Composer Philip Glass has joined the list of artists, musicians and performers pulling back from previously scheduled engagements at the Kennedy Center, withdrawing his anticipated Symphony No. 15: Lincoln from the National Symphony Orchestra, which was to perform the world premiere this coming June.
“After thoughtful consideration, I have decided to withdraw my Symphony No. 15 Lincoln from the John F. Kennedy Center for the Performing Arts,” Glass wrote in a statement provided to the Washington Post. “Symphony No. 15 is a portrait of Abraham Lincoln, and the values of the Kennedy Center today are in direct conflict with the message of the Symphony. Therefore, I feel an obligation to withdraw this Symphony premiere from the Kennedy Center under its current leadership.”
Glass, who will turn 89 at the end of this month, is a celebrated and influential American composer, who was awarded the Kennedy Center Honors in 2018. Though often credited as a pioneer of 20th-century minimalism, Glass’s music ranges from intimate piano études and chamber works to sprawling symphonies and ambitious, experimental operas such as Einstein on the Beach, Satyagraha and Akhnaten, about historical figures.
Symphony No. 15: Lincoln was co-commissioned by the Kennedy Center and the NSO, and has already been subject to several delays: It was originally scheduled to premiere in March 2022 and was later postponed to October 2022. This season, the piece was restored to the NSO’s calendar as a centerpiece of the Kennedy Center’s ongoing “250 Years of Us” programming.
Its withdrawal comes amid a wave of cancellations by artists and performers, prompted by the addition of President Donald Trump’s name to the center (as well as to the building’s facade), or attributed to scheduling conflicts or financial strains. It also lands against a backdrop of reputational crisis at the center, a stretch of politically charged changes (like Trump himself hosting the Kennedy Center Honors) that has been met with a sharp decline in ticket sales and an apparent audience boycott over the politicization of the nonpartisan venue.
Glass’s letter arrives 188 years to the day after Abraham Lincoln delivered his 1838 Lyceum Address, from which Glass adapts two movements of the symphony’s libretto — along with Lincoln’s Autobiographical Sketch of 1859, his Farewell Address of 1861 and assorted other writings and correspondence. (Baritone Zachary James was slated to sing the premiere performance in June, on a program led by conductor Karen Kamensek.)
“I think there is no American subject matter more interesting than Abraham Lincoln,” Glass told me in 2022 about the Symphony No. 15, then still in progress. “I read him almost like I would a writer, not a politician or someone in government. There’s a beautiful music to his writing.”
The withdrawal mars a long history between Glass and the center. And while it’s highly unusual for a composer to withdraw a work from a commissioning body as an act of protest, the composer’s work has responded to contemporary politics in the past.
In 2015, Washington National Opera, which this month parted ways with the Kennedy Center, gave the world premiere of an expanded version of Glass’s opera Appomattox, which draws a musical through line from the Civil War to the civil rights movement through the voices of Lincoln, the Rev. Martin Luther King Jr., Lyndon B. Johnson and others.
Glass and playwright Christopher Hampton revised the opera (which premiered in 2007) in response to a 2013 decision by the Supreme Court that invalidated key elements of the Voting Rights Act of 1965.
“It’s almost like a photojournalist approach to opera,” Glass told The Post at the time, “where the material is changing while you’re writing it.”
LONDON — Paul Thomas Anderson’s politically charged action thriller “One Battle After Another” leads the race for the British Academy Film Awards, securing 14 nominations Tuesday including acting nods for five of its cast.
Ryan Coogler’s blues-steeped vampire epic “Sinners” is close behind with 13 nominations for Britain’s equivalent of the Oscars, while Chloé Zhao’s Shakespearean family tragedy “Hamnet” and Josh Safdie’s ping-pong odyssey “Marty Supreme” have 11 apiece.
Guillermo del Toro’s reimagining of “Frankenstein” and Norwegian family drama ”Sentimental Value” each got eight nominations, rounding out a six-pack of leading contenders for both the British and Hollywood Academy Awards.
The best film nominees are “One Battle After Another,” “Hamnet,” “Marty Supreme,” “Sinners” and “Sentimental Value.”
BAFTA Chief Executive Jane Millichip said the nominations recognized “films like ‘One Battle After Another,’ ‘Sinners,’ tackling really big societal issues — the moral ambiguity of activism, Black identity,” alongside films exploring “the most intimate side of family relationships.”
“They’re all doing it in quite different ways: Strong flavors, really bold storytelling,” she said.
Best leading actor contenders are Robert Aramayo for playing a man with Tourette’s syndrome in biographical drama “I Swear,” Timothée Chalamet for “Marty Supreme,” Leonardo DiCaprio for “One Battle After Another,” Ethan Hawke for Broadway biopic “Blue Moon,” Michael B. Jordan for “Sinners” and Jesse Plemons for “Bugonia.”
The leading actress category includes awards-season favorite Jessie Buckley for her performance as Agnes Hathaway, wife of William Shakespeare, in “Hamnet.” She’s up against Rose Byrne for “If I Had Legs I’d Kick You,” Kate Hudson for “Song Sung Blue,” Chase Infiniti for “One Battle After Another,” Renate Reinsve for “Sentimental Value” and Emma Stone for dystopian tragicomedy “Bugonia.”
“One Battle” actors Teyana Taylor, Benicio del Toro and Sean Penn are all nominated for supporting performances.
The Associated Press was recognized in the best documentary category with a nomination for Mstyslav Chernov’s harrowing Ukraine war portrait “2000 Meters to Andriivka,” co-produced by the AP and PBS Frontline.
