A fire Friday tore through the Atlantic City Boardwalk’s Peanut World souvenir shop, according to authorities.
Atlantic City firefighters battled the blaze that erupted about 4 p.m. at the business off Martin Luther King Boulevard. Heavy smoke billowed out onto the Boardwalk and damaged three other buildings, according to a news release.
The businesses were closed, and no injuries were reported.
While the buildings are salvageable, Peanut World’s interior will have to be rehabbed, according to city public safety spokesperson Matt Duffy. City officials will assess the damage next week, he said.
“We have many buildings of historical significance here in Atlantic City and we really try to keep their integrity whenever possible,” Atlantic City Fire Chief Scott Evans said in a statement.
Peanut World could not be reached by phone early Saturday.
MacKenzie Scott, one of the world’s richest women through her Amazon shares, has donated $25 million to Lincoln University, the college announced Friday.
The money — part of the billionaire philanthropist’s series of multimillion-dollar, unrestricted donations to historically Black colleges and universities — will support scholarships and initiatives, according to a news release.
Lincoln University officials said the no-strings-attached gift “exemplifies her confidence in the university’s mission, vision, and leadership.”
“Lincoln University was founded to break barriers and create pathways for African Americans to thrive,” president Brenda A. Allen said in a statement. “This investment honors that legacy and propels us forward, enabling us to build on 171 years of excellence and innovation.
“It is a powerful affirmation of the enduring value of Historically Black Colleges and Universities.”
A spokesperson for the university and the board of trustees could not immediately be reached Saturday for additional comment.
This is Scott’s second donation to the southern Chester County university, the first degree-granting HBCU in the nation. The ex-wife of Amazon founder Jeff Bezos gave $20 million in 2020 — then the school’s largest gift from a single donor in its history. As of June 2023, the school’s endowment was $54 million.
A number of other historically Black colleges also received money from Scott in recent weeks, including Maryland’s Bowie State and Morgan State Universities and University of Maryland Eastern Shore. Scott’s total donations to higher education institutions this year have topped $1 billion, Forbes reported.
Listen — Philly has a reputation. We know this. We wear it like a badge. We boo Santa, we heckle refs, we meltdown on WIP like it’s an Olympic sport. But there’s passion, there’s unhinged, and then there’s driving to Moorestown at 3 a.m. to egg the offensive coordinator’s house because the Eagles lost to the Bears.
That’s not passion. That’s just loser behavior.
Patullo said all the right things this week. That criticism is part of the job, that he’s been here five years, that he loves the city and the fans. But he also made it clear: When it involves your family, the line isn’t just crossed… it’s obliterated. And he’s right. Yell at the TV, tweet about it, call WIP at 6 a.m. pretending to be “Bryce from Bridesburg.” But families are off-limits.
The good news? Neighbors rallied, the community reached out, and Patullo isn’t going anywhere — not from his home, and not from the sidelines (despite Nick Foles’ dream of him coaching from the booth like it’s Madden franchise mode).
Philly can take a joke, a hit, and a heartbreak season. What we can’t take is letting a few clowns make us look like we egg coaches every time the offense ranks 24th in yards.
Save the eggs for tailgates. Or better yet, breakfast.
A cheesesteak from Dalessandro’s in Philadelphia, on Friday, Nov. 21, 2025. Michelin recently recognized the restaurant with a Bib Gourmand. Cheesesteak restaurants Angelo’s and Del Rossi’s were also recognized by Michelin.
Philly is America’s No. 1 foodcation destination: A (obviously)
All because of one thing: the cheesesteak, which topped the national list with 27% of Americans saying it’s their dream domestic “foodcation.” Translation: People are now booking vacations around a sandwich we buy at 1 a.m. like it’s no big deal.
Food & Wine says Americans spend about $910 on their typical food-focused trip and would nearly double that budget if the bite was bucket-list–worthy. So somewhere out there is a family justifying a $2,000 vacation to stand outside Angelo’s at 10 a.m. behind 70 locals who think they have “a system.”
Meanwhile, New York tied us at 27% for pizza — but let’s be serious. A cheesesteak beating out an entire city’s worth of pizza is so Philly-coded it should count as a parade.
A Waymo car drives down Market Street Tuesday, July 8, 2025, in Philadelphia.
The company says its cars are now driving autonomously (with a human babysitter for now), mapping our neighborhoods and “laying the groundwork” to eventually chauffeur actual Philadelphians around.
Bold. Truly bold. Because sure, a driverless car can operate in Phoenix. But can it:
Identify a pothole before it becomes a crater?
Handle a double-parked Amazon van, a food truck, and a guy pushing a sofa on a hand truck… all in the same block?
Not get stolen? (It’s Philly. We have statistics.)
City officials say they’re “monitoring the situation,” which is Philly-speak for: If this thing blocks a SEPTA bus, there will be consequences. Meanwhile, Waymo has been chatting with local groups — the Bicycle Coalition, Best Buddies — which is smart, because they’ll need all the friends they can get once these cars try to merge on I-95.
Delco Donny turning Wawa parking lots into concert venues: A
Only in the Greater Philadelphia region could a man with a guitar, a thick Delco accent, and a dream turn random Wawa parking lots into 100-person pop-up concerts — and somehow it feels… correct.
“Delco Donny,” the alter ego of musician Jake Dillon, started as a joke for his girlfriend’s Delco mom, reported Philly Voice. Now he’s pulling six-figure TikTok views by belting out Oasis, the Killers, and “Creep” between parked Hyundais and people sprinting inside for Sizzlis. At his Boothwyn Wawa show, fans were literally acting like he was Noah Kahan, except with more vowels flattened and more hoodies with paint stains.
