Category: Entertainment

Entertainment news and reviews

  • Dan McQuade, award-winning writer, tireless community activist, and ‘Philadelphia institution,’ has died at 43

    Dan McQuade, award-winning writer, tireless community activist, and ‘Philadelphia institution,’ has died at 43

    Even as a child, Dan McQuade let his imagination run wild. “What are you doing?” his mother, Denise, would ask if she hadn’t heard any noise from his bedroom for a while. “I’m making stories,” he would reply.

    Later, as a young man about town, his compassion for fellow Philadelphians inspired his father, Drew. Dan volunteered to give blood often, donated brand-new sneakers to other guys in need, and continually reached out to people he saw struggling with drug abuse and homelessness. “His kindness was what I loved about him the most,” his father said.

    Dan McQuade was already an award-winning writer, blogger, and journalist when he met his future wife, Jan Cohen, online in 2014. To her, his jovial humor, wide-ranging intelligence, and shoulder-length hair made him unique in her circle. “I thought he was too cool for me,” she said.

    As it turned out, they were all spot on. Mr. McQuade used his quirky creativity to write memorable blogs and freelance stories about culture and sports for The Inquirer, the Daily News, the New York Times, Sports Illustrated, and other publications. He was a cofounder and visual editor at Defector Media and worked previously for Deadspin, Philadelphia Magazine, Philadelphia Weekly, and other outlets.

    His empathy, likely inspired by his parents, his wife said, led him to toil tirelessly for charitable nonprofits such as the Everywhere Project, Back on My Feet, and Prevention Point. “Service was always part of his life,” his wife said.

    His coolness, as unconventional as it sometimes was, made those he encountered feel cool, too. Molly Eichel, an Inquirer editor and longtime friend, said: “He was annoyingly smart and incredibly kind.”

    Dan McQuade died Wednesday, Jan. 28, of neuroendocrine cancer at his parents’ home in Bensalem. He was 43. His birthday was Jan. 27.

    Mr. McQuade’s annual Wildwood T-shirt report was a favorite of his many readers and fans.

    “It’s incredibly hard for me to imagine living in a Philadelphia without Dan McQuade,” said Erica Palan, an Inquirer editor and another of Mr. McQuade’s many longtime friends. “He understood Philadelphians better than anyone because he was one: quirky and funny, competitive and humble, loyal and kind.”

    A journalism star at the University of Pennsylvania in the early 2000s, Mr. McQuade was a writer, sports editor, and columnist for the school’s Daily Pennsylvanian, and managing editor of its 34th Street Magazine. He earned two Keystone Press awards at Penn, was the Daily Pennsylvanian’s editor of the year in 2002, and won the 2003 college sports writing award from the Philadelphia Sportswriters Association.

    He went on to create Philadelphia Weekly’s first blog, “Philadelphia Will Do,” and was a finalist for the Association of Alternative Newsmedia’s best blogger award. He served an internship at the Bucks County Courier Times in Levittown and worked for a while at the Northeast News Gleaner.

    Often irreverent, always inventive, he filed thousands of notable stories about, among other things, the Wildwood T-shirt scene, the origin of “Go Birds,” sneaker sales, Donald Trump, Wawa hoagies, the Philly accent, parkway rest stops, the Gallery mall, soap box derbies, and Super Bowls. His stories sparkled with research and humor.

    An avid reader himself, Mr. McQuade enjoyed reading local tales to his son, Simon.

    “Dan was a truly authentic and engaging person,” Tom Ley, editor-in-chief at Defector, said in an online tribute. “His curiosity was relentless, and his interests were varied and idiosyncratic.”

    For example, Mr. McQuade wrote in Philadelphia Magazine in 2013 that Sylvester Stallone’s famous training-run montage in Rocky II — it started in South Philly and ended two minutes of screen time later atop the Art Museum steps — actually showed city scenes that would have had the actor/boxer run more than 30 miles around town. “Rocky almost did a 50K,” Mr. McQuade wrote. “No wonder he won the rematch against Apollo!”

    In 2014, he wrote in Philadelphia Magazine about comedian Hannibal Buress calling Bill Cosby a rapist onstage at the old Trocadero. The story went viral, and the ensuing publicity spurred more accusations and court cases that eventually sent Cosby to jail for a time.

    When he was 13, Mr. McQuade wrote a letter to the editor of the Daily News that suggested combining the Mummers Parade with Spain’s running of the bulls. Crossing Broad’s Kevin Kinkead said he had “an innate gift for turning the most random things into engaging reads.”

    This story about Mr. McQuade appeared in the Daily News in 2014.

    “Without Dan’s voice, Philly Mag wouldn’t be Philly Mag,” editor and writer Brian Howard said in a tribute on phillymag.com. “And, I’d argue, Philadelphia wouldn’t quite be Philadelphia.”

    Other colleagues called him “a legend,” “a Philadelphia institution,” and “the de facto mayor of Philadelphia” in online tributes. Homages to him were held before recent Flyers and 76ers games.

    “Sometimes,” his wife said, “he inserted himself into stories, so readers had a real sense of who he was because he was so authentic.”

    Daniel Hall McQuade was born Jan. 27, 1983, in Philadelphia. His father worked nights at the Daily News for years, and the two spent many days together when he was young hanging around playgrounds and skipping stones across the creek in Pennypack Park.

    Mr. McQuade (left) and his father, Drew, shared a love of Philly sports and creative writing.

    Later, they texted daily about whatever came to mind and bonded at concerts, Eagles games, and the Penn Relays. He grew up in the Northeast, graduated with honors from Holy Ghost Preparatory School in Bensalem, and earned a bachelor’s degree in English at Penn in 2004.

    He overcame a serious stutter as a teen and played soccer and basketball, and ran cross-country and track at Holy Ghost. He married Jan Cohen in 2019 and they had a son, Simon, in 2023. They live in Wissahickon.

    Mr. McQuade was a voracious reader and an attentive listener. “He never wanted to stop learning,” his wife said. He enjoyed going to 76ers games with his mother and shopping for things, his father said, “they didn’t need.”

    He was mesmerized by malls, the movie Mannequin, the TV series Baywatch, and his wife’s cat, Detective John Munch. During the pandemic, he and his wife binged all 11 seasons of Baywatch.

    Mr. McQuade doted on his wife, Jan, and their son, Simon.

