For more than quarter century, Greta Greenberger ended her tours of Philadelphia City Hall at the tower, just below the bronze buckled shoes of William Penn (1892), the shady colossus that Alexander Milne Calder sculpted.
From there, she’d point up the Parkway to Logan Square, where on hot days children sneak into The Fountain of Three Rivers (1924), created by Calder’s son, Alexander Stirling Calder, to honor the Schuylkill, the Delaware, and the Wissahickon.
She’d finish her lesson at the Philadelphia Art Museum, where an unearthly, white mobile, Ghost (1964), designed by the third generation of Alexander Calders, Sandy, sways ever so slightly in the Great Stair Hall.
“Sometimes, I’d refer to this as ‘The Father, the Son and the Holy Ghost,’” she says. “It tells such a wonderful story.”
That story will be easier to tell now, with the opening of Calder Gardens at 21st Street and the Ben Franklin Parkway. The Gardens, focused on the work of the youngest Calder, known asSandy, brings another opportunity to celebrate the family dynasty’s in Philadelphia: three sculptors named Alexander Calder who have shaped the look of the city and beyond.
Exterior of the new Calder Gardens on the Ben Franklin Parkway.
“The Calder family is incredibly important to Philadelphia,” said Anna O. Marley, the former chief curator at the Pennsylvania Academy of Fine Arts (PAFA), where so many Calders studied. “They tell us so much about what it means to be an artist in the United States and how an American artistic identify was created in Philadelphia.”
And their work here offers “a pocket history of art,” in the view of Kathleen A. Foster, the Art Museum’s senior curator of American art.
“Between the three of them, you really go from the academic realism of the grandfather through kind of shift into Art Deco and modernism in the `20s with Stirling Calder, and then all the way into modern forms, completely abstract shapes and bright colors.”
A photograph of workers and an Alexander Milne Calder eagle sculpture before installation around 1894, on display in the tower at City Hall. Calder created the statue of William Penn atop Philadelphia City Hall — and over 250 other works of sculpture on the exterior and interior of the building — from 1871-1901.
‘One of the greatest’
The Philadelphia that Alexander Milne Calder, a Scottish stonecutter’s son from Aberdeen, first saw in 1868 was sorely in need of a makeover. The sprawling metropolis was known for building big things like ships and rail engines and a wealth of small manufacturers that earned it the nickname “Workshop of the World.”
It was also filthy.
“It’s clear that there is no future for a city that is just increasingly based on its industrial might, on the dirt-producing, noise-producing, the squalor,“ says David Brownlee, emeritus professor of the history of art at the University of Pennsylvania.
The boundaries of Fairmount Park had just been established the year before and plans would soon begin for a giant celebration of the country’s 100th birthday, the 1876 Centennial, which would show the world the city’s cultural achievements. The Benjamin Franklin Parkway was unfolding, a broad boulevard lined by art and leading to what Brownlee calls “one of the greatest monumental ensembles of sculpture ever created.”
That would be City Hall, the émigré Calder’s workplace for 22 years as he presided over the creation of more than 250 sculptures from his first floor office in the building’s southwest corner — and the towering figure of the colony’s founder.
There were once almost 150 small lion heads on the ornate bronze spiked railing that surrounds City Hall. They, like most of the statuary on the building — including the big one of William Penn — were designed by Alexander Milne Calder. Less than two dozen of the lions remain after 100 years.
Calder had worked at the Royal Academy in Edinburgh and on the Albert Memorial in London before sailing to America. He stopped in New York, but chose Philadelphia, armed with a letter of introduction to the city’s most eminent sculptor, Joseph A. Bailly, and to the scion of a monument business, William Struthers. Calder was 22.
He registered that year at Pennsylvania Academy of the Fine Arts, the nation’s first art school and museum, and studied “antiques,” drawing from plaster casts of classic sculptures. It was not long before Calder won a prized commission over one of his instructors, to sculpt the likeness of Major Gen. George G. Meade atop his horse, Baldy. Meade, who’d defeated Robert E. Lee at Gettysburg, later designed many of the paths and drives of Fairmount Park. His statue stands now behind the Please Touch Museum on Lansdowne Drive.
Alexander Milne Calder’s Meade Equestrian Monument in the rear of Memorial Hall. It was cast using captured Confederate cannon for the bronze. Calder rendered Gen. Meade reining in his horse at a moment of crisis during battle.
When Greenberger gives tours of City Hall — though retired, she still volunteers one day a week — she likes to start in the north portico, where one can sample his expansive vision. Look up to the south, and there are Africans, surrounded by tobacco leaves, a lion. To the east, people from China, Japan, India, and an Asian elephant. West are the Native Americans and pioneers, and a bear. And north is Europe, people from Germany, England, France, maple leaves, and cattle. (She isn’t sure why cattle.)
Calder started on the Penn sculpture in 1886. The iconic figure, now visible from miles away, was the fourth version of the colony’s founder that the sculptor created. Calder’s models were one-tenth the size of the 37-foot high statue. His goal, according to an article at the time in The Inquirer, was to create “William Penn as he is known to Philadelphians; not a theoretical one or a fine English gentleman.”
The William Penn statue on display in the City Hall courtyard in 1893, the year before it was hoisted, bit by bit, to the top.
Four teams of horses drew massive plaster sections of the statue up Broad Street to the Tacony Iron & Metal Works. It wasn’t until Thanksgiving 1894 that the head was lifted onto the statue atop the tower, completing Calder’s colossus.
He was not happy with the result.
For most of the day, William Penn’s face is shadowed. That was not the artist’s intent. Calder had wanted Penn facing south, where the sun would light his youthful face and the intricate detail of his garb would be visible for all to admire.
But members of the Public Buildings Commission wanted Penn facing northeast, toward Penn Treaty Park, the site of the 1683 peace agreement with the Lenni-Lenape.
In a letter quoted in the Dec. 14, 1894 Inquirer, Calder wrote “I think that you will agree that is very disappointing from every point of view.”
Calder’s William Penn statue atop City Hall as seen from the Comcast Technology Center in Center City.
While Calder lived in a number of homes around the city — a home at 2020 Bainbridge St. and a studio at 337 Broad — when he registered at PAFA, the address listed was 1903 N. Park Ave., now on Temple’s campus. Decades later, his granddaughter, Margaret Calder Hayes, would remember the North Philadelphia house as “gloomy” — four floors with Empire furniture, a long dark hallway leading to a parlor where children were not welcome unaccompanied.