The shtick is simple: He shows up, leans into the Delco accent America learned during Mare of Easttown, and sings like he’s headlining the Spectrum in 1996. And people eat it up. Wawa corporate even started sending him merch, which is basically the Delco version of getting knighted.
There’s something kind of pure about it: a Northeast Philly native channeling a fictional Boothwyn legend who meditates in a cluttered van, reviews local pizza joints, and humbly accepts Marlboro Reds as offerings from the people. The man is doing character work in a gas-station parking lot, and somehow it feels like local folklore in the making.
Opera Philadelphia hosted “Home for the Holidays” at the Wanamaker Building’s Grand Court on Tuesday, Dec. 2, 2025.
The Wanamaker Christmas comeback: A
In the most Philadelphia plot twist imaginable, the Wanamaker Grand Court took what could’ve been a gut punch — Macy’s closing, holiday traditions dangling by a thread — and turned it into a full-blown victory lap complete with a wreath-wearing Wanamaker Eagle, opera singers, dinosaur dancers, and an organ flex so powerful it could rattle the Market-Frankford Line.
“Home for the Holidays,” Opera Philadelphia’s one-night takeover, wasn’t just a concert, it was a statement. Philly looked at a soon-to-be shuttered space and said, Fine, then we’re going out in style. The whole night doubled as a nostalgia bomb: marching-toy projections for anyone who remembers buying Christmas presents in the old store, an audience gasping at the tree like it was 1978 again, and the ground-shaking Wanamaker Organ.
But the real Philly heart came from the subtext: This was also a campaign to keep the space public, alive, and musical long after renovations. You don’t raise $1 million for a Pipe Up! series unless you’re gearing up for a fight.
Philly is getting a cruise terminal again (!!): A-
PhilaPort struck a deal with Norwegian Cruise Line, building a new terminal in Tinicum Township with 41 voyages already on the books over the next two years, reported 6ABC. Norwegian’s locked in through 2033, sending thousands to Bermuda, the Bahamas, Canada, and New England, all sailing straight out of the airport’s backyard.
It’s a major comeback for a region that hasn’t had a real cruise hub in more than a decade, and the timing couldn’t be better with the 250th, the World Cup, and the All-Star Game all landing next year. Economic impact? Around $300 million annually. Jobs? More than 2,100.
And yes, it’s a six-hour ride down the Delaware before you hit the Atlantic. Philly’s response: New York isn’t much faster, Baltimore is way slower. So grab a drink and enjoy the shoreline.
Franklin Mall, previously known as Franklin Mills, is for sale again.
Franklin Mills (sorry, “Franklin Mall”) is officially for sale: C
Franklin Mills, the place where Northeast Philly teens found Hot Topic, freedom, and an alarming amount of Orange Julius, is officially on the market. Again. After years of falling occupancy, collapsing value, and visitor counts dropping from 20 million a year in the ’90s to 5.6 million today, it’s basically being lilsted as: “137 acres… willing to become literally anything.”
Industrial redevelopment? Sure. Warehousing? Probably. Housing? Maybe, if City Council blesses it. A mall again? As one architect put it: “Unlikely.” (Philly translation: absolutely not.)
This place is 1.8 million square feet (second only to King of Prussia), but while KOP is still the superstar of malls, Franklin Mills slowly slid into its “legacy act” phase. The valuation dropped from $370 million in 2007 to $76 million last year. Even the name had to be changed back because Simon Property Group kept the Mills trademark, which feels like getting your hoodie taken in a breakup.
Real talk: The building is basically a demolition project waiting for a permit. But to its credit, 65% occupancy means it isn’t a ghost town yet — just a mall trying to remember who it used to be.
It might become warehouses, apartments, or over a million square feet of “don’t worry, it’ll create jobs.” But one thing’s for sure: If Northeast Philly wakes up to find a sea of Amazon vans where Franklin Mills once stood, people will still call it Franklin Mills.
The silence in the Himalayan Institute’s shrine redefines silence, quiet enough to hear your heartbeat, to pick up a whisper from across the room, and, perhaps most importantly, to feel every breath, in and out, while you meditate.
The institute, founded in 1972, moved into the massive, former seminary on 400 hilly, forested acres in Honesdale, Wayne County, in 1977, a time when yoga was still a niche practice. For more than 50 years, the institute has been offering yoga training, spirituality, meditation, and holistic health practices, along with getaways and retreats.
“It’s for anyone, for any creed, religion, sex, or gender,” said Greg Capitolo, a California native who became the institute’s president after attending retreats there. “There’s really no religious affiliation at all.”
As yoga exploded in popularity and modern meditation apps abound, the Himalayan Institute has seen growing interest worldwide. It hasn’t hurt that downtown Honesdale has seen its own popularity grow over the last decade as Philadelphia and New York City residents look for properties and business opportunities outside of traditional urban escapes, like upstate New York.
“I like to sat this is the best-kept secret in Wayne County,” Capitolo said. “I hope we become less of a secret to the people here. ”
The Inquirer went to Honesdale during a frigid weekend last December and confirmed it: even in single-digit temps, the town’s gift shops, bakeries, buzz-worthy restaurants, art galleries, and book stores were alive with tourists and locals up and down Main Street.
Afterward, several readers mention the Himalayan Institute as a “must-visit.”
