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  • What we know (and don’t) about the Eagles entering Week 8 vs. the Giants

    What we know (and don’t) about the Eagles entering Week 8 vs. the Giants

    Are good vibes officially restored in Philadelphia?

    The Eagles snapped their two-game losing streak with a 28-22 win over the Carson Wentz-led Minnesota Vikings on Sunday, largely thanks to Jalen Hurts and his perfect passer rating.

    Plus, sources say that Chief Vibes Officer Brandon Graham is on his way back to the Eagles, too, to bolster an edge rusher corps that is navigating the surprise retirement of Za’Darius Smith last week.

    But to enter the bye week on a high note, the Eagles must face the New York Giants, their division rivals who handed them a blowout loss two weeks ago. The Giants will try to bounce back after a fourth-quarter collapse against the Denver Broncos on Sunday, leading to a 33-32 loss.

    Here’s what we know (and what we don’t) about the Eagles entering their Week 8 matchup against the Giants:

    Lights, camera, play-action

    The Eagles came out of the mini-bye week wanting to establish the running game. That didn’t work. Brian Flores’ defense limited Saquon Barkley to just 44 yards on 18 carries, good for a 2.4 yards per attempt (his second-lowest clip this season).

    Still, the Eagles utilized the threat of the running game successfully against the Vikings, which is a step in the right direction. The offense incorporated play-action passes from under center on Sunday more frequently than in the previous six weeks of the season.

    In Weeks 1-6, the Eagles had five under-center play-action drop backs, according to Next Gen Stats. One of them resulted in a scramble. Another went for 1 yard. The others resulted in incompletions or penalties.

    Sunday was different. Hurts had four play-action dropbacks from under center, which resulted in four completions for 121 yards and a touchdown. Why was it so effective? For one, the Eagles had established a tendency of running the ball when Hurts is lined up under center before the snap. Entering Sunday’s game, 42 of the Eagles’ 48 plays from under center were carries (87.5%).

    By establishing that tendency (and continuing to do so with 15 under-center runs on Sunday), the Vikings aligned a safety in the box in anticipation of the run, especially when the Eagles utilized Fred Johnson as an extra offensive lineman. The Eagles made them pay by occasionally breaking that tendency, especially on the 79-yard touchdown pass to DeVonta Smith, which occurred when the offense was in that jumbo package.

    “We had an answer for it,” Barkley said of Smith’s touchdown play. “We called it at the right time. That’s the beauty of this game. They can do whatever they want, but we should always have answers. I think that’s the mentality we’ve got to continue to get back to.”

    Could we see more play-action passes from under center? And could the Eagles’ success in doing so on Sunday thwart defenses from loading up the box when Hurts lines up under center? That would benefit Barkley, who is averaging just 3.3 yards per carry this season, far behind the league’s average of 4.3.

    Nick Sirianni noted Monday that the uptick in under-center plays was a byproduct of the self-scout from the mini-bye week. He emphasized the importance of meshing the running and play-action passing games seamlessly, as it challenges the defense to convert from run to pass on the fly.

    “We will see how things move forward as far as the ways we want to attack,” Sirianni said. “Every game calls for different things. This is what this game called for, and these are some of the things that came off our self-scout. We’ll continue to work and find ways to get better.”

    Feel the Burns

    Barkley hasn’t been getting a consistent boost in the running game from the Eagles’ offensive line this year. The group has been reeling from injuries. Cam Jurgens suffered the latest, exiting Sunday’s game after the second drive with a knee injury.

    With Jurgens’ status in question for the rematch against the Giants, the Eagles could turn to a backup at center, which could present all sorts of challenges against a formidable defensive front.

    Giants edge rusher Brian Burns had four sacks over the last two games, including dropping Jalen Hurts twice on Oct. 9.

    The Giants exploited the Eagles’ weaknesses on the offensive line in their last matchup. Brett Toth started at left guard in place of the injured Landon Dickerson (ankle). Brian Burns notched two sacks against the left side of the offensive line, once on a stunt and another from 3 yards off the line of scrimmage.

    Burns has four sacks in his last two games, after adding two more in their loss to the Broncos. The good news for the Eagles is that Dickerson started and finished Sunday’s game against the Vikings. His presence against the Giants would help stabilize the left side of the line and minimize Burns’ impact when he lines up on that side.

    But if Jurgens can’t play, the Eagles could turn to Toth at center. He would be tasked with keeping Dexter Lawrence, the three-time Pro Bowler, at bay.

    Lawrence hasn’t been as disruptive as a pass rusher as he was last season and hasn’t posted a sack this year. Still, Lawrence is an important part of the Giants’ defensive front, ranking fourth on the team with 15 “stops,” which Next Gen Stats defines as tackles that result in a successful play for the defense.

    Scramblin’ man

    The last time the Eagles faced the Giants, rookie quarterback Jaxson Dart got his legs going. He scrambled five times for 42 yards and a touchdown, which helped him reach career highs of 58 rushing yards and 13 attempts.

    Vic Fangio’s defense has struggled at times to prevent quarterbacks from breaking loose. Unsurprisingly, Patrick Mahomes did the most damage against the Eagles this year (seven scrambles for 66 yards), but even Wentz, 32, had a couple of long third-down scrambles totaling 28 yards late Sunday as the Vikings attempted a comeback.

    Improved tackling would be a good place for the Eagles to start. Dart forced three missed tackles against the Eagles, according to Pro Football Focus. That was a new achievement for Dart, who didn’t force a missed tackle in any of his three other starts this season.

    New York Giants quarterback Jaxson Dart finished with 42 yards on five scrambles against the Eagles on Oct. 9.

    The rookie quarterback did not scramble against the Broncos, although he made passing plays on the move. According to Next Gen Stats, Dart completed four of six passes for 101 yards and a touchdown when running over 8 mph. Keeping Dart contained will take a group effort from the Eagles, in terms of the pass rush and coverage.

    Carter’s return

    Speaking of keeping Dart contained, Jalen Carter returned to action Sunday after missing the Week 6 game against the Giants with a heel injury.

    Wentz certainly felt his presence. In the second quarter, a simulated pressure left Carter one-on-one with Blake Brandel, the third-string center. Carter breezed past Brandel and launched himself toward Wentz, forcing the quarterback to make an ill-advised throw over the middle to Jalyx Hunt, who snagged the ball and returned it for a pick-six.

    Even though Carter has been banged up this season, between heel and shoulder injuries, the Eagles could have used his talent and physicality against the Giants. In his absence, the group finished with a 26.5% pressure rate against New York two weeks ago, its lowest of the season, according to Next Gen Stats.