Calder had met his wife, Margaret Stirling, soon after his arrival in Philadelphia and married her after a brief courtship.
Three of their sons would study at PAFA and become artists — Ralph Milne Calder, and Norman Day Calder, and Alexander Stirling Calder. But it was “Stirling,” the eldest who left the biggest mark on Philadelphia.
A portrait of A. Stirling Calder.
‘An idealist, somewhat withdrawn’
In a remembrance kept in the PAFA archives, Alexander Stirling Calder describes art as a fallback. Ever since he was 6 and saw the great Edwin Booth play Hamlet, Stirling Calder wanted to be an actor. But he was too shy. In 1885, he enrolled in art classes at the academy’s new building at Broad and Cherry, and years later recalled the first criticism of his teacher, the artist Thomas Eakins: “Attack all of your difficulties at once.” Eakins urged sculptors to paint, painters to sculpt, and to dissect cadavers to learn anatomy.
After studying at the École des Beaux-Arts in Paris, he returned home and won a commission to immortalize Samuel Gross with a statue that first stood on the National Mall in Washington, D.C. (It’s since been moved to the Center City campus of Thomas Jefferson University). At 25, he married a fellow PAFA student, Nanette Lederer, a painter.
To the critic Malcolm Cowley, Stirling Calder was “an idealist, somewhat withdrawn, wholly impractical, creating symbolic figures while brooding on the cruelty of nature.”
Foster says that looking at the allegorical figures in Logan Square’s Swann Fountain, you can see how Stirling inherited his father’s traditions.
Children cool off at the Swann Memorial Fountain in 2023.
“But the figures have a kind of sleek, modern simplicity to them,” she said. “They’re more stylized. So by the 1920s the Swann Fountain represents a kind of moving from the academic past into a more expressive and abstract style.”
The fence came off the Swann Fountain on a hot July day in 1924. The next evening, 10,000 revelers danced to tangos from a police band. Not everyone was pleased — some wondering if the average Philadelphian would grasp the significance of all that Calder had created.
He was unbothered.
“The meaning of works of art is just as mysterious as life itself. It can be explained in many ways by people of different philosophies. …,” he was quoted in the Evening Bulletin as saying. “There are lots of things in life we do not understand; art is no exception.”
Alexander “Sandy” Calder installs his “Big Spider” mobile at New York’s Museum of Modern Art in 1943.
‘A big child’
In his autobiography, Sandy Calder included a photograph of the sprawling mansion in Philadelphia where he says he was born. He called the place Lawnton. In 1898 when Calder was born, Lawnton was a neighborhood in East Oak Lane, served by the Reading Line and lined with grand homes where the wealthy went to escape the summer heat.
It’s unlikely Calder was born there. David Brownlee has dug into the mystery of the third and most famous Calder’s birthplace. While his family doctor lived in Lawnton, and it is possible that his mother delivered her son nearby, more likely, he was born near the edge of the growing city, at 1203 East Washington Lane in Germantown. City records showed that Stirling Calder rented that country place, while the family still owned a home on North Park Avenue.
In Margaret Calder Hayes’ memoir, she described how Sandy, two years younger, went to school in Buster Brown suits his mother had sewn and by 8 had built a Noah’s Ark of animals. He enrolled in Germantown Academy, when it was still in the city, but left at age 9 before moving to Croton-on-Hudson, N.Y.
“We love to claim him, but he only went to school here as a child,” Foster said of the youngest Calder’s time in Philadelphia.
Yet in some ways, he’s the essence of the city he was born in: practical, playful, unpretentious, no pushover.
He worked as a fireman on a steamer bound for San Francisco, spent a year keeping time in a Washington state logging camp. Trained as an mechanical engineer, he moved to New York City at age 25 to paint.
Calder with Mobile in his Roxbury, Ct., studio in 1941.
He is known as a 20th century modernist, the artist who put sculpture in motion.
After visiting Calder’s Paris studio in 1931 and marveling at his sculptures that relied on little motors, Marcel Duchamp coined the word “mobiles” for these kinetic marvels.
Parisians took to him, while they scoffed at other American artists. Cowley, in an introduction to Hayes’ Three Alexander Calders had a theory:
”Of course his work in itself, continually inventive, playful, and enchanting, was his ticket of admission.” But Sandy and his wife Louisa, “a beauty,” Cowley wrote, entertained generously and simply. Calder was in the tradition of the Noble Savage, “who disregards social conventions and judges everything by his instinctive standards.”
“A big child,” as his friend the playwright Arthur Miller once put it.
Sandy Calder created Ghost in 1964 for a retrospective at the Guggenheim in New York City, that included 400 examples of his mobiles, stabiles, toys, jewelry, carvings, tapestries, etc. The Art Museum bought the 34-foot-long showpiece a year later and brought it to the city of his birth.
Ghost, in the Great Stair Hall at the Philadelphia Museum of Art (now, Philadelphia Art Museum). It was created to hang in the center of the Guggenheim Museum in New York for Calder’s exhibition there in 1964.
“It’s a colossal example of the mobile and it’s majestic,” Foster said. “When it moves, it’s just breathtaking, because it, it almost moves like a giant dinosaur or something. In other words, it’s got long spines and fins, and it moves very slowly and grandly in the air currents in the Great Stair Hall. … It’s delightful.”
“When every baby has a mobile hanging over their crib, you don’t think about Calder as being the genesis of this. I think he would be delighted to know that … because he was such a child at heart. He managed to keep that imagination.”
Now, Philadelphia will be home to an institution that celebrates that imagination. It’s a fitting homecoming for an artist whose life and legacy was so shaped by his family, who in turn both shaped and were shaped by Philadelphia.
The weight of a name
Tú Huynh was working at the National Gallery of Art in Washington, D.C., when he told a job applicant to look for him under the giant Calder mobile that hangs in the East Building.
That was in 1997. The applicant,Kaleo Bird, landed the job — and later, his heart. Three years later they moved as a couple to Philadelphia, where she started grad school. Soon they married.
In 2008, when their son was born, they didn’t take long to decide on a first name:
Calder.
He’s now 17, a senior at Penn Charter School.
Tú Huynh, Calder Huynh, 17, and Kaleo Bird at Philadelphia City Hall where more than 250 of Alexander Milne Calder’s sculptures adorn the building, topped by his statue of William Penn.
