Just before they were set to make their derby debut, Jake Poeske and Jack Gentry suffered a crushing blow: Their package of bird costumes was stolen.
Last-minute Big Bird Halloween onesies would have to suffice.
The duo had welded, papier-mâchéd, and crafted their way to the start line of the 17th Kensington Kinetic Sculpture Derby, a uniquely Philadelphian tradition where absurd human-powered contraptions — no motors, no nothing, just people — travel a three-mile course with obstacles, and then face the final boss, a mud pit.
The derby was the centerpiece of Saturday’s all-day arts festival on Frankford Avenue, celebrating the East Kensington and Fishtown corridors’ creative, kitschy flair and pride, said Marc Collazzo, executive director of the Fishtown Kensington Area Business Improvement District, which puts on the event.
“There’s unfortunately a lot of negative views of what this neighborhood is,” he said, “and it doesn’t give enough highlight or spotlight on the people that are here — the people that really have invested their time, talent, and treasure to live, shop, and work here.”
Collazzo added: “We have people coming from all over the region to really see the good that Kensington is.”
Poeske and Gentry’s entry, “The Early Bird Doesn’t Catch the Worm,” was a punny nod to the Philadelphia Eagles. Poeske welded two bikes side-by-side, built a steel frame wrapped in chicken wire and stuffed it with twigs and hay, creating a bird’s nest. Gentry donned a handmade cockatoo head, while Poeske was an eagle.
Two worms rode alongside. Francis Poeske fashioned pink pantyhose stuffed with towels and shirts to his helmet and repurposed a pink velour The Cheetah Girls outfit for his grub couture.
Jake Poeske and Jack Gentry navigate through a mud pit obstacle at the 17th annual Kensington Derby on Saturday, Oct. 25, 2025, in Philadelphia.Jake Poeske and Jack Gentry depart for the 17th annual Kensington Derby on Saturday, Oct. 25, 2025, in Philadelphia.
But before the derby kicked off, a rivalry was already brewing: Travis Schattle, a kinetic artist, also channeled the Birds for his rig, an eagle sculpture whose wings moved in tandem with his bike.
“We don’t have worms — you can quote me on that,” he said.
Schattle, who’s competed in the derby twice before, was in pursuit of glory this year: Make it through the mud pit in style. (Schattle originally envisioned Jason Kelce as the rider, and said he even reached out to the Kelce brothers’ beer company for a sponsorship to no avail.)
“We just want to make it to the mud pit,” Gentry said.
“What happens in the mud pit? We will see,” said Poeske.
Building a slurry, sloppy mud pit on a main drag requires roughly three tons of soil and lots of water, said George Mathes this year’s pitmaster and owner of neighborhood business Thunderbird Salvage. The mud is a staple of the derby, and the pit’s consistency received harsh scrutiny from spectators.
“The mud needs more water,” one woman heckled. Eventually, the crowd demanded, “Hose it down! Hose it down!”
Still, the mud pit claimed a few victims. Prophetically, a SEPTA train got stuck. The shark from Jaws — or “Jaw(n)s,” as it was aptly named — and his tuba accompanist sank. A Newsies-esque barkeeper who attempted to make cocktails along the route was ejected from his carriage, then dove and flopped into the mud.
A derby rider wipes out in a mud pit at the 17th annual Kensington Derby on Saturday, Oct. 25, 2025, in Philadelphia.
By Schattle’s turn, the crowd was amped, and the air smelled of Philadelphia Brewing Co. beer, incense, and brisket. Schattle’s eagle elicited many chants of “Go Birds” and “E-A-G-L-E-S” from festivalgoers, as he soared across the mud pit.
Travis Schattle, 33, rides his Eagles-themed vehicle through a mud pit at the 17th annual Kensington Derby on Saturday, Oct. 25, 2025, in Philadelphia.
Glory achieved.
“We flew to victory,” Schattle said postgame. “We got people flapping their wings.”
While roller-blading worm Kangeun Seo wiped out, Poeske and Gentry successfully flew their coop over the pit.
“I accomplished what I wanted to do: I made it through the end and we made it through the mud,” Gentry said.
Kanguen Seo, 29, is covered in mud after crashing through a mud pit at the 17th annual Kensington Derby on Saturday, Oct. 25, 2025, in Philadelphia.
A panel of lab-coat-and-goggle-wearing judges scored the participants’ pit performances based on design, durability, and dynamism. Schattle ultimately ended up taking home third place. Poeske and Gentry got second — one point short of the champions, The UnderTowed barkeepers, who earned a perfect score.
Accepting their trophy, one barkeeper dangled a cigarette from his lips and held up a Pabst Blue Ribbon.
And any jocular rivalry between the dueling birds seemed quashed.
“There can always be more birds in the city,” Gentry said.
Benita Valente, 91, a revered lyric soprano whose voice thrilled listeners with its purity and seeming effortlessness, died Friday night at home in Philadelphia, said her son, Pete Checchia. In a remarkable four-decade career, she appeared on the opera stage, in chamber music, and with orchestras.
In the intimate genre of lieder — especially songs by Schubert and Brahms — she was considered one of America’s great recitalists.
Even during an era of towering, individualistic voices, Ms. Valente stood out as something special. With pinpoint-precise technique, she deployed no vocal cheats or affectations. Her recognizable sound and honest approach were adored by aficionados.
“She is as gifted a singer as we have today, worldwide,” wrote John Rockwell in the New York Times in 1983.
Her voice had a natural quality, said pianist Richard Goode, who recalled that it was Ms. Valente who introduced him to the lieder repertoire. “There was an extraordinary distinctive sweetness of the timbre. Very clear pitch. Very focused,” said Goode, who recorded with her. ”And a kind of natural charm that came through in everything that she sang.”
Pianist Rudolf Serkin with soprano Benita Valente at Marlboro Music, 1960s.
A longtime resident of Rittenhouse Square, Ms. Valente sang in the opera houses of San Francisco, Santa Fe, N.M., Germany, and Italy, and the Teatro Colón in Buenos Aires. She appeared with the Metropolitan Opera more than 70 times between 1960 and 1992 — as Pamina in Die Zauberflöte, Almirena in Handel’s Rinaldo, Gilda in Rigoletto, Susanna in Le Nozze di Figaro, and others.
With the Juilliard String Quartet, she gave the world premiere of Ginastera’s String Quartet No. 3 in 1974, and was the voice for the Juilliard’s recording of Schoenberg’s String Quartet No. 2 in a collection that won a 1978 Grammy Award.
In 1999, she became the first vocalist to win Chamber Music America’s Richard J. Bogomolny National Service Award.