The Himalayan Institute, In Honesdale, Pa.
On a Monday in late November, the main, dormlike building was abuzz with “residents” who were doing volunteer work in the kitchen for access to classes, yoga training, and other programs the institute offers. Capitolo said the institute can house up to 80 residents, who commit to staying for a year as part of the $800 per month “Residential Service Program.”
Meals are vegetarian, and on this afternoon, lunch was beet subzi and kimchari. The Himalayan Institute follows Ayurvedic principles, which discuss balance and digestion, among other things.
“The Ayurvedic system says you should eat your biggest meal around lunchtime, when the sun’s at its highest, point, because your digestion will be optimally ready to break down food,” Capitolo said.
There’s also a gift shop and a trail network at the Institute, along with a popular Wellness Center that offers several types of massage, including hot stone. One of the Wellness Center’s most popular offerings is an Ayurvedic therapy known as Shirodhara Treatment, which includes “streaming warm oil onto the forehead to clear and calm the mind.”
The Himalayan Institute, In Honesdale, Pa.
The simplest structure and offering at the Himalayan Institute may be the Sri Vidya Shrine, a simple, domed building that sits behind the former seminary on the campus. The shrine is the twin of the Sri Vidya Shrine at the Himalayan Institute’s Khajuraho campus in central India, and its meditation hall is not so simple: that unique silence was part of the design.
The shrine’s meditation hall is referred to as the mandapa, literally “the canopy for seekers to gather.”
Capitolo sat silently in the hall for several minutes, hands folded, focusing on his breath. He, too, was a seeker, leaving a lucrative job in Silicon Valley to head east to Honesdale, before it was hip.
“I was happy and seemingly had everything I needed,” he said outside the shrine. “But something was missing. This place satisfied what was missing.”
This week after completing two different portrait assignments I was was looking around as I walked back to my parked car.
I’d seen it in Old City before, but on a really clear, cold morning when the sky’s color perfectly matched that of the Ben Franklin Bridge towering over the public artwork on Columbus Boulevard, I looked more carefully at the giant knot of stainless steel spheres.
Sometimes you go looking for pictures but “found” pictures are most often located just where you happen to be.
I studied the shiny surface, looking through my viewfinder, varying the focal length on the two zoom lenses I had (a 24-70mm and 70-200mm) and switching between different apertures to achieve either more or less depth-of-focus on the orbs and the reflections they mirrored.
I also made a slightly “harsher” version of the blue sky and bridge.
Razor wire beside a pier on Columbus Boulevard frames the Benjamin Franklin Bridge Dec. 3, 2025.
Weather the day before was in sharp contrast — literally, with winds blowing rain almost knife-like horizontally at me as I fought with my umbrella to make a picture outside following another indoor portrait assignment.
I ended up moving to the roof of the garage where I parked my car.
Conditions were more wet than white as an early winter storm hit the region Tuesday, Dec. 3, 2025. This was a view of the Schuylkill, I-76, Walnut Street and the Amtrak and SEPTA tracks leading into 30th Street Station.
A note in support of copy editors: You know how seeing writers (mostly on social media) confusing a possessive pronoun with a contraction or thinking an apostrophe always indicates possession can be mildly distfacting or jarringly annoying to readers? (it’s vs. its and your vs. you’re.)
Well as a long-time photo caption reader (and writer) there are two common errors that exasperate me. Those would be the names of a common migratory water fowl and one of Philadelphia’s three major waterways.
Addam Schwartz, The Inquirer’s senior multiplatform editor, wrote the rain caption for the print version of the photo. He correctly changed my “Schuylkill River” to just plain “Schuylkill.” He knows the word means “hidden river,” so “River” is redundant. (It was named by Dutch settlers in the early 1600s. Prior to that time, the river was called Manayunk, meaning “where we go to drink” or Ganoshowanna, meaning “falling water” by the Lenape.)
In my defense I also know all that. Decades ago Suzanne Weston, the copy editor at Inquirer Magazine when I was on staff there educated me. But I do make mistakes, especially when typing captions on my laptop in my car.
And, it’s Canada goose, not Canadian. As a Consulate General in Minneapolis pointed out to me decades ago, while Canada would be proud to claim Branta canadensis as its own, they belong to ALL of the continent.
(By the way, Schuylkill Expressway IS okay.)