The winners will be announced at a Feb. 22 ceremony in London hosted by actor Alan Cumming. The U.K. prizes — officially called the EE BAFTA Film Awards — often provide clues about who will triumph at Hollywood’s Academy Awards, held this year on March 15.
This year, unusually, Oscar nominations were announced first, with “Sinners” securing a record 16 nominations, followed by 13 for “One Battle After Another.”
The British academy has recognized several performers overlooked by the Oscars, including supporting actor nominees Paul Mescal for “Hamnet” and Odessa A’zion for “Marty Supreme.”
The BAFTAs also have a distinctly British accent, with a separate category of best British film. Its 10 nominees include “The Ballad of Wallis Island,” “Pillion,” “I Swear” and “Bridget Jones: Mad About the Boy.”
Most BAFTA winners are chosen by 8,500 members of the U.K. academy of industry professionals, with one – the Rising Star Award – selected by public vote from a shortlist of nominees. This year’s rising star contenders are Infiniti, Aramayo, “Sinners” star Miles Caton and British actors Archie Madekwe and Posy Sterling.
Like other major movie awards, Britain’s film academy has introduced changes in recent years to increase diversity. In 2020, no women were nominated as best director for the seventh year running, and all 20 nominees in the lead and supporting performer categories were white. The voting process was changed to add a longlist round before the final nominees are selected.
Zhao is the only female nominee in the best director category, alongside Anderson, Safdie, Cooger, Yorgos Lanthimos for “Bugonia” and Joachim Trier for “Sentimental Value.” Across all categories including documentaries and shorts, 25% of the directing nominees are women.
Opera Philadelphia has signed an early contract extension with general director and president Anthony Roth Costanzo, the company announced Monday.
The initial deal was to have kept the renowned countertenor in the job until the end of the 2026-27 season; the extension commits him and the company to each other for two more years, through May 31, 2029.
Costanzo, 43 — who took over the financially challenged company in 2024 — has maintained an active international performing career while quickly making a mark on the Philadelphia arts scene. Under his watch, Opera Philadelphia has drawn national attention for launching a “pick-your-price” program making tickets available for as low as $11.
The company also played a key impresario and fundraising role last year in keeping the former Wanamaker Center City store space alive for several months with performances after the historic building was vacated by Macy’s. It was Costanzo who landed a $1 million gift from philanthropist and organ enthusiast Frederick R. Haas to fund the concert and film series.
Anthony Roth Costanzo, countertenor, sings with Opera Philadelphia’s chorus during ‘Home for the Holidays’, a concert part of the ‘Pipe Up!’ series at the Wanamaker Building’s Grand Court, Dec. 2, 2025.
Costanzo is in mid-process of retooling the opera company and raising the money to do it, so extending his contract made sense, he said.
“When you’re looking at development, whether it’s of artists, patrons or new business models, those are long trajectories, and it’s been remarkable how fast we’ve been able to accomplish a lot,” Costanzo said. “But there’s a lot more that I want to do, and I think there’s a lot of ambition the board has to grow this organization and its impact.”
The troupe also announced Monday that the company and music director Corrado Rovaris have agreed to a contract extension through May 31, 2029. Costanzo has also promoted David Levy from senior vice president of artistic operations to the company’s executive vice president — making him, essentially, Costanzo’s right-hand man.
Costanzo arrived in June 2024 to a company in debt. He established a fundraising campaign, paid off the debt, and has raised $21 million toward a goal of $33 million. The campaign is expected to run through the end of next season.
“We’re not out of the woods. I don’t know if you ever will be as an opera company,” he said. “We still don’t have an endowment. It’s not that we have transformed entirely.”
Baritone Will Liverman performing at Opera Philadelphia’s 50th anniversary gala, Vox Ex Machina, at the Academy of Music, Sept. 13, 2025, at which the company announced a $33 million fundraising campaign.
Costanzo has restored some of the company’s artistic initiative. Before he arrived, the season was down to three productions for a total of nine performances. He boosted the schedule this season to five productions and 18 performances. The company closed its 2024-25 season with a $2.1 million surplus on an $11.1 million budget, Costanzo said.
Contract extensions are often used at nonprofits engaged in fundraising campaigns to encourage confidence in the future of the institution.
“It’s good for our patrons, our supporters, our artists to know that this is a long-term commitment on everyone’s part,” said Costanzo.
Exact snowfall projections for the weekend’s impending storm are still taking shape, but by Friday afternoon, this much was clear:
There’s likely to be a lot of it.
Forecasts have predicted as much as 18 inches of snow in the city. A snow emergency has been declared, and already, Philadelphia schools have canceled classes on Monday — which means there should be ample time to get outside and enjoy the area’s bounty of prime sledding locales.
With the possibility of the city’s first double-digit snowfall in a decade, the region figures to be a sledder’s haven, with hills in all shapes and sizes.
Temperatures are expected to dip dangerously low beginning Friday night — so be sure to take precautions before heading out.
In the meantime, we’ve rounded up a few of the area’s best sledding spots to help you make the most of the coming snowfall.
The Art Museum’s “Rocky” steps are probably the most famous sledding spot in all of Philadelphia. Flying down solid concrete can be a bit dangerous — so take caution — but there should be plenty of snow on the ground by the time things taper off. And remember, there are some hills around back to hit, as well as a set of (less famous) steps.
Not far from the Art Museum, you’ll find East Fairmount Park’s Lemon Hill, known typically for the Federal-style mansion that stands there. During snowstorms, however, it transitions into a prime sledding spot for kids of all ages, thanks to steep hillsides that are begging for a run. Like others on the list, though, it can get crowded, so be prepared to wait your turn.
