There were Irish step-dancing vampires and opera-singing vampires. Vampires who claim to hunt billionaires and vampires who moonlight as emergency medical technicians. And, in at least one instance, a vampire who doubled as a heavyweight champ.
Such was the lineup of the first-ever Miss American Vampire Philadelphia pageant, where 13 wannabe bloodsuckers donned their best vampiric drag to compete inside heavy metal bar Doom Friday night. Contestants were thirsty to show that vampires contain multitudes (and, perhaps, for a little bit of blood).
Doom owner and former Royal Izakaya general manager Justin Holden decided to go all in on the unorthodox pageant after bartender Sonja Delgado showed him a black-and-white photo of Miss American Vampire New Jersey staring hauntingly at the camera during her 1970 crowning.
Back then, MGM hosted the regional beauty competition to promote the movie House of Dark Shadows, with finalists going on to compete in Los Angeles for title of Miss American Vampire and a guest-starring role on the long-running vampire soap opera Dark Shadows. Native American activist Sacheen Littlefeather won the crown, though she never redeemed her prize.
The stakes of Doom’s pageant were far lower than a TV appearance and eternal life, though just as competitive. Contestants were judged by a panel of full-time goths and burlesque performers on their creativity and vampiric presence as they competed in the standard pageant categories: A costume parade, an interview, and a dark art — or talent with a touch of the occult.
Prizes included $100 cash, a new set of fangs, and comic books donated from Atomic City Comics. Skull and mixed metal artist Sue Moerder prepared a Bob Mackie-inspired gothic crown, with feathers and pearls sprouting from an arrangement of ornate obsidian gems.
“Vampires represent the alternative, the occult, the bat-brained, the gothic … [people] on the outskirts of civilization,” Delgado told The Inquirer. “We just wanted to show that this bar is a safe cave for vampires to commune.”
Both floors at 421 N. 7th St. were packed as contestants flitted across the makeshift stage in costumes that highlighted the full expanse of vampire-dom. There were homages to both the German and Transylvanian versions of Dracula in peasant blouses and bejeweled collars, as well as more contemporary interpretations, with floor-length evening gowns, corseted waistlines, and lots of red lips.
Lilith Lobotomy — a blue-haired vamp whose bio alleged she bakes cakes and stalks billionaires — was an immediate favorite, earning thunderous applause when she turned away from the audience to drop her floor length duster. Emblazoned in sparkling blood red font on the back of her black dress was the phrase “Eat the rich.”
Madame Lobotomy would go on to win the coveted title of Miss Off Putting — Delgado’s spin on Miss Congeniality — after belting out the song “The Phantom of the Opera” while twirling a lit candelabra.
She was still no match for Norah Morse, who took home the Miss American Vampire Philadelphia crown after shocking the judges with her interview. When asked how she prepared for the competition, Morse scoffed.
“I don’t know what you mean,” she said in a thick Transylvanian accent. “I’m a vampire and I showed up.”
Judge and burlesque performer Caress Deville said Morse represented the commitment she was looking for. “I was gagged,” Deville said. “That’s exactly how you would answer if you were a real vampire.”
During her crowning, Morse’s human mother rushed to the front of the crowd to take photos. Even vampires, it seems, yearn for mom’s approval.
In the world of us mortals, Morse goes by Alex Decker, a 29-year-old from Bellmawr who has been drawn to vampires since she was a child. Decker lives with contamination OCD, she said, and envies the freedom of the undead.
“Life would be a lot easier if I was a vampire who could just drink blood all the time,” Decker said. “I have been weird and creepy and insane my entire life.”
Competing to be America’s next top vampire
For some contestants, Miss American Vampire Philadelphia was an opportunity to transform their mortal selves into bolder and braver versions that were battle-tested from centuries of living.
When Doom announced the pageant on Instagram in early October, the post received more than 4,500 likes, Delgado said, and hundreds of shares. More than 50 hopefuls sent in applications via a Google form that asked for their vampiric backstory and talent, forcing Holden and Delgado to spend hours deliberating.
Delgado was unsurprised that the pageant took off. They were, however, shocked by the lack of trolling.
“I didn’t know how serious everyone who applied was at first,” Delgado said. “It’s supposed to be campy.”
On Friday, the beauty competition toed the line between a drag show and an actual Miss America preliminary. The judges pressed contestants on tough questions, such as how they choose their victims, and if it’s ethical to let them live post blood-sucking.
For Mira Castigin, of Camden, the most important quality to look for in a vampire is fun.
“What’s the point in being immortal if you let life pass you by?” she told the crowd.
Castigin’s vampiric persona is Elmira, a bewitching goth girl who shares Castigin’s day job as an EMT in hopes of atoning for her sins. The competition was an excuse for Castigin to air out some special pieces from her vintage clothing collection, including a petticoat and a pair of London Underground shoes.
“I think it’s always fun to do your makeup and get dressed up no matter what day it is,“ Castigin, 25, of Camden, said. ”And this is like a more thought-out version of that.”
Castigin opened the talent portion by singing an operatic aria, setting up the audience for a night of bewitching tricks. One vampire played the violin, while another danced an Irish jig to a Type O Negative song. Cassius King — a silent movie star turned vampire — wowed the audience by performing feats of strength, at one point picking up his assistant and turning him upside down.
Rachel Rushmore, 34, of Fishtown, had a simpler talent, using sleight of hand to summon a tiny bat. Rushmore said she felt called to compete after 15 friends — including several who don’t even live in Philly — sent her Doom’s Instagram post.
Onstage, Rushmore transformed from mortal Rachel to Vampire Rachel, a temptress and philanthropist who had been around since “the age of powdered wigs and Ben Franklin.” Vampire Rachel wears maroon floor-length gowns and bedazzles her face with gems borrowed from Marie Antoinette. The real-life version works in children’s book publishing and had never performed in front of a crowd before.
“I called myself Vampire Rachel because it’s hard for me to be somebody who I’m not,” Rushmore said. “Tonight I’m Rachel, but more.”