    Carter attempted to make up for lost time on Sunday. He led the team with six pressures against the Vikings, according to Next Gen Stats. His fourth-quarter stunt with Jordan Davis provided the initial pressure on Wentz that helped Joshua Uche register his first sack with the Eagles.

  • Lessons must be learned after criminal justice system fails Kada Scott | Editorial

    Lessons must be learned after criminal justice system fails Kada Scott | Editorial

    The killing of Kada Scott is tragic on many levels, but hopefully, some lessons can be learned to honor her life.

    Scott’s death is all the more painful for her family and friends because it could have been prevented. That’s because it appears District Attorney Larry Krasner and the Philadelphia court system failed her.

    The man accused of abducting Scott had been previously charged with assaulting an ex-girlfriend twice in the last year, but prosecutors withdrew the charges after the victim did not show up for court.

    After Scott’s disappearance, Krasner’s office admitted its handling of the earlier cases was a mistake. If the district attorney’s office had instead prosecuted Keon King, 21, then perhaps Scott, 23, would still be alive.

    “We could’ve done better,” Krasner said at a news conference Monday, echoing earlier comments from Assistant District Attorney Ashley Toczylowski, who said last week, “Everyone involved at this point, including the [initial prosecutor], agrees that we wish this happened differently.”

    To be sure, hindsight is 20/20. But a review of King’s legal entanglements indicates a series of miscues may have enabled Scott’s death.

    The case also offers a window into the challenges of filing domestic abuse charges, and underscores the need for prosecutors to be more aggressive in going after the accused while doing more to ensure the safety of victims.

    For starters, King’s initial assault charges last November were handled by an inexperienced assistant district attorney who was juggling multiple cases. During that incident, prosecutors said, King grabbed an ex-girlfriend by the neck and tried to strangle her after she refused to lie on the bed with him, according to the affidavit.

    But after initially cooperating with the authorities, King’s accuser stopped responding to calls from prosecutors. After she failed to appear at three court hearings, the district attorney’s office withdrew the case.

    In January, King tried to break into the woman’s home, but fled before police arrived, according to an affidavit. He returned later in the day and dragged the woman by her hair, shoved her in a car, and drove away before dropping her off on the side of the road.

    This time, the woman and her friend captured video of King trying to get into her home. He was arrested again and charged with kidnapping, strangulation, and other charges.

    But once again, the victim and her friend refused to cooperate with prosecutors, so the charges were withdrawn in May.

    Kevin Scott, Kada Scott’s father, with a photo of his daughter.

    This is not unusual, as victims of domestic violence often live in fear of the perpetrators. Reviewing the period between 2010 and 2020, researchers at the University of Pennsylvania found that 70% of victims of domestic violence cases failed to appear in Philadelphia’s courts.

    A big part of the problem is that the accused are often out on bail and still threatening the victims. In King’s case, after the second set of assault charges, prosecutors requested bail of $1 million, but the magistrate lowered it to $200,000.

    King posted the necessary 10% — or $20,000 — and was released in April.

    Krasner blamed the magistrate for lowering the bail, but his office could have appealed the ruling.

    There is a fine line in detaining suspects accused of crimes for months on end until a trial. But in domestic violence cases, the current system is not working and needs to be revamped.

    Prosecutors and judges must do everything possible to guarantee the safety of victims. Victims need more support within the criminal justice system to ensure their safety.

    More broadly, additional preventive steps are needed to reduce violence against women, including standing up to rape culture, empowering women, and teaching boys to respect women.

    Black women disproportionately experience higher rates of domestic abuse, including rape and homicides, studies show, further underscoring the need for more awareness, training, and preventive measures.

    In this instance, given that King had been charged once before, the magistrate and Krasner’s office dropped the ball.

    And although the victim refused to testify, the district attorney’s office could have used the video evidence to move forward with King’s prosecution — though not having the witnesses testify certainly would have made for a tougher case.

    To his credit, Krasner, a former defense attorney who faces reelection next month and has been criticized for being soft on crime, admitted his office was ultimately to blame.

    “The buck stops here,” he said.

    Sadly, a young, vibrant woman full of promise has died, and another woman was previously assaulted and traumatized. Krasner said the public played an enormous role in Scott’s case, and asked for anyone with information to call 215-686-TIPS.

    The only positive outcome will be to ensure justice is served, and a broken legal system in which victims are afraid to testify is fixed, so others do not experience the same horrific outcome.

  • Letters to the Editor | Oct. 21, 2025

    Letters to the Editor | Oct. 21, 2025

    Murder on the high seas

    Donald Trump is executing human beings. By blowing up boats in the Caribbean Sea, he is targeting vessels he deems are “suspected” of carrying contraband, and authorizing the military to blow them up in international waters. Please, let that sink in for a minute. We have the Navy, the Marines, and the Coast Guard patrolling our seas. How about securing our ports and turning the ships away, or confiscating the ships and their contents? Where is the proof of any criminal acts? I can’t believe what I am witnessing. How does this stand?

    K. Mayes, Philadelphia

    The irony

    Not looking good for John Bolton regarding accusations of mishandling classified material. But, oh, the irony! I can’t get the photos out of my mind of boxes full of classified material in the ballroom and bathroom of Mar-a-Lago. I can’t forget the outrage when Trump-appointed Judge Aileen Cannon dropped that case. I can’t forgive the U.S. Supreme Court for giving Donald Trump immunity from any illegal activity as president. Then there is the irony of former Attorney General Merrick Garland delaying any prosecution of Trump to avoid the appearance of weaponization of the Justice Department — only for Trump to take office again and do exactly that. And now, I can’t sleep worrying about the fate of our democracy and our country.

    Sylvia Metzler, Philadelphia

    Offensive Young Republicans

    Nine Young Republican activists in New York, Arizona, Kansas, and Vermont were recently outed for the revelation of eight months of their disgusting, racist, antisemitic, and homophobic texts covering 2,900 pages of material that were obtained by Politico. The texts and the writers were quickly distanced by the Republican establishment, but one has to wonder why these individuals felt perfectly comfortable exchanging such abhorrent views. Are these the views all Young Republicans have when they speak to each other behind closed doors or online? And if these rising stars expressed remorse for their texts, is the remorse only that they were caught and their bigotry was exposed for all the world to see?