Chestnut Hill locals know this spot as a landmark thanks to the 125-foot water tower, but it also happens to be among the neighborhood’s best sledding hills. That’s thanks to a wide variety of hills that make it a great choice for gaggles of kids with varying sledding experience, so feel free to bring the family out and stake your claim.
Aisha Mershani, back right, assists her daughter Zara, 5, front right, and their friend Rachit, 7, back center, as they sled at the Clark Park Bowl, in Philadelphia, Monday, January 6, 2025.
Take a trip to West Philly’s Clark Park, where you’ll find a “bowl” — one of the park’s best-known features — that offers some more moderate slopes for young, budding sledders, or folks just looking for a milder run. As a bonus, it’s a pretty roomy area, so feel free to take a break from the slopes and find a spot to get in on other winter activities, like building snowmen or making snow angels.
Sure, Burholme Park is home to the historic Robert W. Ryerss Museum and Library, but it also happens to be one of Northeast Philadelphia’s best sledding spots once the powder begins to stick. Here, you’ll find a large, expansive hill that serves as the park’s main draw for thrill-seeking sledders, but there are a few smaller, less intense options, too.
Jason Chestnut (left) rides a swing with his son Caleb Chestnut, 10, at the snow filled Anna C. Verna Playground at FDR Park in South Philadelphia on Thursday, January 23, 2025.
This might not be the adrenaline junky’s first choice, but there is plenty of space to ramble in this South Philly park. Plus, you’ll also find some options in nearby Packer Park (the so-called “Bridge Hill” at Broad and Packer is one favorite, but it’s near traffic, so be careful).
With about 50 acres of land, there’s no shortage of hills to choose from, and the scenery is tough to beat. Located in Southwest Philly, Bartram’s Garden might be best known for its historic botanical garden and fantastic skyline views of the city — but add sledding to the list come winter. If you’re planning on driving, the gates on 54th and 56th streets open at sunrise and close at sunset, though exact hours can vary.
You typically can’t go wrong when it comes to sledding and college campuses. On Hawk Hill, the university’s 125-acre main campus, you’ll find plenty of acceptable terrain upon which to relieve the winter doldrums and escape the stresses of student life.
At more than 1,700 acres, Newtown’s Tyler State Park is big. It also happens to be essentially one giant downhill slope that brings out the crowds when a good snow comes. Some favorite spots, according to the Department of Conservation and Natural Resources, are located just below the Upper Plantation Picnic Area parking lot, and west of the park’s covered bridge — so plan accordingly.
Located in Quakertown, Nockamixon State Park is home to all kinds of winter activities, ranging from ice fishing to cross-country skiing. It’s also a great sledding spot, particularly if you head to the area above the park’s marina. DCNR suggests parking in lot 13 for easy access. However, the Nockamixon’s hunting season is open, so be mindful not to enter hunting areas.
If you feel like the other spots on the list haven’t given you room to let loose on the slopes, this Downingtown park just might — it has around seven acres of sledding hills to check out. To get there, the DCNR recommends heading to the picnic area at the East Launch. Depending on when you go, check to see if Marsh Creek’s hunting season is open to avoid those areas.
For a more relaxing day of sledding, head to Media’s Rose Tree County Park. There, you’ll find 120 acres of gentle, rolling slopes that are perfect for novice sledders. If you want something a little more exciting, Ridley Creek State Park — located a couple miles from Rose Tree Park — has great options by its park office.
Yes, Valley Forge is a fantastic historical landmark, having served as the location for George Washington’s winter encampment in 1777 and 1778. But it’s also a great place to get some sledding done for the whole family. The Valley Forge Tourism and Convention Board has a few recommendations, including hills near the Memorial Arch and statue of Anthony Wayne.
Megan Solleder (front) appears to enjoy sledding for the first time with sister Alyssa Solleder at Frank Donio Memorial Park in Winslow in 2007. They were there with their mother.
At about 50 acres, this Sicklerville park isn’t huge, but it is a favorite sledding spot among locals when a good winter snow hits. Take the walking path to easily find plenty of hills to choose from, and get sledding.
In the warmer months, this Mount Laurel park is known for its small fishing lake and nature trail — but come winter, it’s a hot spot for South Jersey locals looking for some good sledding. Head there to find the park’s designated sledding hill, which is near the parking lot, and features a long slope that’s on the gentler side of things, making it great for youngsters.
Back in the late 1800s, this spot was part of a coastal defense system on the Delaware River. These days, it’s a favorite winter sledding spot for folks in Salem County. It’s not for the faint of heart, though, as the hills and embankments can get a little steep for inexperienced sledders — but they are good for picking up some serious speed.
Rocky already has a perfectly good spot. People find it. They take photos. They run the steps. They leave happy. The city gets its tourism moment without blocking views, rerouting pedestrians, or turning the top of the Art Museum steps into a permanent selfie bottleneck.
Moving the statue to the top isn’t about improving the experience — it’s about maximizing it. More drama. More branding. More spectacle. And, quietly, more privatization of space that used to just be… there.
That’s the part that grates. The Art Museum grounds have been slowly filling up with things that make sense individually — pop-ups, shops, events, installations — but collectively start to feel like you need a reason, a ticket, or a purchase to exist there. Rocky at the top isn’t just a statue move; it’s another inch taken from a public place that worked fine as-is.
There’s also the price tag. Spending up to a quarter-million dollars to relocate a movie prop in a city that can’t reliably maintain sidewalks or fund its parks feels, at best, tone-deaf. At worst, it sends the message that the view matters more than access.
Rocky is supposed to represent the everyman. Putting him on a pedestal, literally, kind of misses the point.
Leave him where he is. Let the steps belong to everyone.
