Category: Entertainment Wires

Richard Smallwood, a gospel singer and recording artist nominated eight times for Grammy Awards, has died. He was 77.

Mr. Smallwood died Tuesday of complications of kidney failure at a rehabilitation and nursing center in Sandy Spring, Md., his representative Bill Carpenter announced.

Mr. Smallwood had health issues for many years, and music gave him the strength to endure, Carpenter said in an interview.

“Richard was so dedicated to music, and that was the thing that kept him alive all these years,” he said. “Making music that made people feel something is what made him want to keep breathing and keep moving and keep living.”

Mr. Smallwood’s songs were performed and recorded over the years by artists such as Whitney Houston, Stevie Wonder, Destiny’s Child, and Boyz II Men. Houston brought his music to film by performing “I Love the Lord” in the 1996 movie The Preacher’s Wife, according to Mr. Smallwood’s biography at the Gospel Music Hall of Fame.

Mr. Smallwood “opened up my whole world of gospel music,” singer and songwriter Chaka Khan wrote on Facebook after his death.

“His music didn’t just inspire me, it transformed me,” she said. “He is my favorite pianist, and his brilliance, spirit, and devotion to the music have shaped generations, including my own journey.”

Mr. Smallwood was born Nov. 30, 1948, in Atlanta and began to play piano by ear by the age of 5, according to biographic materials provided by Carpenter. By age 7, he was taking formal lessons. He had formed his own gospel group by the time he was 11.

He was primarily raised in Washington, D.C., by his mother, Mabel, and his stepfather, the Rev. Chester Lee “C.L.” Smallwood. His stepfather was the pastor of Union Temple Baptist Church in Washington.

Mr. Smallwood was a music pioneer in multiple ways at Howard University in Washington, where he graduated cum laude with a music degree. He was a member of Howard’s first gospel group, the Celestials. He was also a founding member of the university’s gospel choir, according to an obituary from Carpenter.

After college, Mr. Smallwood taught music at the University of Maryland and went on to form the Richard Smallwood Singers in 1977, bringing a contemporary sound to traditional gospel music. He later formed Vision, a large choir that fueled some of his biggest gospel hits, including “Total Praise.”

“Total Praise” became a modern-day hymn that touched people from all types of backgrounds and walks of life, Carpenter said by phone Wednesday.

“You can go into any kind of church — a Black church, a white church, a nondenominational church — and you might hear that song,” he said. “Somehow it found its footing throughout the whole Christian world. If he never wrote anything else, that would have put him in the modern hymn book.”

Wonder performed “Total Praise” at the funeral of the Rev. Dr. Martin Luther King Jr.’s son Dexter Scott King at Ebenezer Baptist Church in Atlanta on Feb. 10, 2024.

In recent years, mild dementia and other health issues prevented Mr. Smallwood from recording music, and members of his Vision choir helped care for him.

His legacy will live on “through every note and every soul he touched,” Khan said.

“I am truly looking forward to singing with you in heaven,” she said.

PARIS — Brigitte Bardot, the French 1960s sex symbol who became one of the greatest screen sirens of the 20th century and later a militant animal rights activist and far-right supporter, has died. She was 91.

Ms. Bardot died Sunday at her home in southern France, according to Bruno Jacquelin, of the Brigitte Bardot Foundation for the protection of animals. Speaking to the Associated Press, he gave no cause of death, and said that no arrangements had been made for funeral or memorial services. She had been hospitalized last month.

Ms. Bardot became an international celebrity as a sexualized teen bride in the 1956 movie And God Created Woman. Directed by her then husband Roger Vadim, it triggered a scandal with scenes of the long-legged beauty dancing on tables naked.

At the height of a cinema career that spanned more than two dozen films and three marriages, Ms. Bardot came to symbolize a nation bursting out of bourgeois respectability. Her tousled blond hair, voluptuous figure, and pouty irreverence made her one of France’s best-known stars, even as she struggled with depression.

Such was her widespread appeal that in 1969 her features were chosen to be the model for “Marianne,” the national emblem of France and the official Gallic seal. Bardot’s face appeared on statues, postage stamps, and coins.

‘’We are mourning a legend,’’ French President Emmanuel Macron said in an X post.

Ms. Bardot’s second career as an animal rights activist was equally sensational. She traveled to the Arctic to blow the whistle on the slaughter of baby seals. She also condemned the use of animals in laboratory experiments, and she opposed Muslim slaughter rituals.

“Man is an insatiable predator,” Ms. Bardot told the Associated Press on her 73rd birthday, in 2007. “I don’t care about my past glory. That means nothing in the face of an animal that suffers, since it has no power, no words to defend itself.”

Her activism earned her compatriots’ respect and, in 1985, she was awarded the Legion of Honor, the nation’s highest recognition.

Turn to the far right

Later, however, she fell from public grace as her animal protection diatribes took on a decidedly extremist tone. She frequently decried the influx of immigrants into France, especially Muslims.

She was convicted and fined five times in French courts of inciting racial hatred, in incidents inspired by her opposition to the Muslim practice of slaughtering sheep during annual religious holidays.

Ms. Bardot’s 1992 marriage to fourth husband Bernard d’Ormale, a onetime adviser to far-right National Front leader Jean-Marie Le Pen, contributed to her political shift. She described Le Pen, an outspoken nationalist with multiple racism convictions of his own, as a “lovely, intelligent man.”

