Category: Entertainment Wires

  • FCC leader says agency is no longer independent as he’s grilled by Democrats over Kimmel controversy

    FCC leader says agency is no longer independent as he’s grilled by Democrats over Kimmel controversy

    WASHINGTON — Democratic senators on Wednesday hammered the Federal Communications Commission’s leader for pressuring broadcasters to take ABC late-night host Jimmy Kimmel off the air, suggesting that Brendan Carr was politicizing an independent agency and trampling the First Amendment.

    The FCC chairman refused to disown his comments about Kimmel and, when questioned by Democrats about an agency long considered autonomous, suggested it was not insulated from Trump’s pressure.

    “The FCC is not an independent agency,” Carr said.

    Carr later sidestepped questions about whether he considered the Republican president to be his boss and whether he had taken orders from Trump or his inner circle.

    “President Trump has designated me as chairman of the FCC,” Carr added later. “I think it comes as no surprise that I’m aligned with President Trump on policy.”

    Sen. Ben Ray Luján (D., N.M.) noted that the FCC’s website described it as an “independent U.S. government agency overseen by Congress.”

    Soon after, with the hearing still underway, the website changed, removing “independent” from a section describing its mission.

    Trump has waged an aggressive campaign against the media in his second term, filing lawsuits against outlets whose coverage he dislikes, and threatening to revoke TV broadcast licenses. On Wednesday, he criticized NBC for an interview with Democratic Sen. Raphael Warnock, saying the network “should be ashamed of themselves.”

    “The Public airwaves, which these Networks are using at no charge, should not be allowed to get away with this any longer!” Trump wrote on Truth Social. “They should be properly licensed, and pay significant amounts of money for using this very valuable Public space.”

    The 2½-hour hearing before the Senate Commerce committee repeatedly circled back to Carr’s stance on Kimmel after the late-night host’s comments on slain conservative activist Charlie Kirk. At the time, Carr’s vocal criticism and veiled threats were equated with that of a mob boss.

    Carr said he was simply enforcing laws holding networks to stricter scrutiny than cable and other forms of media and that “the FCC has walked away from enforcing the public interest standard.”

    Democrats insisted he was warping the laws Carr invoked.

    “You are weaponizing the public interest standard,” said Sen. Ed Markey (D., Mass.), who told Carr that he should resign.

    Republican senators referenced perceived First Amendment violations by the administration of former President Joe Biden, calling Democrats’ free speech arguments disingenuous. GOP members appeared intent on bringing up broadcast spectrum auctions, undersea cable infrastructure, algorithm-driven content, robocalls, and just about anything other than Carr’s statements about Kimmel.

    The committee chairman, Sen. Ted Cruz, had previously equated Carr’s comments to those of a mobster and called them “dangerous as hell.” But at the hearing, Cruz (R., Texas) took a far softer stance. He dismissed Kimmel as “tasteless” and “unfunny,” and shifted to criticizing Biden’s administration, a tack that Carr parroted throughout the hearing.

    “Joe Biden is no longer president,” Sen. Amy Klobuchar, (D., Minn.) shot back at one point.

    The hearing also included the two other commissioners, Olivia Trusty and Anna M. Gomez. Gomez, a Biden appointee, said that the FCC has “undermined its reputation as a stable, independent, and expert-driven regulatory body.”

    “Nowhere is that departure more concerning,” Gomez said, “than its actions to intimidate government critics, pressure media companies and challenge the boundaries of the First Amendment.”

    Carr was nominated to the FCC by both Trump and Biden and unanimously confirmed by the Senate three times. But he has more recently shown more overtly right-wing views, writing a section on the FCC for “Project 2025,” the sweeping blueprint for gutting the federal workforce and dismantling agencies in Trump’s second term.

    Since becoming chairman this year, Carr has launched separate investigations of all three major broadcast networks. After Kimmel’s comments on the September killing of Kirk, who was a Trump ally and leading voice of the right, Carr said: “We can do this the easy way or the hard way. These companies can find ways to take action on Kimmel or there is going to be additional work for the FCC ahead.”

    Cruz was unflinchingly critical at the time, saying “I think it is unbelievably dangerous for government to put itself in the position of saying we’re going to decide what speech we like and what we don’t, and we’re going to threaten to take you off air if we don’t like what you’re saying.”

    While Cruz did not repeat those words Wednesday, they were repeatedly invoked by Democrats. Carr did not directly respond to questions from reporters following the hearing about Cruz’s original comments.

    “I think the hearing went really well,” Carr said in response.

  • The Oscars will move to YouTube in 2029, leaving longtime home of ABC

    The Oscars will move to YouTube in 2029, leaving longtime home of ABC

    In a seismic shift for one of television’s marquee events, the Academy Awards will depart ABC and begin streaming on YouTube beginning in 2029, the Academy of Motion Picture Arts and Sciences announced Wednesday.

