Tag: Center City

  • Is 2025 Philadelphia’s year of the parking garage?

    Is 2025 Philadelphia’s year of the parking garage?

    Three large stand-alone parking garages have been proposed in Philadelphia this year, unusual projects in a city where parking operators have long complained that high taxation makes it difficult to run a business.

    The latest is a 372-unit garage near Fishtown and Northern Liberties at 53-67 E. Laurel St. near the Fillmore concert hall and the Rivers Casino.

    The developers see it as a strong bet for an area of the city that has seen a surge of apartment construction, which, due to Philadelphia’s parking laws, requires developers to only build spaces to serve a fraction of the units.

    “There’s been about 2,500 units that have come online within a 5- to 10-minute walk” of the planned garage, said Aris Kufasimes, director of operations with developer Bridge One Management. “When you’re building those on 7-1 [apartments to parking spaces] ratios, that leaves a massive hole. Where is everybody going to put their vehicles?”

    Despite central Philadelphia’s walkability and high levels of transit access, two other developers have made similar calculations this year.

    In the spring, Children’s Hospital of Philadelphia (CHOP) revealed plans for a 1,005-space parking garage in Grays Ferry along with a shuttle service to spirit employees to the main campus a mile away.

    In August, University Place Associates unveiled plans for a 495-unit garage. About a fourth of it will be reserved for the use of the city’s new forensic lab, but the rest will be open to the public.

    All three projects have baffled environmentalists and urbanists, who thought Philadelphia was moving away from car-centric patterns of late 20th-century development.

    It’s also surprised parking operators in the city, who say national construction cost trends and high local taxation make it difficult to turn a profit.

    Legacy parking companies in Philadelphia like E-Z Park and Parkway Corp. have been selling garages and surface lots for redevelopment as anything other than parking. They say the city has lost 10,000 publicly available spaces in the last 15 years, bringing the total to about 40,000 in Center City.

    “I don’t think I’ll ever build another stand-alone parking facility,” said Robert Zuritsky, president of Parkway Corp. and board chair of the National Parking Association. “It doesn’t make any sense.”

    Zuritsky and other parking companies have long noted that operators in Philadelphia, who often have unionized workforces, get hit with parking, wage, property, and the Use and Occupancy Tax.

    When combined with the soaring cost of building new spaces across the nation, it’s difficult to turn a profit in Philadelphia.

    A rendering of the Fishtown garage, looking towards the Delaware River.

    Zuritsky says it costs $60,000-$70,000 a space to build an aboveground lot in today’s environment and $100,000 to $150,000 below ground.

    “It’s like building a house for a car,” he said.

    Depending on hyperlocal peculiarities, Zuritsky says that taxation in Center City can eat up to 60% of the money they bring in and that to profit from new construction, an operator would have to charge $3,000 per space a month.

    “I wish people luck, the ones that are moving in,” said Harvey Spear, president of E-Z Park. “Between taxes, insurance, and labor, it comes to, like, 70-some percent of what we take in. We have more equipment now that does away with a lot of labor; we’re trying to compensate with that.”

    Urbanist and environmental advocates, meanwhile, have condemned the new garage projects, arguing that they will add to carbon emissions, air pollution, and traffic congestion.

    “A massive parking garage less than half a mile from the El [in Fishtown] is the wrong direction for any city that claims to take climate action seriously,” said Ashlei Tracy, deputy executive director with the Pennsylvania Bipartisan Climate Initiative. “SEPTA is already working to get more people out of cars and onto transit, but projects like this one and the one from CHOP only make that harder.”

    Here are the parking projects in the pipeline.

    Fishtown: 372 spaces

    The garage, with architecture by Philadelphia-based Designblendz, doesn’t just contain parking. It includes close to 14,000 square feet of commercial space on the first floor, which the developer hopes to rent to a restaurant — or two — on the edges of one of Philadelphia’s hottest culinary scenes.

    Another over 16,000-square-foot restaurant space is planned for the top floor, with views of the skyline and river. Both the top and bottom floors also could be used as event spaces.

    Kufasimes says that this aspect of the project could partly offset the kinds of costs that parking veterans warn of.

    “Our due diligence team went through those numbers and vetted them pretty thoroughly: The returns are what they needed to be,” Kufasimes said. “It’s got a multifunction of income streams, so we think that that really will help play a larger role.”