    He could be loud, his mother said, and Molly Eichel described his laugh as “kind of a honk.” His friend and colleague Alli Katz said: “In 50 years I’ll forget my own name. But I’ll remember his laugh.”

    He was a vintage bootleg T-shirt fashionista, and his personal collection numbered around 150. He named Oscar’s Tavern on Sansom Street as his favorite bar in a recent podcast interview and said he would reluctantly pick a pretzel over a cheesesteak if that was the choice.

    In September, Mr. McQuade wrote about his illness on Defector.com under the headline “My Life With An Uncommon Cancer.” In that story, he said: “Jan has been everything. My son has been a constant inspiration. My parents are two of my best friends, and I talk to them every day. Jan’s parents have been incredible.”

    He also said: “I believe there are no other people on earth with my condition who are in as fortunate a situation. … For the past thousand words you have been reading about a bad break I got, but if only everyone in my position had it this good.”

    Mr. McQuade and his wife, Jan Cohen, married in 2019.

    His wife said: “He was truly the best guy.”

    In addition to his wife, son, and parents, Mr. McQuade is survived by his mother-in-law, Cheryl Cohen, and other relatives.

    Visitation with the family is to be from 9 to 10 a.m. Thursday, Feb. 5, at St. Martha Parish, 11301 Academy Rd., Philadelphia, Pa. 19154. Mass is to follow from 10 to 11 a.m.

    Donations in his name may be made to the Everywhere Project, 1733 McKean St., Philadelphia, Pa. 19145.

  • The Curtis Institute vows to rebuild the beloved Art Alliance building on Rittenhouse Square

    The Curtis Institute vows to rebuild the beloved Art Alliance building on Rittenhouse Square

    A temporary shrink-wrap covering has been draped over the Art Alliance building as damage is being assessed. The Curtis Institute of Music, which owns the historic, jewel-box structure on the southeast edge of Rittenhouse Square, is in the early stages of dreaming about the building’s eventual use.

    Curtis had only recently taken over the Art Alliance, when, in the early hours of July 4, a blaze broke out that took more than 120 firefighters to extinguish. The building’s roof was largely destroyed, and other portions of the building were severely damaged by fire, smoke, and water.

    The fire marshal categorized the cause of the fire as undetermined, and Curtis isn’t expecting to ever arrive at an answer.

    “We haven’t thought much about it in a few months because it just hasn’t come up,” said Curtis chief financial officer Chris Dwyer, who is overseeing the building rehabilitation process. “What I’m concluding is that the damage is so bad that there’s no answer with a capital A.”

    At the Art Alliance building on Rittenhouse Square, a detail of a memorial to Alliance founder Christine Wetherill Stevenson, on the first floor, Jan. 27, 2026. The building, owned by the Curtis Institute of Music, was damaged in a fire early on the morning of July 4, 2025.

    At the time of the fire, Curtis was overseeing modest repairs and cleaning and transferring archival materials from the building to other institutions, with an eye toward being able to host a few small community gatherings, a school spokesperson said.

    A full damage assessment is due shortly, and while it’s already clear that some historic elements of the interior survived, it is not yet known whether others were lost.

    “The whole front of the building is more intact than you might have thought, but [there is] definitely a lot of water and smoke damage,” Dwyer said. “But things like the staircase is still there, the stained glass window [on the south side] is essentially intact.”

    Curtis aims to incorporate the surviving historic elements into the design of a rehabilitated building, he said.

    What exactly the renowned music conservatory will use the 15,000-square-foot building for is an open question at the moment.

    “We’re definitely constrained as far as teaching space, rehearsal space, performance space, and places to welcome the community,” said Dwyer.

    Looking through charred timbers and a destroyed section of the attic and roof to the underside of the shrink-wrap covering over the Art Alliance building, Jan. 27, 2026.

    The fire has left the configuration of the building slightly changed. The third floor included an attic that was destroyed by the fire, which raises the possibility that a reconstructed third floor will offer higher ceilings than before.

    VSBA Architects and Planners has been engaged to assess damage and develop some preliminary concepts for eventual reuse. The firm designed Curtis’ nearby Lenfest Hall on Locust Street, and has a long track record in historic preservation work.

    Though reuse plans are still developing, some public-use element seems likely, Dwyer said.

    “We’d love for the building to be used year-round. We’d be open to partnerships and rentals and maybe some new imaginative public programming. So it’s definitely on our minds that it would be public and in some way, shape, or form.”

    A detail on the first floor of the Art Alliance building on Rittenhouse Square shows some historic elements saved, others damaged, Jan. 27, 2026.

    A timeline is far from certain, but if various elements fell into place quickly enough, the building — which was built in 1906 — could reopen by summer or fall of 2028, leaders say.

    Curtis is aware of the place the Art Alliance holds in the hearts of many — “of all the nostalgia and the memories of the building that folks in the community cherish,” said Dwyer. “I was at a wedding there in the late ’90s. It seems like everyone has been in that building at least once.”

    It has a “pretty special character that we think is possible to bring back.”

    Curtis conducted a special fundraising campaign to acquire the building for $7.6 million from the bankruptcy estate of the University of the Arts. The conservatory and its insurance company are working toward arriving at a payout for the damage, but Curtis may want to do more to the building than simply what the insurance would cover.

    That would mean more fundraising.

    “It’s hard to see how we wouldn’t need to raise funds,” said Dwyer.

  • For its special 800th episode, ‘The Simpsons’ is headed to Philadelphia

    For its special 800th episode, ‘The Simpsons’ is headed to Philadelphia

    On the 800th episode of The Simpsons, the beloved show will send its cartoon family to Philly.

    Now in its 37th season, the comedy will ring in the milestone on Feb. 15 with “Irrational Treasure,” a spoof on Nicolas Cage’s National Treasure franchise that filmed (a bit) in Philadelphia.

    The episode will feature a slate of Philly-raised talent including Abbott Elementary creator Quinta Brunson, The Bondsman actor Kevin Bacon, and The Roots drummer Questlove — as well as Boyz II Men, who will sing their own rendition of the show’s legendary theme song.

    A still from “The Simpsons” episode “Irrational Treasure,” airing on Fox on Feb. 15.

    “Marge’s crusade to get the family dog in better shape leads to her entering Santa’s Little Helper in canine agility competitions and a trip to the National Dog Show in Philadelphia,” reads the logline, according to Entertainment Weekly. “There, Marge and Homer suddenly find themselves — and the dog — mixed up in a historical conspiracy adventure worthy of a National Treasure movie.”