    ABC will continue to broadcast the annual ceremony through 2028. That year will mark the 100th Oscars.

    But starting in 2029, YouTube will retain global rights to streaming the Oscars through 2033. YouTube will effectively be the home to all things Oscars, including red-carpet coverage, the Governors Awards, and the Oscar nominations announcement.

    “We are thrilled to enter into a multifaceted global partnership with YouTube to be the future home of the Oscars and our year-round Academy programming,” said academy chief executive Bill Kramer and academy president Lynette Howell Taylor. “The Academy is an international organization, and this partnership will allow us to expand access to the work of the Academy to the largest worldwide audience possible — which will be beneficial for our Academy members and the film community.”

    While major award shows have added streaming partnerships, the YouTube deal marks the first of the big four — the Oscars, Grammys, Emmys, and Tonys — to completely jettison broadcast television. It puts one of the most watched non-NFL broadcasts in the hands of Google. YouTube boasts some 2 billion viewers.

    The Academy Awards will stream for free worldwide on YouTube, in addition to YouTube TV subscribers. It will be available with audio tracks in many languages, in addition to closed captioning.

    Financial terms were not disclosed.

    “The Oscars are one of our essential cultural institutions, honoring excellence in storytelling and artistry,” said Neal Mohan, chief executive of YouTube. “Partnering with the academy to bring this celebration of art and entertainment to viewers all over the world will inspire a new generation of creativity and film lovers while staying true to the Oscars’ storied legacy.”

    The Walt Disney Co.-owned ABC has been the broadcast home to the Oscars for almost its entire history. NBC first televised the Oscars in 1953, but ABC picked up the rights in 1961. Aside from a period between 1971 and 1975, when NBC again aired the show, the Oscars have been on ABC.

    “ABC has been the proud home to The Oscars for more than half a century,” the network said in a statement. ”We look forward to the next three telecasts, including the show’s centennial celebration in 2028, and wish the Academy of Motion Picture Arts and Sciences continued success.”

    The 2025 Academy Awards were watched by 19.7 million viewers on ABC, a slight increase from the year before. That remains one of the biggest TV broadcasts of the year, though less than half of Oscar ratings at their peak. In 1999, more than 55 million watched James Cameron’s Titanic win best picture.

    The film academy, in choosing YouTube over other options such as Netflix or NBC Universal/Peacock, selected a platform with a wide-ranging and massive audience but one without as much of an established production infrastructure.

    Still, more people — especially young people — watch YouTube than any other streaming platform. According to Nielsen, YouTube accounted for 12.9% of all television and streaming content consumed in November. Netflix ranked second with an 8.3% market share.

  • Warner Bros asks its investors to reject the takeover bid from Paramount Skydance, saying Netflix’s will be better for customers

    Warner Bros asks its investors to reject the takeover bid from Paramount Skydance, saying Netflix’s will be better for customers

    NEW YORK — Warner Bros. is telling shareholders to reject a takeover bid from Paramount Skydance, saying that a rival bid from Netflix will be better for customers.

    “We strongly believe that Netflix and Warner Bros. joining forces will offer consumers more choice and value, allow the creative community to reach even more audiences with our combined distribution, and fuel our long-term growth,” Warner Bros. said Wednesday. “We made this deal because their deep portfolio of iconic franchises, expansive library, and strong studio capabilities will complement—not duplicate—our existing business.”

    Paramount went hostile with its bid last week, asking shareholders to reject the deal with Netflix favored by the board of Warner Bros.

    Paramount’s bid isn’t off the table altogether. While Wednesday’s letter to shareholders means Paramount’s is not the offer favored by the board at Warner Bros., shareholders can still decide to tender their shares in favor of Paramount’s offer for the entire company — including cable stalwarts CNN and Discovery.

    Unlike Paramount’s bid, the offer from Netflix does not include buying the cable operations of Warner Bros. An acquisition by Netflix, if approved by regulators and shareholders, will close only after Warner completes its previously announced separation of its cable operations.

  • Rob Reiner’s son Nick charged with 2 counts of murder in killing of his parents

    Rob Reiner’s son Nick charged with 2 counts of murder in killing of his parents

    LOS ANGELES — Rob Reiner’s son Nick Reiner was charged Tuesday with two counts of first-degree murder in the killing of his parents, which stunned their communities in Hollywood and Democratic politics, where both were widely beloved.

    Nick Reiner, 32, is charged with killing Rob Reiner, the 78-year-old actor and director, and his wife, Michele Singer Reiner, District Attorney Nathan Hochman announced at a news conference with Los Angeles Police Chief Jim McDonnell.

    “Their loss is beyond tragic and we will commit ourselves to bringing their murderer to justice,” Hochman said.

    Along with the two counts of first-degree murder, prosecutors added special circumstances of multiple murders and a special allegation that the defendant used a dangerous weapon: a knife. The additions could mean a greater sentence.