“I have yet to meet anyone my age who knows who the whole Calder family was, which is a shame because I feel they’ve had such an impact here, particularly with City Hall,” said the teen. “So many people think Ben Franklin is atop City Hall and don’t know anything about these beautiful sculptures.”
His father now runs the Art in City Hall program.
“I tell people that the true art of City Hall belongs to Alexander Milne Calder,” says Tú Huynh. “This was his Sistine Chapel. There are over 250 sculptures, leafs, busts all over this building. And that’s an homage to his ideal of what this city, state and country is supposed to be about. And he doesn’t sugarcoat anything. There are enslaved Africans, Indigenous populations, Europeans. It tells you the folks who’ve contributed to this extraordinary country.”
Calder Huynh says he feels the weight of his name — in a way that the two generations named after Alexander Milne Calder must have felt.
He paints, draws in charcoal, creates his own comic books — exploring themes with super heroes and Westerns, always with an eye on his father’s works that line the walls of their home.
“Naming me after them is such a big thing to put on someone. For me, it is a weight that Alexander Sandy Calder must have felt. A weight to achieve and create something that differs from what his family members had created, which is kind of cool. … Put something in this world that hasn’t been done yet.”
“The Magic of Calder Gardens” is produced with support from Lisa D. Kabnick and John H. McFadden. Editorial content is created independently of the project’s donors.
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Jerusalem Stabile II, 1976 by Alexander Calder is shown on display at the Calder Museum in Philadelphia.
Ray the Nubian goat has come a long way since a parasite threatened to take his life, leaving him with three legs but not dampening his spirit. Now he’s in need of a wheelchair.
As a jolly middle-aged goat, 7-year-old Ray loved taking long strolls around Awbury Arboretum, supporting people in bereavement with hoofshakes and kisses, and taking children with cerebral palsy on rides.
The wagon was his biggest job, and he took it seriously, said Karen Krivit, the director of Philly Goat Project, an East Germantown nonprofit that provides community wellness through nature connection. So much so that he hid his pain.
“Goats tend to hide their injuries,” Krivit said. “Ray was determined to keep from showing any pain and just trying to pull his head high and be with everybody else.”
Philly Goat Project’s annual Christmas Tree-Cycle feeds old trees to goats.
Ray had been battling a parasite infection common among outdoor animals, Krivit said. But, as often happens for hisbreed, he was resistant to the medication. As his veterinarian team continued trying for a cure, a slight limp alerted the Philly Goat Project staff that his condition had worsened.
The parasite affected his bone density, causing one of his femurs to break in three places. A big problem for any goat due to their rough-and-tumble nature.
The place Ray had called home since he was 3 months old rallied around him, raising money for a titanium plate to secure the bone in place. But his anatomy once again worked against him.
With Ray standing at a little over 3 feet tall, his natural lanky composition would have made it hard for the plate and the screws to hold onto the bone. The titanium plate could have collapsed his bone in another area, causing additional damage, Krivit said.
“We were able to eliminate the parasite, but not in time enough to save his leg,” she added. “The safest long-term plan was amputation.”
For tall animals in particular, it’s hard to thrive on three legs, Krivit explained. The biggest challenges since the amputation in May have been teaching him how to move around by himself and reintegrating him into his herd of 13 goats.
“Humans tend to be mean to each other if you look different or act differently; it’s the same with goats,” Krivit said. “But humans can use their voices and talk about it; goats can only be mean and exclude another goat. Not being rejected is vital to his survival.”
Ray was placed in a nearby separate stall. His brother Teddy never stopped looking out for him.
Ten thousand dollars and months of rehabilitation later, Ray has a severe limp, but can now stand up and lie down by himself. The herd has accepted him back, but he seems to feel left behind when they go on long walks, often bellowing as the other goats head out without him.
“Because he is moving his body in three legs instead of four, he is at risk for hurting himself further if he goes on a long walk, making it harder for him to stay connected to the herd,” Krivit said.
So Ray needs a wheelchair.
For goats, that involves a metal harness with a wheel on each side of the goat, mimicking a leg. But they are expensive.
The Goat Project needs $2,000 for a custom-made wheelchair for Ray, physical therapy, and proper fitting.
For Krivit, leaving her beloved otherwise-healthy goat without a wheelchair is not an option. She is hoping to raise enough money at the group’s annual GOAToberFest to get him a chair.
The Oct. 18 event will take place at the Conservatory at Laurel Hill West Cemetery, and tickets run for $75, with free snacks, drinks, and goodie bags.
Until then, she hopes folks can see in Ray a symbol of resilience.
“A wheelchair is the missing link for him to safely go on walks that will support his body and his spirit to not be left behind,” Krivit said. “If Ray can be resilient and he can survive this, I hope that gives people hope in their times of adversity.”
Krivit hopes their upcoming annual GOAToberFest can help get Ray a wheelchair.
Lower Merion Township’s effort to limit where guns are sold violates state law, Commonwealth Court ruled Thursday.
In a case that holds major implications for the power of local governments across Pennsylvania, the court threw out the township’s zoning ordinance that sought to block holders of federal firearms licenses from operating in walkable downtown areas and residential neighborhoods.
The question at the heart of the case was whether the ordinance regulated land-use decisions, the bread and butter of local government, or the sale of firearms, which only the state can do.
A majority opinion, signed by five judges, said the township’s ordinance violated state law that prohibits local governments from regulating guns because its requirements went beyond geographic limits.
“The Township’s ordinance here is clearly intended to regulate the sale of firearms, rather than to regulate zoning,” wrote Judge Matthew Wolf in the opinion. “It is a gun regulation, not a zoning regulation.”
In a statement, Todd Sinai, the Democratic president of the Lower Merion Board of Commissioners, said the township was considering its legal and legislative options.
“We, of course, are disappointed in the Commonwealth Court’s decision today. It is a fundamental and important right of municipalities to be able to zone the location of uses to best serve their residents and property owners,” Sinai said.
Frustrated with the lack of gun-control measures out of Harrisburg, advocates and officials have sought to use local ordinances to limit gun sales and where guns can be carried, and to ban certain firearms. Philadelphia has fought for years for the ability to enact gun laws. But ordinances passed by Philly and other cities, including Pittsburgh, have largely been struck down by courts.
One strategy that has had limited success is the use of zoning ordinances to limit the locations of firearms-related activities, such as shooting ranges or gun stores. The Lower Merion case was seen by some as a test on how far zoning can go to bypass state preemption.