Since 1998 a black-and-white photo has appeared every Monday in staff photographer Tom Gralish’s “Scene Through the Lens” photo column in the print editions of The Inquirer’s local news section. Here are the most recent, in color:
November 29, 2025: t’s ginkgo time in our region again when the distinctive fan-shaped leaves turn yellow and then, on one day, lose all their leaves at the same time laying a carpet on city streets and sidewalks. A squirrel leaps over leaves in the 18th Century Garden in Independence National Historical Park Nov. 25, 2025. The ginkgo (Ginkgo biloba) is considered a living fossil as it’s the only surviving species of a group of trees that existed before dinosaurs. Genetically, it has remained unchanged over the past 200 million years. William Hamilton, owner the Woodlands in SW Phila (no relation to Alexander Hamilton) brought the first ginkgo trees to North America in 1785.November 24, 2025: The old waiting room at 30th Street Station that most people only pass through on their way to the restrooms has been spiffed up with benches – and a Christmas tree. It was placed there this year in front of the 30-foot frieze, “The Spirit of Transportation” while the lobby of Amtrak’s $550 million station restoration is underway. The 1895 relief sculpture by Karl Bitter was originally hung in the Broad Street Station by City Hall, but was moved in 1933. It depicts travel from ancient to modern and even futuristic times. November 17, 2025: Students on a field trip from the Christian Academy in Brookhaven, Delaware County, pose for a group photo in front of the Liberty Bell in Independence National Historical Park on Thursday. The trip was planned weeks earlier, before they knew it would be on the day park buildings were reopening after the government shutdown ended. “We got so lucky,” a teacher said. Then corrected herself. “It’s because we prayed for it.” November 8, 2025: Multitasking during the Festival de Día de Muertos – Day of the Dead – in South Philadelphia.November 1, 2025: Marcy Boroff is at City Hall dressed as a Coke can, along with preschoolers and their caregivers, in support of former Mayor Jim Kenney’s 2017 tax on sweetened beverages. City Council is considering repealing the tax, which funds the city’s pre-K programs. October 25, 2025: Austin Gabauer, paint and production assistant at the Johnson Atelier, in Hamilton Twp, N.J. as the finished “O” letter awaits the return to Philadelphia. The “Y” part of the OY/YO sculpture is inside the painting booth. The well-known sculpture outside the Weitzman National Museum of American Jewish History was removed in May while construction continues on Market Street and has been undergoing refurbishment at the Atelier at the Grounds for Sculpture outside of Trenton.October 20, 2025:The yellow shipping container next to City Hall attracted a line of over 300 people that stretched around a corner of Dilworth Park. Bystanders wondered as they watched devotees reaching the front take their selfies inside a retro Philly diner-esque booth tableau. Followers on social media had been invited to “Climb on to immerse yourself in the worlds of Pleasing Fragrance, Big Lip, and exclusive treasures,” including a spin of the “Freebie Wheel,” for products of the unisex lifestyle brand Pleasing, created by former One Direction singer Harry Styles.October 11, 2025: Can you find the Phillie Phanatic, as he leaves a “Rally for Red October Bus Tour” stop in downtown Westmont, N.J. just before the start of the NLDS? There’s always next year and he’ll be back. The 2026 Spring Training schedule has yet to be announced by Major League Baseball, but Phillies pitchers and catchers generally first report to Clearwater, Florida in mid-February.October 6. 2025: Fluorescent orange safety cone, 28 in, Poly Ethylene. Right: Paint Torch (detail) Claes Oldenburg, 2011, Steel, Fiberglass Reinforced Plastic, Gelcoat and Polyurethane. (Gob of paint, 6 ft. Main sculpture, 51 ft.). Lenfest Plaza at the Pennsylvania Academy of the Fine Arts on North Broad Street, across from the Convention Center.September 29, 2025: A concerned resident who follows Bucks County politics, Kevin Puls records the scene before a campaign rally for State Treasurer Stacy Garrity, the GOP candidate for governor. His T-shirt is “personal clickbait” with a url to direct people to the website for The Travis Manion Foundation created to empower veterans and families of fallen heroes. The image on the shirts is of Greg Stocker, one of the hosts of Kayal and Company, “A fun and entertaining conservative spin on Politics, News, and Sports,” mornings on Talk Radio 1210 WPHT.September 22, 2025: A shadow is cast by “The Cock’s Comb,” created by Alexander “Sandy” Calder in 1960, is the first work seen by visitors arriving at Calder Gardens, the new sanctuary on the Ben Franklin Parkway. The indoor and outdoor spaces feature the mobiles, stabiles, and paintings of Calder, who was born in Philadelphia in 1898, the third generation of the family’s artistic legacy in the city.September 15, 2025: Department of Streets Director of Operations Thomas Buck leaves City Hall following a news conference marking the activation of Automated Speed Enforcement (ASE) cameras on the Broad Street corridor – one the city’s busiest and most dangerous roads. The speed limit on the street, also named PA Route 611, is 25 mph.September 8, 2025: Middle schoolers carry a boat to the water during their first outing in a learn-to-row program with the Cooper Junior Rowing Club, at the Camden County Boathouse on the Cooper River in Pennsauken. September 1, 2025: Trumpet player Rome Leone busks at City Hall’s Easr Portal. The Philadelphia native plays many instruments, including violin and piano, which he started playing when he was 3 years old. He tells those who stop to talk that his grandfather played with Billie Holiday, Duke Ellington, Nina Simone, and Dizzy Gillespie. August 25, 2025: Bicycling along on East Market Street.
Philly’s first competitive congressional primary in more than a decade is officially underway.
On Thursday night in a standing-room-only auditorium in Mount Airy, State Sen. Sharif Street, State Reps. Morgan Cephas and Chris Rabb, and doctors Ala Stanford and David Oxman made their opening pitches to voters for why they should represent the 3rdCongressional District, which stretches from Northwest Philadelphia to parts of South Philly.
The candidates are vying to replace retiring U.S. Rep. Dwight Evans in a district that is among the most Democratic in the nation. Thursday’s packed forum, hosted by the 9th Ward Democratic Committee, was largely an opportunity for candidates to introduce themselves to a heavily engaged community more than five months before the May primary.
The five candidates represent only a fraction of nearly a dozen declared in the race. They were invited based on fundraising and endorsements, wardchair Jeff Duncan said in opening remarks.
Here are some takeaways from the evening.
Candidates (from left) State Reps. Morgan Cephas, and Chris Rabb; and physician David Oxman appear at a forum hosted by the 9th Ward Democratic Committee in Mt. Airy Thursday, Dec. 4, 2025.