    Kufasimes also said a parking garage made sense in an area that’s seen more development than almost any other corner of Philadelphia. When investors purchased the land at 53-67 E. Laurel St. and approached his company for ideas, they met with other stakeholders in the neighborhood and determined parking would be appreciated.

    “It wasn’t necessarily all about the profit,” Kufasimes said. “A lot of people this day and age, that is their number-one goal. If this is a slightly lower return in the long run but can be better accepted by the community as a whole, we think that actually raises the value of the asset.”

    An overhead-perspective rendering of the Fishtown garage.

    At an October meeting of the Fishtown Neighbors Association, that argument appeared to pay off. Unlike most community meetings where a large new development is proposed, there were no adamant opponents of the project. The project also includes a 20,000-square-foot outdoor space, a green roof, and a to-be-decided public art component. All of that helped, too.

    “It’s nice seeing a parking garage, of all things, be as pedestrian-friendly and thoughtful as this,” one speaker said during the Zoom meeting.

    University City: 495 spaces

    The garage at 17 N. 41st St. is part of a larger complex of developments in a corner of West Philadelphia’s University City.

    Dubbed University Place 5.0, it largely exists because of a major expansion of the municipal bureaucracy west of the Schuylkill.

    For years the city has sought a new location for its criminal forensics laboratory. The debate became heated in City Hall, with numerous Council members making the case for locations within their districts.

    Councilmember Jamie Gauthier pushed for its location in University City Place 3.0, a newly built, state-of-the-art life sciences building that was coming online just as its intended industry was slowing down in the face of higher interest rates.

    To get the crime lab, Mayor Cherelle L. Parker’s administration said the police department would need ample parking. That’s where the new garage comes in.

    In June, Gauthier passed a zoning overlay that cleared away the regulatory hurdles to the project. Six weeks later, the developers revealed University City Place 5.0, which has 29 parking spaces on the ground floor reserved for official use by forensics vehicles and 100 spaces reserved for city employees.

    A rendering of the proposed University City parking garage as seen from 42nd and Filbert Streets.

    Designed by Philadelphia-based ISA Architects, the garage is also meant to serve University Place Associate’s other large developments in the area. Akin to the Fishtown garage, they have also sought to make the development pedestrian friendly, with a dog park, green space, and public art.

    The local community group, West Powelton Saunders Park RCO, also embraced the proposal.

    “The community met regarding this project back in August, and … they were all in support of this project,” Pamela Andrews, president of the West Powelton Saunders Park RCO, said at the city’s September Civic Design Review meeting. “We have a tremendous problem with parking, and the community members felt this was a much needed and welcome addition.”

    Grays Ferry: 1,005 parking spaces

    CHOP’s thousand-car parking garage by far has been the most controversial of the proposals. But it also makes the most economic sense for the owner. Unlike the other garages — or those owned by Parkway and E-Z Park — it will be owned by a nonprofit and exempted from many of the taxes that make it so expensive to own parking in Philadelphia.

    A rendering of the new parking garage CHOP plans for Grays Ferry.

    The hospital purchased the property at 3000 Grays Ferry Ave., next to the Donald Finnegan Playground, for almost $25 million last year.

    The seven-story development, which, plans show, would have far fewer amenities than its University City and Fishtown counterparts, is meant to serve CHOP’s new research facilities in Fitler Square and the new patient tower set to open in 2028.

    “We recently secured permits and have begun construction on the new parking garage at 3000 Grays Ferry Ave.,” a CHOP spokesperson said. “The full construction is expected to go through the fall of 2026. CHOP continues to engage with the community by providing support, timely updates and addressing feedback during construction.”

    At the time of its unveiling, CHOP argued that the massive garage was needed as SEPTA threatened to become unreliable due to a political funding crisis in Harrisburg. But detractors appeared almost immediately to denounce the hospital for worsening air quality in a lower-income neighborhood that is already a hot spot for asthma.

    The project’s design was derided at the city’s advisory Civic Design Review panel and has attracted protest rallies, unlike its counterparts in University City or Fishtown.

    There are no regulatory hurdles to the development, but changes in the political or economic landscape could make it difficult to embark on a large capital project. Notably, the University of Pennsylvania proposed an 858-space garage in 2023 for the nearby Pennovation Center and has never broken ground.