“The Commonwealth Court has reaffirmed once again that local forms of government cannot regulate firearms and ammunition in any manner,” said Joshua Prince, an attorney with Civil Rights Defense Firm who filed the lawsuit.
Lower Merion can appeal the decision to the Pennsylvania Supreme Court, which would have to agree to hear the case, but the ruling delivered a blow to gun-control advocates who had hoped Lower Merion’s ordinance could be replicated elsewhere in the state.
“The decision to treat firearm operations as different within zoning than any other business is unusual and concerning,” said Adam Garber, the executive director of CeaseFire PA.
The ruling, he said, creates a road map for how municipalities can zone firearm stores but also puts the impetus on the state to address gun regulations, something lawmakers in Harrisburg have refused to do.
The township approved the zoning rules for firearms dealers in 2023 after the opening of Shot Tec, a gun training facility and seller in Bala Cynwyd, sparked community outrage. The zoning rules established a set of criteria for sellers to operate under and said they could open only in strip malls and industrial-use areas.
The township argued that, while local governments are not allowed to regulate firearms, they have broad power over zoning and land use.
Grant Schmidt, the owner of the Bala Cynwyd shop, sued after the zoning ordinance impeded his ability to open a second location in his home.
He responded to the news of the ruling Thursday with a gif of Ric Flair cheering. His business, which offers training and education on firearms in addition to buying, selling, and storing them, has had four locations in five years. He said he hoped he could now focus on expanding his business rather than fighting local policies.
“Now I’m looking to just grow and be normal and invest in my staff more,” Schmidt said.
The litigation focuses on the requirements Schmidt had to adhere to for his most recent Rock Hill Road location, which is within one of the four districts that were zoned for businesses that require a federal gun license. The ordinance went beyond restricting place and imposed 12 additional requirements, such as installing smash-resistant windows, an alarm system, and internal video surveillance.
Montgomery County Court found that all but three requirements were preempted by state law. Following Schmidt’s appeal, Commonwealth Court struck down the remaining requirements and the place restrictions.
Lower Merion argued that other businesses, such as medical marijuana dispensaries, animal hospitals, and funeral homes, are subject to compatible conditions to operate. These types of requirements are “traditional local land use control not specific to firearms,” the township argued, according to the majority opinion.
To make its case, Lower Merion cited a previous, non-precedential decision by Commonwealth Court that allowed Philadelphia to limit gun shops to specific zoning districts.
The difference between the cases, Wolf wrote, is that Philadelphia limited the location of the gun shops but said nothing about how they need to operate. Lower Merion went a step further to restrict how gun shop owners “conduct their business.”
Two judges, Renee Cohen Jubelirer and Lori Dumas, disagreed with the majority’s analysis, saying the decision “strips the Township of its traditional power over land use and zoning.”
“Contrary to the Majority’s conclusion, none of the provisions of the ordinance at issue here regulate the ownership, transportation, or transfer of firearms, ammunition, or ammunition components,” Jubelirer wrote in the dissent.
Correction: An original version of this story incorrectly identified the gif sent by Schmidt. It featured Ric Flair.
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Think you know your news? There’s only one way to find out. Welcome back to our weekly News Quiz — a quick way to see if your reading habits are sinking in and to put your local news knowledge to the test.
Question 1 of 10
Which neighborhood is joining the Open Streets movement this month?
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Open Streets is coming to Queen Village on the next two Saturdays as the neighbors association seeks the business boost and relaxing car-free vibe of the widely popular original version on West Walnut Street.
Question 2 of 10
The Philadelphia Museum of Art has a new name and acronym. What is it?
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After 87 years, it’s not the Philadelphia Museum of Art anymore. As of Wednesday, the city’s largest visual arts institution has a new, slimmed-down name: Philadelphia Art Museum. The museum is now sometimes referring to itself under an even shorter sub-brand: PhAM.
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Which Pennsylvania convenience store performed best in a national customer satisfaction survey?
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Wawa and Sheetz tied for the No. 2 slot of a national customer satisfaction survey, fueling the long-standing local rivalry. Wisconsin-based Kwik Trip took the No. 1 slot.
Question 4 of 10
A movie about a movie is filming in parts of Philly and New Jersey. What will it be about?
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I Play Rocky is a dramatic, behind-the-scenes look at the filming of the Oscar-winning Rocky. New York-based Grant Wilfley Casting is looking to hire real life boxers as extras.
Question 5 of 10
“Real Housewives” star Yolanda Hadid, is selling the Bucks County farmhouse she owned, where her three children — models Gigi and Bella Hadid, and musician Anwar Hadid — would visit and stay. Which feature does the home NOT include?
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A lavender field, an outdoor labyrinth for meditating, and a dressage area are just some of the features of Yolanda Hadid’s farmhouse, recently listed for $10.88 million. But there’s no movie theater feature in sight.
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Question 6 of 10
Former Phillies star and current TBS analyst Jimmy Rollins won a MasterCraft X24 speedboat after sinking a hole in one during the 12th hole at the American Century Championship at Edgewood Tahoe in July. Ultimately, he decided to sell it. Who bought it?
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While Rollins initially said he planned to keep the boat, valued around $325,000, he ultimately decided to sell it to Pearl Jam guitarist Mike McCready. Apparently, Pearl Jam singer Eddie Vedder is a big wakeboarding fan and was helping McCready find a boat. MasterCraft knew Rollins was selling the boat he won, so one thing led to another, and now McCready has the speedboat he was looking for.
Question 7 of 10
A then 12-year-old Harrison Bader made a small cameo in this indie band’s music video:
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Bader is one of a group of children featured in Vampire Weekend’s music video for the song “Oxford Comma.” That’s because Bader is cousins with the band’s bassist, Chris Baio. The two grew up together in Bronxville, N.Y.
Question 8 of 10
Prime Video has a new documentary on a Philly sports favorite. Who does it star?
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Prime Video’s Saquon documentary premiered on Thursday, the same day the Eagles faced the New York Giants on Amazon’s streaming service. It’s no coincidence.
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24,000 bottles of this celebrity’s tequila brand were stolen on their way to Pennsylvania:
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About $1 million worth of Guy Fieri’s Santo Tequila went missing en route to a warehouse in Montgomery County. But now, it appears an international crime group was to blame for the booze never even making it to Pennsylvania.