In 2012, she supported the presidential bid of Marine Le Pen, who now leads her father’s renamed National Rally party. Le Pen paid homage Sunday to an “exceptional woman” who was “incredibly French.”

In 2018, at the height of the #MeToo movement, Ms. Bardot said in an interview that most actors protesting sexual harassment in the film industry were “hypocritical,” because many played “the teases” with producers to land parts.

She said she had never had been a victim of sexual harassment and found it “charming to be told that I was beautiful or that I had a nice little ass.”

Privileged but ‘difficult’ upbringing

Brigitte Anne-Marie Bardot was born Sept. 28, 1934, to a wealthy industrialist. A shy child, she studied classical ballet and was discovered by a family friend who put her on the cover of Elle magazine at age 14.

Bardot once described her childhood as “difficult” and said that her father was a strict disciplinarian who would sometimes punish her with a horse whip.

Vadim, a French movie producer who she married in 1952, saw her potential and wrote And God Created Woman to showcase her provocative sensuality, an explosive cocktail of childlike innocence and raw sexuality.

The film, which portrayed Ms. Bardot as a teen who marries to escape an orphanage and then beds her brother-in-law, had a decisive influence on New Wave directors Jean-Luc Godard and François Truffaut, and came to embody the hedonism and sexual freedom of the 1960s.

The film was a box-office hit, and it made Ms. Bardot a superstar. Her girlish pout, tiny waist and generous bust were often more appreciated than her talent.

“It’s an embarrassment to have acted so badly,” Ms. Bardot said of her early films. “I suffered a lot in the beginning. I was really treated like someone less than nothing.”

Ms. Bardot’s unabashed, off-screen love affair with co-star Jean-Louis Trintignant eradicated the boundaries between her public and private life and turned her into a hot prize for paparazzi.

Ms. Bardot never adjusted to the limelight. She blamed the constant media attention for the suicide attempt that followed 10 months after the birth of her only child, Nicolas. Photographers had broken into her house two weeks before she gave birth to snap a picture of her pregnant.

Nicolas’ father was Jacques Charrier, a French actor who she married in 1959 but who never felt comfortable in his role as Monsieur Bardot. Ms. Bardot soon gave up her son to his father, and later said she had been chronically depressed and unready for the duties of being a mother.

“I was looking for roots then,” she said in an interview. “I had none to offer.”

In her 1996 autobiography Initiales B.B., she likened her pregnancy to “a tumor growing inside me,” and described Charrier as “temperamental and abusive.”

Ms. Bardot married her third husband, West German millionaire playboy Gunther Sachs, in 1966, and they divorced three years later.

Among her films were A Parisian (1957); In Case of Misfortune, in which she starred in 1958 with screen legend Jean Gabin; The Truth (1960); Private Life (1962); A Ravishing Idiot (1964); Shalako (1968); Women (1969); The Bear and the Doll (1970); Rum Boulevard (1971); and Don Juan (1973).

With the exception of 1963’s critically acclaimed Contempt, directed by Godard, Ms. Bardot’s films were rarely complicated by plots. Often they were vehicles to display Ms. Bardot in scanty dresses or frolicking nude in the sun.

“It was never a great passion of mine,” she said of filmmaking. “And it can be deadly sometimes. Marilyn [Monroe] perished because of it.”

Ms. Bardot retired to her Riviera villa in St. Tropez at the age of 39 in 1973 after The Woman Grabber. As fans brought flowers to her home Sunday, the local St. Tropez administration called for “respect for the privacy of her family and the serenity of the places where she lived.”

Middle-aged reinvention

She emerged a decade later with a new persona: An animal rights lobbyist, her face was wrinkled and her voice was deep following years of heavy smoking. She abandoned her jet-set life and sold off movie memorabilia and jewelry to create a foundation devoted exclusively to the prevention of animal cruelty.

Depression sometimes dogged her, and she said that she attempted suicide again on her 49th birthday.

Her activism knew no borders. She urged South Korea to ban the sale of dog meat and once wrote to U.S. President Bill Clinton asking why the U.S. Navy recaptured two dolphins it had released into the wild.

She attacked centuries-old French and Italian sporting traditions including the Palio, a free-for-all horse race, and campaigned on behalf of wolves, rabbits, kittens, and turtle doves.

“It’s true that sometimes I get carried away, but when I see how slowly things move forward … my distress takes over,” Ms. Bardot told the AP when asked about her racial hatred convictions and opposition to Muslim ritual slaughter,

In 1997, several towns removed Bardot-inspired statues of Marianne after the actor voiced anti-immigrant sentiment. Also that year, she received death threats after calling for a ban on the sale of horse meat.

Environmental campaigner Paul Watson, who was beaten on a seal hunt protest in Canada alongside Ms. Bardot in 1977 and campaigned with her for five decades, acknowledged that “many disagreed with Brigitte’s politics or some of her views.”

“Her allegiance was not to the world of humans,” he said. “The animals of this world lost a wonderful friend today.”

Ms. Bardot once said that she identified with the animals that she was trying to save.

“I can understand hunted animals, because of the way I was treated,” Ms. Bardot said. “What happened to me was inhuman. I was constantly surrounded by the world press.”