    Larry Skvir, Delran

    Refreshing representation

    I was delighted to see diversity on display in the performing and marching units celebrating the 250th anniversary of the founding of the Navy and Marine Corps earlier this month. Truly remarkable that citizens of all persuasions and ethnic backgrounds have chosen to serve their country and build such strong fighting forces. This has not happened overnight and has been years in the making. It would be a shame for Defense Secretary Pete Hegseth’s misguided efforts to actually tear things down.

    Roger Smith, West Chester

    Join the conversation: Send letters to letters@inquirer.com. Limit length to 150 words and include home address and day and evening phone number. Letters run in The Inquirer six days a week on the editorial pages and online.

  • Dear Abby | Spouses paired with others in friends’ wedding party

    DEAR ABBY: Two years ago, a close friend of my husband’s and mine asked us to be the “best couple” in their wedding. After being postponed for a year due to some family issues, the wedding is coming up soon. My husband and I have been married 25 years. We have a strong, faithful bond.

    Last weekend, we were informed that we won’t be paired together. Neither of us is happy with this news. We feel that our friends are not respectful of our relationship. I’m baffled about why the “best couple” wouldn’t be paired together. I’m so upset that I have cried for days. I feel disrespected, betrayed and unvalued.

    I don’t want us to be paired with other partners. I told our friends I’m not comfortable with my husband walking with another woman, and me walking with another man, but I was ignored. I no longer want to even go to the wedding. Am I being unreasonable?

    — COMMITTED BUT UNHAPPY

    DEAR COMMITTED: Please dry your tears. You may have blown this out of proportion. For the last quarter of a century, you and your husband have been known to be a solid couple. I don’t know why the bride and groom are asking you to walk down the aisle separately. It could be something as simple as pairing attendants who are similar heights. Participate in the wedding and support your friends. It is only for one day and, I assume, you will be seated with your husband after the ceremony.

    ** ** **

    DEAR ABBY: I have read your column for 40 years. Now I have an issue. I have been taking care of my wife’s uncle for the last two years. He had a stroke, and I became a certified nursing assistant. I stay home and take care of him 24/7. My wife does not help. Recently, her sister decided to return to college to finish her RN and moved in with us. She does not help at all.

    I decided to go back to school to get my master’s. I work 60 hours a week and also work on my master’s in cybersecurity. I told my wife that if her sister doesn’t move out by the end of the year, I am moving out. We are putting her uncle back in a nursing home. I CANNOT DO IT ANYMORE. In the last two years, I have had only four days off. When I had the flu, no laundry was done.

    Am I a bad person for wanting a career? Am I a bad person for wanting a house with just my wife and me?

    — EXHAUSTED IN THE EAST

    DEAR EXHAUSTED: It was loving and generous of you to enroll in classes to become a CNA so you could give your wife’s uncle the care he needed. That she did nothing to lighten your burden, and then invited her sister to move in without first clearing it with you, was wrong.

    Marriage is supposed to be a partnership, and it appears you have been doing all the heavy lifting. You are not a bad person for wanting a career and the financial benefits it will bring, and you should not be made to feel guilty for it.

  • Horoscopes: Tuesday, Oct. 21, 2025

    ARIES (March 21-April 19). Externalize your stress. Write it, speak it, move it out. Don’t let it stay trapped in your muscles and stomach. You don’t prove you care by suffering. You prove it by being loving, which is easier when you’re lighter.

    TAURUS (April 20-May 20). It’s not necessarily pessimistic to see problems that don’t (yet?) exist. This kind of mental exercise can actually be a form of optimism. It’s your belief in solutions that allows you to imagine a full range of future scenarios.

    GEMINI (May 21-June 21). Even as you aim for efficiency, you know that it’s not always the most effective way. People need to feel seen and safe to open up. If you’re not getting an authentic version of them, you probably won’t get the best connection or contribution either.

    CANCER (June 22-July 22). Your natural appeal is working for you now; the more quirks you lean into, the stronger your magnetism. Being appealing doesn’t mean everything works smoothly right away. Your first efforts might stumble or meet resistance. That’s normal. You’re just warming up.

    LEO (July 23-Aug. 22). A performance doesn’t have to be onstage to get applause. The way you present yourself today wins fans. Warmth is your default, just like the sun that is your guiding luminary, and you’ll have orbits today.

    VIRGO (Aug. 23-Sept. 22). People underestimate the courage it takes to ride the rollercoaster of a creative life. Exciting experiments, connections that spark or disappoint, risks galore — all part of the creative process. You have the stomach for it today.

    LIBRA (Sept. 23-Oct. 23). You will not be fooled by what is technically clever but morally hollow. What erases context, compassion and reality does not erase your awareness. You point to the real problem. Nothing can stop you from seeing it.

    SCORPIO (Oct. 24-Nov. 21). You sense the unspoken currents in the room and respond with heart. This gift doesn’t obligate you to carry anyone else’s load, only to witness with compassion, which is often just what is needed to facilitate healing.

    SAGITTARIUS (Nov. 22-Dec. 21). Fresh perspective comes with fresh context. Change the scenery, even slightly, and your mind loosens from its old grooves. You’ll see a problem in a whole new light. You may even solve the issue instantly.

    CAPRICORN (Dec. 22-Jan. 19). Sometimes it’s about getting into the mix and handling things. And sometimes it means staying out of the mix and observing things. Your instinct about which tactic to take is what makes you a stellar leader.

    AQUARIUS (Jan. 20-Feb. 18). The more time you spend in front of a screen, the more important it becomes to touch what’s real. Paper, stone, leaves, skin — textures recalibrate you in ways no feed or algorithm ever could.

    PISCES (Feb. 19-March 20). Consider the role of silence. Not absence, but the active nothingness, pure potential, presence without interruption. In a blank space, priorities will get rearranged. Energy will be restored. Questions will be answered. The hush speaks louder than any conversation.

    TODAY’S BIRTHDAY (Oct. 21). Welcome to your Year of Delicious Contrasts. You’ll be busy, but sweet pockets of stillness are where you get your most remarkable work done. Personalities you have friction with lead you to award-winning accomplishments. The challenges you endure for love produce astounding beauty. More highlights: a shift in worldview that makes you lighter, cultural events, and being photographed for all the right reasons. Libra and Taurus adore you. Your lucky numbers are: 2, 9, 24, 38 and 46.

  • ‘The Comeuppance,’ ‘Poor Judge,’ win big at Barrymore Awards

    ‘The Comeuppance,’ ‘Poor Judge,’ win big at Barrymore Awards

    The Barrymore Awards celebrated the best of Philadelphia’s regional theater Monday night at Temple Performing Arts Center, where Theatre Philadelphia spotlighted about 50 nominated productions from the 2024-25 season. Twenty-one awards were presented to 13 local companies.