    The Philly adventure will see Homer (Dan Castellaneta) chomping on a cheesesteak in front of Pat’s and Geno’s, and a Segway tour guide (voiced by Questlove). The Roots will also make an animated cameo. Given the dog show premise, could there also be a reference to Best in Show, another classic Philly film? We’ll have to wait and see.

    The Roots make a cameo in a milestone episode of “The Simpsons.”

    Brunson will voice a character named Adrienne (Yo! Is that perhaps a Rocky reference?), while Bacon takes on a Philly concierge.

    Other guest stars include The Pitt actors Noah Wyle, Katherine LaNasa, and Taylor Dearden voicing a doctor, nurse, and intern, respectively. (The HBO show is set in Pittsburgh, but the actors aren’t from there.)

    Questlove will voice a Philly segway tour guide in “The Simpsons” special 800th episode, airing Feb. 15 on Fox.

    The Simpsons have spotlighted Philadelphia icons previously, from a purple Gritty appearance in one of the “Treehouse of Horror” episodes, to parodies of M. Night Shyamalan thrillers Sixth Sense and Trap.

    The 800th episode of “The Simpsons” premieres 8 p.m. Sunday, Feb. 15, on Fox.

  • 🏀 The best hoopers in the world show Philly how to ball|Things to do

    🏀 The best hoopers in the world show Philly how to ball|Things to do

    After a foot of snow hit the region last weekend, there hasn’t been much movement in Philadelphia (or so it seems).

    The snow and slush has been as stubborn as Ben Simmons’ fans during his Sixers days. No matter how much sun has peeked out from under the winter clouds, the roads are still covered with mounds of snow, and cars are still boxed in from the plowed piles.

    But that hasn’t stopped Philadelphians from their weekly commute, and certainly won’t stop them from enjoying the many events happening this weekend.

    That includes the Philadelphia Auto Show, the celebration of Asian cultures for CultureFest!, and a clam chowder crawl in Manayunk. The best WNBA players in the world are also going head-to-head at Xfinity Mobile Arena on Friday for Philly is Unrivaled.

    And if the city still looks like the inside of a snow globe this weekend, maybe we all head to another impromptu sledding fest at the Rocky Steps.

    — Earl Hopkins (@earlhopkins_, Email me at thingstodo@inquirer.com)

    If someone forwarded you this email, sign up for free here.

    Brooke Piazza prepares to takeoff sledding on a piece of cardboard at the Philadelphia Art Museum in Philadelphia, Pa., on January 29, 2022.

    The best sledding hills in the region

    Forecasts indicate another weekend of freezing temps is likely in the cards, giving Philly sledders plenty of terrain to enjoy the city’s winter wonderment.

    Along with the Philadelphia Art Museum steps, my colleagues Nick Vadala and Dugan Arnett suggest bundling up and taking a trip to places like Lemon Hill, Water Tower Recreation Center, Clark Park, and other nearby sledding havens.

    Read the rest of their suggestions here.

    The best things to do this week

    🏀 Show Philly how to ball: Philly Is Unrivaled, an offseason professional women’s basketball league, is coming to Xfinity Mobile Arena this Friday. The event will feature 3-on-3 games between four clubs, with the WNBA’s best players duking it out in playoff-style.

    🍺 A taste of international brew: On Saturday, craft beers from Japan, Mexico, Spain, and other distant lands will be front and center at Ardmore Passport: World Pours at Ardmore Music Hall. The event will include international menu items, music, and other activities for the one-day event.

    🇺🇸 Philly history is back, baby: After four months of closure, due to a government shut down and planned repairs, Independence Hall reopens to the public on Thursday.

    ❄️ Bundle up for a Freeze-Out: Manayunk’s signature Founders Philly Freeze-Out returns to Main Street, offering some winter fun. The day also includes a three-mile Founders Freeze Out Fun Run and the Manayunk Chowder Crawl.

    📅 My calendar picks this week: Jessie J at Theatre of the Living Arts and the Mummers String Band Competition at the Linc.

    Attendees hold up signs during an announcement about the Unrivaled Women’s Basketball League 2026 Philly tour stop at LOVE Park on Thursday, Oct. 2, 2025 in Philadelphia. Xfinity Mobile Arena was announced as Unrivaled’s first tour stop, with two games to be played here on Jan. 30.

    Unrivaled kicks off its tour in Philly Friday night

    Not to be confused with the WNBA, which begins its 30th season in May, Unrivaled is a three-on-three professional women’s basketball league that lands in Philly to kicks off its second season.

    Four of the eight teams will head to Xfinity Mobile Arena for a doubleheader on Friday. It will be a homecoming for North Philly native Kahleah Copper, and an ultimate win for fans of women’s hoops.

    Read more of my colleague Brooke Ackerman‘s story here.

    Winter fun this week and beyond

    🪭 Year of the fire horse: Learn more about Chinese, Vietnamese, Korean, Tibetan and other Asian cultural traditions at the 45th annual Lunar New Year celebration for Penn Museum’s signature CultureFest! series.

    🍜 NoLibs bites: Two dozen bars and eateries will offer special prix fixe menus for this year’s Northern Liberties Restaurant Week, which runs through Feb. 8.

    🏎️ Rev your engines: The Philadelphia Auto Show is a can’t miss annual winter classic. Hundreds of hot rides will be on display at the Pennsylvania Convention Center through Feb. 8, offering guests test drive opportunities in and outside the venue.

    📜 An ode to Black history: This Sunday, Black History Month programming kicks off at the National Constitution Center. The monthlong celebration will feature daily crafts, scavenger hunts, trivia, and discussions about some of the most influential figures in American history.

    Staffer picks

    Pop music critic Dan DeLuca lists the top concerts this weekend and a few holiday pop-up jams happening this month.

    🎸 Thursday: 1990s Seattle emo band Sunny Day Real Estate take the stage at Brooklyn Bowl with a lineup that includes original members Jeremy Enigk, Dan Horne, and William Goldsmith.

    🕺🏽 Friday: Former NPR host Ari Shapiro stars in a cabaret show, “Thank You for Listening,” which is adapted from his memoir, The Best Strangers in the World. He will flex his musical muscles at City Winery this Friday.