Question 10 of 10
Unsurprisingly, Jason Kelce loves a lot of songs off Taylor Swift’s new album, The Life of a Showgirl. But, he said, “Opalite” and this other track are his No. 1 picks:
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The eldest Kelce said his other favorite track is “Eldest Daughter” because he’s “a sucker for a ballad.” He added, “I just think the expression in that song and the sentiment behind it is beautiful.”
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New York’s Brevet Capital Management revealed its vision for 1341 S. Christopher Columbus Blvd. to the Pennsport Civic Association on Wednesday night, showing a soaring tower on Delaware River with 620 units and promising a dramatic revision of public space in the area.
In addition to the tower and small retail building just to its west, the developer’s representatives outlined possible future phases that could include two additional towers.
“The retail building is constructed as a placeholder,” Meredith Trego, a zoning lawyer with Ballard Spahr, said at the Pennsport Civic Association meeting. “But the idea is in a future phase that a one-story building would go away, and a new tower could go in its place.”
The towering project, with its limited parking, is legally possible due to the unique zoning incentives available along the central Delaware riverfront.
In exchange for building as high as they want, the developers must meet a variety of requirements including paying into the city’s housing trust fund, providing public space, and upgrading, maintaining, and extending a rundown stretch of the Delaware River Trail down to Reed Street.
The first tower would be more than 380 feet tall, and renderings show possible future towers that would be even taller. To be allowed to build that high for future buildings, the developer would have to meet the city’s exacting requirements again, including by paying more into the housing trust fund (and they could not encroach on trail space).
Conditions on the pedestrian- and bike-friendly river trail have deteriorated below Washington Avenue. The infrastructure has not been maintained to the level it is farther north.
An encampment of homeless people has settled along this portion of the trail, although its residents have been moved around several times in sweeps orchestrated by the city, Delaware River Waterfront Corp., and property owners.
Another sweep is planned for Tuesday, the developer’s representatives said at the Pennsport meeting, and additional signage and fencing are planned to limit access to the property.
But currently the encampment is largely along the public access bike and pedestrian trail itself, not private property.
“Everyone knows that’s only going to last so long until we get density back there, people [will probably be] living back there,” said Matt McClure, a zoning lawyer representing Brevet. “That’s why we need an active use.”
A rendering of the proposed tower discussed at the Pennsport Civic Association meeting Wednesday night.
Brevet’s team said they would provide additional public space with the initial tower, including on disused piers that jut into the river. Currently they do not plan to build structures on the piers but turn them into publicly accessible green space.
Residents also asked that the developer address traffic conditions on Columbus Boulevard, which is a high-speed roadway that is unsafe for pedestrians.
“Big projects generate focus on improvements,” McClure said. “Hopefully it generates dialogue on making things better” on the boulevard.
The biggest applause of the night came when an attendee urged the developer to add more parking than the 187 spaces currently proposed within the tower. Another 100 spaces are available in an existing surface lot, although that is also the site for a possible third future residential tower.
The developer’s representatives tempered hopes for a greater share of parking in future development, while not ruling it out.
“So for future phases, if there’s a need for additional parking, we could incorporate that,” Trego said. Based on what they’re seeing in developments throughout the city, she added, garages are not as full as expected.
A rendering of the highly theoretical future two towers the developer has discussed as a possibility for the site.
Plans for the first tower have mostly smaller units — 50% one-bedroom units and 35% studios — but the developer said that could change.
“As we study this further, if there is desire for larger units, we can always make room for that,” said Milton Lau, a project architect with the firm Perkins Eastman.
Brevet expects to begin building in summer 2026, with an 18- to 24-month construction timeline for the first tower.
This is Brevet’s first real estate project in Philadelphia, although the company has built other developments in Florida, Texas, and California.
A New York developer is planning a 620-apartment development at 1341 S. Christopher Columbus Blvd. in South Philadelphia.
The 36-story project from Manhattan-based Brevet Capital Management makes use of multiple zoning bonuses to allow a taller, denser project than would otherwise be legal.
In exchange for those development benefits, the developer will pay into Philadelphia’s Housing Trust Fund and upgrade and maintainthe Delaware River Trail belowWashington Avenue, where its conditions currently get much rougher.
The zoning was changed before the pandemic to allow developers to build taller in exchange for extending the trail, but Brevet would be the first to do so.
“To me the most exciting aspect of this project is that they will be paying for and constructing the waterfront trail along their property,” said Matt Ruben, chair of the Central Delaware Advocacy Group, which has long pushed for responsible development on the riverfront.
“That’s one of the most important and consequential public benefits a developer can provide” in this area, said Ruben, who has not seen renderings of the buildings.
Jack O’Brien, who posts in JackPhillyRE’s Substack, first reported the latest project for this parcel in advance of a Wednesday night meeting with the developers before the Pennsport Civic Association. The permit with Brevet executives listed as owners was pulled on July 3 of this year.
“We are pleased to see the first major investment in Pennsport’s historically underutilized waterfront,” said Patrick Fitzmaurice, president of the Pennsport Civic Association. “We look forward to neighbors safely enjoying the waterfront with the proposed retail and recreational plans.
The project is designed by the international architecture firm Perkins Eastman, with its Philadelphia office listed, and is called Wharton Piers in plans filed with the city. The developer is represented by Matt McClure and Meredith Trego of the law firm Ballard Spahr.
Although no parking is required, the developer is providing 187 parking spaces on floors two to four of the housing tower. Over 10,000 square feet of commercial and office space will be on the ground floor, with amenity space on level five.
A small, neighboring one-story building will include 20,650 square feet of retail space.
A screenshot from plans filed with the city shows how the housing tower proposed on the right dwarfs the small retail building proposed on the left.
Previous proposals for the property
The property at 1341 S. Christopher Columbus Blvd. has had multiple development proposals over the years. Most recently, in 2023, New York-based Silverstein Properties proposed 612 apartments and 500 parking spaces across two towers.
Before the pandemic, it was the site of a 2,000-unit project that would have spanned 10 buildings. That plan, from Maryland-based developer Jeffery Kozero called Liberty on the River, drew widespread skepticism and went nowhere.
Kozero’s company at that time, K4 Associates LLC, is still listed as the permit holder. His proposal was met by backlash from the Central Delaware Advocacy Group and other neighborhood organizations.
K4 “tried to warp the entire overlay to allow the construction of 10 huge towers that many of us knew would never get built,” Ruben said.
Following the backlash, City Council changed the zoning overlay covering the waterfront in part by allowing developers to build taller in exchange for growing and maintaining the bike path, part of a larger plan.