Critics pronounced her voice “incomparable” and “almost miraculously lovely.”
She had something more: “that special projection of personality that distinguishes the great artist,” the Times wrote.
The artist had her beginnings as a self-described shy tomboy growing up on her uncle’s farm in California’s San Joaquin Valley. Ms. Valente was born Oct. 19, 1934, in Delano, Calif., the daughter of an Italian father and a Swiss mother. A high school teacher noticed her gifts and recommended her to Lotte Lehmann, and as a teenager she traveled from home to Santa Barbara to study with the celebrated soprano and Lehmann’s brother, vocal coach Fritz Lehmann.
“She didn’t know what to do with me,” Ms. Valente told The Inquirer. “I’d sing something she thought was very touching, and then there were lapses where I was as green as all get-out. She finally said, ‘I have contacts in Hollywood, I could get you to a screen test. I think you’d do very well.’ But I wanted to go into opera.”
Benita Valente with her husband, Anthony P. Checchia, at the Marlboro Music Festival.
It was Fritz Lehmann who suggested that she audition for the Curtis Institute of Music with Mozart, and she got in. Ms. Valente attended Curtis from 1955 to 1960, where her primary teacher was French baritone Martial Singher, and later studied with Wagnerian soprano/mezzo-soprano Margaret Harshaw. She was still a student when she won a Philadelphia Orchestra student competition that brought a 1958 debut with the orchestra.
The next year she married Anthony P. Checchia, a bassoonist she met at the Marlboro Music Festival who would go on to lead both Marlboro and the Philadelphia Chamber Music Society. They became one of classical music’s power couples, and had a special understanding because of their modest backgrounds — he from Tacony, she from a farm — said their son. “I remember my dad pulling over on Lombard Street once when she was on the radio. He was more nervous than she was,” Pete Checchia said. Anthony Checchia died in 2024.
Ms. Valente became a regular soloist with the Philadelphia Orchestra, appearing with the ensemble 60 times — in core repertoire of Mozart and Beethoven, but also in contemporary works. She gave the world premiere in 1981 of David del Tredici’s All in the Golden Afternoon from Child Alice, Part II, with Eugene Ormandy conducting the Philadelphians.
The work was in an ecstatic, neo-romantic musical language, thickly orchestrated with amplified soprano. Ms. Valente’s performance was “an essay in vocal purity,” wrote Inquirer music critic Daniel Webster.
For the Academy of Music 130th Anniversary Concert in 1987, she sang an evening of Puccini arias with the Philadelphia Orchestra led by legendary conductor Klaus Tennstedt. ‘’O mio babbino caro” from Gianni Schicchi seemed an ideal choice, Webster wrote, “in which her sun-filled voice illuminated the joyous text.”
American soprano singer Benita Valente, Germany, 1970s.
Ms. Valente was soloist the previous season for one of the orchestra’s most notorious programs. She was Mélisande in a concert version of Debussy’s Pelléas et Mélisande at which an unusual number of listeners, apparently unimpressed with one of Western civilization’s great achievements, walked out. One man in the Academy of Music’s second row stretched out a newspaper and was asked to leave, she recalled.
“It has too much mystery, that Pelléas,” Ms. Valente told The Inquirer years later, pointing out that the audience seemed similarly disenchanted with the work at a Metropolitan Opera performance she attended.
Ms. Valente was never a household name, which often confounded critics. Some put it down to her lack of diva-ness. But it was perhaps more the fact that Ms. Valente was never a careerist. She was known to turn down prestigious opportunities — like a chance to sing Berg’s Altenberglieder with the Boston Symphony Orchestra — when she felt the part was not right for her voice.
She retired from singing in 2000 and was awarded an honorary degree from Curtis in 2001.
Benita Valente with soprano Lucy Fitz Gibbon in 2021.
Ms. Valente taught and mentored young singers.
“She was so meticulous about connecting the vowels and would listen in between the notes to how you got from one note to the next,” said soprano Sarah Shafer, who studied with Ms. Valente at Marlboro and in Philadelphia. “That trained my ear and my voice to pay attention to those things and brought me to a different level of detail.”
Her knowledge of the repertoire was vast, said pianist Lydia Brown, with whom Ms. Valente worked in vocal coachings at Marlboro and the Met. “Every rehearsal she came to was a piece she had sung many times, or she commissioned it or premiered it. There were so few pieces that Benita didn’t have active performing knowledge of.”
In recordings she is particularly renowned for a collection of Handel and Mozart duets with soprano Tatiana Troyanos; Haydn’s The Seven Last Words of Christ with the Juilliard String Quartet; and two discs in Bridge Records’ “Great Singers of the 20th Century” series, including a classic recording of Schubert’s “The Shepherd on the Rock” with pianist Rudolf Serkin and clarinetist Harold Wright.
“She was in the old-school style of singing, where the singer is just a vessel for the music. Not selfish, not about herself, she was just delivering the music in as clear and undistorted a way as possible,” said Shafer, who learned “The Shepherd on the Rock” from Ms. Valente and has made it a calling card of her own.
”The result is this sparkly, silver jewel of her voice that you hear in these recordings. There’s just no singing like it now.”
In addition to her son, the Philadelphia photographer Pete Checchia, Ms. Valente is survived by her “daughter by choice,” Eliza Batlle, Checchia said. A memorial concert is planned for a later date.
There were Irish step-dancing vampires and opera-singing vampires. Vampires who claim to hunt billionaires and vampires who moonlight as emergency medical technicians. And, in at least one instance, a vampire who doubled as a heavyweight champ.
Such was the lineup of the first-ever Miss American Vampire Philadelphia pageant, where 13 wannabe bloodsuckers donned their best vampiric drag to compete inside heavy metal bar Doom Friday night. Contestants were thirsty to show that vampires contain multitudes (and, perhaps, for a little bit of blood).
Back then, MGM hosted the regional beauty competition to promote the movie House of Dark Shadows, with finalists going on to compete in Los Angeles for title of Miss American Vampire and a guest-starring role on the long-running vampire soap opera Dark Shadows. Native American activist Sacheen Littlefeather won the crown, though she never redeemed her prize.
The stakes of Doom’s pageant were far lower than a TV appearance and eternal life, though just as competitive. Contestants were judged by a panel of full-time goths and burlesque performers on their creativity and vampiric presence as they competed in the standard pageant categories: A costume parade, an interview, and a dark art — or talent with a touch of the occult.
The crowd reacts as Ezra Markel’s vampire persona “Isolde the Saturnine” eats the human heart she concocted during the talent portion of the Miss American Vampire Pageant at heavy metal bar Doom in Philadelphia on Friday, Oct. 24, 2025.