Doug Taylor (center) of Collingswood, sledding with his 3-1/2 year old grandson Will, waits for a space to open up on the crowded hill in the Haddonfield Friends Meeting cemetery on Jan. 6, 2025. “This is the best day ever!” said Will, about his first real experience with snow.
Snow is beautiful. Everything else about it is not: A for the initial excitement and beauty, F for the cleanup
The snow itself? Gorgeous. Magical. Instagrammable. The Wissahickon is about to look like a snow globe and for about 12 minutes, we will all pretend winter is charming.
The problem is everything that comes with it.
The grocery stores are already stripped bare like a snowstorm personally offended them. Bread is gone. Milk is gone. Eggs are gone. Somehow the rotisserie chickens are gone. People who have never once made French toast are suddenly preparing for a weeklong siege.
Then there’s the shoveling. The bending. The freezing. The part where you convince yourself it won’t be that bad and then immediately regret every life choice once your boots hit the sidewalk. And that’s before you remember some forecasts are floating numbers as high as 17 inches.
Group chats will fill with radar screenshots and passive-aggressive optimism. “Let’s see how it looks Sunday morning,” someone will say, knowing full well no one is leaving the house.
And yes, we’re all rooting for the plows. We always do. We say their names like prayers. We lower our expectations just enough to avoid heartbreak, but not enough to stop hoping.
An F because while snow may be pretty, it is also disruptive, exhausting, and a logistical nightmare that turns adults into meteorologists and grocery shoppers into survivalists. Enjoy the view. Then grab a shovel.
An artistic rendering of the hologram PETA is offering to replace Punxsutawney Phil.
PETA wants Punxsutawney Phil replaced with a hologram. Pennsylvania says absolutely not: A
Every January, right on schedule, PETA shows up with a new proposal to fix Groundhog Day. And every January, Pennsylvania responds with the same energy it reserves for people who suggest putting ketchup on a cheesesteak.
This year’s idea: Retire Punxsutawney Phil to a sanctuary and replace him with a massive, color-changing 3D hologram. A digital marmot. A Bluetooth rodent. Phil, but make it Coachella.
The problem isn’t animal welfare — it’s that Groundhog Day is not a TED Talk. It’s a pre-dawn ritual involving cold fingers, bad coffee, and a collective agreement to believe in something deeply unserious. Turning Phil into a hologram misses the point entirely. If people wanted a clean, efficient, high-tech weather forecast, they would simply look at their phones and go back to bed.
The most Pennsylvania response came from Josh Shapiro, who posted a photo of Phil with “DON’T TREAD ON ME,” effectively summarizing the state constitution in four words. This is not a debate about projections versus puppets. It’s about tradition versus disruption, and Pennsylvania will pick tradition every time, even when it makes no sense.
Phillies pitcher Ranger Suárez throws during the third inning of Game 3 of baseball’s NLDS against the Los Angeles Dodgers Wednesday, Oct. 8, 2025, in Los Angeles.
Wait, we loved Ranger Suárez. How did we get his name wrong?: C
This one landed like finding out you’ve been calling a close friend by the wrong nickname for years… not out of malice, just momentum.
Because Philly didn’t just like Ranger Suárez. Philly loved him. He was homegrown. Trusted. October-tested. His walk-up song was literally “Mr. Rager.” We chanted it. We printed it. We built a whole vibe around it. And somehow, in all that time, nobody stopped to say, “Hey, by the way, is this right?”
The funny part is that this revelation didn’t come with tension or correction. It came with grace. Of course it did. Suárez wasn’t scolding anyone. He wasn’t reclaiming anything. He was just explaining, gently, to a new city, while reassuring the old one that we didn’t need to panic.
A mock front page of the Philadelphia Inquirer as seen in Season 5 of “Abbott Elementary.”
‘Abbott Elementary’ puts The Inquirer on the front page and nails the vibe: A
This could’ve gone sideways fast. A fictional front page cameo is exactly the kind of thing that can feel smug, indulgent, or weirdly self-important.
In this week’s episode, the paper shows up to cover Abbott’s unexpected success while the school operates out of an abandoned mall. The headline is glowing. The teachers react. Janine beams. Melissa checks whether her quote made it in. Barbara does a victory lap. And then, crucially, the moment passes.
Because in Philly, a front page is not the finish line. It’s a moment.
The district still drags its feet. The construction crew gets reassigned. The attention becomes something administrators can point to instead of acting on. That’s the joke, and it’s a sharp one. Abbott understands that recognition often arrives right before progress stalls, not when it accelerates.
The Four Seasons drops a $25,000-a-night penthouse and Philly blinks twice: B-
Look, nobody is confused about who this is for. It’s still jarring to see the number written down.
For that price, you get 4,000 square feet, sweeping views, curated art, wellness rooms, and menus tied to Vernick Fish and Jean-Georges. Luxury, in other words, is being taken extremely seriously.
And to be fair, this makes sense on paper. Philly is bracing for a monster tourism year with the World Cup, the Semiquincentennial, and a calendar stuffed to the margins. High-end visitors are coming, and the city would like to make sure they don’t stay in New York and commute down like it’s a day trip.
Still, there’s something very Philly about the collective reaction here, which is less awe than quiet disbelief. Not outrage. Not moral panic. Just a pause, followed by: Who is actually booking this?
Because this is a city where luxury tends to coexist awkwardly with reality. A $25,000-a-night penthouse sits a few blocks from potholes, delayed trains, and a whole lot of people who are very proud of finding a good deal.
Maria Cozamanis and Romina Ustayev in episode 101 of “Members Only: Palm Beach.”
