime show, with over 133 million people tuning in. We’ll see how Bad Bunny and Sunday’s boring Super Bowl can match that.
On Jeopardy!, contestants give their answers in the form of a question. Scott Riccardi’s should’ve been, “How do you pronounce Schuylkill?”
During Tuesday’s episode, the New Jersey native and his two competitors were given a U.S. geography clue close to home: “Pottsville & Reading both lie on this river that enters the Delaware at Philadelphia.”
Riccardi answered the clue correctly, but only after host Ken Jennings paused to determine if his pronunciation — “Skol-kull” — was close enough to award him $1,600.
As least he got the correct river. TJ Fisher, a marketing specialist from San Francisco, guessed “Lackawanna,” nailing the pronunciation but missing the answer by more than 100 miles.
Paolo Pasco, a puzzle writer originally from San Diego, Calif., didn’t buzz in.
For the record, it’s pronounced “Skoo-kl.” One 15th century mapmaker just cut to the chase and labeled it the “Scool Kill River,” which would’ve been much easier to say and spell.
Jeopardy! is in the finals of its annual Tournament of Champions, which featured the show’s most recent top contestants. Pasco won Monday and Tuesday, and needs just one more victory to win the tournament and collect its $250,000 prize.
Michael Bertrando’s first brush with Kennett Square’s council three years ago was to discuss a parking issue at his family’s legacy sandwich spot, Sam’s Sub Shop. He saw his neighbors, listened to them, and started to see how the council worked. Eventually, he became something of a regular.
When the issue of short-term rentals came up last month, Bertrando had a lot of perspective: As an actor — you might haveseen him on HBO’s Task — he has traveled extensively. He has seen the negative effects short-term rentals can have had on communities from New York to Argentina to Brazil. He spoke up.
And then people started to drop by the sandwich shop, which he runs alongside his parents, suggesting that he put his name in for a vacant seat on the council.
The council voted last month to appoint Bertrando, 52, from a crowded field of applicants to fill former council member Julie Hamilton’s seat through December 2027. He was sworn in Monday.
The seat will be on the ballot for a four-year term in the 2027 general election. Hamilton resigned for a job in Texas, the Daily Local reported.
Long ties to Kennett Square
Council member is another job title the local businessman and Task stuntman can add to his resumé.
“I’m volunteering to help the residents of my community; that’s my primary goal,” he said in an interview Tuesday.
Bertrando — an actor, director, and producer — has worked at his family’s 80-year-old sub shop for decades. It drew him back home a few years ago, so he could help his aging parents run the shop.
But in the years between, Bertrando left Kennett Square to pursue acting, appearing in commercials for brands like Mercedes, McDonald’s, Nintendo, and Oscar Mayer; traveling the world as a professional clown; and working the improv comedy circuit in New York and Chicago.
His film career has continued back in Pennsylvania; Bertrando served as Mark Ruffalo’s stand-in and stunt double in Task, the HBO crime drama set in Delco. In his own productions, his hometown has seeped into his work. A short film, Italian Special, is set within Sam’s Sub Shop and Kennett Square.
Since returning to the borough, Bertrando has been a frequent visitor to council meetings, and advised the borough alongside other business leaders on what was going well, and what wasn’t, in Kennett Square.
Priorities on council
His professional career and his family’s long lineage in Kennett Square have shaped his perspectives on the borough, and what he thinks he can add as a council member.
He is motivated by the possible development of a new theater. Infusing more arts into the community would be beneficial, he said.
Having worked on Task, he saw how other municipalities the show filmed in benefited from an influx of revenue: from parking to hiring police for traffic control, to renting out locations in town, to ordering food for lunches and snacks, to coffee runs, to overnight stays in hotels.
“We have all the infrastructure needed for that to happen here in Kennett,” he said.
Both Task and fellow Pennsylvania-based crime drama Mare of Easttown mention Kennett Square, but neither used the borough for filming.
“When you have a theater or something arts-driven in the town, I think that’s a signal,” he said. “I think a theater can work as a beacon for revenue from other sources, like film production.”
Beyond the intersection of his passion for film and the borough, he said the development of the former National Vulcanized Fiber land, a large undeveloped parcel that is being remediated for contamination in soil from the industrial site, has been of concern for residents.
While the project would be years out even if ultimately approved, Bertrando said he would advocate for environmental transparency and affordable development that respects the existing neighborhoods.
He would also like to improve communication between the municipality and its residents — the longtime community members, like Bertrando’s family, and those who are choosing to relocate.
As he began his term on the other side of public comment, he said, he focused in, listening closely to what his neighbors were saying. He feels the burden to pay close attention, since he was appointed to the role, rather than elected.
“I really have to make the effort to listen to their concerns and really try the best ways to help in their concerns,” he said. “Sitting on the other side was exciting. It was important. It’s serious. It’s my town. I really care about it.”