Prizes included $100 cash, a new set of fangs, and comic books donated from Atomic City Comics. Skull and mixed metal artist Sue Moerder prepared a Bob Mackie-inspired gothic crown, with feathers and pearls sprouting from an arrangement of ornate obsidian gems.
“Vampires represent the alternative, the occult, the bat-brained, the gothic … [people] on the outskirts of civilization,” Delgado told The Inquirer. “We just wanted to show that this bar is a safe cave for vampires to commune.”
Both floors at 421 N. 7th St. were packed as contestants flitted across the makeshift stage in costumes that highlighted the full expanse of vampire-dom. There were homages to both the German and Transylvanian versions of Dracula in peasant blouses and bejeweled collars, as well as more contemporary interpretations, with floor-length evening gowns, corseted waistlines, and lots of red lips.
Lilith Lobotomy — a blue-haired vamp whose bio alleged she bakes cakes and stalks billionaires — was an immediate favorite, earning thunderous applause when she turned away from the audience to drop her floor length duster. Emblazoned in sparkling blood red font on the back of her black dress was the phrase “Eat the rich.”
Logan Laudenslager performs as “Lilith Lobotomy” during the talent portion of the Miss American Vampire pageant held at Doom. She performed a rendition of “Phantom of the Opera.”
Madame Lobotomy would go on to win the coveted title of Miss Off Putting — Delgado’s spin on Miss Congeniality — after belting out the song “The Phantom of the Opera” while twirling a lit candelabra.
She was still no match for Norah Morse, who took home the Miss American Vampire Philadelphia crown after shocking the judges with her interview. When asked how she prepared for the competition, Morse scoffed.
“I don’t know what you mean,” she said in a thick Transylvanian accent. “I’m a vampire and I showed up.”
Contestants get ready backstage to performing during the Miss American Vampire Pageant at heavy metal bar Doom.
Judge and burlesque performer Caress Deville said Morse represented the commitment she was looking for. “I was gagged,” Deville said. “That’s exactly how you would answer if you were a real vampire.”
During her crowning, Morse’s human mother rushed to the front of the crowd to take photos. Even vampires, it seems, yearn for mom’s approval.
In the world of us mortals, Morse goes by Alex Decker, a 29-year-old from Bellmawr who has been drawn to vampires since she was a child. Decker lives with contamination OCD, she said, and envies the freedom of the undead.
“Life would be a lot easier if I was a vampire who could just drink blood all the time,” Decker said. “I have been weird and creepy and insane my entire life.”
Jenna Painter, of Willow Grove, performed as a naughty ‘Count Orlok” during the Miss American Vampire Pageant at heavy metal bar Doom, throwing off a trench coat to reveal a leotard and garters.
Competing to be America’s next top vampire
For some contestants, Miss American Vampire Philadelphia was an opportunity to transform their mortal selves into bolder and braver versions that were battle-tested from centuries of living.
When Doom announced the pageant on Instagram in early October, the post received more than 4,500 likes, Delgado said, and hundreds of shares. More than 50 hopefuls sent in applications via a Google form that asked for their vampiric backstory and talent, forcing Holden and Delgado to spend hours deliberating.
Delgado was unsurprised that the pageant took off. They were, however, shocked by the lack of trolling.
“I didn’t know how serious everyone who applied was at first,” Delgado said. “It’s supposed to be campy.”
On Friday, the beauty competition toed the line between a drag show and an actual Miss America preliminary. The judges pressed contestants on tough questions, such as how they choose their victims, and if it’s ethical to let them live post blood-sucking.
For Mira Castigin, of Camden, the most important quality to look for in a vampire is fun.
“What’s the point in being immortal if you let life pass you by?” she told the crowd.
Castigin’s vampiric persona is Elmira, a bewitching goth girl who shares Castigin’s day job as an EMT in hopes of atoning for her sins. The competition was an excuse for Castigin to air out some special pieces from her vintage clothing collection, including a petticoat and a pair of London Underground shoes.
Mira Castigin’s vamprie persona “Elmira” is applauded after performing during the Miss American Vampire Pageant at heavy metal bar Doom. For her talent, Castigin sang opera.
“I think it’s always fun to do your makeup and get dressed up no matter what day it is,“ Castigin, 25, of Camden, said. ”And this is like a more thought-out version of that.”
Castigin opened the talent portion by singing an operatic aria, setting up the audience for a night of bewitching tricks. One vampire played the violin, while another danced an Irish jig to a Type O Negative song. Cassius King — a silent movie star turned vampire — wowed the audience by performing feats of strength, at one point picking up his assistant and turning him upside down.
Rachel Rushmore — aka “Vampire Rachel” of Philadelphia — waits backstage during the Miss American Vampire Pageant at heavy metal bar Doom.
Rachel Rushmore, 34, of Fishtown, had a simpler talent, using sleight of hand to summon a tiny bat. Rushmore said she felt called to compete after 15 friends — including several who don’t even live in Philly — sent her Doom’s Instagram post.
Onstage, Rushmore transformed from mortal Rachel to Vampire Rachel, a temptress and philanthropist who had been around since “the age of powdered wigs and Ben Franklin.” Vampire Rachel wears maroon floor-length gowns and bedazzles her face with gems borrowed from Marie Antoinette. The real-life version works in children’s book publishing and had never performed in front of a crowd before.
“I called myself Vampire Rachel because it’s hard for me to be somebody who I’m not,” Rushmore said. “Tonight I’m Rachel, but more.”
We’ll show you a photo taken in the Philly-area, you drop a pin where you think it was taken. Closer to the location results in a better score. This week’s theme is all about Halloween. Good luck!
Round #4Published Oct 25, 2025
Question 1
Where can you find this raven?
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ClickTap on map to guess the location in the photo
ClickTap again to change your guess and hit submit when you're happy
You will be scored at the end. The closer to the location the better the score
Tom Gralish / Staff Photographer
Pretty good/Not bad/Way off! Your guess was from the location. Here's also where a random selection of Inquirer readers guessed.
This is the Edgar Allan Pоe National Historic Site. Known for the horrifying and mystifying works, Poe lived in Philadelphia from 1838 to 1844. Here he wrote some of his most well-known stories, including the “Fall of the House of Usher” and “The Mask of the Red Death.”
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Question 2
Where can you find Benjamin Franklin’s grave?
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Monica Herndon / Staff Photographer
Pretty good/Not bad/Way off! Your guess was from the location. Here's also where a random selection of Inquirer readers guessed.