    The top winners were Old City’s Arden Theatre Company and Olde Kensington’s Pig Iron Theatre Company, which each took home four Barrymores. Center City’s Wilma Theater — the 2024 Regional Theatre Tony Award recipient — and Inis Nua Theatre Company earned three awards apiece for multiple productions.

    Dito van Reigersberg (center) performs at the 2025 Barrymore Awards on Monday, Oct. 20, 2025.

    The Wilma’s production of Branden Jacobs-Jenkins’ The Comeuppance, a spooky-tinged millennial drama directed by Wilma co-artistic director Morgan Green, won three awards: outstanding overall production of a play, outstanding ensemble in a play, and outstanding sound design for Jordan McCree.

    The Comeuppance brings the drama of diverging politics and experiences to a microscopic, interpersonal level,” wrote Krista Mar in her Inquirer review. “No one character is a hero, as each of them wins our empathy, especially when possessed by Death, and then loses it. The play holds a mirror to the audience and makes them confront their own biases, assumptions, and judgment.”

    CJ Higgins, Interim Executive Director of Theatre Philadelphia, cohosts the 2025 Barrymore Awards ceremony with Aunyea Lachelle, entertainment and lifestyle anchor for NBC10’s Philly Live at the Temple Performing Arts Center in North Philadelphia on Monday, Oct. 20, 2025.

    Arden Theatre’s Intimate Apparel, a touching tale from Pulitzer-winning playwright Lynn Nottage about an African American seamstress hoping for romance, won two Barrymores. Amina Robinson earned outstanding direction of a play, and David Pica, who played love interest Mr. Marks, received outstanding supporting performance in a play. Robinson has previously won two Barrymore Awards for directing a musical for The Color Purple at Theater Horizon and Once on This Island at the Arden.

    Kishia Nixon, the actor behind interior designer Thalia in R. Eric Thomas’ Glitter in the Glass at Theater Exile, also won for outstanding supporting performance in a play. The Inquirer review called the new work “a nimble, nerdy, and very funny play that tries to answer some very tough questions.”

    For outstanding leading performances in a play, both awards went to the stars of InterAct Theatre Company’s Rift, or White Lies. Matteo Scammell and Jered McLenigan played two brothers on opposite sides of the political spectrum and each night they alternated roles. (The Barrymores does not divide acting award categories by gender.)

    The cast and crew of the play “The Comeuppance” accept the award for Outstanding Overall Production of a Play at the 2025 Barrymore Awards at the Temple Performing Arts Center in North Philadelphia on Monday, Oct. 20, 2025. The Barrymore Awards spotlight the best musicals, plays, actors, directors, and backstage creatives in the Philadelphia region

    In musical categories, Pig Iron Theater’s production of Poor Judge, which ran at the Wilma Theater as part of the 2024 Fringe Festival, took home three awards: outstanding overall production of a musical, outstanding media design for Mike Long, and outstanding music direction for Alex Bechtel.

    The eccentric show, conceived and led by Philadelphia legend Dito van Reigersberg (aka Martha Graham Cracker), is a trippy journey through alt-rock singer Aimee Mann’s catalog, enhanced by fascinating live video taping.

    Everyone in the ensemble for the September 2024 production played Aimee with delightfully weird and unexpectedly profound results. It was such a success that the Wilma is bringing it back for another run in January.

    Dito van Reigersberg in the 2024 Fringe Festival’s production of ‘Poor Judge.’

    Bechtel also won the award for outstanding original music for People’s Light’s production of Peter Panto: A Musical Panto. It’s the second year in a row that the composer has been recognized for his original music; last year he won for Alice in Wonderland: A Musical Panto.

    Peter Panto earned another Barrymore as well: Connor McAndrews, who played Smee, won for outstanding supporting performance in a musical, alongside actor Sevon Askew, who won in the same category for playing Benny in Arden Theatre’s RENT.

    Inis Nua’s Drip, a solo comedy that ran at Fergie’s Pub, won two Barrymores recognizing director Kyle Metzger and actor Max Gallagher for outstanding leading performance in a musical. The story follows a teen who desperately wants to build a synchronized swim team but doesn’t actually know how to swim. The Inquirer review said the show was “a small bit of joy that makes a heartfelt statement through its casting and earnestness, reminding us in the final number that whoever we are, we should all ‘make, make, make a splash.’”

    The cast and crew of “Gay Mis” accept the award for Outstanding Ensemble in a Musical at the 2025 Barrymore Awards at the Temple Performing Arts Center in North Philadelphia on Monday, Oct. 20, 2025. Danny Wilfred (third from right) won for outstanding leading performance in a musical.

    Also winning for leading performance in a musical was Danny Wilfred, who played Parmesan in Gay Mis, a queer parody of Les Misérables from Philly drag queen Eric Jaffe’s Jaffe St. Queer Productions. Gay Mis took home the Barrymore for outstanding ensemble in a musical as well.

    The Philadelphia Award for Social Insight, which comes with a $25,000 prize, went to Esperanza Arts Center for Nichos, a world premiere about Mexican history based on interviews with immigrants in Philly and their families.

    For a second year in a row, Theatre Philadelphia did not grant its F. Otto Haas Award for an Emerging Artist, which spotlights up-and-coming Philadelphia actors with a $15,000 cash prize. The organization said it has been unable to grant the award after losing funding.

    “The F. Otto Haas Award for an Emerging Artist was a meaningful part of our celebration of Philly theatre for many years,” said Theatre Philadelphia in a statement. “While the F. Otto Haas Award is no longer being presented, we remain deeply grateful for the years of support that made it possible and continue to honor emerging artists across the region through our ongoing recognition programs.”

    See the full list of winners (bolded) below.

    Outstanding Overall Production of a Play

    1. The Comeuppance — The Wilma Theater
    2. Glitter in the Glass — Theatre Exile
    3. Archduke — The Wilma Theater
    4. Rift, or White Lies — InterAct Theatre
    5. Nosejob — Lightning Rod Special
    6. Square Go — Inis Nua Theatre
    7. Intimate Apparel — Arden Theatre

    Outstanding Direction of a Play

    1. Amina Robinson — Intimate Apparel, Arden Theatre
    2. Alex Burns — Cyrano de Bergerac, Quintessence Theatre Group
    3. Morgan Green — The Comeuppance, The Wilma Theater
    4. Nell Bang-Jensen — Nosejob, Lightning Rod Special
    5. James Ijames — August Wilson’s King Hedley II, Arden Theatre
    6. Kathryn MacMillan — Square Go, Inis Nua Theatre
    7. Matt Pfeiffer — Red, Theatre Exile
    David Pica (Mr. Marks) and Brandi Porter (Esther) in Arden Theatre Company’s production of “Intimate Apparel.”