Why are they running for Congress?
It’s tough to run for office without a compelling “why,” and each candidate made a personal pitch to the crowd.
Cephastalked about being a toddler in a stroller while her mom picketed with American Federation of State, County, and Municipal Employees District Council 47, the union representing many of Philly’s city workers, back in 1986. She said she wants to bring a family history of activism andher experience in Harrisburg, where she has championed maternal health, to Washington.
Oxman, a medical professor and intensive-care doctor, said Philadelphians are in the midst of a health crisis — not just because of deteriorating physical wellness, but also from mental and financial strain. He talked about building trust with patients and colleagues and taking an outsider approach in Congress, where there are only a handful of doctors serving.
Rabb, on friendly turf in Mount Airy, an area he represents in the state House, separated himself from the Democrats sitting beside him by arguing he is the only true progressive in the race who would bring needed energy to Washington, “not another establishment ally.” Throughout the forum, he called out Democrats who take money from corporations and who he argued have been unwilling to fight for progressive causes.
Stanford gave a compelling rundown of her personal backstory: born to a young mother in poverty and going on to be the first Black female pediatric surgeon trained in the United States. Stanford played a key role in responding to the COVID-19 outbreak in Black and brown communities in Philadelphia and now operates a health center in North Philadelphia. “I’m running because I lived it and I understand it, and I won’t wait for permission in Washington,” she said.
On the topic of immigration, candidates were unanimous that U.S. Immigration and Customs Enforcement needs to be reined in, if not totally abolished.
Street called the agency “corrupt to its core” and one that recruits “racists and neo-Nazis,” a reference to scrutiny over the imagery used in ICE’s recent campaign.
Cephas said there needs to be better oversight of immigrant detention centers. Democratic lawmakers have been turned away from facilities in recent months when they have attempted to review conditions.
Rabb thinks those centers should be dismantled altogether and took the opportunity to contrast the moment with Trump’s first administration. “Yes, ‘abolish ICE’ is popular these days,” he said. “But when I was leading families into sanctuary in 2017, people weren’t talking then. We have a bigger villain now.”
Oxman said he didn’t know if ICE was “salvageable.”
“If you have to wear a mask at work to hide your identity, maybe you should be asking a few questions,” he said.
Rabb and Oxman vow not to take pharmaceutical, insurance PAC money
Only Rabb and Oxman said they would commit to refusing corporate donations from pharmaceutical or insurance firms.
Rabb said he has never, since his first election in 2015, taken corporate PAC money.
Oxman told a story about colleagues at the hospital getting wined and dined by pharmaceutical companies and insisting they were unaffected by the gifts. “I asked them, ‘Why do you think they do it?’” Oxman said. “Because it works.” He added he’s a “hell, no” on taking pharma and insurance PAC money.
Cephas, Street, and Stanford all promised to work to hold those industries accountable without committing to forgo their money on the trail.
Rabb comes out strongly against sending arms to Israel
Candidates were given one minute to say whether they would support a bill that would prohibit sending more weapons to Israel, two years after the start of its war in Gaza following the Oct. 7, 2023, attack. Street said it was an insufficient amount of time to cover an exceedingly complex topic.
He said violence is correlated with poverty — noting the disproportionately high homicide rate in his neighborhood, where people are struggling to afford groceries — and stressed the need to get humanitarian aid flowing in Gaza.
Cephas said she would want to have conversations about the proposal. Oxman said that the enemy is “extremism on both sides” and that any country receiving arms from the United States has to live up to certain standards.
Stanford said that as a mother and a surgeon who cares for children, she believes there is “no justifiable reason for a child to lose her life,” but did not weigh in on the bill.
Only Rabb answered definitively, saying he would support the bill to block weaponry to Israel. “There are no two sides in this when we see the devastation,” he said of Gaza, where the death toll has surpassed 70,000 since Israel launched its military campaign.
It was standing room-only at the United Lutheran Seminary in Mt. Airy when the 9th Ward Democratic Committee hosted a candidates forum five months before the Democratic primary.
Abortion question prompts some personal stories
Asked how they would protect women’s reproductive rights, several candidates shared personal stories of grief or hardship.
Stanford said there is a need for more doctors in Congress with lived experience and talked about having had a miscarriage.
“Unfortunately, I am one of those Black women who was treated with racism and bias, and it impacted the livelihood of a child I did not carry to term,” she said. “I will fight for reproductive rights, and that also includes the right to choose.”
She noted she had worked closely with Vice President Kamala Harris on postpartum-care initiatives for women.
Street said reproductive rights have to extend to expanded in vitro fertilization protections and access. He said that he and his wife, who had children from previous marriages but wanted to have another, went through IVF.
“It didn’t work, but we did try it, and everyone should have that option,” he said, adding there is power in people telling their stories.
Boosting their party beyond Philadelphia
May’s Democratic primary winner in the extremely blue district is all but guaranteed to become Philadelphia’s newest congressperson next fall. All five candidates vowed to help Democrats win in congressional races around the state following the May election.
Cephas said it’s not “enough to be safe here in Philadelphia” without a Democratic majority in the House.
Street made a case for his experience campaigning as a past state party chair.
Rabb argued a progressive voice is the way to motivate voters around the state. “Are we gonna have a status quo person or a transformational leader?” he asked. “And if that person’s a transformational leader, they can help reach beyond the traditional base around the state. The Democratic Party has been sleeping on folks.”