There are some lingering rumors about the ghost of Benjamin Franklin wandering around in Old City. Whether you believe the tales or not, you can find his final resting place at the Christ Church Burial Ground. The graveyard first opened in 1719 and is open to the public.
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Question 3
Where was this old photo taken?
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The Library of Congress
Pretty good/Not bad/Way off! Your guess was from the location. Here's also where a random selection of Inquirer readers guessed.
This is the lobby of the Bellevue Hotel on South Broad Street in the mid-20th century. According to some tour guides, Bellevue Hotel’s “haunted” reputation started with a Legionnaires’ disease outbreak in the 1970s and still attracts horror lovers.
Your Score
ARank
Amazing work. Consider yourself an expert in Philly's spooky lore!
BRank
Good stuff. You've almost mastered the art of being scarily smart.
CRank
C is a passing grade, but maybe take a ghost tour next time.
DRank
D isn’t great. Did a spooky spirit guess for you?
FRank
We don’t want to say you failed, but you didn’t not fail.
Cherokee Guido swung her legs and hips vertically above the lower uneven bar at Vare Recreation Center one recent evening as her coach steadied her. Guido had once mastered this handstand but lost it during a few months off. She wanted it back.
“I can’t be afraid to fall,” Guido, 19, coached herself out loud. Behind her hung a sign with rainbow borders: The way you speak to yourself matters.
Over the years, young gymnasts like Guido and their Vare coaches have learned to talk themselves to victory, first when they were practicing in a crumbling rec building before COVID, then when they were trekking from South Philadelphiato Brewerytown’s Athletic Recreation Center while Vare underwent renovations. They had gotten used to tumbling on mats that slipped around, without a regulation spring floor. They learned to train their minds as much as their bodies.
Throughout practice, the girls cheer each other on across the gym, quick to compliment teammates they say are more like sisters.
“Nice, Laila!” Ariah Buzzetto, 10, called out to her friend Laila Godfrey, 12, across the floor.
“How you practice is how you compete. If you practice lazy, then you’re going to compete lazy,” said 12-year-old Meela Muhammad, sounding very much like an inspirational poster.
Notes written by 9-year-old Alessia Samson during practice.
Now, training in a new, state-of-the-art, 4,900-square-foot gym at the renovated Vare, which reopened in November 2024,the gymnasts have come a long way — but they’re still competing against private-club teams with sleek, matching uniforms who are better funded, and often better prepared for high-pressure USA Gymnastics (USAG) competitions.
“They have a lot more, bigger skills,” Guido said of their rivals. “At first, for me, I felt like how you go to a ball, you feel underdressed.”
Guido, for example, still wears an older purple leotard because she couldn’t afford a new one, while the rest of her team wears blue.
Head coach Kristin Smerker and Cherokee Guido, 19, laugh while working on the uneven bars during team practice.
Now, Vare Gymnastics is trying to raise at least$6,000 as soon as possible through a GoFundMefor new jackets and gym bags for this year’s competition season, which begins with the Liberty Cup, a December USAG meet at the Greater Philadelphia Expo Center.
If they don’t raise the money, they won’t be able to purchase full uniform sets. The team is also hoping to put some of the money toward financial aid for spring meets; most meets fill up by the end of the fall, and without the funds to enter, some girls won’t be able to attend.
USAG is the national governing body for gymnasts; the Vare Rec team competes in Xcel, a program that offers more accessible competitions than the parallel track that funnels athletes to world competitions and the Olympics.There are only two other city rec centers in Philly that compete in USAG competitions: Kendrick Recreation Center in Roxborough and the Water Tower Recreation Center in Chestnut Hill.
From left, Cherokee Guido, 19, and Alessia Samson, 9, train on the balance beam during team practice.
Though Xcel is supposed to be more affordable, gymnastics is expensive: Entrance fees and uniforms cost hundreds of dollars per child, plus tuition for practice. At $100 per semester, Vare’s rate is far less than at those private gyms, but many parents still struggle to pay.
Marie McBreen, 42, has two daughters in the program. Her oldest enrolled 10 years ago after McBreen begged the coaches for three weeks to find her a spot. She’s seen how positive the team is for them: It has boosted their confidence and they’ve made close friends. But this year, with two kids in the program, she can’t afford to send both to all the competitions.
“Most of us don’t have a whole lot of money. You do the fundraiser to help so they don’t have to miss out,” McBreen said.
Head coach Kristin Smerker is not sure whether the team will raise enough in time.
“Every club has a whole getup. And we don’t. We’re getting whatever we can,” Smerker said. “You can still compete, but they just don’t feel good about it … They’re so talented and they deserve better.”
Smerker is a Northeast native, an encouraging, pump-you-up kind of coach prone to wearing black leggings and mismatched grip socks at daily practice. She built the program from the ground up, starting in 1998 with two floor mats she had begged from nearby gyms.
Nearly 30 years later, Vare Gymnastics has 130 participants, plus a nine-page waiting list. In 2013, the team joined USAG. Alongside Smerker, the team has a beam coach and also a floor coach, Smerker’s sister. In 2017, Smerker brought the team to a USAG meet and lamented to the other coaches that the girls didn’t have a permanent building and were shuttling all over the city for practice.
“Our team won first place,” she said, laughing. “Our kids have heart.”
Head coach Kristin Smerker guides Ariah Buzzetto, 10, during practice. Alessia Samson, 9, (left) and Cherokee Guido, 19, (right) are guided by beam coach Natasha Rogers (middle) as Ariah Buzzetto, 10, looks on.
Guido has been practicing gymnastics at Vare since she was 2 years old, and is among the best at the gym. Last year she graduated from high school and technically from Vare, but she is now back working on her skills.
“I love it already!” she called to her teammate Suadaa “Susu” Muhammad, as Susu debuted her new floor routine.
Along with team captain Elianna Olsen,Muhammad and Guido call themselves the “OG gymnasts” because they’ve been at Vare the longest.
Perhaps like many young gymnasts, Muhammad, 19, started with enormous dreams.
In the beginning, she said, “I thought I was gonna be bigger than Simone Biles.”
These days, she fits practice in three times a week, alongside radiology classes in her freshman year at the Community College of Philadelphia, and a night job pushing wheelchairs at the airport. She was also just hired as a coach for the Vare team. In her own training, she’s focused on her round off back handspring back tuck for her floor routine, trying to get it ready for December’s meet.
“Some coaches say to our coaches, ‘Oh, wow, you’re from a rec center? I’m surprised your girls are doing this good,’” Muhammad said.