“It’s ironic that this [new proposal] is the first project that will make use of the new density bonus system,” said Ruben, given that the old K4 project on the same site is the reason the zoning incentive exists at all.
Until recently, the vast vacant lot at 1341 S. Christopher Columbus had been used asan encampment by people who are homeless. Last December, The Inquirer reported that the property was being swept, with the tents and residents removed, at the behest of the property owners.
Today, an established encampment instead lines much of the bike and pedestrian trail below Washington Avenue.
This story has been corrected to make clear that the river bike trail does extend below Washington Avenue and that the developer promises to upgrade and maintain that part of the path.
Gloria Del Piano, 72, of Philadelphia, celebrated designer of silk clothing, fashion accessories, and jewelry, former Italian TV producer and public relations director, energy therapist, Italian translator, voice-over actor, and community volunteer, died Wednesday, Oct. 1, of complications from cancer at the Hospital of the University of Pennsylvania.
Energetic, artistic, and indomitable, Ms. Del Piano was 31 when she arrived in Philadelphia from Rome in 1984. She had little money and knew little English. But she discovered her skill for silk painting in a do-it-yourself class, and the colorful hand-painted silk scarves, evening wraps, handkerchiefs, handbags, and original jewelry she went on to create turned Gloria Del Piano Accessories LLC into a fashion powerhouse.
In just a few years, she opened a store on Bainbridge Street and contracted with Bergdorf Goodman, Neiman Marcus, Nan Duskin, Nordstrom, and hundreds of other fashion outlets to carry her designs in Philadelphia, New York, Los Angeles, San Francisco, Detroit, Minneapolis, and elsewhere around the country. Locally, her signature scarves and earrings were featured at gallery exhibits, charity benefits, private homes, and fashion shows at Penn’s Landing, Fairmount Park, the Wayne Art Center, and elsewhere.
Many of Ms. Del Piano’s designs were colorful.
Her line of accessories won awards for excellence and creativity at the Philadelphia Dresses the World fashion expos in 1986 and ’87, and she was inducted into the Philadelphia Get to Know Us Fashion Hall of Fame in 1988. The Inquirer, Daily News, Los Angeles Times, and other outlets publicized her exhibits, and a fashion writer for Newsday called her scarves, with flower and bird patterns, “exquisite” in a 1986 story.
Some of her scarves were priced between $220 and $300 in 1986, and a black cape listed in 1988 at $495. In 1993, a gold lace-trimmed handkerchief was $45. A fellow artist exhibited with Ms. Del Piano at a Philadelphia festival and said in a fashion blog: “We watched her tie a scarf so many ways so fast it was like a magic act.”
Earlier, from 1976 to 1984, Ms. Del Piano worked as a program producer and public relations director at GBR-TV in Rome during the station’s glory years. She also did Italian voice-overs, interpretations, and translations for clients of all kinds.
Ms. Del Piano (right) smiles at a model wearing her designs at an event at Memorial Hall in Fairmount Park.
She served on the board of the nonprofit Enabling Minds, volunteered in Philadelphia as aCourt Appointed Special Advocate for Children, and raised funds for other organizations she championed. In a Facebook tribute, a friend said she was “bigger than life itself” with “a flare of the Italian opera star and the warmth of the Mother Earth itself.”
Her partner, Wainwright Ballard, said: “She was generous and empathetic. She took care of everyone, including those abandoned or forgotten by others.”
Gloria Del Piano was born Jan. 20, 1953, in Rome. She was artistic as a girl and always interested in spiritual growth and personal transformation. She studied sociology and business administration after high school in Italy, was certified by the Florida-based Barbara Brennan School of Healing in 2000, and led seminars in healing therapy for years.
Ms. Del Piano and her partner, Wainwright Ballard, met in Chestnut Hill.
She married Roberto Borea in 1985, and they divorced in 1992. She met Ballard at the Mermaid Inn in Chestnut Hill, and they spent the last eight years dancing, traveling, and enjoying life together.
Ms. Del Piano doted on her family and friends in the United States and Italy, and returned often to Rome for reunions. She lived in Mount Airy and then a 20-room house in Germantown, and visitors marveled at her eclectic collection of art and antiques.
She enjoyed music, gardening, thrift shopping, and chatting with friends. Friends called her “a philosopher,” “a noble soul,” and “a magician in the kitchen.” She delighted in cooking and entertaining, Ballard said, and always sent guests home with armloads of leftovers.
Ms. Del Piano receives an award from then-Mayor Wilson Goode at a fashion expo in Philadelphia.
Her “fabulous parties” were “fun and adventurous,” a friend said. Ms. Del Piano said on Facebook: “You never know how wonderful what you have is when you have it. It is when you miss it that we realize how lucky we were.”
A friend said her “optimism, tenacity, enthusiasm, kindness, beauty, and elegance will always be with us.” Another friend said: “My life has been made richer having known Gloria Del Piano.”
In addition to Ballard, Ms. Del Piano is survived by a brother, two sisters, and other relatives. Her former husband died earlier.
A funeral mass is to be held at 9:30 a.m. on Tuesday, Nov. 4, at St. Vincent de Paul Church, 109 E. Price St., Philadelphia, Pa. 19144.
Donations in her name may be made to Unite for Her, 22 E. King St., Malvern, Pa. 19355.
Many of Ms. Del Piano’s designs featured flowers and birds.
For years, students at Temple University’s College of Public Health trekked to classes and met professors across two campuses and 10 buildings in North Philadelphia.
That changed this school year when the college finally moved into its own building, the first dedicated to public health since its founding in 1966.
Paley Hall is an expansion and renovation of the former Samuel L. Paley Library, which sat at the heart of Temple’s main campus on North Broad Street.
Jennifer Ibrahim, the college’s dean, spoke with The Inquirer about the new building and amenities designed for public health studies, including a “simulation” space with a replica park, restaurant, emergency room, and even a rowhouse where students can act out interactions with patients. The interview was lightly edited for length and clarity.
Why did Temple pick the former Paley library for the new College of Public Health building?
About eight years ago, we started the conversations about renovating Paley to become the new home of the School of Public Health. It’s at the center of campus, and public health has so many collaborations with medicine, with dentistry, with public policy, with law, that it felt really special and appropriate, given how collaborative and interdisciplinary we are.