Philly somehow gets dragged into a Palm Beach reality show: D
This isn’t fun, campy reality TV. It’s stiff, glossy, and deeply invested in rules that feel made up for the sole purpose of excluding someone. The clothes are loud, the behavior is small, and the hierarchy is treated like gospel. Everyone is performing wealth as if it’s a full-time job, and no one seems to be enjoying it.
Set in the orbit of Mar-a-Lago, the show mistakes proximity to power for personality. Conversations revolve around who belongs where, how to dress “properly,” and which customs are acceptable. It’s uncomfortable in a way that feels less accidental than the show probably intends.
The Philly connection only adds to the weirdness. Aside from one recognizable name, these aren’t women who reflect anything most people here recognize as Philly culture. They don’t feel local. They feel imported, like a version of “high society” that got lost on the way to a country club and wandered onto Netflix instead.
And yet, it’s weirdly watchable. Not because it’s good, but because it’s baffling. The kind of show you finish not feeling entertained, just slightly grimy and confused about how this became the vibe.
The 98th Oscar nominations are out. If you are like many of us, you haven’t seen all of the films — yet, any way.
Not to worry. The Oscars don’t air until March 15, so you have plenty of time to catch up. And with this week’s forecast of more than a foot of snow, why not stay home and get started early.
Here’s how and where you can check out some of the Oscar nominated films of 2025.
Best Picture
Michelle (Emma Stone) gets interrogated by cousins Teddy (Jesse Plemons, far right) and Don (Aidan Delbis) in “Bugonia.”
‘Bugonia’
This dark comedy stars Emma Stone as Michelle Fuller, the CEO of the fictional pharmaceutical conglomerate Auxolith. She’s abducted by conspiracy theorist Teddy Gatz (Jesse Plemons) and his cousin, Don (Aidan Delbis) after Teddy starts to believe an Auxolith drug has caused his mother’s comatose state. Adding to the creepiness, Teddy also believes Michelle is an alien. Bugonia received four nominations, including a best actress nod for Stone.
Damson Idris, left, and Brad Pitt star in “F1.” MUST CREDIT: Warner Bros. Pictures/Apple Original Films
‘F1′
Brad Pitt stars in this fast-paced drama about a star Formula One driver who returns to the game after being gone for 30 years. His mission: to help his friend’s underdog team take it all. F1 received four Academy Award nods.
This image released by Netflix shows director Guillermo del Toro, left, and Oscar Isaac on the set of “Frankenstein.” (Ken Woroner/Netflix via AP)
‘Frankenstein’
A cinematic adaptation of the 1818 Mary Shelley classic features Oscar Isaac as Victor Frankenstein and Jacob Elordi as his ghoulish creation. This 2025 film is director Guillermo del Toro’s attempt to be as faithful to the book as he possibly can. Frankenstein earned nine nominations.
This image released by Focus Features shows Jessie Buckley in a scene from “Hamnet.” (Agata Grzybowska/Focus Features via AP)
‘Hamnet’
William Shakespeare (Jesse Buckley) and his wife, Agnes, (Anne Hathaway) mourn the death of their son in this film based on Maggie O’Ferrel’s 2020 eponymous historical fiction novel. Hamnet received eight nominations.
Playing: Film Society Bourse, Landmark’s Ritz Five, Reel Cinemas Narbeth, Bryn Mawr Film Institute, AMC Cherry Hill 24.
This image released by A24 shows Timothée Chalamet in a scene from “Marty Supreme.” (A24 via AP)
‘Marty Supreme’
Timothée Chalamet is Marty, an ambitious table tennis hustler in 1950s New York whose story is inspired by the real life scammer Marty Reisman. The anxious sports drama follows Marty’s quest for table tennis glory that takes him to Japan. The movie picked up nine nominations including a best actor nod for Chalamet.
Playing: AMC Broad Street 7, Cinemark University City Penn 6, AMC Dine-in Fashion District 8, Film Society Bourse, Film Society East, Landmark Ritz 5, AMC Deptford 8, Bryn Mawr Film Institute, Cinemark Somerdale 16 and XD, AMC Marple 10, Regal Moorestown Mall, AMC Voorhees 16, Regal Plymouth Meeting, AMC Marlton 8
This image released by Warner Bros. Pictures shows Leonardo DiCaprio in a scene from “One Battle After Another.” (Warner Bros. Pictures via AP)
‘One Battle After Another’
In this dense, action-packed thriller by Paul Thomas Anderson, a has-been revolutionary (Leonardo DiCaprio) has to find his missing daughter whose disappearance is connected to his past association with a radical group. This film has 13 Oscar nominations.
Playing: Landmark’s Ritz Five, AMC Cherry Hill 24, Hiway Theater in Jenkintown, Regal UA King Of Prussia, Regal Cross Keys, AMC Neshaminy 24, Regal Brandywine Town Center, Regal UA Oxford Valley, Regal Cumberland Mall, Regal Peoples Plaza, and more.
A person buys a ticket for the Oscar-nominated film, The Secret Agent, at a self-service ticket kiosk, at a movie theater in Sao Paulo, Thursday, Jan. 22, 2026. (AP Photo/Andre Penner)
‘The Secret Agent’
A historical nonfiction follows former professor and political dissident Armando (best actor Oscar nominee Wagner Moura) is on the run from mercenary killers in this 1977 Brazilian thriller from Cannes-winning filmmaker Kleber Mendonça Filho.
Playing: Film Society Bourse, Bryn Mawr Film Institute, the Colonial Theatre, County Theater in Doylestown, the Princeton Garden Theatre, Montgomery Cinemas in Skillman, NJ, and more.