South Philly’s Vare Gymnastics Team is the subject of the short documentary “Underdogs,” which is executive produced by former Philadelphia Eagles Connor Barwin and Jason Kelce.
In the early years, Muhammad used to get points deducted at meets for wearing her headscarf, she said; the judges considered it in the same category as jewelry and nail polish, which are prohibited. Her family and coaches wrote letters to USAG, and the rule was changed, Smerker said.
This year, Smerker wants the girls to be wearing their matching uniforms when they walk out to meet their rivals.
“I want them to walk in there and feel proud of themselves and feel confident,” she said. “It’s important to them and important to me to do everything to make it happen.”
No longer at its home outside the Weitzman National Museum of American Jewish History on the corner of Fifth and Market Streets, the bright “Lamborghini yellow” sculpture that then-curator Josh Perelman called “an ongoing love letter to the city,” had gone away for some R & R — removal and refurbishment.
The “Y” waits to be refurbished at the Johnson Atelier in September.
Installed in 2022, the work by Brooklyn, N.Y.-based artist Deborah Kass quickly became one of our city’s most selfied spots — right up there with that bell just across Independence Mall.
It was only supposed to be here a year, but it stayed around (although the museum is hopeful, it’s still not officially permanent).
Students from Hillwood Middle School in Ft. Worth, Texas visit in 2022.
After years on the busy corner (and all those field-tripping middle-schoolers climbing on it) the museum scheduled a removal in May of the eight foot tall Y and O letters for freshening up, planned to coincide with the continuing construction along Market Street through Old City.
Knowing my feelings for their sculpture, the folks at the museum invited me to photograph the refurbishment.
The letters did not require extensive work, and the aluminum was treated not unlike body work on a car: removing dents, priming, painting and leaving a durable finish.
At the Johnson Atelier, a facility established by Seward Johnson in 1974 to give artists greater involvement in the production of their work, I was not allowed to photograph from any angle that showed any other art works in the background. And there were plenty (sigh), like an eight-foot tall metal hand sitting on the floor, right across from the “Y” (I had to sign an NDA).
Looking over the fence from a public area at Grounds for Sculpture in 2019. A collection of trompe-l’œil painted sculptures by Seward Johnson in the yard at the adjacent Johnson Atelier.
Adding to the lack of visual variety, the letters went into the painting booth one at a time, so I couldn’t make a picture of them in the same frame. And I could only see the workers in the booth from outside – through a couple of windows. But that is exactly the kind of photographic challenge I most enjoy.
Now, after a few months the two giant letters are both as good as new and are scheduled to be reinstalled this Saturday.
Weitzman president and CEO Dan Tadmor, looking forward to its return to their corner heading into the nation’s 250th says, “Deborah Kass’s OY/YO celebrates the spirit of a city that’s always spoken in its own voice: bold, funny, and full of heart.”
Since 1998 a black-and-white photo has appeared every Monday in staff photographer Tom Gralish’s “Scene Through the Lens” photo column in the print editions of The Inquirer’s local news section. Here are the most recent, in color:
October 20, 2025:The yellow shipping container next to City Hall attracted a line of over 300 people that stretched around a corner of Dilworth Park. Bystanders wondered as they watched devotees reaching the front take their selfies inside a retro Philly diner-esque booth tableau. Followers on social media had been invited to “Climb on to immerse yourself in the worlds of Pleasing Fragrance, Big Lip, and exclusive treasures,” including a spin of the “Freebie Wheel,” for products of the unisex lifestyle brand Pleasing, created by former One Direction singer Harry Styles.October 11, 2025: Can you find the Phillie Phanatic, as he leaves a “Rally for Red October Bus Tour” stop in downtown Westmont, N.J. just before the start of the NLDS? There’s always next year and he’ll be back. The 2026 Spring Training schedule has yet to be announced by Major League Baseball, but Phillies pitchers and catchers generally first report to Clearwater, Florida in mid-February.October 6. 2025: Fluorescent orange safety cone, 28 in, Poly Ethylene. Right: Paint Torch (detail) Claes Oldenburg, 2011, Steel, Fiberglass Reinforced Plastic, Gelcoat and Polyurethane. (Gob of paint, 6 ft. Main sculpture, 51 ft.). Lenfest Plaza at the Pennsylvania Academy of the Fine Arts on North Broad Street, across from the Convention Center.September 29, 2025: A concerned resident who follows Bucks County politics, Kevin Puls records the scene before a campaign rally for State Treasurer Stacy Garrity, the GOP candidate for governor. His T-shirt is “personal clickbait” with a url to direct people to the website for The Travis Manion Foundation created to empower veterans and families of fallen heroes. The image on the shirts is of Greg Stocker, one of the hosts of Kayal and Company, “A fun and entertaining conservative spin on Politics, News, and Sports,” mornings on Talk Radio 1210 WPHT.September 22, 2025: A shadow is cast by “The Cock’s Comb,” created by Alexander “Sandy” Calder in 1960, is the first work seen by visitors arriving at Calder Gardens, the new sanctuary on the Ben Franklin Parkway. The indoor and outdoor spaces feature the mobiles, stabiles, and paintings of Calder, who was born in Philadelphia in 1898, the third generation of the family’s artistic legacy in the city.September 15, 2025: Department of Streets Director of Operations Thomas Buck leaves City Hall following a news conference marking the activation of Automated Speed Enforcement (ASE) cameras on the Broad Street corridor – one the city’s busiest and most dangerous roads. The speed limit on the street, also named PA Route 611, is 25 mph.September 8, 2025: Middle schoolers carry a boat to the water during their first outing in a learn-to-row program with the Cooper Junior Rowing Club, at the Camden County Boathouse on the Cooper River in Pennsauken. September 1, 2025: Trumpet player Rome Leone busks at City Hall’s Easr Portal. The Philadelphia native plays many instruments, including violin and piano, which he started playing when he was 3 years old. He tells those who stop to talk that his grandfather played with Billie Holiday, Duke Ellington, Nina Simone, and Dizzy Gillespie. August 25, 2025: Bicycling along on East Market Street.August 18, 2025: Just passing through Center City; another extraterrestrial among us. August 11, 2025: Chris Brown stows away Tongue, the mascot for a new hard iced tea brand, after wearing the lemon costume on a marketing stroll through the Historic District. Trenton-based Crooked Tea is a zero-sugar alcoholic tea brand founded by the creator of Bai, the antioxidant-infused coconut-flavored water, and launched in April with former Eagles defensive end Brandon Graham as a partner.August 4,2025: Shanna Chandler and her daughters figure out their plans for a morning spent in Independence National Historical Park on the map in the Independence Visitor Center. The women (from left) Lora, 20; Shanna; Lenna, 17; and Indigo, 29, were stopping on their way home to Richmond, Virginia after vacationing in Maine. The last time they were all in Philadelphia Shanna was pregnant with Lenna. July 28, 2025: Louis-Amaury Beauchet, a professional bridge player from Brittany, France, takes a break between game sessions in an empty ballroom during the North American Bridge Championships at the Center City Marriott with some 4000 people in town over week of the tournament. The American Contract Bridge League is hosting the week of meetings and tournaments with bridge players from all over the world. The ACBL is the largest bridge organization in North America, with over 120,000 members (down from around 165,000 before COVID). Bridge draws players of all ages and walks of life – fictional characters James Bond and Snoopy both played as do billionaires Bill Gates and Warren Buffett (who sometimes play as partners).July 21, 2015: Signage for the Kustard Korner in Egg Harbor City, on the way to the Jersey Shore. President Ronald Reagan designated July as National Ice Cream Month and the third Sunday of the month.July 14, 2025: Fans watch a game at the Maple Shade Babe Ruth Field, part of the 20th Annual Franny Friel Summer Classic, on a cool(er) night with a refreshing breeze, the weekend before the MLB All-Star Game (with Kyle Schwarber the lone Phillies representative).