    Hochman said his office had not decided whether to seek the death penalty.

    “This case is heartbreaking and deeply personal, not only for the Reiner family and their loved ones but for our entire city,” McDonnell said. “We will continue to support the Reiner family and ensure that every step forward is taken with care, dignity, and resolve.”

    The announcement came two days after the couple were found dead with apparent stab wounds in their home in the upscale Brentwood neighborhood on the west side of Los Angeles. Nick Reiner did not resist when he was arrested hours later in the Exposition Park area near the University of Southern California, about 14 miles from the crime scene, police said.

    Nick Reiner had been expected to make an initial court appearance Tuesday, but his attorney Alan Jackson said he was not brought from the jail to the courthouse for medical reasons and the appearance would not come before Wednesday.

    An email sent to Jackson seeking comment on the charges was not immediately answered. Nick Reiner has not entered a plea.

    Rob Reiner was the Emmy-winning costar of the sitcom All in the Family who went on to direct films including When Harry Met Sally … and The Princess Bride. He was an outspoken liberal activist for decades. Michele Singer Reiner was a photographer, a movie producer, and an advocate for LGBTQ+ rights. They had been married for 36 years.

    Representatives for the Reiner family did not respond to requests for comment. Police have not said anything about a motive for the killings.

    Nick Reiner is being held in jail without bail. He was arrested several hours after his parents were found dead on Sunday, police said.

    Jackson is a high-profile lawyer who represented Harvey Weinstein at his Los Angeles trial and Karen Read at her trial in Massachusetts. He was a central figure in the HBO documentary on the Read case.

    Investigators believe Rob and Michele Singer Reiner died from stab wounds, a law enforcement official told the Associated Press. The official, who was briefed on the investigation, could not publicly discuss the details and spoke on condition of anonymity.

    The killings were especially shocking given the warm comic legacy of the family. Rob Reiner was the son of comedy legend Carl Reiner, who died in 2020 at age 98.

    Kathy Bates, who won an Oscar as the star of Rob Reiner’s 1990 film Misery, was among those paying tribute to the couple.

    “I loved Rob,” Bates said in a statement. “He was brilliant and kind, a man who made films of every genre to challenge himself as an artist. He also fought courageously for his political beliefs. He changed the course of my life. Michele was a gifted photographer.”

    Former President Bill Clinton called the couple “good, generous people who made everyone who knew them better.”

    “Hillary and I are heartbroken by the tragic deaths of our friends Rob and Michele Reiner,” he said in a statement. “They inspired and uplifted millions through their work in film and television.”

    Three months ago, Nick Reiner was photographed with his parents and siblings at the premiere of his father’s film Spinal Tap 2: The End Continues.

    He had spoken publicly of his struggles with addiction, cycling in and out of treatment facilities with bouts of homelessness in between through his teen years. Rob and Nick Reiner explored — and seemed to improve — their relationship through the making of the 2016 film Being Charlie.

    Nick Reiner cowrote and Rob Reiner directed the film about the struggles of an addicted son and a famous father. It was not autobiographical but included several elements of their lives.

    “It forced us to understand ourselves better than we had,” Rob Reiner told the AP in 2016. “I told Nick while we were making it, I said, ‘You know, it doesn’t matter, whatever happens to this thing, we won already.’”

    Rob Reiner was long one of the most prolific directors in Hollywood, and his work included some of the most memorable and endlessly watchable movies of the 1980s and ’90s, including This is Spinal Tap and A Few Good Men.

    He met Michele Singer Reiner on the set of When Harry Met Sally …, and their meeting would inspire the film’s shift to a happy ending, with stars Billy Crystal — one of Reiner’s closest friends for decades — and Meg Ryan ending up together on New Year’s Eve.

    The Reiners were outspoken advocates for liberal causes and major Democratic donors.

    President Donald Trump on Monday blamed Rob Reiner’s outspoken opposition to the president for the actor-director’s killing, delivering the unsubstantiated claim in a social media post that seemed intent on decrying his opponents even in the face of a tragedy.

  • Joe Ely, a Texas songwriter whose legacy touched rock and punk, dies at 78

    Joe Ely, a Texas songwriter whose legacy touched rock and punk, dies at 78

    AUSTIN, Texas — Joe Ely, 78, the influential Texas-born singer-songwriter whose blend of honky-tonk, rock, and roadhouse blues made him a favorite among other musicians and led to collaborations with Bruce Springsteen and the Clash, has died.

    Mr. Ely died in Taos, N.M., of complications from Lewy body dementia, Parkinson’s disease, and pneumonia, with his wife and daughter by his side, according to a post on his Facebook account Monday night and later confirmed by his representatives.

    Mr. Ely was considered a key figure in the progressive country music movement as a founder of the influential country-rock band the Flatlanders with Jimmie Dale Gilmore and Butch Hancock, and later as a solo artist.