This image released by CBS Broadcasting shows Stellan Skarsgård accepting the award for best performance by a supporting actor in a motion picture for “Sentimental Value,” from presenter Kevin Bacon, left, during the 83rd Golden Globes on Sunday, Jan. 11, 2026, at the Beverly Hilton in Beverly Hills, Calif. (Kevork Djansezian/CBS Broadcasting via AP)
‘Sentimental Value’
Sisters Nora (Renate Reinsve playing a theater actor) and Agnes (Inga Ibsdotter Lileaas) reunite with their distant father Gustav (Stellan Skarsgard), a famous director. The reunion forces the family to confront past trauma and their shared artistic practice as Gustav works on a film based on his family members.
This image released by Warner Bros Pictures shows Michael B. Jordan, center, in a scene from “Sinners.” (Warner Bros. Pictures via AP)
‘Sinners’
Rich from Chicago bootlegging schemes, twins Smoke and Stack (Michael B. Jordan) return to their home in the Deep South during the 1930s to open a juke joint. Here they come fact-to-face with vampires intent on stealing their souls. The film, directed by Ryan Coogler, received a record-breaking 16 nominations including one for Jordan, who is nominated for best actor.
Playing: Landmark’s Ritz Five, AMC Cherry Hill 24, Cinemark Somerdale 16 and XD, Regal UA King Of Prussia, AMC Neshaminy 24, Regal Warrington Crossing, CAMC Center Valley 16, and more.
Joel Edgerton navigates personal tragedy and decades of working on the railroad in the period drama “Train Dreams.”
‘Train Dreams’
Early 20th century logger Robert Grainer (Joel Edgerton) builds a life with his wife Gladys (Felicity Jones) only to lose it all to wildfires, violence, and changing times. The film is based on Denis Johnson’s novella and received four Oscar nominations.
Vahid Mobasseri plays a mechanic and former Iranian political prisoner who kidnaps his former torturer in the genre-mashing thriller “It Was Just an Accident.”
‘It Was Just an Accident’
This Iranian thriller from legendary filmmaker Jafar Panahi follows a mechanic named Vahid (Vahid Mobasseri) who, along with fellow rebels, encounters their former prison tormentor and vows revenge.
This image released by Neon shows, from left, Stefania Gadda, Joshua Liam Herderson, Richard Bellamy and Sergi López in a scene from the film “Sirat.” (Neon via AP)
‘Sirāt’
A film in French, Arabic, English, and Spanish about a family searching for their missing daughter during a music rave in a southern Moroccan desert. Add to that an armed conflict that escalates into a World War III-like tussle.
Motaz Malhees stars in “The Voice of Hind Rajab” as a Palestinian Red Crescent Society worker who receives a distress call from 6-year-old Hind Rajab, seen in the photograph. MUST CREDIT: WILLA
‘The Voice of Hind Rajab’
Tunisian filmmaker Kaouther Ben Hania’s docudrama chronicles the killing of Hind Rajab, a 5-year-old Palestinian girl in Gaza using an emergency call Red Crescent volunteers received on January 29, 2024.
But this time it’s not with new physical stores. The home design company is entering the virtual world.
The retailer, which has its U.S. headquarters in Conshohocken, announced this week that it is testing an immersive product experience on the Roblox platform.
Sweden and Australia are the first two pilot countries, according to the company, and the tests there “will better inform future decisions.” Ikea spokespeople did not respond Friday to questions about whether there were plans for similar pilots in the U.S.
What users of “Welcome to Bloxburg,” a Roblox game, will see when they go to search for Ikea digital products in the simulation.
“We’re delighted to bring some of our most loved Ikea products into this digital space,” Sara Vestberg, home furnishing direction leader at Ikea Retail, said in a statement. “With curiosity, we’re looking forward to seeing the home furnishing ideas people create, and how our products feel at home in their digital lives.”
During the Ikea pilot, the company is making six of its popular products available in virtual form to Welcome to Bloxburg users in the select countries. The digital items include the Stockholm sofa, the Elsystem rug, and the Blahaj stuffed shark.
The virtual experience can collide with the in-real-life shopping experience, too, if customers scan QR codes hidden around physical stores in these countries. The QR codes unlock extra virtual products, according to Ikea. In Sydney, Roblox users can compete to win real products at in-store events next week.
“This pilot is very much about learning and exploring,” said Parag Parekh, chief digital officer at Ikea Retail. “We’re using it to better understand how digital environments can enrich the Ikea experience, while continuing to stay true to our values and what customers expect from us.”
Ikea was founded in Sweden in 1943, and is currently based in the Netherlands. Its U.S. headquarters in Conshohocken employed more than 800 people as of June. Nationwide, Ikea has more than 50 stores, including in Conshohocken and South Philadelphia.
Sinners, Ryan Coogler’s vampiric period film starring Michael B. Jordan, made Academy Award history on Thursday when it was nominated for 16 Oscars, more than any other film in the history of the award ceremony’s 98-year run.
It toppled the 14 nominations previously received by All About Eve (1950), Titanic (1997), and La La Land (2016). In addition to Michael B. Jordan’s best actor nomination and Coogler’s best director nod, Sinners Oscar-winning costume designer, Ruth E. Carter, was also nominated for for her work on the film. It’s her fifth overall Oscar nomination.
That includes Smoke and Stack’s (twins played by Jordan) memorable 1930s-era three-piece suits, with complementary fedora and newsboy cap, timepieces, and tiepins.
Ruth E. Carter’s Oscar-nominated costumes from “Sinners” starring Michael B. Jordan as twins Smoke and Stack.
Coogler’s only direction to Carter was to dress Smoke in blue and Stack in red, she told The Inquirer in November.