  • Protesters rally outside Philly ICE office as Catholics launch ‘One Church, One Family’ campaign for immigrants

    Protesters rally outside Philly ICE office as Catholics launch ‘One Church, One Family’ campaign for immigrants

    Lifted by song, prayer, and Scripture, dozens of Philadelphia-area Catholics rallied outside the Center City ICE office on Wednesday, joining a pro-immigrant push undertaken by fellow church groups around the country.

    Catholic priests, nuns, and other supporters prayed and sang outside the field office near Eighth and Cherry Streets, joining a nationwide show of solidarity with migrant families, refugees, and asylum-seekers.

    “We reject the culture of fear that dehumanizes,” Michelle Cimaroli of Handmaids of the Sacred Heart of Jesus, an international community of Catholic women, told the crowd of about 50 people. “As Catholics, we stand with immigrants.”

    Speakers called on people to see the face of God in every human face. And to be as confident as Jesus in sharing the truth.

    Catholic organizations across the country are taking part in a campaign called One Church, One Family: Catholic Public Witness for Immigrants. The movement invites parishes, schools, and faith-based groups to host prayerful public events that proclaim the dignity of every person.

    U.S. Immigration and Customs Enforcement officials said in a statement: “ICE respects the rights of individuals to peacefully protest.”

    A second day of prayer is planned for Nov. 13, timed to coincide with the feast of St. Frances Xavier Cabrini, an Italian immigrant who became the first U.S. citizen to be declared a saint, according to the National Catholic Reporter.

    Peter Pedemonti of the New Sanctuary Movement addressing Catholics gathered outside ICE office at Eighth and Cherry Streets on Wednesday. They are protesting against the detaining and incarceration of immigrants.

    “I want us to take a moment to just let our hearts break,” Peter Pedemonti, codirector of New Sanctuary Movement of Philadelphia, told the crowd in Center City. “That we don’t let the daily barrage of bad news harden us.”

    He and other advocates said they believed ICE arrested four people in Philadelphia on Wednesday, including a man at the Italian Market.

    “We’re trying to get Catholics across the country to listen to Pope Leo’s message: Migrants lead us, they lead us to a true set of values,” said Jerry Zurek, who serves as local co-organizer of NETWORK, the Catholic social-justice group, and who took part in the Philadelphia rally.

    This month the pope described migrants and refugees as “privileged witnesses of hope through their resilience and trust in God,” maintaining their strength while seeking a better future “in spite of the obstacles that they encounter,” Catholic News Service reported.

    Big and small protests continue to take place in the Philadelphia area and around the county in opposition to President Donald Trump’s effort to deport millions of people. The number of people arrested by ICE in Delaware, New Jersey, and Pennsylvania has surged since the agency reportedly implemented a 3,000-arrests-a-day quota in late May.

    Arrests doubled from an average of 26 a day since Trump took office through May 21, to an average of 51 a day between May 22 and June 26 for the three states. At the same time, the proportion of people arrested without a criminal record or pending criminal charges soared, up two-thirds since the directive to ICE was issued.

    “As Catholics and people of deep faith, we reject the culture of fear and silence that dehumanizes, and we choose instead to stand with migrants,” local organizers said in a statement, pledging “to defend the dignity of our neighbors, family members, fellow parishioners, classmates, coworkers, and friends.”

    Vicki Guinta-Abbott, a concerned citizen and a Catholic, gathers with others outside the ICE office at Eighth and Cherry Streets on Wednesday.

    The body of U.S. bishops, individual bishops, and Catholic organizations have been speaking out against what they call inhumane policies that go against church teachings on immigration.

    Local leaders said the campaign is sponsored by the United States Conference of Catholic Bishops Migration and Refugee Services, the Leadership Conference of Women Religious, Jesuit Refugee Service/USA, and many others.

  • Barry Leonard, celebrated crimper and longtime Center City beauty salon owner, has died at 87

    Barry Leonard, celebrated crimper and longtime Center City beauty salon owner, has died at 87

    Barry Leonard, 87, formerly of Philadelphia, celebrated crimper, longtime innovative owner of the Barry Leonard Crimper & Spa in Center City, unisex beauty salon groundbreaker, fashion and marketing trendsetter, haircutting mentor, and Army veteran, died Sunday, Oct. 12, at his home in Hallandale Beach, Fla. The cause of his death has not been disclosed.