    Outstanding Ensemble in a Play

    1. The Comeuppance — The Wilma Theater
    2. Cyrano de Bergerac — Quintessence Theatre Group
    3. Intimate Apparel — Arden Theatre
    4. A Midsummer Night’s Dream — Quintessence Theatre Group
    5. The 39 Steps — Lantern Theater
    6. Nosejob — Lightning Rod Special
    7. Cato (Remixed) — Philadelphia Artists’ Collective

    Outstanding Leading Performance in a Play

    1. J Hernandez — Cyrano de Bergerac, Quintessence Theatre Group
    2. Brandi Porter — Intimate Apparel, Arden Theatre
    3. Matteo Scammell — Rift, or White Lies, InterAct Theatre
    4. Jered McLenigan — Rift, or White Lies, InterAct Theatre
    5. Jessica Johnson — The Half-God of Rainfall, The Wilma Theater
    6. Phillip Brown — American Moor, Lantern Theater
    7. Frank Jimenez — Moreno, InterAct Theatre
    8. Jessica Money — Our Town, New Light Theatre
    9. Adam Howard — Tuesdays with Morrie, Delaware Theatre Co.
    10. Karen Peakes — Much Ado About Nothing, Lantern Theater
    11. Tyler Elliot — Square Go, Inis Nua Theatre
    12. Owen Corey — Square Go, Inis Nua Theatre
    13. Suli Holum — Archduke, The Wilma Theater
    14. Lee Thomas Cortopassi — A Midsummer Night’s Dream, Quintessence Theatre Group

    Outstanding Supporting Performance in a Play

    1. Kishia Nixon — Glitter in the Glass, Theatre Exile
    2. Jessica Johnson — Intimate Apparel, Arden Theatre
    3. Alice Yorke — Nosejob, Lightning Rod Special
    4. Dax Richardson — August Wilson’s King Hedley II, Arden Theatre
    5. Kash Goins — August Wilson’s King Hedley II, Arden Theatre
    6. Zach Valdez — Red, Theatre Exile
    7. Janis Dardaris — Cyrano de Bergerac, Quintessence Theatre Group
    8. Morgan Charéce Hall — A Raisin in the Sun, People’s Light
    9. David Pica — Intimate Apparel, Arden Theatre
    10. Jaime Maseda as Francisco — The Comeuppance, Wilma Theater
    11. Gabriel Elmore — Moreno, InterAct Theatre
    12. Kimberly S. Fairbanks — August Wilson’s King Hedley II, Arden Theatre
    13. Zoe Nebraska Feldman — The Wanderers, Lantern Theater
    14. Tyler Elliot — It’s a Wonderful Life: A Live Radio Play, Hedgerow Theatre Company 1

    Outstanding Movement/Choreography in a Play

    1. Ian Rose — Cyrano de Bergerac, Quintessence Theatre Group
    2. J. Alex Cordaro — Archduke, The Wilma Theater
    3. Ontaria Kim Wilson & J Paul Nicholas — Moreno, InterAct Theatre
    4. Eli Lynn — The Comeuppance, The Wilma Theater
    5. J. Alex Cordaro — Square Go, Inis Nua Theatre
    6. Matteo Scammell — Nosejob, Lightning Rod Special
    7. Yasmine Lee — Franklin’s Key, Pig Iron Theatre

    Outstanding Overall Production of a Musical

    1. Penelope — Theatre Horizon
    2. Poor Judge — Pig Iron Theatre
    3. Gay Mis — Jaffe St. Queer Productions
    4. Night Side Songs — Philadelphia Theatre Co.

    Outstanding Direction of a Musical

    1. Kyle Metzger — Drip, Inis Nua Theatre
    2. Eva Steinmetz — Poor Judge, Pig Iron Theatre
    3. Eric Jaffe — Gay Mis, Jaffe St. Queer Productions
    4. Taibi Magar — Night Side Songs, Philadelphia Theatre Co.
    Max Gallagher plays Liam in Inis Nua’s ‘Drip.’

    Outstanding Leading Performance in a Musical

    1. Max Gallagher — Drip, Inis Nua Theatre
    2. Cookie Diorio — Kinky Boots, New Light Theatre
    3. Danny Wilfred — Gay Mis, Jaffe St. Queer Productions
    4. Eli Lynn — Peter Panto: A Musical Panto, People’s Light
    5. Dito van Reigersberg — Poor Judge, Pig Iron Theatre
    6. Brooke Ishibashi — Night Side Songs, Philadelphia Theatre Co.
    7. Rachel Camp — Penelope, Theatre Horizon
    8. Eric Jaffe — Gay Mis, Jaffe St. Queer Productions

    Outstanding Supporting Performance in a Musical

    1. Andrew Burton Kelly — Kiss Me, Kate!, Quintessence Theatre Group
    2. Hannah Truman — Legally Blonde, Media Theatre
    3. Phoebe Gavula — Grease, Media Theatre
    4. Rajeer Alford — Rent, Arden Theatre
    5. Sevon Askew — Rent, Arden Theatre
    6. Jenna Kuerzi — Grease, Media Theatre
    7. Connor McAndrews — Peter Panto: A Musical Panto, People’s Light
    8. Livvie Hirshfield — Legally Blonde, Media Theatre
    Cookie Diorio, nominated for ‘Kinky Boots,’ performs at the 2025 Barrymore Awards ceremony at the Temple Performing Arts Center in North Philadelphia on Monday, Oct. 20, 2025. The Barrymore Awards spotlight the best musicals, plays, actors, directors, and backstage creatives in the Philadelphia region.