    “Joe Ely performed American roots music with the fervor of a true believer who knew music could transport souls,” said Kyle Young, CEO of the Country Music Hall of Fame and Museum.

    “But his true measure came through in the dynamic intensity of his powerhouse live performances, where he could stand his ground aside fellow zealots Bruce Springsteen, who recorded duets with Ely, and the [Rolling] Stones and the Clash, who took Ely on tour as an opening act,” Young said.

    After signing with MCA, Mr. Ely released his first solo album in 1977. He would release more than 20 albums over his career, including Love and Freedom earlier this year.

    Born in Amarillo, Texas, Mr. Ely stayed connected to his Texas roots through decades of recording and performing that lacked a mainstream breakthrough but made him a favorite of other artists.

    “Every time I start a new album I head up to West Texas and drive around, you know, drive on those old cotton roads and in the wide-open spaces, and every once in a while I’ll come across a place where I’ve spent some time,” Mr. Ely told Texas Monthly in 2011.

    It was a soundcheck for a show in London that led to the collaboration with British punk band the Clash. Mr. Ely would later open for the Clash at several shows and sang backup vocals for their hit song “Should I Stay or Should I Go?”

  • Britain’s BBC is both beloved and maligned. Now it faces a $10 billion Trump lawsuit

    Britain’s BBC is both beloved and maligned. Now it faces a $10 billion Trump lawsuit

    LONDON — President Donald Trump is suing the BBC for $10 billion over a television documentary he claims was “false, defamatory, deceptive, disparaging, inflammatory, and malicious.”

    Britain’s national broadcaster has apologized to Trump over the way it edited a speech in the program, but says it will defend itself against the defamation claim.

    The BBC is not the first media organization on the receiving end of a lawsuit from the president. But its position is complicated by its status as a taxpayer-funded public broadcaster and its stature as a closely scrutinized national institution.

    A pioneering broadcaster

    The BBC was founded in 1922 as a radio service to “inform, educate and entertain,” a mantra still central to its self-image.

    It launched the world’s first regularly scheduled television service in 1936, and helped make TV a mass medium when many Britons bought a TV set specifically to watch the 1953 coronation of Queen Elizabeth II.

    It operates 15 U.K. national and regional TV channels, several international channels, 10 national radio stations, dozens of local radio stations, the globe-spanning World Service radio and copious digital output including the iPlayer streaming service.

    As well as its news output it has a huge global viewership for entertainment shows including “Doctor Who,” “EastEnders,” “The Traitors” and “Strictly Come Dancing.”

    The BBC is funded from the public purse

    The broadcaster is funded by an annual license fee, currently set at 174.50 pounds ($230), paid by all U.K. households who watch live TV or any BBC content.

    The license fee has long had opponents, not least rival commercial broadcasters, and they have grown louder in an era of digital streaming when many people no longer have television sets or follow traditional TV schedules.

    The BBC’s governing charter, which sets the license fee, is reviewed once a decade, and the latest round of the process kicked off Tuesday. The center-left Labour government says it will ensure the BBC has “sustainable and fair” funding but has not ruled out replacing the license fee with another funding model.

    Managing the broadcaster has become a political football

    The broadcaster is bound by the terms of its charter to be impartial in its output. It is not a state broadcaster beholden to the U.K government, but is overseen by a board that includes both BBC staff and political appointees.

    It’s frequently a political football, with conservatives seeing a leftist slant in its news programs and some liberals accusing it of having a conservative bias.

    It has repeatedly battled British governments over editorial independence, from the 1926 general strike, when Cabinet minister Winston Churchill tried to seize control of the airwaves, to a battle with Tony Blair’s administration over the intelligence used to justify the 2003 invasion of Iraq.

    Recently it has been criticized for its coverage of trans issues and the Israel-Hamas war in Gaza. In February, the BBC removed a documentary about Gaza from its streaming service after it emerged that the child narrator was the son of an official in the Hamas-led government.

    Documentary that riled Trump

    The lawsuit stems from an edition of the BBC’s “Panorama” current affairs series titled “Trump: A Second Chance?” that was broadcast days before the 2024 U.S. presidential election. The film, made by a third-party production company, spliced together two sections of a speech given by Trump on Jan. 6, 2021, into what appeared to be one quote in which Trump urged supporters to march with him and “fight like hell.”

    By doing so, it made it look like Trump was giving the green light to his supporters to storm the U.S. Capitol as Congress was poised to certify President-elect Joe Biden’s victory in the 2020 election that Trump falsely alleged was stolen from him.

    The BBC apologized last month and two of its top executives resigned.

    Trump’s lawyers say the program falsely portrayed the president as a “violent insurrectionist,” caused “massive economic damage to his brand value” and was a “brazen attempt” to interfere in the U.S. election.