    Born in Philadelphia to a family of hairstylists, Mr. Leonard swept the floor at his father’s beauty salon in West Philadelphia as a boy and, in 1955, became the first male to graduate from the beauty culture curriculum at Murrell Dobbins Career and Technical Education High School. He went on to help rewrite state statutes to allow unisex beauty salons in the 1970s, wow the marketing world with innovative ads that featured Fidel Castro, Albert Einstein, Santa Claus, and the Wolfman, and own high-end shops in the old Marriott Hotel on City Avenue and then on Chestnut Street for 43 years.

    A proponent of what he called “natural haircutting,” Barry Leonard, Crimper, counted politicians, musicians, actors, and other celebrities as well as local residents as his regulars, and most of them were fine with waiting months for an appointment. He moved his bustling salon from the Marriott to 1527 Chestnut St. in 1972, relocated to 1822 Chestnut in 1995, and retired to Florida in 2005.

    In the early 1970s, he saw that men appreciated hair care, too, and he successfully challenged an old state law that required separate locations for male and female haircuts. So unisex salons became common in the 1980s and ’90s.

    Mr. Leonard is shown styling the hair of Annie Halpern, his future wife, in this 1985 photo in the Daily News.

    “Hair,” he told The Inquirer in 1973, “is the only part of the body that can be changed readily and allows the individual to play his role as he feels it at that particular moment — protest, freakiness, sensuality, anything.”

    His New Age salon featured wicker furniture, hanging plants, big pillows, Japanese koi, and free coffee, fruit, and wine. He charged $12.50 per cut in 1973 and $25 in 1991. Sometimes, he booked 75 heads a day, his wife, Annie, said.

    Most often, he consulted with customers before the cut, assigned the job to an assistant stylist, and checked back when the work was done. Over his career, he told his wife, he likely attended to more than 1 million customers. In 1991, he told The Inquirer: “My general philosophy is to make people happy.”

    He also created and distributed do-it-yourself manuals for those who couldn’t get appointments and introduced computerized styling technology in the 1980s so clients could design their own cuts on video screens. “I’m a firm believer that nothing lasts forever,” he told the Daily News in 1977. “But right now, I’ll stay the way I am. It’s really a matter of the world catching up with me.”

    This then and now photo appeared with a story in The Inquirer in 1973.

    He was featured often in The Inquirer, Daily News, Philadelphia Magazine, Philadelphia Business Journal, and other publications, and writers dubbed him the “top hair gun” in Philadelphia, “the dashing haircutter,” and “Philadelphia’s leading proponent of hair as art.” He dabbled in selling franchises, endorsed a new Japanese hair-straightening process, and hosted runway-style hair shows and crimper workshops.

    Women told him his beauty advice changed their lives. Men said his haircuts improved their sex lives. “I was the image changer,” he told The Inquirer in 2002.

    In the late 1960s, Mr. Leonard gave local advertising whiz Elliott Curson a haircut, and Curson, delighted with the result, suggested rebranding Mr. Leonard as “a crimper,” British slang for hairdresser. What followed was a hugely successful ad campaign and a friendship that lasted more than 50 years.

    One of their first ads featured the phrase: “When I come out of Barry Leonard’s, I won’t look like my mother.” Curson said: “He had that look, the outfit, and the vision that worked so well.”

    Mr. Leonard and his wife, Annie, married in 1986.

    Mr. Leonard liked to wear a work shirt, vest, blue jeans, boots, designer glasses, and turquoise jewelry to work. His own hair flowed down to his shoulders when he was young. He told the Daily News in 1977: “Anybody can be where it’s at. But I’m where it’s going to be.”

    He was a member of Intercoiffure America and participated in its competitive showings in New York and elsewhere. He was included in a display called “Movers and Shakers” at the now-closed Philadelphia History Museum.

    “He would meet you once and have an impact on the rest of your life,” his wife said. “Everybody loved him. He was passionate and compassionate.”

    Barry Leonard was born Jan. 27, 1938, in Philadelphia. He grew up in Wynnefield and Bala Cynwyd, and served in the Army’s 101st Airborne Division for two years after high school.

    Mr. Leonard (second from right) celebrated his 80th birthday with his children.

    He wore a traditional tie and jacket, and cut hair with his father and in a few local shops before opening his place at the Marriott in 1962. He also spent some time working in London and first heard the word crimper there.