Carter, not one to fret long, dove into her arsenal of research. By the time she began the fittings, she’d amassed an array of blue and red looks befitting of the 1930s sharecroppers-turned-bootleggers and juke joint owners.
“[And] when I put that red fedora on him, Ryan flipped out and said, ‘That’s it!’,” Carter said. “We wanted people to resonate with their clothing and it did.”
The Smoke and Stack effect went beyond Sinners. This Halloween there were tons of social media posts of revelers dressed as the mysterious twins.
Ruth E. Carter during the “Ruth E. Carter: Afrofuturism in Costume Design” opening gala at the African American Museum in Philadelphia on Saturday, Nov. 1, 2025.
Also a part of AAMP’s Sinners display is the flowy earthy dress that best supporting actress nominee Wunmi Mosaku wore in her role as Annie. Annie is Smoke’s lover and a root woman who discovers the vampires in their Clarksdale, Miss., town.
Cornbread’s (Oscar Miller) tattered sharecropper outfit is on the dais along with Mary’s (Hailee Steinfeld) blush knit dress with its short-sleeved bodice and pussy bow accent. Her matching knit beret and pearls are also on display. In the film, Mary is Stack’s childhood friend, turned girlfriend, turned vampire.
“I immerse myself in the mind, body, and soul of my characters,” said Carter. “Then I see them in my mind, how they move and with research, I come up with a look that I feel is unique to them.”
The Sinners pieces are among the more than 80 looks featured in the “Afrofuturism” exhibit, joining outfits from The Butler (Lee Daniels), and from Malcolm X, Coming 2 America, Black Panther, and its sequel, Black Panther: Wakanda Forever.
The show, headlining the African American Museum’s celebration of the nation’s Semiquincentennial, will be on display through September.
Lace gloves and knit dress detail of Mary (Hailee Steinfeld) costume from sinners.
During her five decades in the movie business, Carter has worked on more than 60 big-screen documentations of where Black Americans have been, who they are at the given moment, and who they dream of becoming.
Her work has shaped how the world sees African Americans.
In the 2010s, a friend of hers suggested she plan a museum exhibit around her costumes. After Black Panther, she partnered with Marvel, and in 2019, “Afrofuturism in Costume Design” debuted at the Savannah College of Art and Design’s Atlanta Campus.
The “Ruth E. Carter: Afrofuturism in Costume Design” exhibit at the African American Museum in Philadelphia on Saturday, Nov. 1, 2025.
Philadelphia is the exhibit’s ninth — and longest — stop. It’s also the first stop for the Sinners costumes.
“I am a griot,” Carter said. “[Throughout my career,] I’ve developed a knowledge base that embraces our culture and speaks to all of us in a positive way.”
“Ruth E. Carter: Afrofuturism in Costume Design” will be on view through Sept. 6. at the African American Museum in Philadelphia, 701 Arch St., Thursday through Sunday, 10 a.m. to 5 p.m. Tickets are $20 for adults, $10 for children.
Chill Moody didn’t plan on writing a children’s book.
A story about a young athlete was bubbling in his head. And the West Philly-born rapper and serial entrepreneur wanted to turn it into a screenplay, mirroring the upbeat, have-faith vibe of fellow rapper Bow Wow’s 2002 film, Like Mike.
“Instead of basketball [in Like Mike], I wanted the story to be about golf,” said Moody, whose real first name is Eric.
“And instead of a little boy, I wanted my main character to be a little girl.”
But movies take forever to become a reality. Moody, always ready to churn out his next nice thing, wanted to get this fictional little girl, who rocks a red golf tee and wields golf clubs passed down from the ancestors, into the world quickly.
So Moody, and his coauthor and cousin, Danielle Kellogg, decided a children’s book would be their best bet. This way, Moody could share his message of inspiration directly with his target audience. His character would come alive with every page turn; and a skilled rapper, Moody could write a story that rhymed.
“There had to be alliteration,“ he said. ”So, I named her Gia,”
Gia the Golfer was released in December.
The 36-page picture book, featuring vibrant illustrations by local artist Stephen Hatala, is available on the Barnes & Noble website and Amazon, where it sells for $14.99.
So far, Moody said, he’s sold a few hundred copies of Gia the Golfer. And, he said, 100% of the profits will fund his nonprofit We Golf Now. The two-year-old nonprofit encourages Philadelphia’s Black and brown youth to develop confidence, social, and networking skills through playing golf.
Zane King, 6, get advice from Chill Moody during a We Golf Now event at Five Iron Golf in Philadelphia, Pa., on Sunday, March 30, 2025.
“We serve over 100 kids,” Moody said. “We teach kids how to play golf, the business of golf, and introduce them to careers and job opportunities.”
Moody sees Gia’s spark and optimism in all of his young golfers.
When we meet Gia, her grandfather, Geo, has just died. She and her mother are going through his things when Gia discovers golf clubs that belonged to Geo, a star golfer and winner of a lot of tournaments. She takes the clubs and practices on her own and seems to be a natural. Her mother signs her up for golf classes and, following in her grandfather’s footsteps, she excels and decides to compete in a tournament.
But, on the day of the tournament, the golf clubs — that twinkle like they could be magical — disappear. Gia has to play without them.
“I wanted to teach children about memories and dealing with grief,” Moody said. “And that even if you lose something that you think is important, you aren’t at a loss.”
Moody, 40, finished writing the book in 2024. He shopped it to publishers for nearly a year before taking the self-publishing route.
“I didn’t want to sell the books out of my trunk like I did with my music,” Moody said. “But then I remembered I did this so we could tell our children’s stories. I remembered I could do this … I bet on myself.”