    🎸 Saturday: The Brooklyn indie rock band Wild Pink, still touring from the group’s 2024 album Dulling the Horns, stop by for a back-to-back show at MilkBoy Philly.

    🎤 Sunday: West Philly emcee Reef the Lost Cauze kicks of the first of the series, “A Month of Black Excellence at the Fallser Club.” The afternoon event will feature a mix of vendors, food, art, and community-centered activities.

    🎤 Monday: While Irish music season doesn’t fully kick off until March, brothers Brian and Diarmuid Mac Gloinn of Ye Vagabonds will bring their hauntingly modern jams to Johnny Brenda’s. Local bluegrass songwriter Daphne Ellen opens.

    Put your snow shovel to good use, so you can free yourself out of snow jail, and enjoy what’s in store this weekend. You won’t regret it.

    — Earl Hopkins

    Courtesy of Giphy.com
  • The Philadelphia Orchestra next season premieres a ‘new’ piece by Leonard Bernstein. Plus, Simon Rattle is coming back.

    The Philadelphia Orchestra next season premieres a ‘new’ piece by Leonard Bernstein. Plus, Simon Rattle is coming back.

    Simon Rattle is returning to the Philadelphia Orchestra after a decade. New works are being unveiled by Spirited Away composer Joe Hisaishi. And a major orchestral piece by Leonard Bernstein is receiving its world premiere — sort of.

    The Philadelphia Orchestra’s 127th season will be a mix of standard repertoire, newly minted scores, film music, family concerts, and guest artists new and familiar.

    Emanuel Ax has been dubbed “artist of distinction” for the season, the orchestra said in its announcement of 2026-27 artists and repertoire unveiled Thursday. The much-loved pianist makes both recital and concerto appearances to celebrate his half-century-plus history with the orchestra.

    Several big, ambitious pieces anchor the season in Marian Anderson Hall.

    The Philadelphians will perform their first-ever complete Bach Christmas Oratorio. Following on the heels of last season’s Tristan und Isolde, the orchestra takes on Wagner’s Lohengrin for the first time. Beethoven’s Symphony No. 9 is on the roster, as are four Mahler symphonies — Nos. 1, 3, 5, and 7.

    Soprano Elza van den Heever.

    Lohengrin, like the Tristan, will be led by music and artistic director Yannick Nézet-Séguin.

    “He’s always able to attract the people that are known for these roles,” Jeremy Rothman, chief programming officer for the Philadelphia Orchestra and Ensemble Arts, said of the cast of singers. Tenor Stanislas de Barbeyrac takes the role of Lohengrin, with soprano Elza van den Heever as Elsa.

    “It’s the kind of thing that really only the Philadelphia Orchestra can do — attracting this talent with Yannick conducting with this level orchestra,” said Rothman.

    Conductor Anthony Parnther leading the Philly Pops in a live orchestra-to-screen performance of “Star Wars: Return of the Jedi” at the Mann Center on Aug. 11, 2022.

    Nézet-Séguin will lead 12 weeks of programs in 2026-27 (plus special concerts), with podium appearances by Esa-Pekka Salonen, Anthony Parnther, Dima Slobodeniouk (his debut here), Jane Glover, Fabio Luisi and others.

    Marin Alsop, the orchestra’s principal guest conductor, leads three weeks of programs plus special concerts.

    Violinist Arabella Steinbacher.

    Guest soloists include pianists Yunchan Lim and Seong-Jin Cho in Rachmaninoff, Nikolaj Szeps-Znaider as both violinist and conductor, violinist Arabella Steinbacher in Beethoven, Yefim Bronfman in Schnitke and Liszt, Daniil Trifonov performing Prokofiev, and Yuja Wang in Beethoven.

    The Spotlight recital series continues with artists like Yo-Yo Ma, Yuja Wang, and Itzhak Perlman.

    Composer Gabriela Ortiz.

    Among the premieres, or first performances by the Philadelphia Orchestra, are works by Reena Esmail, Julia Wolfe, Unsuk Chin, Anna Meredith, Erkki-Sven Tüür, Gabriela Ortiz, and Caroline Shaw.

    Film music once again threads throughout the season, with live orchestra-to-screen presentations of Star Wars: A New Hope and Harry Potter and the Prisoner of Azkaban. Film concerts are often a sell-out for the orchestra, but they are also a lure for new audiences who later buy tickets to regular orchestra concerts, said Ryan Fleur, president and CEO of the Philadelphia Orchestra and Ensemble Arts.

    Howard Shore’s score for “Lord of the Rings: The Fellowship of the Ring” was performed live by the Philadelphia Orchestra and guest conductor Ludwig Wicki to a packed house at Marian Anderson Hall, Dec. 5, 2025.

    If past statistics are a reliable guide, the orchestra will sell 6,000 tickets to next season’s Star Wars program. About 4,000 of those listeners will be people who had not bought an orchestra ticket previously. Of those, 20% will come back for a straight orchestra concert in the following year and a half.

    “It’s pretty consistent data now that we’ve seen over the last few years,” said Fleur.

    “Gateway” is the word the orchestra uses to describe concerts like those with film, or the shorter, informal Orchestra After 5 concerts, which also continue next season.

    “It’s programs that are accessible as a first date,” said Fleur.

    The season-wide average ticket price next season is increasing about 2.5% due to a higher share of premium, or special, programs, a spokesperson said.

    Composer and conductor Joe Hisaishi performing with the Philadelphia Orchestra at Marian Anderson Hall, June 26, 2025.

    Another film-adjacent presence next year is Joe Hisaishi, the orchestra’s composer in residence best known for his work on the animated films of Hayao Miyazaki (My Neighbor Totoro, Castle in the Sky). Hisaishi’s Orbis is the very first work heard next season, prefacing Beethoven’s Symphony No. 9 on opening night, Sept. 24. In the spring, Hisaishi leads the world premiere of his own Piano Concerto with Alice Sara Ott as soloist on a program with his Concerto for Orchestra.

    Rattle’s concerts, in January 2027, feature familiar territory: John Adams’ propulsive and emotional landmark work from 1985, Harmonielehre; Debussy’s La Mer; and the Ravel Daphnis et Chloé Suite No. 2.

    Why these particular pieces?

    “We didn’t have an in-depth discussion about it,” said Rothman. “When Simon wants to bring a program here, we trust him with what he knows [is] going to work really well with this ensemble.”