    He married Charlene Brooks, and they had daughters Karen, Susan, and Elizabeth and a son, Brett. After a divorce, he met Annie Halpern at a party in 1983. They went to a Neil Diamond concert on their first date in 1984, married in 1986, and moved from Center City to Florida in 2005.

    Mr. Leonard was an avid boxing fan, and he knew his way around the popular Blue Horizon venue on Broad Street. He had a summer home in Longport, N.J., and enjoyed time at Gulfstream Park racetrack in Florida.

    He was spiritual and loquacious, his wife said. He had favorite witty quips, and his family and friends refer to them as “Barryisms.”

    This article about Mr. Leonard’s fashion sense was published in the Daily News in 1977.

    He attended all kinds of galas and benefits, and doted on his children. “He gave me my first shag” haircut, a longtime friend said on Facebook. Another friend said her neighbor cut her hair once. “The results were not good,” she said. “Barry fixed me.”

    They called him “one of a kind,” “truly the best around,” and a “mentor and a friend.” His wife said: “He was the love of my life.”

    In addition to his wife, children, and former wife, Mr. Leonard is survived by eight grandchildren and other relatives. A brother died earlier.

    A celebration of his life is to be at 11 a.m. Saturday, Dec. 6, at Gulfstream Park, Third Floor, Flamingo Room, 901 S. Federal Highway, Hallandale Beach, Fla. 33009. RSVP to blcrimper@aol.com.

    This ad by Mr. Leonard and Elliott Curson appeared in The Inquirer in 1982.
  • The Trump administration’s push to deport pro-Palestinian activist Mahmoud Khalil landed before a Philly-based appeals court

    The Trump administration’s push to deport pro-Palestinian activist Mahmoud Khalil landed before a Philly-based appeals court

    President Donald Trump’s administration on Tuesday asked a federal appeals court in Philadelphia to overturn an order that has, for the moment, blocked authorities from deporting pro-Palestinian activist Mahmoud Khalil — the latest development in a complex legal saga that began when the administration was seeking to crack down on anti-Israeli college campus protests earlier this year.

    During a hearing before a three-judge panel in a Center City courtroom, Deputy Assistant Attorney General Drew Ensign said the earlier order, issued by a federal judge in New Jersey, was “indefensible” for several reasons — including that it was issued in the wrong jurisdiction, and that it was effectively helping Khalil’s lawyers improperly “fragment” the various legal proceedings against him and seek venues that might issue favorable rulings.

    Khalil’s attorneys, however, said the judges should uphold the lower court’s ruling because the government had illegally targeted the 30-year-old for removal over his political views — something they called a clear First Amendment violation and a situation that could have wider implications amid Trump’s push to increase deportations.

    Speaking outside the courthouse after the hearing, Khalil, a legal permanent resident who was born in Syria, told a crowd of supporters he planned to continue his legal fight to remain in the United States.

    “This shows how my case is actually just a test for everyone’s right’s here across the country,” he said. “Not only one place, not only for specific people, for immigrants or documented or undocumented people, it’s for everyone across the country.”

    Eric Hamell, of West Philadelphia, holds up a sign saying Free Mahmoud Khalil during a rally outside the James A. Byrne U.S. Courthouse in Philadelphia on Tuesday.

    The case against Khalil began in March, when he was arrested by immigration authorities at Columbia University, where he had recently completed a master’s degree and had become a prominent figure at pro-Palestinian protests. Authorities detained Khalil and then pushed to deport him, with Secretary of State Marco Rubio citing an obscure legal statute in contending that Khalil’s rhetoric and continued presence in the country could undermine U.S. foreign policy interests.

    Khalil’s lawyers quickly challenged the administration’s actions in court — first in New York, where he lived and was arrested, then in New Jersey, where he was detained in the immediate aftermath of his arrest.

    Within days, however, Khalil was transferred to a detention facility in Louisiana, where he was held for more than three months (he was living there this spring when his wife, an American citizen, gave birth to their son in New York).

    The issue of where Khalil was located was something Ensign, the government attorney, said was important for the appellate judges to consider: Because Khalil was primarily detained in Louisiana, Ensign said, any legal challenge seeking to have him released should have taken place in that jurisdiction.

    And in Ensign’s view, that meant the June ruling by a judge in New Jersey that ordered Khalil released — and temporarily blocked his deportation — should be overturned.