Philly’s favorite running path is at it again. A “chasm”-sized sinkhole has swallowed part of the Schuylkill River Trail between Race and JFK — big enough, officials say, that you could almost park a car in it. (“Almost” feels like a challenge.)
The Schuylkill Banks crew fenced it off and called in Parks & Rec, the Water Department, and engineers — basically the full Avengers lineup of Philly infrastructure — to figure out what caused the hole and how to patch it before joggers start treating it like a new obstacle course.
The Schuylkill Trail might be cursed. Every year it’s something — floods, fallen trees, now this. Until it’s fixed, cyclists and runners are being detoured, which in Philly terms means “good luck.”
In Task, Robbie (Tom Pelphrey) uses Sixpenny Creek Quarry as a meeting place.
Delco goes “rural”…at least according to the NYT — C-
Somehow, the New York Times looked at Delco — home of Villanova, Swarthmore, and approximately 47 Wawas — and decided, “Ah yes, rural America.” Because nothing says “farm country” like the Blue Route at rush hour and a Target every three miles.
To be fair, Task creator Brad Ingelsby does paint parts of Delco as working-class, gritty, and hollowed-out, which, yeah, that’s real. But “rural”? Come on. The county has fewer farms than vape shops. The only livestock most Delco residents see are on a roast pork sandwich.
Still, the show does get something right: that weird in-between space so many towns around Philly live in — not city, not country, just post-industrial limbo where people are hustling to hang on. It’s not the backwoods. It’s just… us. Blue-collar, blunt, and way too online to ever be called rural again.
Philly’s 52-week flex — A-
For America’s 250th, Philly’s not settling for a parade — we’re throwing a 52-week-long brag about how we basically invented everything. Every week in 2026 will spotlight something that started here: the first hospital, zoo, flag, computer, hot-air balloon, even the penitentiary (because nothing says “city of firsts” like also being the first to lock people up).
It’s peak Philly — proud, weird, and wildly specific. Some of these firsts are legitimately world-changing (first medical school, first abolitionist society), while others are pure “only in Philly” energy (first Slinky, first ice-cream soda). The lineup’s got range. We went from inventing democracy to inventing dessert.
The ‘Six-Seven’ confusion — C-
Philly might’ve given the world democracy, the cheesesteak, and now… “six-seven,” a phrase that means absolutely nothing and somehow everything to a generation of teens who can’t stop saying it. It possibly started with Kensington rapper Skrilla’s song “Doot Doot (6 7)” and spiraled into TikToks, classrooms, and apparently South Park.
It’s not code, it’s not deep — it’s just two numbers. Maybe it’s a street, maybe it’s a mindset, maybe it’s proof that the internet’s broken our brains. Teachers hate it, parents are confused, and kids are out here saying “six-seven” like it’s a personality trait.
Still, if you hear it echoing down Broad Street, just nod and say it back. Six-seven. Whatever that means.
Philly drama doesn’t get juicier than this. Someone plastered a flyer around Fishtown calling out Two Robbers for serving a sad, gray burger — complete with a date stamp and the caption, “This is literally the burger that came out.”Reddit, of course, lost its mind.
Comments ranged from pure joy (“I f***in love love love this level of petty”) to the perfectly Philly (“This is what you get for ordering a burger at a craft seltzeria”). One guy even chimed in with, “They got robbed — by two robbers.” Another declared the poster was “doing the Lord’s work.”
But plot twist: the burger wasn’t theirs. The photo was actually from 9GAG, posted seven years ago under the title “Nasty Burger.” The owner jumped into Reddit like a man defending his honor, posting receipts side-by-side — the fake, the meme, and their actual burger, which, to be fair, looks great — and calling the whole stunt “diabolical.”
Now the thread’s full of conspiracy theories that the whole thing was a genius marketing stunt (“If it is, it worked on me”) and locals promising to stop by just to try the burger. So whether this was sabotage, performance art, or Philly’s pettiest PR move — Burgergate proves one thing: in this town, we don’t do calm, we do chaos. And we’ll probably Yelp about it after.
Philadelphia Eagles defensive end Brandon Graham during practice at the NovaCare Complex on Wednesday, Oct. 22, 2025 in Philadelphia.
Brandon Graham’s encore — A+
Philly’s loudest legend just couldn’t stay away. After seven whole months of “retirement,” Brandon Graham is back in midnight green for his 16th season, saying he’s still got “juice left.” The Eagles desperately needed both sacks and smiles, and no one brings either like BG.
At 37, rookies call him “the OG,” veterans call him the engine, and everyone calls him the guy who won’t stop talking in practice. “You thought you wasn’t gonna have to deal with me?” he said on his podcast. That’s the guy who strip-sacked Brady — not a man easing into retirement.
And honestly? The timing couldn’t be better. Missed tackles, blown assignments, no spark — the Eagles’ defense has been ugly. BG can’t fix everything, but he can sure as hell remind the Birds what fight looks like.
A rendering of the garage planned for Fishtown, looking west towards Center City.
Philly’s year of the parking garage — D+
In a city that loves to say it’s all about bikes, buses, and tree-lined streets, somehow 2025 has turned into the Year of the Parking Garage. Three new standalone garages are in the works — in Fishtown, University City, and Grays Ferry — because apparently we looked at the skyline and thought, “You know what’s missing? More concrete boxes for cars.”