    Outstanding Choreography/Movement in a Musical

    1. Todd Underwood — Kiss Me, Kate!, Quintessence Theatre Group
    2. Melanie Cotton — Peter Panto: A Musical Panto, People’s Light
    3. Taylor J. Mitchell — Kinky Boots, New Light Theatre
    4. Christian Ryan — Legally Blonde, Media Theatre

    Outstanding Music Direction

    1. Lili St. Queer — Gay Mis, Jaffe St. Queer Productions
    2. Ryan Touhey — Peter Panto: A Musical Panto, People’s Light
    3. Alex Bechtel — Poor Judge, Pig Iron Theatre and Esperanza Arts Center
    4. Justin Yoder — Penelope, Theatre Horizon

    Outstanding Ensemble in a Musical

    1. Poor Judge — Pig Iron Theatre
    2. Gay Mis — Jaffe St. Queer Productions
    3. Night Side Songs — Philadelphia Theatre Co.
    4. Peter Panto: A Musical Panto — People’s Light

    Outstanding New Work

    1. Iraisa Ann Reilly — January 6: A Celebration. A Bodega Princess Remembers Tradition, Not Insurrection, Simpatico Theatre 2
    2. Eva Steinmetz & Dito van Reigersberg — Poor Judge, Pig Iron Theatre
    3. Daniel & Patrick Lazour — Night Side Songs, Philadelphia Theatre Co.
    4. Jennifer Childs — Peter Panto: A Musical Panto, People’s Light
    5. Tanaquil Márquez — Nichos, Esperanza Arts Center

    Outstanding Outdoor Production

    1. All’s Well — Shakespeare in Clark Park
    2. One Monkey Don’t Stop No Show — Theatre in the X
    3. Julius Caesar — Delaware Shakespeare
    4. As You Like It — Shakespeare in Clark Park

    Outstanding Set Design

    1. Chris Haig — The Playboy of the Western World, Inis Nua Theatre
    2. Thom Weaver — August Wilson’s King Hedley II, Arden Theatre
    3. Matt Saunders — Archduke, The Wilma Theater
    4. April Thomson — Hold These Truths, Montgomery Theater
    5. Anna Kiraly — Franklin’s Key, Pig Iron Theatre
    6. Roman Tartarowicz — Tuesdays with Morrie, Delaware Theatre Co.
    7. Misha Kachman — A Summer Day, The Wilma Theater

    Outstanding Costume Design

    1. Nikki DelHomme — The Hobbit, Arden Theatre
    2. Rebecca Kanach — Peter Panto: A Musical Panto, People’s Light
    3. Marla Jurglanis — Much Ado About Nothing, Lantern Theater
    4. Vasilija Zivanic — Archduke, The Wilma Theater
    5. Misha Kachman — A Summer Day, The Wilma Theater
    6. Barbara Erin Delo — The Playboy of the Western World, Inis Nua Theatre
    7. LeVonne Lindsay — The Half-God of Rainfall, The Wilma Theatre

    Outstanding Lighting Design

    1. Alyssandra Docherty — Tuesdays with Morrie, Delaware Theatre Co.
    2. Thom Weaver — Archduke, The Wilma Theater
    3. Minjoo Kim — The Comeuppance, The Wilma Theater
    4. Thom Weaver — Penelope, Theatre Horizon
    5. Drew Billau — Rift, or White Lies, InterAct Theatre
    6. Maria Shaplin — Poor Judge, Pig Iron Theatre
    7. Amith Chandrashaker & Stoli Stolnack — Franklin’s Key, Pig Iron Theatre

    Outstanding Media Design

    1. Mike Long — Poor Judge, Pig Iron Theatre
    2. Jorge Cousineau — Archduke, The Wilma Theater
    3. Jorge Cousineau — Rent, Arden Theatre Company
    4. David Tennent & Joshua Higgason — Franklin’s Key, Pig Iron
    5. Kelly Colburn & Ksenya Litvak — A Summer Day, The Wilma Theater
    6. Michael Long & Kate Coots — The 39 Steps, Lantern Theater
    7. Damien Figueras — Topdog/Underdog, Passage Theatre Co.

    Outstanding Sound Design

    1. Chris Sannino — Poor Judge, Pig Iron Theatre
    2. Christopher Colucci — Red, Theatre Exile
    3. Jordan McCree — The Half-God of Rainfall, The Wilma Theatre
    4. Jordan McCree — The Comeuppance, The Wilma Theater
    5. Chris Sannino — Franklin’s Key, Pig Iron Theatre
    6. Michael Kiley — A Summer Day, The Wilma Theater
    7. Yaim Chong Chia — Archduke, The Wilma Theater
    Connor McAndrews (left) and Jamison Stern (right) in People’s Light Theatre’s ‘Peter Panto,’ which was nominated for 8 awards. McAndrews won the Barrymore for outstanding supporting performance in a musical.

    Outstanding Original Music

    1. Daniel & Patrick Lazour — Night Side Songs, Philadelphia Theatre Co.
    2. Alex Bechtel — Peter Panto: A Musical Panto, People’s Light
    3. Jordan McCree — The Hobbit, Arden Theatre
    4. Lili St. Queer — Gay Mis, Jaffe St. Queer Productions
    5. Ximena Violante & Ampersan (Zindu Cano and Kevin García) — Nichos, Esperanza Arts Center
    6. Jakeya L. Sanders — Fallawayinto: Corridors of Rememory, Ninth Planet

    The Philadelphia Award for Social Insight

    1. Rift, or White Lies — InterAct Theatre
    2. Young Americans — Theatre Horizon
    3. The Drag EgoPo Classic Theater
    4. Night Side Songs — Philadelphia Theatre Co.
    5. The Half-God of Rainfall — The Wilma Theater
    6. January 6: A Celebration. A Bodega Princess Remembers Tradition, Not Insurrection — Simpatico Theatre
    7. Glitter in the Glass — Theatre Exile
    8. Nichos — Esperanza Arts Center
    9. The Playboy of the Western World — Inis Nua Theatre
  • Massive Amazon cloud outage has been resolved after disrupting internet use worldwide

    Massive Amazon cloud outage has been resolved after disrupting internet use worldwide

    LONDON — Amazon says a massive outage of its cloud computing service has been resolved as of Monday evening, after a problem disrupted internet use around the world, taking down a broad range of online services, including social media, gaming, food delivery, streaming and financial platforms.

    The all-day disruption and the ensuing exasperation it caused served as the latest reminder that 21st century society is increasingly dependent on just a handful of companies for much of its internet technology, which seems to work reliably until it suddenly breaks down.

    About three hours after the outage began early Monday morning, Amazon Web Services said it was starting to recover, but it wasn’t until 6 p.m. Eastern that “services returned to normal operations,” Amazon said on its AWS health website, where it tracks outages.

    AWS provides behind-the-scenes cloud computing infrastructure to some of the world’s biggest organizations. Its customers include government departments, universities and businesses, including The Associated Press.

    Cybersecurity expert Mike Chapple said “a slow and bumpy recovery process” is “entirely normal.”