    Several judges appeared skeptical of the jurisdictional aspect of Ensign’s argument. Circuit Judge Stephanos Bibas, a Trump appointee, pointed out that authorities were moving Khalil to various jurisdictions over a weekend — and suggested attorneys couldn’t be forced to wait until the work week to file emergency challenges to what they viewed as wrongful detention.

    “The lawyers didn’t know” where Khalil was, Bibas said. “They had to do their best.”

    The judges seemed more receptive to another of Ensign’s arguments: That Khalil is currently the subject of a complex web of legal cases, with various claims being weighed in various courts.

    In addition to the matter being argued in Philadelphia on Tuesday, his immigration case remains pending in Louisiana because of a separate issue: In September, an immigration judge there ruled that Khalil be removed to Syria or Algeria because he failed to disclose information about his past work with pro-Palestinian groups on his green card application.

    While his attorneys have appealed that ruling, the appellate panel on Tuesday questioned whether it was appropriate for different jurisdictions to be weighing different aspects of his various cases — particularly when many of the legal issues in them are generally similar.

    Circuit Judge Thomas M. Hardiman asked whether doing so would give Khalil a “second bite at the apple” to challenge rulings that don’t go his way.

    It remained unclear Tuesday how or when the judges might rule.

    Khalil, meanwhile, said outside the courthouse afterward: “We are in the fight until the end.”

  • ‘The Comeuppance,’ ‘Poor Judge,’ win big at Barrymore Awards

    ‘The Comeuppance,’ ‘Poor Judge,’ win big at Barrymore Awards

    The Barrymore Awards celebrated the best of Philadelphia’s regional theater Monday night at Temple Performing Arts Center, where Theatre Philadelphia spotlighted about 50 nominated productions from the 2024-25 season. Twenty-one awards were presented to 13 local companies.

    The top winners were Old City’s Arden Theatre Company and Olde Kensington’s Pig Iron Theatre Company, which each took home four Barrymores. Center City’s Wilma Theater — the 2024 Regional Theatre Tony Award recipient — and Inis Nua Theatre Company earned three awards apiece for multiple productions.

    Dito van Reigersberg (center) performs at the 2025 Barrymore Awards on Monday, Oct. 20, 2025.

    The Wilma’s production of Branden Jacobs-Jenkins’ The Comeuppance, a spooky-tinged millennial drama directed by Wilma co-artistic director Morgan Green, won three awards: outstanding overall production of a play, outstanding ensemble in a play, and outstanding sound design for Jordan McCree.

    The Comeuppance brings the drama of diverging politics and experiences to a microscopic, interpersonal level,” wrote Krista Mar in her Inquirer review. “No one character is a hero, as each of them wins our empathy, especially when possessed by Death, and then loses it. The play holds a mirror to the audience and makes them confront their own biases, assumptions, and judgment.”

    CJ Higgins, Interim Executive Director of Theatre Philadelphia, cohosts the 2025 Barrymore Awards ceremony with Aunyea Lachelle, entertainment and lifestyle anchor for NBC10’s Philly Live at the Temple Performing Arts Center in North Philadelphia on Monday, Oct. 20, 2025.

    Arden Theatre’s Intimate Apparel, a touching tale from Pulitzer-winning playwright Lynn Nottage about an African American seamstress hoping for romance, won two Barrymores. Amina Robinson earned outstanding direction of a play, and David Pica, who played love interest Mr. Marks, received outstanding supporting performance in a play. Robinson has previously won two Barrymore Awards for directing a musical for The Color Purple at Theater Horizon and Once on This Island at the Arden.

    Kishia Nixon, the actor behind interior designer Thalia in R. Eric Thomas’ Glitter in the Glass at Theater Exile, also won for outstanding supporting performance in a play. The Inquirer review called the new work “a nimble, nerdy, and very funny play that tries to answer some very tough questions.”

    For outstanding leading performances in a play, both awards went to the stars of InterAct Theatre Company’s Rift, or White Lies. Matteo Scammell and Jered McLenigan played two brothers on opposite sides of the political spectrum and each night they alternated roles. (The Barrymores does not divide acting award categories by gender.)