    The lawsuit, filed in a Florida court, seeks $5 billion in damages for defamation and $5 billion for unfair trade practices.

    Legal jeopardy

    The BBC said in a statement that “we will be defending this case. We are not going to make further comment on ongoing legal proceedings.”

    Media attorney Mark Stephens said Trump and his lawyers face several hurdles. They must prove that the BBC program was shown in Florida and that people in that state thought less of him as a consequence. Trump’s lawyers argue that U.S. subscribers to BritBox and people using virtual private networks could have watched it, but they must prove it definitively, said Stephens, a consultant at the firm Howard Kennedy.

    “Allegations of libel are cheap, but proof is dear,’’ Stephens said.

    Stephens said Trump’s lawyers also have to deal with the fact that public figures have “to put up with the slings and arrows of incorrect reporting,’’ which are protected under the First Amendment.

    While many legal experts have dismissed the president’s claims against the media as having little merit, he has won some lucrative settlements against U.S. media companies and he could try to leverage the BBC mistake for a payout, potentially to a charity of his choice.

    The BBC’s position is complicated by the fact that any money it pays out in legal fees or a settlement comes from British taxpayers’ pocket.

    “I think President Trump is banking on the fact that the British public will not want to spend the money to defend the claim, nor will they want to pay any money in damages to him,’’ Stephens said. “So it allows him to continue a narrative of fake news and all of those other things at fairly little cost in the global scheme of things.”

  • ‘General Hospital’ star Anthony Geary of Luke and Laura fame dies at 78

    ‘General Hospital’ star Anthony Geary of Luke and Laura fame dies at 78

    Anthony Geary, who rose to fame in the 1970s and ’80s as half the daytime TV super couple Luke and Laura on General Hospital, has died. He was 78.

    “We are deeply saddened by the passing of Anthony Geary, whose portrayal of Luke Spencer helped define General Hospital and daytime television,” ABC said in a statement confirming his death.

    Geary died Sunday in Amsterdam of complications from a surgical procedure three days prior.

    “The entire General Hospital family is heartbroken over the news of Tony Geary’s passing,” Frank Valentini, executive producer of the ABC show, said in a statement Monday. “Tony was a brilliant actor and set the bar that we continue to strive for.”

    In a career spanning more than 40 years, Geary earned eight Daytime Emmy awards as Luke Spencer after joining the soap in 1978. Luke’s pairing with Genie Francis’ Laura Webber Baldwin (as she was known at the time) propelled the two onto magazine covers and into the cultural mainstream.

    The 1981 wedding of Luke and Laura was a pop culture phenom done in two parts, drawing guest appearances that included Elizabeth Taylor. A record 30 million viewers watched.

    “He was a powerhouse as an actor. Shoulder to shoulder with the greats. No star burned brighter than Tony Geary. He was one of a kind. As an artist, he was filled with a passion for the truth, no matter how blunt, or even a little rude it might be, but always hilariously funny,” Francis said in a statement.

    In addition to his role as Luke, Geary had numerous TV and stage credits, including stints on other soaps: The Young and the Restless and Bright Promise. Geary played Luke on and off until 2015, though he returned for a cameo in 2017.

    He lived a quiet life with husband Claudio Gama in Amsterdam.

    In a 1993 interview, Geary spoke of the many highs and lows of playing Luke.

    “I felt like I had to be Luke 24 hours a day or people would be disappointed,” he said. “As far as I’m concerned, they are mythic creatures. They come from two sides of the universe together and have a mutual connection, which is basically lust and appreciation for individuality. They love the eccentricity in each other.”

    Geary’s Luke began as a small-time hitman recruited to dismantle the relationship of Laura and her first husband, Scotty Baldwin. Their story arc turned darker when Luke sexually assaulted Laura. The assault led to a redemption trail for Luke, who evolved into a hero and even served as mayor of the show’s small town, Port Charles.

    “He was not created to be a heroic character,” Geary told ABC’s Nightline in 2015. “He was created to be an anti-hero, and I have treasured the anti-side of the hero and pushed it for a long time. … He’s not a white hat or a black hat, he’s all shades of gray. And that has been the saving grace of playing him all these years.”

    Geary was born to Mormon parents in Coalville, Utah. He was discovered while attending the University of Utah and performing on stage. He joined a touring company of The Subject Was Roses, which brought him to Los Angeles.

    Over the years, he appeared frequently in stage productions alongside his screen work.

    Geary’s first appearance on TV was as Tom Whalom on an episode of Room 222. He went on to appear in All in the Family, The Partridge Family, The Mod Squad, Marcus Welby, M.D., The Streets of San Francisco, and Barnaby Jones.

  • Punk protest group Pussy Riot declared ‘extremist organization’ by a Russian court

    Punk protest group Pussy Riot declared ‘extremist organization’ by a Russian court

    Punk group Pussy Riot was declared an “extremist organization” by a Russian court on Monday.