    Marin Alsop conducting the Philadelphia Orchestra at its Pride Concert at the Kimmel Center in June 2023.

    More novel for both performers and audience is a Marin Alsop program that includes the world premiere of The Party, a collaboration between composer Austin Fisher and conceptual artist Alex Da Corte. The artistic forces include the orchestra, a cast of singers, and life-size sculptures inspired by 1960s artist Marisol Escobar in a stop-motion film.

    Rothman calls the work, which was commissioned by the orchestra, “a really novel way to present opera, where you have the singers and the orchestra live on stage, but all the action is taking place up on the screen.”

    The Party is on a program with Pacific 231, Arthur Honegger’s classic 1923 depiction of a train accelerating, then grinding to a halt; and Haydn’s Symphony No. 101, “the Clock.

    “It’s a way of exploring the depiction of time,” said Rothman of the three pieces.

    A scene from the Philadelphia Orchestra’s performance in April 2015 – in what was then named Verizon Hall – of Bernstein’s “Mass.”

    Rothman was responsible for the creation of one of the season’s most intriguing creations: a “new” work by Leonard Bernstein.

    “I was thinking about how Mass has some of his most beautiful music in it,” said Rothman, “but just the scope of that work means that music is rarely ever heard live because of the forces that are required to mount it.”

    He conceived of a symphonic suite made of material from Mass, the musical-theatrical piece commissioned by Jacqueline Kennedy that premiered in 1971 at the opening of the John F. Kennedy Center for the Performing Arts.

    Leonard Bernstein conducts the Curtis Symphony Orchestra with soloist Susan Starr in a 1984 performance at the Academy of Music.

    “So I reached out to the kids,” said Rothman, referring to Bernstein’s three children, “and I said, ‘What do you think of this idea?’ And I got back like an immediate, ‘Oh my God, we love it. Let’s do it.’”

    Garth Edwin Sunderland, a composer and vice president of creative projects at the Leonard Bernstein Office, was engaged to create Symphonic Rituals from Mass, which contains about 40 minutes of music — a “new” work drawn from Bernstein’s original colorful, groovy score.

    “It’s still paying homage to the sacred nature and the ritual of the piece, but bringing all that fantastic musical material into the orchestra, so no vocalists, no choirs,” said Rothman. “There will be a little bit of a rock band because that’s so essential to the core essence of the piece.”

    Actor and director Bradley Cooper (left) and Yannick Nézet-Séguin speak during an interview, Feb. 14, 2024, in New York.

    Nézet-Séguin was, of course, the perfect choice to conduct. He’s been an enthusiastic champion of Bernstein’s music and was involved in the Bradley Cooper movie about Bernstein, Maestro.

    “I texted Yannick,” said Rothman, “and I said, ‘Yannick, how would you like to give the world premiere of a piece by Leonard Bernstein?’ And he goes, What? What are you talking about?’”

    Philadelphia Orchestra 2026-26 subscriptions go on sale at noon Thursday, with single tickets available July 30. ensembleartsphilly.org, 215-893-1955.

  • ESPN to air documentary on the Philly Special, featuring Doug Pederson, Nick Foles, and more

    ESPN to air documentary on the Philly Special, featuring Doug Pederson, Nick Foles, and more

    It’s finally happening, Eagles fans. It took eight years, but ESPN’s 30 for 30 documentary series is set to relive one of the most memorable moments in Eagles history: the Philly Special.

    ESPN released the official trailer for the documentary, which is appropriately set to Boyz II Men’s “Motownphilly.” The film, titled The Philly Special, was produced by NFL Films and directed by Angela Zender and Shannon Furman. It will debut on Feb. 6 at 9 p.m. on ESPN and the ESPN app.

    “Everybody loves the Rocky movies, but they were fiction,” Zender said in a release. “The amazing thing about The Philly Special is that it’s a real-life Rocky story. A group of five underdogs went up against the greatest dynasty in NFL history and pulled off an upset worthy of Hollywood. That underdog mentality is something that will resonate with people all over the country.”

    The film features several familiar faces to Philly fans, including former head coach Doug Pederson and the four Eagles players who touched the ball on that play in Super Bowl LII: Jason Kelce, Corey Clement, Trey Burton, and Nick Foles.

    But there are many others: owner Jeffrey Lurie, former safety Malcolm Jenkins, former coach Chip Kelly, and former offensive coordinator Frank Reich. Several local and national media members also appear, including Angelo Cataldi, Ray Didinger, Sal Paolantonio, and Kyle Brandt.

    With all that Philly flavor, it’s no surprise one of the directors is a Birds supporter.

    “I grew up an Eagles fan, so The Philly Special has been a dream project,” Furman said in a release. “It was surreal to stand in front of the statue of Doug Pederson and Nick Foles at the Linc with the five men who made one of the most iconic plays in NFL history happen. There’s no doubt fans will enjoy reliving the Eagles’ first Super Bowl as much as I did.”

    While it’s been the better part of a decade since the play helped lead the 2017 Eagles past Tom Brady and the New England Patriots dynasty — capping an improbable run for Foles, who took over as the starter less than two months earlier — it’s not hard to find reminders around the Philadelphia area, from the statue outside Lincoln Financial Field to a multistory mural to the name of a holiday band featuring Kelce and a pair of current Eagles players.

    “It’s been everywhere and on everything, transcending football to become part of Philadelphia’s cultural identity,” ESPN said in its release describing the film. “It’s not just a play; it’s a rallying cry for a city used to being overlooked. While Philadelphia might be the birthplace of America, the sixth-most populous city in the country lives and dies with an underdog mentality — one epitomized by the Founding Fathers, Rocky Balboa … and the Philly Special.”

    Two days before Super Bowl LX, there will likely be a few more reminders, as fans across the area tune in to relive the play — and learn the story behind it — one more time.

  • The first public Girl Scout cookie sale took place at the intersection of Broad and Arch Streets

    The first public Girl Scout cookie sale took place at the intersection of Broad and Arch Streets

    The Girl Scouts, founded in Savannah, Ga., in 1912 by philanthropist Juliette Gordon Low, held its first bake sale in 1917 to raise money for troop activities.

    The booming direct cookie sales business, however, was born in Philadelphia on Nov. 12, 1932, at the Philadelphia Gas Co., then located at the intersection of Broad and Arch Streets.