Once Paley Hall was gutted, the beauty of the building was that it was created to hold books — to bear the weight of books. That allowed us to add two more floors and extend an east wing and a west wing, significantly increasing the square footage, and that made the building large enough for our different academic units to move into.
How does consolidating academic departments into one space help students and faculty?
We have so many different disciplines — public health, social work, nursing, speech, physical therapy, occupational therapy, athletic training, recreational therapy. And we have been in as many as 11 buildings over the history of the college on the main campus, but also on the health science campus [farther north on Broad Street]. It’s not that far, but it does create challenges for collaboration.
Jennifer Ibrahim, dean of Temple University’s College of Public Health, spoke with The Inquirer about the college’s new headquarters on Temple’s main campus.
That ability to bump into one another in the same physical space — just having those impromptu conversations brings a warmer human element to the interactions that we have.
What are some of the amenities in the new building?
There’s a couple of interesting spaces in the building. We have four classrooms in the building, and then we have the Aramark Community Teaching Kitchen, which is a kitchen space with capacity for 24 students to be learning.
The simulation center is at the heart of it. This was a collaboration from faculty across all of our disciplines.
When individuals have an acute injury, or a chronic condition, what we aim to do is get them back into the community and back into their social support system.
So about 40% of our simulation center is a community. There’s an ambulance bay, there’s a park, there’s a restaurant, there’s a corner grocery store, there’s a replica rowhouse, there’s a street, there’s a sidewalk — all of that allows students to practice safely before they go out and work with our community partners, to learn and to receive feedback.
The other half of our simulation center is more traditional. We have an inpatient and an outpatient area where students will be interacting with simulated patients as well as mannequins to help them learn [bedside manner].
We’re really excited for our disciplines to come together and get creative about ways that we can better prepare students for what it’s going to be like when they enter the workforce. We also feel that we have an obligation to our local and regional workforce, that we are putting out the best-prepared students to hit the ground running.
What does Temple’s investment in a project like Paley Hall say about its commitment to public health as a profession?
We know that there is an evidence base for what works and what doesn’t work.
We have an obligation to educate the public.
We have an obligation to conduct research to advance the evidence of what we know does and does not work.
We have an obligation to develop policy with our elected officials to figure out what can we do to protect the population in any way that we can.
I think Temple’s investment in this space is a statement about the importance of public health and health professionals more broadly.
Now is the time that we have to double down on our investments in public health, and Temple has done just that.
With a government shutdown looming, Jimmy Kimmel coming back, and former FBI Director James Comey being indicted, it would be easy to miss that the Trump administration has promised billions in taxpayer money to bail out one of the president’s buddies after he got in trouble down south.
Argentine President Javier Milei, who you may remember gave Elon Musk a “bureaucracy chain saw” onstage at the Conservative Political Action Conference in February, has put the power tools down and brought out the collection plate.
“As President [Donald] Trump has stated, we stand ready to do what is needed to support Argentina and the Argentine people,” Treasury Secretary Scott Bessent posted on X Wednesday. “The Treasury is currently in negotiations with Argentine officials for a $20 billion swap line with the Central Bank.”
That influx of cash is, of course, timed to the forthcoming midterm elections, as Milei is challenged over his poor handling of the economy and other political woes. Elected in 2023, the brash self-proclaimed anarcho-capitalist has cut a Trumpian path, governing by decree and force of personality. But corruption allegations surrounding his sister, growing wage stagnation, and rising unemployment have him on the ropes.
Now, helping a neighbor facing hard times is not a bad thing. I was in Mexico when President Bill Clinton took it upon himself to approve a $20 billion loan in 1995 to help stabilize the peso after that country’s economic collapse. But helping the nation next door was also in America’s best interest.
Elon Musk holds up a chain saw he received from Argentina’s President Javier Milei (right) as they arrive to speak at the Conservative Political Action Conference in February at the Gaylord National Resort and Convention Center in Oxon Hill, Md.
The U.S. had just entered into a trade agreement, and there were American jobs dependent on exports. Clinton also pragmatically argued that a broke Mexico would likely lead to more illegal immigration and destabilize the southern border.
The gamble worked. Mexico ended up paying back the loan, along with half a billion dollars in interest, ahead of schedule. The country also continued down the road to true democracy, with an opposition party winning the presidency in 2000 for the first time in more than 70 years. But Argentina is not Mexico.
The country is hardly a top export destination for American goods (imports from China almost double what U.S. producers sell there), and Milei has already burned through $15 billion in International Monetary Fund money. Not to mention Argentina owes another $45 billion from an IMF loan taken out in 2018.
Those are a lot of hopes and dreams riding on the right-wing Milei. As U.S. Rep. French Hill, the GOP chairman of the House Committee on Financial Services, wrote after a trip to Argentina recently, if Milei’s policies are successful, they could “reverse 150 years of macro financial disappointment to creditors.” I believe in long shots, but I’m not taking that bet.
Oh, wait. As a taxpayer, I guess I am.
Scott Bessent, U.S. Treasury secretary, (left) and Argentine President Javier Milei during the Atlantic Council Global Citizen Awards in New York on Wednesday.
What’s maddening about this situation is that it’s part of the cronyism that defines Trump’s second term. The president has made no secret, as usual, of what his motivations are, calling Milei “a very good friend, fighter, and winner” on Truth Social, and telling Argentines their president has his complete and total endorsement and “will never let you down!”
We can argue on the merits of propping up Argentina’s economy, but this is no way to run foreign policy in Latin America.
Not while the U.S. cozies up to the “world’s coolest dictator” (and America’s jailer) Nayib Bukele in El Salvador. Nor when we’re imposing 50% tariffs on Brazil — a country with an economy more than three times the size of Argentina’s — for convicting former president (and Trump pal) Jair Bolsonaro over a coup attempt after his electoral defeat in 2022.
Nor when Trump continues to order the extrajudicial killings of Venezuelans — at least 17 people — the White House claims were drug running in the Caribbean.
The little Republican pushback over the administration’s efforts to rescue Milei’s political career has come from U.S. Sen. Chuck Grassley, who objects to Argentina’s undercutting of U.S. farmers trying to sell to China. “Why would USA help bail out Argentina while they take American soybean producers’ biggest market???” Grassley posted to X on Thursday.
Not exactly a clarion call to action, but it’s a start. Maybe if we put soybeans on those Venezuelan boats the U.S. keeps blowing up, we’ll get some needed outrage from the right.