    The ruling, which was made by Moscow’s Tverskoy District Court, effectively outlaws the group from operating in Russia and puts anyone linked with the group at risk of criminal prosecution.

    The feminist protest group first catapulted to notoriety in 2012, when its members performed a provocative “punk prayer” against President Vladimir Putin from the pulpit of Russia’s largest cathedral.

    Today, members of the group remain part of Russia’s opposition, largely working in exile.

    In September, five people linked with Pussy Riot — Maria Alyokhina, Taso Pletner, Olga Borisova, Diana Burkot, and Alina Petrova — were handed jail terms by a Russian court after being found guilty of spreading “false information” about the Russian military, news outlet Mediazona reported. Mediazona was founded by Alyokhina along with another Pussy Riot member, Nadezhda Tolokonnikova.

    The case was linked to an anti-war music video made by the group, as well as an art performance in Germany that saw Pletner urinate on a portrait of Putin.

    Alyokhina received a 13-year prison sentence, while Pletner was given 11 years. Burkot, Petrova, and Borisova were given eight years’ imprisonment. All have rejected the charges as politically motivated.

  • Rob Reiner, 78, son of a comedy giant who became one in turn

    Rob Reiner, 78, son of a comedy giant who became one in turn

    Rob Reiner, the son of a comedy giant who became one himself as one of the preeminent filmmakers of his generation with movies such as The Princess Bride, When Harry Met Sally …, and This Is Spinal Tap, has died. He was 78.

    Mr. Reiner and his wife, Michele Singer Reiner, 68, were found fatally stabbed Sunday at their home in the Brentwood neighborhood of Los Angeles. The Los Angeles Police Department on Monday arrested the Reiners’ 32-year-old son, Nick Reiner, and booked him on suspicion of killing his parents.

    It was a tragic, shocking end to a life and career that began with a complicated father-son relationship. Mr. Reiner grew up thinking his father, the legendary funnyman Carl Reiner, didn’t understand him or find him funny. But the younger Mr. Reiner would in many ways follow in his father’s footsteps, working both in front of and behind the camera, in comedies that stretched from broad sketch work to accomplished dramedies.

    “My father thought, ‘Oh, my God, this poor kid is worried about being in the shadow of a famous father,’” Mr. Reiner told 60 Minutes in October, recalling the temptation to change his name. “And he says, ‘What do you want to change your name to?’ And I said, ‘Carl.’ I just wanted to be like him.”

    After starting out as a writer for The Smothers Brothers Comedy Hour, Mr. Reiner’s breakthrough came when he was, at age 23, cast in Norman Lear’s All in the Family as Archie Bunker’s liberal son-in-law, Michael “Meathead” Stivic. But by the 1980s, Mr. Reiner began working as a feature film director, producing some of the most beloved films of that, or any, era. His first film, the largely improvised 1984 cult classic This Is Spinal Tap, remains the quintessential mockumentary.

    After the 1985 John Cusack summer comedy, The Sure Thing, Reiner made Stand By Me (1986), The Princess Bride (1987) and When Harry Met Sally … (1989), a four-year stretch that resulted in a trio of American classics, all of them among the most quoted movies of the 20th century.

    A legacy on and off screen

    For the next four decades, Mr. Reiner, a warm and gregarious presence on screen and an outspoken liberal advocate off it, remained a constant fixture in Hollywood. The production company he co-founded, Castle Rock Entertainment, launched an enviable string of hits, including Seinfeld and The Shawshank Redemption. By the turn of the century, its success rate had fallen considerably, but Mr. Reiner revived it, and this fall released the long-in-coming sequel Spinal Tap II: The End Continues.

    All the while, Mr. Reiner was one of the film industry’s most passionate Democrat activists, regularly hosting fundraisers and campaigning for liberal issues. He was co-founder of the American Foundation for Equal Rights, which challenged in court California’s ban on same-sex marriage, Proposition 8. He also chaired the campaign for Prop 10, a California initiative to fund early childhood development services with a tax on tobacco products. And Mr. Reiner was an outspoken critic of President Donald Trump.

    “Beneath all of the stories he produced was a deep belief in the goodness of people — and a lifelong commitment to putting that belief into action,” former President Barack Obama said in a statement.

    Political engagement ran in the family, too. Mr. Reiner’s father opposed the Communist hunt of McCarthyism in the 1950s and his mother, Estelle Reiner, a singer and actor, protested the Vietnam War.

    “If you’re a nepo baby, doors will open,” Mr. Reiner told the Guardian in 2024. “But you have to deliver. If you don’t deliver, the door will close just as fast as it opened.”

    “All in the Family” to “Stand By Me”

    Robert Reiner was born in the Bronx on March 6, 1947. As a young man, he quickly set out to follow his father into entertainment.

    Before he came to be a beloved actor on All in the Family, Mr. Reiner was just a teenager training in New Hope, Pa.