    As engineers roll out fixes across the cloud computing infrastructure, the process could trigger smaller disruptions, he said.

    “It’s similar to what happens after a large-scale power outage: While a city’s power is coming back online, neighborhoods may see intermittent glitches as crews finish the repairs,” said Chapple, an information technology professor at the University of Notre Dame’s Mendoza College of Business.

    Amazon blames domain name system

    Amazon pinned the outage on issues related to its domain name system that converts web addresses into IP addresses, which are numeric designations that identify locations on the internet. Those addresses allow websites and apps to load on internet-connected devices.

    DownDetector, a website that tracks online outages, said in a Facebook post that it received over 11 million user reports of problems at more than 2,500 companies. Users reported trouble with the social media site Snapchat, the Roblox and Fortnite video games, the online broker Robinhood and the McDonald’s app, as well as Netflix, Disney+ and many other services.

    The cryptocurrency exchange Coinbase and the Signal chat app both said on X that they were experiencing trouble related to the outage.

    Amazon’s own services were also affected. Users of the company’s Ring doorbell cameras and Alexa-powered smart speakers reported that they were not working, while others said they were unable to access the Amazon website or download books to their Kindle.

    Many college and K-12 students were unable to submit or access their homework or course materials Monday because the AWS outage knocked out Canvas, a widely used educational platform.

    “I currently can’t grade any online assignments, and my students can’t access their online materials” because of the outage’s effect on learning-management systems, said Damien P. Williams, a professor of philosophy and data science at the University of North Carolina at Charlotte.

    The exact number of schools impacted was not immediately known, but Canvas says on its website it is used by 50% of college and university students in North America, including all Ivy League schools in the U.S.

    At the University of California, Riverside, students couldn’t submit assignments, take quizzes or access course materials, and online instruction was limited, the campus said.

    Ohio State University informed its 70,000 students at all six campuses by email Monday morning that online course materials might be inaccessible due to the outage and that “students should connect with their instructors for any alternative plans.” As of 7:10 p.m. Eastern, access was restored, the university told students.

    Record of past outages

    This is not the first time issues with Amazon cloud services have caused widespread disruptions.

    Many popular internet services were affected by a brief outage in 2023. AWS’s longest outage in recent history occurred in late 2021, when a wide range of companies — from airlines and auto dealerships to payment apps and video streaming services — were affected for more than five hours. Outages also happened in 2020 and 2017.

    The first signs of trouble emerged at around 3:11 a.m. Eastern time, when AWS reported on its “health dashboard” that it was “investigating increased error rates and latencies for multiple AWS services in the US-EAST-1 Region.” Later, the company reported that there were “significant error rates” and that engineers were “actively working” on the problem.

    Around 6 a.m. Eastern time, the company reported seeing recovery across most of the affected services and said it was seeking a “full resolution.” As of midday, AWS was still working to resolve the trouble.

    Sixty-four internal AWS services were affected, the company said.

    Just a few companies provide most internet infrastructure

    Because much of the world now relies on three or four companies to provide the underlying infrastructure of the internet, “when there’s an issue like this, it can be really impactful” across many online services, said Patrick Burgess, a cybersecurity expert at U.K.-based BCS, The Chartered Institute for IT.

    “The world now runs on the cloud,” Burgess said.

    And because so much of the online world’s plumbing is underpinned by so few companies, when something goes wrong, “it’s very difficult for users to pinpoint what is happening because we don’t see Amazon, we just see Snapchat or Roblox,” Burgess said.

    “The good news is that this kind of issue is usually relatively fast” to resolve, and there’s no indication that it was caused by a cyberattack, Burgess said.

    “This looks like a good old-fashioned technology issue. Something’s gone wrong, and it will be fixed by Amazon,” he said.

    There are “well-established processes” to deal with outages at AWS, as well as rivals Google and Microsoft, Burgess said, adding that such outages are usually over in “hours rather than days.”

  • Trump says he’s doubtful Ukraine can win the war with Russia as he prepares for Putin meeting

    Trump says he’s doubtful Ukraine can win the war with Russia as he prepares for Putin meeting

    KYIV, Ukraine — President Donald Trump said Monday that while he thinks it is possible that Ukraine can defeat Russia, he’s now doubtful it will happen.

    The comments from Trump added a fresh layer of skepticism toward Kyiv as he plans to meet again in the coming weeks with Russian President Vladimir Putin for face-to-face talks in Budapest, Hungary, on ending the war.

    “They could still win it. I don’t think they will, but they could still win it,” Trump told reporters on Monday at the start of a White House meeting with Australian Prime Minister Anthony Albanese.

    Trump last month reversed his long-held position that Ukraine would have to concede land and could win back all the territory it has lost to Russia.

    But after a lengthy call with Putin last week followed by a meeting with Ukrainian President Volodymyr Zelenskyy, Trump made another reversal and called on Kyiv and Moscow to “stop where they are” and end their brutal war.

    Asked on Monday about his whiplashing opinion on Kyiv’s position, Trump offered the dour assessment about Ukraine’s chances. He added, “I never said they would win it. I said they could. Anything can happen. You know war is a very strange thing.”

    Earlier Monday, Zelenskyy said that during the White House meeting Trump informed him that Putin’s maximalist demand — that Ukraine cede the entirety of its eastern Donetsk and Luhansk regions — was unchanged.

    Still, Zelenskyy described the meeting as “positive,” even though Trump also rebuffed his request for long-range Tomahawk cruise missiles.

    In public comments in the weeks leading up to his meeting with Zelenskyy, Trump had appeared to warm to the possibility of sending the Tomahawks, which would allow Ukrainian forces to strike deeper into Russian territory.

    But the U.S. leader’s tone changed after his latest call with Putin and he made clear that he was reluctant to send Ukraine the missile system, at least for the time-being.

    “In my opinion, he does not want an escalation with the Russians until he meets with them,” Zelenskyy told reporters on Sunday. His comments were embargoed until Monday morning.

    Zelenskyy also expressed skepticism about Putin’s proposal to swap some territory it holds in the Kherson and Zaporizhzhia regions if Ukraine surrenders Donetsk and Luhansk, saying the proposal was unclear. The Donetsk and Luhansk regions make up the Donbas.

    Ukraine’s leader said Trump ultimately supported a freeze along the current front line.

    “We share President Trump’s positive outlook if it leads to the end of the war,” Zelenskyy said, citing “many rounds of discussion over more than two hours with him and his team.”