Ultimately, the direction the 3rd District goes will likely get national attention for what it says about the preferences of Democratic voters in urban areas like Philadelphia. Oxman argued that means selecting the right messenger.
“Whoever represents it has to think about how their message is heard around Pennsylvania. We need a message that can rally the whole state. What happens here has national import.”
Chris Emmanouilides, 63, of Rutledge, Delaware County, digital media director, award-winning filmmaker, TV executive producer, cameraman, teacher, and mentor, died Saturday, April 26, of a heart attack at his home.
Born in Philadelphia and reared in Los Angeles, Mr. Emmanouilides followed his then-girlfriend back to the city in the 1980s, earned a master’s degree in radio, TV, and film at Temple University, and crafted a 36-year career as an independent filmmaker, vice president of programming for Banyan Productions, cofounder and chief content officer of the VuNeex video marketing platform, and director of digital media at the King of Prussia-based American College of Financial Services.
He specialized in independent documentary films, commercials, and early forms of reality TV, and cofounded Parallax Pictures in the 1990s. His films were screened at the Philadelphia Festival of World Cinema, the Sundance Film Festival, and elsewhere around the world.
His 40-minute film Archive premiered at the Los Angeles Greek Film Festival in 2013 and earned the Audience Choice Orpheus Award. His 1989 film Suelto! earned first prize at the 1990 Sundance Slice of Life Film Festival.
In 1994, Inquirer movie critic Desmond Ryan called Mr. Emmanouilides’ film Remains “especially noteworthy.” In 1997, The Ad and the Egoearned the top prize at the San Francisco International Film Festival.
In 2001, critic Damon C. Williams reviewed TalkFast for the Daily News. Mr. Emmanouilides was the film’s director of photography. Williams said: “It does an incredible job in detailing the desire, dedication and heartbreak that go with pursuing a dream. It also shows that some do indeed find success in chasing their dreams.”
From 1997 to 2014, Mr. Emmanouilides was an executive producer, director of special projects, and vice president of programing at Philadelphia-based Banyan Productions. Working with the Discovery Channel, the Travel Channel, the Food Network, TLC, Lifetime, and other TV outlets, he and his colleagues created thousands of hours of popular award-winning programming. Among his series credits are Travelers, Reunion, Trading Spaces, Deliver Me, Cruises We Love, and A Wedding Story.
“What we pull off in four days — the emotions and the intimacy — is extremely rare on television,” he told The Inquirer in a 1998 story about the Reunion series. “It’s a constant push, trying to make a high-quality show on a limited budget, with limited time. And the question is, will it find an audience?”
He worked with Reader’s Digest and Hope Paige Designs on video marketing projects at VuNeex in 2015, and spent the last 10 years as a senior producer and director of digital media at the American College of Financial Services. “Chris was relentless in the pursuit of quality,” Jared Trexler, senior vice president at American College, said in an online tribute. “He was inquisitive, introspective, and always learning. Most importantly, he was kind, caring, and funny.”
Mr. Emmanouilides won the 2013 Audience Choice Orpheus Award in Los Angeles.
In tributes, colleagues called him “an amazing man and incredible coworker” and “very passionate about our field.” One said: “He always brought genuine fun and energy to whatever we were doing.”
Gregarious and energetic, Mr. Emmanouilides taught film and production courses at Temple, the University of Toledo, the Scribe Video Center, and the old University of the Arts. He lectured at Drexel and Villanova Universities, spoke at conferences and seminars, and taught English-language classes in Greece and Spain.
He was a longtime member and onetime board president of the Philadelphia Independent Film and Video Association, and he mentored production novices at Scribe Video in Center City and elsewhere. “These newcomers don’t respect the conventions of film that much,” he told The Inquirer in 1993. “They’re trying to find their own voice. So they’re finding new ways to tell stories.”
Christopher George Emmanouilides was born Aug. 31, 1961. His family moved from Philadelphia to Los Angeles when he was young, and he earned a bachelor’s degree in philosophy at Colorado College in 1983 and a master’s degree at Temple in 1992.
Mr. Emmanouilides was a talented cameraman and photographer.
He met Sandra Enck at an independent film event in Philadelphia, and they married in 2004 and had a daughter, Isabella. He doted on his family, and especially enjoyed seeing films with his wife and decorating his daughter’s breakfast pancakes with eyes, nose, and mouth cut from fresh fruit.
“We took their pictures, and we eventually had hundreds of faces from countless mornings together,” his daughter said on her website facethemorning.com. “None were the same, and each seemed to have something to say.”
His wife said: “We’d see a film and then talk about it for three days.”
Mr. Emmanouilides was an avid reader and photographer. He liked to fly-fish, ski, hike, and cook.
This article about Mr. Emmanouilides (left) appeared in the Daily News in 1997.
He had an infectious laugh, performed magic tricks, listened to the Grateful Dead, and followed the Eagles and Phillies. “He was a big thinker,” his wife said. “He was buoyant and a powerful life force. You never forgot that you met him.”
In addition to his wife and daughter, Mr. Emmanouilides is survived by three sisters, a brother, and other relatives.
Celebrations of his life were held earlier.
Donations in his name may be made to the Bryn Mawr Film Institute, 824 W. Lancaster Ave., Bryn Mawr, Pa. 19010.
We’ll show you a photo taken in the Philly-area, you drop a pin where you think it was taken. Closer to the location results in a better score. This week’s theme is all about winter. Good luck!
Round #10
Question 1
Where is this ice rink?