HARRISBURG — Pennsylvania Treasurer Stacy Garrity stepped in on Wednesday to offer counties and early education programs $500 million in low-interest loans to hold them over until a final state budget deal is complete, sidestepping the General Assembly and Gov. Josh Shapiro as they near the start of a third month at an impasse.
Garrity, a Republican who last month announced her bid to challenge Shapiro in next year’s gubernatorial election, announced the unprecedented move to allow the state Treasury to offer the loans to county human service departmentsfor the many social services they provide, as well as for early education Head Start programs, at a 4.5% interest rate.
Counties, schools, and social service providers have pleaded for months with the legislature to finalize a budget so they can begin receiving their expected state payments, which have been on hold since the beginning of the fiscal year on July 1. Some counties have had to secure private loans to hold them over until state payments begin, while others — including those around the Philadelphia region — have relied on their reserves. Other counties have frozen hiring and spending as they await a resolution to the budget stalemate.
The move would allow counties to access millions of dollars for early education programs serving 35,000 children across the state, as well as for county social services — all of which have been operating for months without their state appropriation, with no end to the budget impasse in sight.
Garrity’s decision to act unilaterally without the action of the General Assembly allows her to capitalize politically on the ongoing budget crisis over Shapiro, challenging his image as a moderate Democratic governor of a politically “purple” state willing to work across the aisle in a divided legislature. That brand, which he has built nationally as he is rumored to have interest in running for president in 2028, has been tested as he has so far been unable to secure a budget deal or a recurring funding stream for the state’s beleaguered mass transit agencies, including SEPTA.
Shapiro, for his part, has described his role in budget negotiations as being a go-between for Senate Republicans and House Democrats, who control their respective chambers, and has said that the two caucuses remain “diametrically opposed” on some issues.
A spokesperson for Shapiro said in a statement Wednesday that the real solution to the budget impasse is for Senate Republicans, whose leaders endorsed Garrity last week, to return to work in Harrisburg to finalize a budget deal with House Democrats. A spokesperson for House Majority Leader Matt Bradford (D., Montgomery) echoed the sentiment, arguing that Senate Republicans “refuse to negotiate on a realistic budget agreement.”
Gov. Josh Shapiro visits SEPTA headquarters Sunday, Aug. 10, 2025 to discuss funding for the transit agency and to pressure Senate Republicans as planned service cuts are pending because of a budget shortfall. To his right, from left, are state Democratic legislators Sen. Anthony H. Williams; Sen. Nikil Saval; Rep. Ed Neilson; and Rep. Jordan Harris.
Senate Majority Leader Joe Pittman (R., Indiana), the Senate’s top negotiator, who has met for months in closed-door budget talks with Bradford and Shapiro, said in a statement that it was Democrats who caused the prolonged impasse while demanding they include mass transit funding in the state budget. After mounting pressure as SEPTA enacted major service cuts, Shapiro ultimately sought to fund the agency on his own, and the issue will need to be revisited in two years.
Garrity, who kicked off her “Help Is on the Way” introductory campaign tour around the state earlier this week, said Wednesday her decision to intervene in the state budget stalemate was not political, despite her burgeoning run against Shapiro. Rather, she said that she had been thinking about a way to do so for months, including ahead of her announcement of her run for governor, and that most Pennsylvanians don’t even realize the state budget is late. She argued that if she wanted to be political, she would not intervene and would “keep the pressure” on Shapiro over the late state budget.
“I’m standing up here as Pennsylvania’s state treasurer, not as a candidate for governor,” Garrity said from a podium in the Harrisburg building that houses the state Treasury. “I think I have a responsibility to serve Pennsylvanians, that if I have something that I can do to provide some relief, then I should do it.”
However, that didn’t stop Garrity from inviting Montgomery County Commissioner Tom DiBello — the lone Republican on the board where Shapiro once served — to the podium at the news conference to deliver some direct criticisms of Shapiro and to praise Garrity’s intervention as a “lifeline” for counties, alongside two other GOP county commissioners from south-central Pennsylvania. While Montgomery County remains one of the wealthiest counties in the state, the late budget has required Pennsylvania’s third-most-populous county to spend down its reserves, money that it usually relies upon to continue earning interest as part of its annual revenue, DiBello said.
Pennsylvania Treasurer Stacy L. Garrity gives her acceptance speech after receiving the PA GOP’s endorsement for her campaign for governor during the Republican Party of Pennsylvania’s 2025 Fall Meeting at the Penn Stater Hotel & Conference Center in State College on Sept. 20.
“It starts at the top. The governor is responsible,” DiBello said. “He’s got to pull it together. It’s his signature at the end of the day.”
In response to Garrity’s announcement Wednesday, Montgomery County Commissioners Neil Makhija and Jamila Winder, both Democrats, said in a statement that the county needs a final state budget instead of a short-term loan program, urging Senate Republicans to “do their job.”
“A short-term loan at 4.5% interest is the state profiting from a problem of their own making, at the expense of the taxpayers,” the two commissioners added.
DiBello said he did not believe his invitation to Wednesday’s event had political motivations, adding: “I didn’t even think of that.” He also noted that he has come to Harrisburg to advocate on behalf of counties multiple times before.
Senate President Pro Tempore Kim Ward (R., Westmoreland), who has been one of Shapiro’s biggest critics since his first budget in 2023 and was quick to support Garrity’s candidacy, prodded at Shapiro’s pledge to “get stuff done” while praising Garrity’s leadership.
“Today, Treasurer Stacy Garrity made a bold move that shows what ‘get stuff done’ actually looks like,” Ward said in a statement. “Treasurer Garrity’s leadership is on display as her solution-driven option is exactly what we need, but has been glaringly missing from the present administration.”
Garrity said at the news conference Wednesday that she offered the loan program specifically to Head Start programs and county governments’ human service departments because both had asked her to help them get through the budget impasse. The state budget was due by July 1, and Pennsylvania is the only state besides Michigan that has not yet passed its budget. She said she is willing to offer similar loans to schools or other state-subsidized or funded programs as requested.
The Pennsylvania General Assembly can forgive the interest accrued by counties taking out loans during the budget impasse, Garrity said, adding that shewould support legislation that does so.
This suburban content is produced with support from the Leslie Miller and Richard Worley Foundation and The Lenfest Institute for Journalism. Editorial content is created independently of the project donors. Gifts to support The Inquirer’s high-impact journalism can be made at inquirer.com/donate. A list of Lenfest Institute donors can be found at lenfestinstitute.org/supporters.