    The late filmmaker got his start at the Bucks County Playhouse.

    In a 2016 interview with the Hollywood Reporter, Mr. Reiner said his senior year at Beverly Hills High School sparked a career path in acting because drama class felt “familiar and comfortable.”

    After graduating at 17, he apprenticed at the Playhouse in 1964. As noted by Philadelphia Magazine, the Playhouse was one of a short list of regional theaters where Broadway plays would be workshopped. In turn, a lot of famous — or in Mr. Reiner’s case, soon to be famous — people came to New Hope, including Liza Minnelli and Robert Redford.

    Mr. Reiner’s time working on shows as a Playhouse Apprentice meant he rubbed elbows with Alan Alda, Merv Griffin, and Shelly Berman, a spokesperson said. It was the same year Minelli appeared at the Playhouse and Arthur Godfrey was in Our Town.

    “Reiner mentioned often his gratitude for the training he received on our stage, and his fondness for his time in New Hope,” Bucks County Playhouse producing director Alexander Fraser said. “He joins Grace Kelly, Jessica Walter, Robert Redford, Richard Kind, and many others in using their experience as an apprentice in launching remarkable careers.”

    Mr. Reiner then studied at the University of California, Los Angeles film school and, in the 1960s, began appearing in small parts in various television shows.

    But when Lear saw Mr. Reiner as a key cast member in All in the Family, it came as a surprise to the elder Reiner.

    “Norman says to my dad, ‘You know, this kid is really funny.’ And I think my dad said, ‘What? That kid? That kid? He’s sullen. He sits quiet. He doesn’t, you know, he’s not funny.’ He didn’t think I was anyway,” Mr. Reiner told 60 Minutes.

    On All in the Family, Mr. Reiner served as a pivotal foil to Carroll O’Connor’s bigoted, conservative Archie Bunker. Mr. Reiner was seven times nominated for an Emmy for his performance on the show, winning in 1974 and 1978. In Lear, Mr. Reiner also found a mentor. He called him “a second father.”

    “It wasn’t just that he hired me for All in the Family,” Mr. Reiner told American Masters in 2005. “It was that I saw, in how he conducted his life, that there was room to be an activist as well. That you could use your celebrity, your good fortune, to help make some change.”

    Lear also helped launch Mr. Reiner as a filmmaker. He put up $7.5 million of his own money to help finance Stand By Me, Mr. Reiner’s adaptation of the Stephen King novella The Body. The movie, about four boys who go looking for the dead body of a missing boy, became a coming-of-age classic, made breakthroughs of its young cast (particularly River Phoenix), and even earned the praise of King.

    “Rest in peace, Rob,” King said Monday on X. “You always stood by me.”

    With his stock rising, Mr. Reiner devoted himself to adapting William Goldman’s 1973’s The Princess Bride, a book Mr. Reiner had loved since his father gave him a copy as a gift. Everyone from François Truffaut to Robert Redford had considered adapting Goldman’s book. It ultimately fell to Mr. Reiner (from Goldman’s own script) to capture the unique comic tone of The Princess Bride. But only once he had Goldman’s blessing.

    “At the door he greeted me and he said, ‘This is my baby. I want this on my tombstone. This is my favorite thing I’ve ever written in my life. What are you going to do with it?’” Mr. Reiner recalled in a Television Academy interview. “And we sat down with him and started going through what I thought should be done with the film.”

    Though only a modest success in theaters, the movie — starring Cary Elwes, Mandy Patinkin, Wallace Shawn, André the Giant, and Robin Wright — would grow in stature over the years, leading to countless impressions of Inigo Montoya’s vow of revenge and the risky nature of land wars in Asia.

    “When Harry Met Sally …”

    Mr. Reiner was married to Penny Marshall, the actor and filmmaker, for 10 years beginning in 1971. Like Mr. Reiner, Marshall experienced sitcom fame, with Laverne & Shirley, but found a more lasting legacy behind the camera.

    After their divorce, Mr. Reiner, at a lunch with Nora Ephron, suggested a comedy about dating. In writing what became When Harry Met Sally … Ephron and Mr. Reiner charted a relationship between a man and a woman (played in the film by Billy Crystal and Meg Ryan) over the course of 12 years.

    Along the way, the movie’s ending changed, as did some of the film’s indelible moments. The famous line “I’ll have what she’s having,” said after witnessing Ryan’s fake orgasm at Katz’s Delicatessen, was a suggestion by Crystal — delivered by none other than Mr. Reiner’s mother, Estelle.

    The movie’s happy ending also had some real-life basis. Mr. Reiner met Michele Singer, a photographer, on the set of When Harry Met Sally … .— In 1989, they were wed. They had three children together: Nick, Jake, and Romy.

    Mr. Reiner’s subsequent films included another King adaptation, Misery (1990), and a pair of Aaron Sorkin-penned dramas: the military courtroom tale A Few Good Men (1992) and 1995’s The American President.