In September, he partnered with Lansdale’s Boardroom Spirits and released Tequila Transfusion, a mix of tequila, grape, ginger, and lime — his version of the country club cocktail.
Just like his drinks, Moody has big plans for Gia.
“I’m thinking animated cartoons and plush toys,” Moody said. “I want her to blow up as a brand. Seriously, I’m thinking Gia will be the next Dora the Explorer.”
Unless you’ve been living under a rock, you’ve probably heard about the great blizzard rolling into Philadelphia this weekend.
We’re expecting more than a foot of snow, people! I’m from Ohio and I don’t remember an arctic blast forcing me to wade through that many blockades of ice.
But if you have any memories of the record-setting blizzard of 1996, when the city literally hauled out snow and dumped it into the Schuylkill and Delaware River, then you know the weather won’t stop Philadelphians from enjoying their weekend plans.
Lucky for you, I have a list of events that will make your time out in the cold worthwhile. (As long as your car doors aren’t frozen shut, and you’ve put enough salt down to open your front door, that is.)
(From left to right) Philadelphia Zoo Garden Service workers Joseph Mineer, of Fairmount, Naeem Price, of North Philadelphia, and David Wallace, of Southwest Philadelphia, are shoveling snow on the sidewalks near the bus drop offs in Philadelphia, Pa., on Saturday, Jan. 17, 2026.
A major winter storm is looking inevitable for Philly, with snow expected to stick around
Philly is getting SNOW this weekend — some forecasts are even calling for 17 inches. A winter storm watch is in effect for the entire region this weekend, meaning you might be spending a lot of time at home.
Expect canceled plans, back pain from shoveling, and empty grocery store shelves. The Inquirer’s weather expert, Tony Wood, has you covered with what to know about the impending storm.
🍫 Chocolate and booze, please: Want a warm and sweet buzz? Take a trip down to the Greater Philadelphia Expo Center on Saturday for the Philly Chocolate, Wine & Whiskey Festival. This trio will make for a luscious and savory time.
🎤 The return of an opera classic: For the first time in 15 years, Capriccio returns to the Academy of Vocal Arts stage. The Piet Mondrian-inspired run of Richard Strauss’ final opera runs through Sunday.
🔍 Here’s a Clue: Three words: Murder, mystery, and mayhem. That’s what’s on the menu for the theatrical whodunit, Clue, based on the classic board game and 1985 movie of the same name. The musical runs at Walnut Street Theater through Sunday. Are you in?
🎋 Honoring an iconic landscape designer: A documentary honoring Piet Oudolf, the man responsible for shaping the beautiful varieties at Calder Gardens, will play at the meditative green space starting Thursday through Jan. 30.
📅 My calendar picks this week: Lucky Girl Market at Bok, Dinos After Dark, World Sportscar Champion Demo Day
Four of the Philly area’s 15 James Beard semifinalists in 2026 (clockwise from top left): chefs Greg Vernick, Omar Tate, Amanda Shulman, and Frankie Ramirez.
After Philly was granted Michelin honors this past November, the James Beard Foundation has handpicked 13 local award semifinalists for 2026.
According to my colleague Michael Klein, this year’s list of James Beard Award semifinalists reads like a who’s who of the local dining scene, including a few surprises. Namely, Russ Cowan or Cherry Hill, N.J.’s Radin’s Delicatessen.
The list of semifinalists will be gleaned, and finalists will be announced on March 31. Winners will be announced at a gala on June 15 at the Lyric Opera of Chicago.
🖌️ It’s ink o’clock: Bring your wildest ideas to the tattoo table. Dozens of tattoo artists are setting up shop at the Pennsylvania Convention Center this week at the annualVillain Arts Tattoo Festival.
🎭 A new James Ijames creation: Arden Theatre Company’sGood Bones, the latest creation of Pulitzer Prize-winning playwright James Ijames, explores the soul of a city in the face of looming gentrification. The play runs through March 15.
‘Face to Face’ with artistic greatness: Staged at Isaiah Zagar’s most famed masterpiece, the Magic Gardens Museum, comes another example of his artistic wizardry. The iconic artist’s new exhibition, “Face to Face: Isaiah Zagar’s Mosaicked Portraits,” displays intimate artworks of the people who influenced his life, work, and imagination. The exhibition is on view through April 12.
Is it technically fine to shovel just your own patch of sidewalk? Sure. Is it how you earn a good reputation on a Philly block? Absolutely not. So we debated it for you — and the consensus is this: one missed storm happens, but making a habit of stopping exactly at the property line (especially when elderly neighbors are around) is how people quietly clock you as that neighbor.
Snow melts. Reputations don’t. And in Philly, your block definitely notices. What are your thoughts?
🎤 Thursday: Rakim, arguably the most influential rapper during hip-hop’s golden age, takes over the Main Stage at City Winery on Thursday.
🎸 Friday: Singer and guitarist Alec Ounsworth, known as the face of the iconic indie band Clap Your Hands Say Yeah, kicks off his solo tour, “Piano & Voice,” in his hometown. Ounsworth plays at World Cafe Live on Friday and the Philadelphia Ethical Society on Saturday.
🎤 Saturday:The “Winter Carnival Tour,” headlined by rap duo Atmosphere, and featuring hip-hop luminaries such as R.A. the Rugged Man and Kool Keith, kicks off at the Brooklyn Bowl on Saturday.
🎸 Sunday: After completing a full bank tour for his new album, I Believe in You, My Honeydew, singer-songwriter Josh Ritter makes his way to Lancaster’s West Art for his solo tour.
The weather may temporarily halt your weekend plans, but as you can see, there are plenty of things to do before and after the storm hits. Stay warm and diligent, folks!