Loading…
.location {
fill: var(–color-secondary);
}
ClickTap on map to guess the location in the photo
ClickTap again to change your guess and hit submit when you're happy
You will be scored at the end. The closer to the location the better the score
Charles Fox / Staff Photographer
Pretty good/Not bad/Way off! Your guess was from the location.Spot on! Your guess was exactly at the location. Here's also where a random selection of Inquirer readers guessed.
This is Rothman Orthopaedics Ice Rink located at the west side of City Hall. The ice rink opened on November 14 and will be available to skate on through February 22, 2026.
Quiz continues after ad
Question 2
Where can you find these holiday lights?
Loading…
.location {
fill: var(–color-secondary);
}
Margo Reed / Staff Photographer
Pretty good/Not bad/Way off! Your guess was from the location.Spot on! Your guess was exactly at the location. Here's also where a random selection of Inquirer readers guessed.
This is the Miracle on South 13th Street. Residents of South 13th St. have been decorating their houses for about 20 years, turning the area into a popular holiday season attraction.
Quiz continues after ad
Question 3
Where is this garden?
Loading…
.location {
fill: var(–color-secondary);
}
Jose F. Moreno / Staff Photographer
Pretty good/Not bad/Way off! Your guess was from the location.Spot on! Your guess was exactly at the location. Here's also where a random selection of Inquirer readers guessed.
This is the Shofuso Japanese Cultural Center. It was originally built in Japan in 1953 and exhibited at the Museum of Modern Art in New York before being moved to Fairmount Park in 1958.
Your Score
ARank
Amazing work. You know so much about winter! Are you a snowman?
BRank
Good stuff. Your performance was as beautiful as a freshly fallen snowflake.
CRank
C is a passing grade, but your performance was almost a slippery slope to failure.
DRank
D isn’t great. Your performance was an avalanche of bad answers.
FRank
We don’t want to say you failed, but you didn’t not fail.
You beat % of other Inquirer readers.
We’ll be back next Saturday for another round of Citywide Quest.
During a marathon preliminary hearing, held at the Montgomery County Correctional Facility due to security concerns, seven members of the Pagans were held over for trial by District Judge Marc Alfarano on charges including aggravated assault, conspiracy, riot, and reckless endangerment.
Those who appeared before Alfarano were: Joel Hernandez-Martinez, 36, George Hripto Jr., 50, and Jason Lawless, 45, all of Bridgeport; Manuel Baez-Santos, 34, of Norristown; Erik Dixon, 33, of King of Prussia; Luke Higgins, 29, of Dauberville; and Justin Noll, 34, of Reading.
Two other Pagans allegedly involved and facing similar charges in the incident, George Cwienk III, 51, of Bridgeport, and Erik Rosenberger, 46, of East Greenville, had their preliminary hearings continued due to a scheduling issue with their attorneys.
Assistant District Attorney Bradley Deckel said the group conspired to attack two members of the Unknown Bikers outlaw club after seeing them parked at the Wawa on Oct. 17.
Given the rules of their subculture, Deckel said, the Pagans felt they had no choice but to confront the rival club.
A gang expert testified Friday that the Pagans have a strong presence throughout Pennsylvania, and fiercely defend their territory.
“They knew what they had to do the moment they saw a group invading their territory,” Deckel said. “And they had to teach them a lesson with violence.”
But defense attorneys for the Pagans took turns sharply rebutting Deckel’s theory during the seven-hour hearing, arguing that their clients were not the ones responsible for the shooting. They asserted that prosecutors had built their case entirely on speculation and innuendo, unfairly painting their clients as dangerous in news coverage.
Further, they said, investigators could not clearly identify what role each of the nine men played in the supposed conspiracy to attack the other bikers, nor prove whether any of the Pagans were armed at the time.
Noll’s attorney, Robert J. Kirwan II, argued that the alleged targets in the case — the Unknown Bikers — were the ones who should be held accountable. Ballistics evidence showed 13 of the 14 bullets fired during the chaotic melee came from their guns.
He said he was “disgusted” that the men were not called to testify during Friday’s hearing.
“It’s astounding that the Unknown Bikers are not charged,” Kirwan said. “What we do know is that they unloaded all of their ammunition at the people present, including bystanders, and yet they’re walking free.”
After pulling into the Wawa just after 9 p.m., the Pagans encircled the other two bikers and began assaulting them. In turn, the Unknown Bikers opened fire on the Pagans with two 9mm handguns in what prosecutors described as an act of self-defense.
Three of the Pagans — Cwienk, Hernandez-Martinez, and Noll — were injured in the gunfire. Nearby, a man filling his tires with air was shot in the face as he dived for cover, and a woman smoking a cigarette outside the store was shot in the right side.
Deckel, the prosecutor, said that during the attack some members of the group strategically positioned their bikes at the gas station’s entrance, in what he described as an attempt to prevent their targets from escaping.
The Pagans’ defense attorneys denied that entirely, saying their clients were the true victims in the attack. Paul Lang, representing Dixon, said his client abandoned his motorcycle and fled as soon as the first gunshots rang out, despite the supposedly coordinated assault.
Still, Deckel said, the motive for the attack was clear: The Pagans wanted the Unknown Bikers’ “cuts,” their denim vests bearing the club logo. In the world of outlaw clubs, a biker’s cut is sacred and, therefore, a trophy sought by his rivals, according to a gang expert who testified Friday.
After the shooting, five of the Pagans were arrested during a car stop in Bridgeport. One of the motorcycles they were riding bore a bullet hole in its gas tank.