    That inaugural public Girl Scout cookie sale will be remembered Saturday at Center City’s PECO building, part of the Philadelphia Historic District’s weekly celebration of America’s 250th birthday. The historic district pays homage to events that happened in Philadelphia before anywhere else in America — and often the world — with a weekly day party called a Firstival.

    Artist Carol Cannon-Nesco, a top Girl Scout cookie seller as a child, celebrates the legacy of the Girl Scouts with pictures of the individual cookies.

    “It was the first time the Girl Scouts sold their cookies to people outside of their immediate community,” said Amanda Harrity, director of product programs for the Girl Scouts of Eastern Pennsylvania.

    In 1932, a Philadelphia Girl Scout told her parents that her troop needed a place to bake cookies in order to raise money for nurseries, Depression-era organizations that cared for children of working parents. The little girl’s parents, who worked at the Philadelphia Gas Co., got permission for the Scouts to bake cookies on the shiny new gas ranges in the gas company’s street-level windows.

    On the afternoon of Nov. 12, the Girl Scouts baked batch upon batch of their shamrock-shaped signature shortbread cookie, the Trefoil. The sweet, buttery aroma wafted through Center City streets and passersby asked if they could buy the cookies, hot out of the test kitchen’s ovens.

    The Girl Scouts agreed.

    Trefoils (shortbread) and peanut butter sandwiches, also known as Do-si-dos. (Dreamstime/TNS)

    “I don’t remember how many cookies we baked that day,” then 80-year-old Girl Scout Midge Mason told The Inquirer in 2001 when the state erected a historic marker at Broad and Arch, marking the sale. “I do know we baked a lot of cookies.”

    The next year, the Girl Scouts were back at the Philadelphia Gas Company to raise the money needed to pay off the mortgage of its facility at Camp Indian Run in Glenmoore, Chester County. (That facility closed in the early 2000s.)

    In 1934, the Philadelphia Girl Scouts hired Keebler — now Little Brownie Bakers — to bake Trefoils, selling them at 23 cents a box, making them the first Girl Scouts to sell commercially baked cookies.

    Two years later, Girl Scouts all around the country began using commercial bakeries to bake cookies for their yearly fundraiser.

    Today, more than 200 million boxes of cookies are sold in America at an average price of $6 a box; 3.5 million of those boxes are sold in Eastern Pennsylvania, Harrity said.

    Girl Scout cookies are baked in two bakeries in the country: ABC Bakers in North Sioux City, S.D., and Little Brownie Bakers in Louisville, Ky. There are 12 varieties of cookies including this year’s newest Exploremores, inspired by Rocky Road ice cream.

    Exploremores are the new flavor of Girl Scout cookie for the 2026 sales campaign.

    Seventy-five cents of every dollar from Girl Scout cookie sales are reinvested back into girl scouting, Harrity explained. In Eastern Pennsylvania, that includes maintaining 1,500 acres of property and underwriting Scouts’ camp experiences.

    This week’s Firstival is Saturday, Jan. 31, 11 a.m. — 1 p.m., at the PECO Building at 2300 Market Street. The Inquirer will highlight a “first” from Philadelphia Historic District’s 52 Weeks of Firsts program every week.

  • Bruce Springsteen releases ICE protest song, ‘Streets of Minneapolis’

    Bruce Springsteen releases ICE protest song, ‘Streets of Minneapolis’

    Bruce Springsteen has released an anti-ICE protest song called “Streets of Minneapolis.”

    Singing out on behalf of Renee Good and Alex Pretti, both of whom were shot to death by federal immigration enforcement agents this month, Springsteen’s song is harshly critical of the Trump administration and the Department of Homeland Security’s occupying force in Minnesota this year.

    “King Trump’s private army from the DHS, guns belted to their coats,” Springsteen sings in the slowly building, folk-gospel song’s opening verse. “Came to Minneapolis to enforce the law, or so their story goes.”

    “I wrote this song on Saturday, recorded it yesterday and released it to you today in response to the state terror being visited on the city of Minneapolis,” Springsteen said on social media on Wednesday. “It’s dedicated to the people of Minneapolis, our innocent immigrant neighbors, and in memory of Alex Pretti and Renee Good. Stay free.”

    The second verse continues:

    “Against smoke and rubber bullets, in the dawn’s early light / Citizens stood for justice, their voices ringing through the night / And there were bloody footprints, where mercy should have stood / And two dead left to die on snow-filled streets, Alex Pretti and Renee Good.”

    Springsteen campaigned against Trump in 2024, singing at a rally for Democratic presidential candidate Kamala Harris at the Liacouras Center on the Temple University campus in North Philly in the lead-up to the election.

    Last year, while on tour in Europe, Springsteen began his concerts by calling the Trump administration “corrupt, incompetent, and treasonous” before performing his patriotic song, “Land of Hope and Dreams.”

    President Trump responded by calling Springsteen “Highly Overrated,” “not a talented guy,” and a “dried prune of a rocker.”

    “Streets of Minneapolis,” which is Springsteen’s third “Streets” song after “Streets of Fire” and “Streets of Philadelphia,” speaks truth to power not only about Trump, but also Department of Homeland Security head Kristi Noem and White House deputy chief of staff Stephen Miller.

    Referring to claims that ICE agents responded with gunfire because their own lives were at risk, Springsteen sings, as the music swells: “Their claim was self-defense sir, just don’t believe your eyes / It’s our blood and bones and these whistles and phones / Against Miller and Noem’s dirty lies.”

    “Street of Minneapolis” is not the first Springsteen song to protest a death at the hands of law enforcement. His 2001 song “American Skin (41 Shots)” was written in response to the 1999 shooting of Amadou Diallo by four plainclothes police officers of the New York Police Department who were subsequently acquitted on all charges.

    The weekend before Pretti’s death, Springsteen made a surprise appearance at the Light of Day benefit concert in Red Bank, N.J., where he dedicated “Promised Land” to Good and said, “If you believe you don’t deserve to be murdered for exercising your American right to protest, then send a message to this president, as the mayor of the city said: ‘ICE should get the f— out of Minneapolis.’ ”

    “Streets of Minneapolis” leans into its rage as it progresses, and promises to continue to honor Good and Pretti, as it closes with Springsteen singing:

    “We’ll take our stand for this land, and the stranger in our midst / We’ll remember the names of those who died on the streets of Minneapolis.”