LOS ANGELES — Catherine O’Hara, a gifted Canadian-born comic actor and SCTV alum who starred as Macaulay Culkin’s harried mother in two Home Alone movies and won an Emmy as the dramatically ditzy wealthy matriarch Moira Rose in Schitt’s Creek, died Friday. She was 71.
Ms. O’Hara died at her home in Los Angeles “following a brief illness,” according to a statement from her representatives at Creative Artists Agency. Further details were not immediately available.
Ms. O’Hara’s career was launched with the Second City comedy group in Toronto in the 1970s. It was there that she first worked with Eugene Levy, who would become a lifelong collaborator — and her Schitt’s Creek costar. The two would be among the original cast of the sketch show SCTV, short for “Second City Television.” The series, which began on Canadian TV in the 1970s and aired on NBC in the U.S., spawned a legendary group of esoteric comedians that Ms. O’Hara would work with often, including Martin Short, John Candy, Andrea Martin, Rick Moranis, and Joe Flaherty.
Ms. O’Hara would win her first Emmy for her writing on the show.
Eugene Levy (from left), Annie Murphy, Daniel Levy, and Catherine O’Hara, cast members in the series “Schitt’s Creek,” pose for a 2018 portrait.
Her second, for best actress in a comedy series, came four decades later, for Schitt’s Creek, a career-capping triumph and the perfect personification of her comic talents. The small CBC series created by Levy and his son, Dan, about a wealthy family forced to live in a tiny town would dominate the Emmys in its sixth and final season. It brought Ms. O’Hara, always a beloved figure, a new generation of fans and put her at the center of cultural attention.
She told the Associated Press that she pictured Moira, a former soap opera star, as someone who had married rich and wanted to “remind everyone that (she was) special, too.” With an exaggerated Mid-Atlantic accent and obscure vocabulary, Moira spoke unlike anyone else, using words like “frippet,” “pettifogging” and “unasinous,” to show her desire to be different, Ms. O’Hara said. To perfect Moira’s voice, Ms. O’Hara would pore through old vocabulary books, “Moira-izing” the dialogue even further than what was already written.
Ms. O’Hara also won a Golden Globe and two SAG Awards for the role.
At first, Hollywood didn’t entirely know what to do with Ms. O’Hara and her scattershot style. She played oddball supporting characters in Martin Scorsese’s 1985 After Hours and Tim Burton’s 1988 Beetlejuice — a role she would reprise in the 2024 sequel.
She played it mostly straight as a horrified mother who accidentally abandoned her child in the two Home Alone movies. The films were among the biggest box office earners of the early 1990s and their Christmas setting made them TV perennials. They allowed her moments of unironic warmth that she didn’t get often.
“Mama, I thought we had time,” Culkin said on Instagram alongside an image from Home Alone and a recent recreation of the same pose. “I wanted more. I wanted to sit in a chair next to you. I heard you. But I had so much more to say. I love you.”
Meryl Streep, who worked with O’Hara in Heartburn, said in a statement that she “brought love and light to our world, through whipsmart compassion for the collection of eccentrics she portrayed.”
Roles in big Hollywood films didn’t follow Home Alone, but Ms. O’Hara would find her groove with the crew of improv pros brought together by Christopher Guest for a series of mockumentaries that began with 1996’s Waiting for Guffman and continued with 2000’s Best in Show, 2003’s A Mighty Wind, and 2006’s For Your Consideration.
Best in Show was the biggest hit and best-remembered film of the series. She and Levy play married couple Gerry and Cookie Fleck, who take their Norwich terrier to a dog show and constantly run into Cookie’s former lovers along the way.
“I am devastated,” Guest said in a statement to the AP. “We have lost one of the comic giants of our age.”
Born and raised in Toronto, Ms. O’Hara was the sixth of seven children in a Catholic family of Irish descent. She graduated from Burnhamthorpe Collegiate Institute, an alternative high school. She joined Second City in her early 20s, as an understudy to Gilda Radner before Radner left for Saturday Night Live. (Ms. O’Hara would briefly be hired for “SNL” but quit before appearing on air.)
Nearly 50 years later, her final roles would be as Seth Rogen’s reluctant executive mentor and freelance fixer on The Studio and a dramatic turn as therapist to Pedro Pascal and other dystopia survivors on HBO’s The Last of Us. Both earned her Emmy nominations. She would get 10 in her career.
“Oh, genius to be near you,” Pascal said on Instagram. “Eternally grateful. There is less light in my world.”
Earlier this month, Rogen shared a photo on Instagram of him and Ms. O’Hara shooting the second season of “The Studio.”
She is survived by her husband, Bo Welch, a production designer and director who was born in Yardley; sons Matthew and Luke; and siblings Michael O’Hara, Mary Margaret O’Hara, Maureen Jolley, Marcus O‘Hara, Tom O’Hara, and Patricia Wallice.