Developers say people need somewhere to park near all the shiny new apartments, but urbanists are screaming into their reusable coffee cups. We’re talking a 1,000-car garage from CHOP (in a neighborhood already struggling with air quality), a 495-space one in University City (for a city lab and staff), and a Fishtown “garage-with-a-view” that’s trying to make rooftop parking sound sexy.
Parking pros say it’s a losing game — sky-high taxes, slim profits, and way too many empty spaces already. Even Parkway Corp. and E-Z Park, the kings of concrete, have looked at the numbers and said, “Good luck, you’ll need it.”
It’s the most Philly thing ever: everyone agrees it’s a bad idea, but someone’s still building it.
Sixers guard VJ Edgecombe shoots the basketball against Minnesota Timberwolves guard Jaylen Clark during a preseason game on Friday, Oct. 17, 2025 in Philadelphia.
Sixers start with a spark — B
Nobody in Philly was expecting the Sixers to look this good out the gate. Rookie VJ Edgecombe dropped 34 points in his debut — the third-highest in NBA history — and helped the Sixers steal a 117-116 win over the Celtics. That’s right: Wilt, LeBron, and now a 20-year-old kid who apparently sleeps like a baby before facing Boston in the Garden.
Edgecombe didn’t just show up — he looked like he’d been here for years. Calm, confident, and already saying the kind of humble stuff that makes you want to buy his jersey before Christmas. Tyrese Maxey poured in 40, and even his gentle clowning (“77 definitely got scared at the free-throw line”) couldn’t hide the fact that Philly might actually have a backcourt worth believing in.
It’s still early, but this team has something it hasn’t had in forever: fun. For once, the Sixers aren’t pretending to be contenders — they’re just hooping. No melodrama, no birthday banners about Daryl Morey being a liar, no Teletubby coats. Just fast breaks, fresh legs, and a rookie who already has his name next to Wilt’s.
We’ve been hurt before, so no one’s saying “This is the year.” But after one game, it’s hard not to feel a little something.
The University of Pennsylvania on Friday afternoon released the letter that President J. Larry Jameson sent to the U.S. Department of Education last week, explaining why the school rejected the compact proposed by President Donald Trump’s administration.
“Our university policies and practices are already aligned with many of the core principles of the Compact…” Jameson wrote. But “we find that significant portions of the Compact and its overarching framing would undermine Penn’s ability to advance our mission and the nation’s interests.”
The “Compact for Academic Excellence in Higher Education” was the latest attempt by the Trump administration to force changes in the way universities operate as the president tries to reshape higher education to match his vision. It offered colleges that sign preferential consideration for federal funding. It’s still not clear what penalty, if any, Penn — which receives about $1 billion annually in federal funding — will face for not signing.
“Institutions of higher education are free to develop models and values other than [those in the compact], if the institution elects to forego federal benefits,” the compact states.
Penn last week declined to release its letter, but Jameson in a message to the campus community Friday afternoon said “in the spirit of transparency” he would share it. He said he’d received many requests for its release.
The university has not had further discussions with the government since rejecting the compact, Jameson said, noting “we believe there remains opportunity to advance the long-standing relationship between American higher education and the federal government which has greatly benefited our community, nation and world.”
But he also was clear that Penn’s greatest partnership is with the public.
“America’s great universities already have a compact with the American people,” he said. “It is built on the open exchange of ideas, merit-based selection and achievement, and freedom of inquiry to yield knowledge. It affirms that knowledge should serve the public good, that education should remain a ladder of opportunity, and that discovery should make life better, richer, and freer.”
Jameson highlighted seven areas where he said Penn and the compact appear to be in alignment and five areas that pose concerns.
Areas of agreement include hiring and promotion standards and “merit based admissions” that comply with the law, including the 2023 U.S. Supreme Court decision that banned the use of race-based admission, Jameson said. The university also has reinstituted a standardized test score requirement for admission; Penn like many others had paused the requirement during the pandemic. And, its undergraduate student body is 13% international, Jameson said. That’s under the 15% mark that the compact would require.
Penn also is in compliance with federal foreign gift regulations and has “viewpoint-neutral rules” governing protests and expression, he said.
The university last year adopted an “institutional neutrality” policy, which states that the school will no longer make statements about world events unless they have a direct effect on Penn’s operations; the compact calls for schools to adhere to institutional neutrality.
While the university hasn’t agreed to freezing tuition for five years as the compact asks, the school has taken steps to make education more affordable, Jameson said, noting that its aid is all grants and no loans and is need based. Nearly half its students receive aid, he said.
And, Jameson said, Penn officials “share concerns about grade inflation and believe there may be an opportunity to engage the higher education community to seek a broader solution.”
But Penn objects to federal funding being meted out based on signing a compact, Jameson said.
“Research and our nation are better served by competition that rewards promise and performance,” he said. “Penn seeks no special consideration beyond fair and merit-based funding.”
The compact fails to promise or even mention academic freedom, which is “the bedrock of our national system of higher education,” Jameson said. It seeks to protect conservative thought alone, he said.
“One-sided conditions conflict with the viewpoint diversity and freedom of expression that are central to how universities contribute to democracy and to society,” Jameson wrote.
He also objected to the compact mandating free tuition to students in the “hard sciences.”
“We celebrate the sciences,” Jameson wrote. “However, we focus our financial aid efforts on those who cannot afford to pay, ensuring that a Penn education is accessible to those who are offered admission.”
Jameson also called out the compact’s financial penalties for failing to comply “based on subjective standards and undefined processes.” That could endanger teaching and research, he said.
“Universities must be accountable for their actions,” he wrote. “We believe that existing laws and policies suffice to achieve compliance and accountability.”
Many groups on campus had spoken out against the compact and were watching closely, given that the university had struck an agreement with the Education Department in July over the participation of a transgender athlete on the women’s swim team.
Penn’s announcement that it would reject the compact brought praise from local and state officials, including Democratic Gov. Josh Shapiro.
FBI Director Kash Patel visited Philadelphia Friday to announce the results of a large-scale investigation into a Kensington-based drug gang — the latest demonstration of how President Donald Trump’s administration is seeking to highlight what it’s called a nationwide crackdown against suspected drug dealers.
The target of the investigation — which spanned several years — was a gang that had long run a 24-hour open-air drug market on the 3100 block of Weymouth Street, according to court documents. The group was sophisticated, the documents said, with dozens of members working specific schedules, performing specific roles — such as block owner, street dealer, or lookout — and seeking to control territory with the threat of violence.