  • Philly music this week kicks off a Black History Month celebration and includes a show by former NPR host Ari Shapiro

    Philly music this week kicks off a Black History Month celebration and includes a show by former NPR host Ari Shapiro

    This week’s Philly music options include 1990s R&B hitmakers 112, newsman-turned-singer Ari Shapiro, pop-punks Say Anything and Motion City Soundtrack, K-pop girl group Unis, and Philly hip-hop blues band G. Love & Special Sauce. Plus, some terrific folk tandem with Loudon Wainwright III and Chris Smither. And the kick off for Black History Month programming at the Fallser Club.

    Wednesday, Jan. 28

    Tashi Dorji

    Bhutan-born, Asheville, N.C., guitarist Tashi Dorji makes alternately tuned instrumental music that never settles for being merely pretty. Sometimes it reads as politically defiant, as on songs like “And the State Sank into the Abyss” and “Meet Me Under the Ruins” on his most recent album on the Drag City label, We Will Be Wherever the Fires Are Lit. 8 p.m., Asian Arts Initiative, 1219 Vine St., r5productions.com

    Thursday, Jan. 29

    Sunny Day Real Estate

    1990s Seattle emo band Sunny Day Real Estate re-formed in 2022 and has stayed busy since with a lineup that included original members Jeremy Enigk, Dan Horne, and William Goldsmith. 8 p.m., Brooklyn Bowl, 1009 Canal St., brooklynbowl.com/philadelphia

    Atlanta R&B vocal group 112 play the Met Philly on Friday.

    Friday, Jan. 30

    Dave P.’s Juntos benefit

    Making Time impresario David Pianka is DJing an all-night “All I Want for 2026 is PLURT” party for Juntos, the South Philadelphia organization “fighting for the human rights of the Latine community as workers, parents, youth, and immigrants.” PLURT takes “Peace, Love, Unity, and Respect” and adds a Dave P. favorite word: “Transcendence.” 8 p.m., The Dolphin, 1539 S. Broad St, ra.co/events/2351165

    Ari Shapiro

    Former NPR host Ari Shapiro’s “Thank You for Listening” is a cabaret show adapted from his memoir, The Best Strangers in the World. He’ll flex the musical muscles previously put to use in collaborations with Alan Cumming and Pink Martini. 7:30 p.m., City Winery, 990 Filbert St., citywinery.com/philadelphia

    112

    R&B’s 112 — pronounced “one twelve” — is the Atlanta group that signed to now-disgraced music executive Sean Combs’ Bad Boy label in the 1990s. In addition to hits like “Cupid” and “It’s Over Now,” the band joined Combs on vocals on “I’ll Be Missing You,” the 1997 megahit that eulogized the Notorious B.I.G. 8 p.m., Met Philly, 858 N. Broad St., themetphilly.com

    Unis

    K-pop girl group octet Unis comes to South Street, supporting 2025’s album Swicy. The band fronted by lead singer Hyeonju triumphed on the Seoul Broadcasting System reality show Universe Ticket in 2024. 8 p.m., Theatre of Living Arts, 332 South St, tlaphilly.com

    Jobi Riccio plays Free at Noon at the World Cafe Live on Friday.

    Jobi Riccio

    Colorado songwriter Jobi Riccio won praise for her 2023 debut album, Whiplash. That same year, she was awarded the John Prine Fellowship at the Newport Folk Festival. She has a new single, “Buzzkill,” which along with the previously released protest song “Wildfire Season” will be on a forthcoming album. Noon, World Cafe Live, 3025 Walnut St., xpn.org

    The Naked Sun

    Philly rock quintet the Naked Sun will celebrate a new album, Mirror in the Hallway. It was produced by Brian McTear and Amy Morrissey at Miner Street Recordings. McTear’s Bitter, Bitter Weeks plays a rare full band set as openers. 8 p.m., Fallser Club, 3721 Midvale Ave., thefallserclub.org

    Saturday, Jan. 31

    Wild Pink

    Brooklyn indie outfit Wild Pink comes through for an early show, still touring behind the excellent 2024 album Dulling the Horns. The band then needs to make way for a Taylor Swift DJ night that follows. 6 p.m., MilkBoy Philly, 110 Chestnut St., milkboyphilly.com

    G. Love plays the Sellersville Theater on Saturday with his band, Special Sauce.

    G. Love & Special Sauce

    G. Love’s 2006 album Lemonade was a solo affair, but he’s celebrating its 20th anniversary with Special Sauce, the band with whom he recorded 215-proud staples such as “Philadelphonic” and “I-76.” Hawaiian surfer Makua opens. 8 p.m. Sellersville Theater, 24 W. Temple Ave., Sellersville, st94.com

    Pine Barons

    KC Abrams’ Philly experimental rock trio Pine Barons released its fourth album TV Movie in September. This week, the band headlines a show in Fishtown, with Special World and Rentboy. 9 p.m. Johnny Brenda’s, 1201 N. Frankford Ave. johnnybrendas.com

    Dave P. will DJ all night long in a benefit for Juntos on Friday at the Dolphin in South Philly.

    Say Anything / Motion City Soundtrack

    Two emo-adjacent bands that emerged in the early 00s are touring together. Los Angeles’ Say Anything’s latest is The Noise of Say Anything’s Room Without …, while Minneapolis’ Motion City Soundtrack recently returned after a decade with The Same Old Wasted Wonderful World. 7:30 p.m., Fillmore Philly, 29 Allen St., thefillmorephilly.com

    Riverside / My Favorite / Polaroid Fade

    A top-notch trio of indie bands, headlined by 1990s Philly veterans Riverside. Also on the bill are Brooklyn’s My Favorite and Ocean City, N.J.’s, Polaroid Fade, fronted by 20-year-old singer Nicoletta Giuliani, whose sounds draw from shimmery ‘90s bands like the Sundays and the Ocean Blue. 8:30 p.m., PhilaMoca, 531 N. 12th St., PhilaMoca.org

    Loudon Wainwright III plays the Zellerbach Theatre at the Annenberg Center with Chris Smither on Sunday.