    Zelenskyy was diplomatic about his meeting with Trump despite reports that he faced pressure to accept Putin’s demands. The meeting followed the disastrous Oval Office spat on Feb. 28 when the Ukrainian president was scolded on live television for not being grateful for U.S. support.

    Zelenskyy said he hopes that Trump’s meeting in the coming weeks with Putin in Hungary — which does not support Ukraine — will pave the way for a peace deal.

    Zelenskyy said he has not been invited to attend but would consider it if the format for talks were fair to Kyiv.

    He also took a shot at Hungarian Prime Minister Viktor Orban, saying he does not believe that a prime minister “who blocks Ukraine everywhere can do anything positive for Ukrainians or even provide a balanced contribution.”

    Zelenskyy said he thinks that all parties have “moved closer” to a possible end to the war.

    “That doesn’t mean it will definitely end, but President Trump has achieved a lot in the Middle East, and riding that wave he wants to end Russia’s war against Ukraine,” he added.

    Ukraine is hoping to purchase 25 Patriot air defense systems from U.S. firms using frozen Russian assets and assistance from partners, but Zelenskyy said procuring them would require time because of long production waits. He said he spoke to Trump about help procuring them more quickly, potentially from European partners.

    Zelenskyy said the United States is interested in bilateral gas projects with Ukraine, including the construction of an LNG terminal in the southern port city of Odesa. Other projects of interest include those related to nuclear energy and oil.

  • U.S. appeals court lets Trump send troops to Portland

    U.S. appeals court lets Trump send troops to Portland

    A divided U.S. appeals court ruled on Monday that Donald Trump can send National Guard troops into Portland, Oregon, despite objections by the leaders of the city and state, giving the Republican president an important legal victory as he dispatches military forces to a growing number of Democratic-led locales.

    A three-judge panel of the 9th U.S. Circuit Court of Appeals granted the Justice Department’s request to put on hold a judge’s order that had blocked the deployment while a legal challenge to Trump’s action plays out.

    The court said that sending in the National Guard was an appropriate response to protesters, who had damaged a federal building and threatened U.S. Immigration and Customs Enforcement officers.

    The unsigned majority opinion was joined by Circuit Judge Bridget Bade and Circuit Judge Ryan Nelson, who were both appointed by Trump in his first term. Nelson also wrote a concurring opinion saying that courts have no ability to even review the president’s decision to send troops.

    Circuit Judge Susan Graber, an appointee of Democratic President Bill Clinton, dissented. She said that allowing troops to be called in response to “merely inconvenient” protests was “not merely absurd” but dangerous, and she said the full 9th Circuit should overturn the ruling before Trump has a chance to send troops.

    White House spokeswoman Abigail Jackson welcomed the ruling, saying Trump had exercised his lawful authority to protect federal assets and personnel from protesters.

    Portland’s city attorney did not immediately respond to a request for comment.

    On October 4, Portland-based U.S. District Judge Karin Immergut, who Trump appointed during his first term as president, ruled that Trump likely acted unlawfully when he ordered troops to Portland. She had blocked Trump from sending any National Guard troops to Portland at least until the end of October, and has scheduled a non-jury trial set to begin on October 29 to determine whether to impose a longer-term block.

    DEMOCRATIC-LED STATES SEEK TO HALT DEPLOYMENTS

    In an extraordinary use of the U.S. armed forces for domestic purposes, Trump has sent National Guard troops into Los Angeles, Washington, D.C., and Memphis, and announced plans for deployments to Portland and Chicago.

    Democratic-led states and cities have filed lawsuits seeking to halt the deployments, and courts have not yet reached a final decision on the legality of Trump’s decisions to send the National Guard to U.S. cities.

    Trump has asked the U.S. Supreme Court to weigh his authority to send troops to Democratic-led cities, after another U.S. appeals court ruled against his decision to send troops to Chicago.

    City and state officials sued the administration in a bid to stop the Portland deployment, arguing that Trump’s action violates several federal laws that govern the use of military forces as well as the state’s rights under the U.S. Constitution’s 10th Amendment.

    The lawsuit accused Trump of exaggerating the severity of protests against his immigration policies to justify illegally seizing control of state National Guard units.

    Trump on September 27 ordered 200 National Guard troops to Portland, continuing his administration’s unprecedented use of military personnel in U.S. cities to suppress protests and bolster domestic immigration enforcement. Trump called the city “War ravaged” and said, “I am also authorizing Full Force, if necessary.”

    Police records provided by the state showed that protests in Portland were “small and sedate,” resulting in only 25 arrests in mid-June and no arrests in the 3-1/2 months since June 19.

    A federal law called the Posse Comitatus Act generally restricts the use of the U.S. military for domestic law enforcement purposes. In ordering troops to California, Oregon and Illinois, Trump has relied on a law – Section 12406 of Title 10 of the U.S. Code – that allows a president to deploy state National Guard to repel an invasion, suppress a rebellion or allow the president to execute the law.

    The National Guard serves as state-based militia forces that answer to state governors except when called into federal service by the president.

    During arguments in the case on October 9, the two Trump-appointed judges suggested that Immergut had focused too closely on protests in the city in September without fully considering more serious protests two months before the troop deployment. Circuit Judge Ryan Nelson said that courts should not engage in a “day by day” review of whether troops were needed at any given time.

    Immergut issued decisions against the administration on October 4 and October 5, first ruling that Trump could not take over Oregon’s National Guard and then ruling that he could not circumvent that decision by calling in National Guard troops from other states.

    The judge said there was no evidence that recent protests in Portland rose to the level of a rebellion or seriously interfered with law enforcement, and she said Trump’s description of the city as war-ravaged was “simply untethered to the facts.”

    Immergut is one of three district court judges who have ruled against Trump’s use of the National Guard, and no district court judge has yet ruled for Trump in the National Guard cases.

    Appeals courts have split over the issue so far, with the 9th Circuit previously backing Trump’s use of troops in California and the 7th Circuit ruling that troops should stay out of Chicago for now.

  • Phillies Extra: Greg Luzinski

    Phillies Extra: Greg Luzinski

    It’s always a good time to sit down with former Phillies slugger Greg Luzinski. But it’s particularly timely this week, as the team marks the 45th anniversary of its first World Series championship. The Bull discusses his starring role in the 1980 NL Championship Series, his career with the Phillies, the current team’s struggle to get over the postseason hump, the power of Kyle Schwarber, and more. Watch here.

    You can also subscribe to the podcast version of Phillies Extra on Spotify or Apple Podcasts.