Members dealt drugs including fentanyl, heroin, cocaine, and crack, the documents said, and oversaw “one of the most prolific drug blocks in the city.” They also controlled parts of other nearby streets in a neighborhood where single corners have historically been able to generate tens of millions of dollars per year in drug sales.
Prosecutors indicted 33 people in all, court records show, including Jose Antonio Morales Nieves and Ramon Roman-Montanez, whom they described as two of the group’s leaders. Most defendants were charged with conspiracy to distribute controlled substances or other drug-related crimes.
Moralez Nieves “owned” the 3100 block of Weymouth, prosecutors said, and let dealers sell there by paying him “rent.” Roman-Montanez, meanwhile, organized street-level operations — developing schedules, doling out roles, and managing profits.
U.S. Attorney David Metcalf said the investigation into the Weymouth Street group would effectively eliminate it.
U.S. Attorney David Metcalf said more defendants were indicted in this case than any other federal prosecution in the Philadelphia region in a quarter-century.
And although prosecutors did not estimate how much money the group made during its decade-long run on the block — and none of its members were officially charged with committing acts of violence — Metcalf said the arrests nonetheless “annihilated” a gang that had terrorized a long-suffering part of Kensington.
Patel said the effort was emblematic of how law enforcement — both local and federal — can work together to address chronic issues including drug dealing and gun violence.
“Everyone in America should be looking at this takedown,” Patel said “This takedown is how you safeguard American cities from coast to coast.”
Law enforcement and FBI at Weymouth Street between Clearfield and Allegheny Avenue on Friday, October 24, 2025.
FBI agents and Philadelphia police officers conducted a series of raids in Kensington early Friday morning in support of the initiative. Wayne Jacobs, the FBI’s top official in Philadelphia, said agents served 11 search warrants, and that 30 of the 33 defendants were in custody as of Friday afternoon.
Philadelphia Police Commissioner Kevin Bethel said he was proud that the arrests might help bring “safety, dignity and peace” to Kensington — a neighborhood that Mayor Cherelle L. Parker’s administration has sought to prioritize throughout her two years in office, nearly tripling the police force in the neighborhood.
While officials acknowledged that the investigation began several years ago, the results nonetheless came as Trump and some of his top cabinet officials — including Patel, Attorney General Pam Bondi, and Defense Secretary Pete Hegseth — have sought in recent weeks to promote what they’ve cast as a concerted effort to address crime across the country, particularly involving suspected drug traffickers.
Some of the Trump administration’s initiatives have been relatively conventional, such as Friday’s raids in Philadelphia and other recent takedowns in cities such as Milwaukee and Pittsburgh.
Trump and Patel have also touted the FBI’s arrest numbers this year, saying they are “working non-stop to make America safe again.”
Dan Bongino, one of Patel’s top deputies at the FBI, said Friday that the Philadelphia arrests were part of that mission, writing on social media: “When President Trump told us to ‘go get em,’ he wasn’t kidding. And neither were we.”
FBI agents were on the 700 block of East Clearfield near Weymouth Street on Friday morning.
Still, other aspects of the campaign have been highly controversial, including Trump seeking to deploy federal troops to cities such as Chicago and Portland in response to what he’s called widespread unrest or clashes between protesters and U.S. Immigration and Customs Enforcement agents. Local officials have described Trump’s efforts as unnecessary and challenged them in court.
Trump also moved to effectively federalize law enforcement in Washington, D.C., an effort that local officials called a “baseless power grab” in a lawsuit.
And international tensions have started to rise over the military’s continued bombing of alleged drug-carrying boats in the Caribbean Sea and Pacific Ocean — strikes that have killed dozens of people and raised questions about whether the tactic is legal.
Around Weymouth Street on Friday, SWAT units had dispersed by noon. Residents by then had gathered in the street along the narrow block, where some rowhouse doors were left ajar and several neighbors peered curiously from upper windows.
Victor Ramirez, who has lived near Weymouth Street for 20 years, said police activity has become more common in the area in recent months.
“It’s a different story almost every day,” Ramirez said outside his home.
Ramirez said increased law enforcement activity has frightened his neighbors. He said most are “good people” who work to feed their families. Still, Ramirez said he feels more safe with the increased attention to crime in the neighborhood.
The FBI raid Friday morning felt like a significant escalation, he said. Ramirez was surprised to see agents armed with assault rifles hopping out of armored cars and making arrests.
The raid came on the day of a fall block party on Allegheny Avenue, which stretched between F and G Streets and intersected with neighboring Weymouth Street. The event is popular with local children, Ramirez said, and he hoped it would bring positive energy to a block that experienced an unusual morning.
Philly-raised rapper Armani White is pushing back on the media coverage of his arrest earlier this month.
White, 29, born Enoch Armani Tolbert, was arrested for disorderly conduct on Oct. 12 after police found the artist and members of his tour bus filming a music video on I-75 in Newport, Ky.
TMZ covered the arrest, releasing Tolbert’s mug shot and police bodycam footage of the arrest, as well as remarking on the nature of his hair in the mug shot.
“My father didn’t raise me to be a criminal. My grandfather didn’t raise me to be a criminal. The only reason why I smiled in that mug shot is because I refuse to let anybody paint a picture of me as a criminal on TV, on the internet, anywhere,” White said to a packed crowd in Birmingham, Ala., last weekend.
Armani White performs during the NFC Championship show as the Eagles face the Commanders Sunday, Jan. 26, 2025, in Philadelphia.
Tolbert was in Kentucky as part of a nationwide tour alongside Grammy-award-winning singer T-Pain when his tour bus stopped on the interstate to film a music video. White did not respond to a request for comment.
According to a police citation, the police were called to the highway after reports of people running on the road. When they arrived, police reportedly found White dancing on the concrete median of the interstate.
White grew to international fame in 2022 after his bass-bumping, Neptunes-sampled track “BILLIE EILISH” birthed a viral TikTok challenge reaching millions. White later joined the track’s namesake, Billie Eilish, the 23-year-old Grammy and Oscar award-winning singer, to perform the song together in 2023.
Rapping since the 2010s, White grew an underground following before joining the lineup of Jay-Z’s Made In America festival in 2018, which he had been attending as a fan before hitting the stage. Earlier this year, White performed his first NFL halftime show during the NFC championship, with the Philadelphia Eagles against the Washington Commanders.
White released his debut album, Keep In Touch, in 2019, followed by the EP, Things We Lost in the Fire, referring to a house fire in which White lost family members at a young age.
This week, he released a music video for the single, “MOUNT PLEASANT.,” a teaser for what’s to come on the release of his next album on Oct. 31.