    Sunday, Feb. 1

    Loudon Wainwright / Chris Smither

    From his 1970 self-titled debut to Lifetime Achievement in 2022, Loudon Wainwright III has always been an unflinching and unfailingly funny songwriter whose acute observations never spare himself or his family members. Pairing him with ever-soulful folk blues guitarist and songwriter Chris Smither, who has had a fruitful career of equal length, is a masterstroke. Hopefully, they’ll play together. 8 p.m., Zellerbach Theatre, 3680 Walnut St., pennlivearts.org

    Reef the Lost Cauze

    West Philly rapper Reef the Lost Cauze is first up at “A Month of Black Excellence at the Fallser Club,” with an afternoon event featuring “vendors, food, art, community actions.” The series includes African Friends: Bakithi Kumalo, Tanyaradzwa Tawengwa, and Youba Cissokho on Feb. 6 and V. Shane Frederick and Rev. Chris on Feb 17. 4 p.m., Fallser Club, 3721 Midvale Ave., thefallserclub.org

    Jon Spencer

    Jon Spencer has been playing high-volume blues with exaggerated gusto for three decades. Along with a recent show by Richard Lloyd and Lenny Kaye, this booking is another sign that Nikki Lopez, the South Street venue on the site of the former JC Dobbs, is becoming a welcome home for veteran acts who can still kick out the jams as well as young punk and metal bands. 8 p.m., Nikki Lopez, 304 South St., instagram.com/nikkilopez/philly

    Monday, Feb. 2

    Ye Vagabonds

    Full-on Irish music season doesn’t arrive until March, when Emerald Isle musicians will blanket the Philly region. Get a head start with this stellar band, led by brothers Brian and Diarmuid Mac Gloinn who make haunting music that sounds ancient and brand new at the same time. Philly bluegrass songwriter Daphne Ellen opens. 8 p.m., Johnny Brenda’s, 1201 Frankford Ave., johnnybrendas.com

    Concert Announcements

    Shows that announced in the past week include a number of enticing double bills.

    Austin, Texas’ enduring rockers Spoon play the Fillmore Philly on June 23 with New Zealand power pop charmers, the Beths. Lionel Richie and Earth Wind & Fire team up at Xfinity Mobile Arena on July 16. And Death Cab for Cutie and Philly’s own Japanese Breakfast play the Mann Center on July 17.

    R&B singers Ne-Yo and Akon are coming to the Freedom Mortgage Pavilion in Camden on July 25, where the Dave Matthews Band will also play July 10-11.

  • Grammar nerds and language lovers gather for a sold-out documentary at the Bryn Mawr Film Institute

    Grammar nerds and language lovers gather for a sold-out documentary at the Bryn Mawr Film Institute

    Despite frigid temperatures and the specter of the Philly area’s largest snowstorm in years, hundreds of language lovers and grammar nerds gathered in Bryn Mawr on Saturday for a screening of Rebel with a Clause, the hottest “road trip, grammar docu-comedy” on the indie movie circuit.

    Rebel with a Clause follows language expert Ellen Jovin as she takes her makeshift “Grammar Table” on a journey across the United States, from Bozeman, Mont., to New York City (and everywhere in between). From behind the table, Jovin asks strangers to divulge their questions, comments, and concerns about the English language, from when it’s best to use a semicolon to how to properly punctuate “y’all.” What starts as an amusing grammar refresher turns into a moving text on Americans’ shared humanity, even in polarizing times.

    Ellen Jovin, subject of “Rebel with a Clause,” signs books at a screening at the Bryn Mawr Film Institute on Jan. 24, 2026.

    Jovin, the movie’s star, has written four books on writing and grammar, including Rebel with a Clause: Tales and Tips from a Roving Grammarian, a reflection on her cross-country tour. The movie was directed and produced by Brandt Johnson, a writer and filmmaker who also happens to be Jovin’s husband.

    Jovin and Johnson, who are based in New York, are on a second cross-country tour as the Rebel with a Clause movie graces audiences. The Bryn Mawr screening marked the film’s first public showing in the Philly area.

    As he handed out optional grammar quizzes and grammar-themed chocolates in the Bryn Mawr Film Institute’s foyer, Johnson said the response to the movie has been “extraordinary.”

    “Ellen’s Grammar Table that she started in 2018 was about grammar, for sure, but it turned out to be as much about human connection,” Johnson said.

    “Just as a life experience, oh my gosh,” he added. “It’s been something that I certainly didn’t anticipate.”

    “Rebel with a Clause” producer Brandt Johnson hands out grammar-themed chocolates to moviegoers at the Bryn Mawr Film Institute on Jan. 24, 2026.

    Before the screening, attendees waited for their turn at the table, where Jovin was signing books and answering pressing questions about commas and ellipses.

    Mary Alice Cullinan, 76, said she and her friends are fascinated by grammar and how it seems to be losing ground among younger generations.

    Cullinan, who lives in Blue Bell, spent her career working in the restaurant industry but always read and wrote on the side.

    “I read to live,” she added.

    The Bryn Mawr Film Institute was packed with retired teachers, avid writers, and grammar aficionados who came armed with gripes about commas, parentheses, and quotation marks. At five minutes to showtime, an employee plastered a “SOLD OUT!” sign on the box office window.

    A sign announcing that the Bryn Mawr Film Institute’s screening of “Rebel with a Clause” was sold out. The grammar-themed documentary played at the Main Line movie theater on Jan. 24, 2026.

    Jen Tolnay, 63, a copy editor from Phoenixville, heard about the movie at an editors’ conference. She was so excited that she moved a haircut appointment to be there.

    The 86-minute film provoked regular laughter in the audience (and a line about Philadelphians’ pronunciation of the wet substance that comes out of the sink got a particularly hearty laugh).

    During a post-screening question-and-answer session, moviegoers complained about the poor grammar of sportscasters, praised Jovin and Johnson, and inquired about the colorful interactions Jovin had at the Grammar Table.

    For Katie McGlade, 69, grammar is an art form.

    The retired communications professional from Ardmore described herself as a habitual grammar corrector who would often fight with her editors about proper language usage. Now, as an artist, she makes colorful prints that center the adverb.

    “I love that’s she’s bringing joy to the word,” McGlade said of Jovin. ”We need joy and laughter, and we need to communicate with each other.”

    This suburban content is produced with support from the Leslie Miller and Richard Worley Foundation and The Lenfest Institute for Journalism. Editorial content is created independently of the project donors. Gifts to support The Inquirer’s high-impact journalism can be made at inquirer.com/donate. A list of Lenfest Institute donors can be found at lenfestinstitute.org/supporters.