The other four were taken into custody in the following days, prosecutors said, tracked down through automated license plate readers and cell phone records.
Famed architect Frank Gehry died Friday in his home in Santa Monica at 96 after a brief respiratory illness. And while he is gone, cities all over the world will continue to hold a piece of him — including Philadelphia.
Though he is known for the striking, rambunctious architecture of buildings like the Guggenheim Museum in Bilbao, Spain, and the Walt Disney Concert Hall in Los Angeles, around here, Gehry will perhaps be best remembered as the man behind the Philadelphia Art Museum as we know it today. Gehry in 2006 was selected from a slate of more than 20 renowned architects to oversee what would become a $233 million renovation of the Art Museum.
Known as the Core Project, the effort — completed in 2021 — was designed to open up the museum’s floor plans, reclaim a ground level that had been closed to the public for decades, and add some 20,000 square feet of new gallery space. Completed in phases over more than a decade, Gehry’s planned renovations were designed to make the building more accessible, revitalize its aging infrastructure, and give the space more flow — all while not disrupting the museum’s iconic look.
Frank Gehry with a model of his design for the museum’s expansion, to be on display in the exhibit “Making a Classic Modern: Frank Gehry’s Master Plan for the Philadelphia Museum of Art.”
“Frank always felt in the design of the core project that he was collaborating with the original architects,” said retired Philadelphia Art Museum chief operating officer Gail Harrity Friday. “He often said he was following the bread crumbs left by the original architects to revitalize a building that needed a flow, needed the restoration of the east-west access, the north-south access.”
Gehry’s work on the Art Museum created “views toward a work of art that pull you like a magnet into the galleries,” Harrity said. And in a 2021 Inquirer review of the revamp, architecture critic Inga Saffron found that the redesign gave “museum officials precisely what they wanted: clarity, light, and space.”
A contentious choice
But when he was selected to lead the effort, Gehry was something of a controversial choice. At the time, Gehry was known for flamboyant architecture dotted with playful, tumbling forms — much different from the Greek Revival and Neoclassical design that made the Art Museum an icon on the Benjamin Franklin Parkway. Some museum lovers worried he would desecrate Philly’s art museum, while others pondered why museum officials would pick such a high-profile architect to design features that largely would not be seen from the outside.
“Nothing [Gehry] has done gives me a good feeling,” one reader wrote to The Inquirer in 2006. “Please rethink using this man to destroy the Philadelphia Museum of Art.”
Gehry himself did little to quell his detractor’s worries. As he put it to The Inquirer at one point: “We will set off a bomb. But I can’t tell what kind till the fat lady sings. I think we’ll make it memorable.”
A $233 million Frank Gehry-designed renovation of the Art Museum focusing on the building’s bottom two floors. The Core Project’s goals were to open up the museum’s floor plans, reclaim a ground level that had been closed to the public for decades, and add 20,000 square feet of new gallery space.
Ultimately, Gehry’s design would be understated and in line with the museum’s existing structure. In fact, it was Gehry’s work on the ’60s-era Norton Simon Museum in Pasadena — which he transformed into a series of serene, classically arranged galleries in the 1990s — that convinced Art Museum officials to go with him for their redesign, so there was perhaps little to be concerned about all along.
Museumgoers got their first taste of the revamp in the fall of 2012, when work on an art-handling facility was completed. That project moved a loading dock and backstage area from the building’s northeast side near Kelly Drive to the Schuylkill side, and would allow for Gehry’s redesign project to progress.
And, at least to Gehry, big plans were afoot.
“I wonder if people in Philadelphia know what a big deal this is,” he told The Inquirer in 2014. “Bilbao was a sleepy little town before the Guggenheim came along. This is going to change Philadelphia.”
The unveiling
By 2017, the Art Museum officially broke ground on the Core Project phase of its redesign. Two years later, in 2019, it reopened a long-shut entryway on the building’s north side, leading to a vaulted walkway more than 600 feet long, running the width of the museum. An auditorium was demolished, being replaced by the area today known as the Williams Forum.
Its removal opened up the interior of the museum, allowing visitors to see through the entire building, bringing in light and street vistas through windows, and “possibly ending that feeling of being lost amid proliferating galleries of art,” The Inquirer reported at the time.
In 2021, the Art Museum officially unveiled Gehry’s work, showing off the result of 15 years of planning, design, and reconstruction. The Daniel W. Dietrich II Galleries and Robert L. McNeil Jr. Galleries made their debut, housing contemporary and American art, respectively.
“Gehry has provided the canvas,” Saffron wrote of the redesign. “Now it’s up to the museum to make the most of it.”
View of the vaulted walkway at the Art Museum.
But the design wasn’t exactly completely finished. Gehry also created the Philadelphia’s museum’s master plan that includes a proposed next phase: building more gallery space beneath the museum’s east steps. The project has been on hold for a number of years, and its status remains undetermined, a museum spokesperson said Friday.
The museum had also had informal discussions recently with Gehry about designing a learning and engagement center, but that project‘s status is also undetermined, the spokesperson said.
“The building is a landmark that is iconic in Philadelphia, that’s difficult to change the exterior of, and in many respects is on a site that is hard to expand,” said Harrity. “So in looking at previous ideas and designs I think Frank’s solution for further increasing gallery space while responding to the architectural integrity of a landmark that is beloved in Philadelphia is brilliant.”
This article contains information from the Associated Press.