    By the late ’90s, Mr. Reiner’s films (1996’s Ghosts of Mississippi, 2007’s The Bucket List) no longer had the same success rate. But he remained a frequent actor, often memorably enlivening films like Sleepless in Seattle (1993) and The Wolf of Wall Street (2013). In 2023, he directed the documentary Albert Brooks: Defending My Life.

    In an interview earlier this year with Seth Rogen, Mr. Reiner suggested everything in his career boiled down to one thing.

    “All I’ve ever done is say, ‘Is this something that is an extension of me?’ For Stand by Me, I didn’t know if it was going to be successful or not. All I thought was, ‘I like this because I know what it feels like.’”

    Inquirer writer Emily Bloch contributed to this story.

  • Trump levels political attack on Rob Reiner in inflammatory post after his killing

    Trump levels political attack on Rob Reiner in inflammatory post after his killing

    WASHINGTON — President Donald Trump on Monday blamed Rob Reiner’s outspoken opposition to the president for the actor-director’s killing, delivering the unsubstantiated claim in a shocking post that seemed intent on decrying his opponents even in the face of a tragedy.

    The statement, even for Trump, was a shocking comment that came as police were still investigating the deaths of the beloved director and his wife as an apparent homicide. The couple were found dead at their home Sunday in Los Angeles. Investigators believe they suffered stab wounds and the couple’s son Nick Reiner, was in police custody early Monday.

    Trump has a long track record of inflammatory remarks, but his comments in a social media post were a drastic departure from the role presidents typically play in offering a message of consolation or tribute to the death of a public figure. His message drew criticism even from conservatives and his supporters and laid bare Trump’s unwillingness to rise above political grievance in moments of crisis.

    Trump, in a post on his social media network, said that Reiner and his wife were killed “reportedly due to the anger he caused others through his massive, unyielding, and incurable affliction with a mind crippling disease known as TRUMP DERANGEMENT SYNDROME.”

    He said Reiner “was known to have driven people CRAZY by his raging obsession of President Donald J. Trump, with his obvious paranoia reaching new heights as the Trump Administration surpassed all goals and expectations of greatness.”

    Kentucky Republican Rep. Thomas Massie, who has bucked much of his party’s lockstep agreement with the president, criticized Trump for the comment.

    “Regardless of how you felt about Rob Reiner, this is inappropriate and disrespectful discourse about a man who was just brutally murdered,” Massie wrote in a post on X. “I guess my elected GOP colleagues, the VP, and White House staff will just ignore it because they’re afraid? I challenge anyone to defend it.”

    Rep. Marjorie Taylor Greene, a Georgia Republican whom Trump branded a “traitor” for disagreeing with him, responded to Trump’s message by saying, “This is a family tragedy, not about politics or political enemies.”

    Reiner was one of the most active Democrats in the film industry, regularly campaigning on behalf of liberal causes and hosting fundraisers. He was a vocal critic of Trump, calling him in a 2017 interview with Variety “mentally unfit” to be president and “the single-most unqualified human being to ever assume the presidency of the United States.”

    The White House, which amplified the president’s post, did not respond to a message about the criticism it was receiving and calls for Trump to take it down.

    Speaking at the White House to reporters later Monday, Trump doubled down on his criticism of Reiner when he was asked if he stood by his post. Using the third person, Trump said Reiner “was a deranged person as far as Trump is concerned.”

    “I was not a fan of Rob Reiner at all, in any way, shape, or form,” Trump said. “I thought he was very bad for our country.”

    The unsympathetic message was the latest example of Trump’s unsparing prism through which he views those he perceives as enemies.

    He made retribution against political enemies a prime focus of his campaign for the White House last year. And he has in the past made light of violence when it’s befallen those on the other side of the political aisle.

    When Nancy Pelosi’s husband, Paul Pelosi, was attacked by an intruder looking for the former House speaker at the family’s San Francisco home in 2022 and beaten over the head with a hammer, Trump later mocked the attack.

    That’s despite his comments after the assassination of conservative activist Charlie Kirk earlier this year. Trump said Kirk’s killing was “the tragic consequence of demonizing those with whom you disagree.”

    His administration then sought consequences for people who were critical of Kirk or even celebrated his killing.

    Jenna Ellis, who was one of Trump’s lawyers and worked on his efforts in 2020 to overturn the results of the presidential election, pointed out Trump’s double standard and called his post “NOT the appropriate response.”

    “The Right uniformly condemned political and celebratory responses to Charlie Kirk’s death. This is a horrible example from Trump (and surprising considering the two attempts on his own life) and should be condemned by everyone with any decency,” Ellis said in a post on X.

    When Trump spoke at Kirk’s memorial service, he used his remarks to underline how he views his adversaries.

    “I hate my opponent,” the president said.