    The cast and crew of the play “The Comeuppance” accept the award for Outstanding Overall Production of a Play at the 2025 Barrymore Awards at the Temple Performing Arts Center in North Philadelphia on Monday, Oct. 20, 2025. The Barrymore Awards spotlight the best musicals, plays, actors, directors, and backstage creatives in the Philadelphia region

    In musical categories, Pig Iron Theater’s production of Poor Judge, which ran at the Wilma Theater as part of the 2024 Fringe Festival, took home three awards: outstanding overall production of a musical, outstanding media design for Mike Long, and outstanding music direction for Alex Bechtel.

    The eccentric show, conceived and led by Philadelphia legend Dito van Reigersberg (aka Martha Graham Cracker), is a trippy journey through alt-rock singer Aimee Mann’s catalog, enhanced by fascinating live video taping.

    Everyone in the ensemble for the September 2024 production played Aimee with delightfully weird and unexpectedly profound results. It was such a success that the Wilma is bringing it back for another run in January.

    Dito van Reigersberg in the 2024 Fringe Festival’s production of ‘Poor Judge.’

    Bechtel also won the award for outstanding original music for People’s Light’s production of Peter Panto: A Musical Panto. It’s the second year in a row that the composer has been recognized for his original music; last year he won for Alice in Wonderland: A Musical Panto.

    Peter Panto earned another Barrymore as well: Connor McAndrews, who played Smee, won for outstanding supporting performance in a musical, alongside actor Sevon Askew, who won in the same category for playing Benny in Arden Theatre’s RENT.

    Inis Nua’s Drip, a solo comedy that ran at Fergie’s Pub, won two Barrymores recognizing director Kyle Metzger and actor Max Gallagher for outstanding leading performance in a musical. The story follows a teen who desperately wants to build a synchronized swim team but doesn’t actually know how to swim. The Inquirer review said the show was “a small bit of joy that makes a heartfelt statement through its casting and earnestness, reminding us in the final number that whoever we are, we should all ‘make, make, make a splash.’”

    The cast and crew of “Gay Mis” accept the award for Outstanding Ensemble in a Musical at the 2025 Barrymore Awards at the Temple Performing Arts Center in North Philadelphia on Monday, Oct. 20, 2025. Danny Wilfred (third from right) won for outstanding leading performance in a musical.

    Also winning for leading performance in a musical was Danny Wilfred, who played Parmesan in Gay Mis, a queer parody of Les Misérables from Philly drag queen Eric Jaffe’s Jaffe St. Queer Productions. Gay Mis took home the Barrymore for outstanding ensemble in a musical as well.

    The Philadelphia Award for Social Insight, which comes with a $25,000 prize, went to Esperanza Arts Center for Nichos, a world premiere about Mexican history based on interviews with immigrants in Philly and their families.

    For a second year in a row, Theatre Philadelphia did not grant its F. Otto Haas Award for an Emerging Artist, which spotlights up-and-coming Philadelphia actors with a $15,000 cash prize. The organization said it has been unable to grant the award after losing funding.

    “The F. Otto Haas Award for an Emerging Artist was a meaningful part of our celebration of Philly theatre for many years,” said Theatre Philadelphia in a statement. “While the F. Otto Haas Award is no longer being presented, we remain deeply grateful for the years of support that made it possible and continue to honor emerging artists across the region through our ongoing recognition programs.”

    See the full list of winners (bolded) below.

    Outstanding Overall Production of a Play

    1. The Comeuppance — The Wilma Theater
    2. Glitter in the Glass — Theatre Exile
    3. Archduke — The Wilma Theater
    4. Rift, or White Lies — InterAct Theatre
    5. Nosejob — Lightning Rod Special
    6. Square Go — Inis Nua Theatre
    7. Intimate Apparel — Arden Theatre

    Outstanding Direction of a Play

    1. Amina Robinson — Intimate Apparel, Arden Theatre
    2. Alex Burns — Cyrano de Bergerac, Quintessence Theatre Group
    3. Morgan Green — The Comeuppance, The Wilma Theater
    4. Nell Bang-Jensen — Nosejob, Lightning Rod Special
    5. James Ijames — August Wilson’s King Hedley II, Arden Theatre
    6. Kathryn MacMillan — Square Go, Inis Nua Theatre
    7. Matt Pfeiffer — Red, Theatre Exile
    David Pica (Mr. Marks) and Brandi Porter (Esther) in Arden Theatre Company’s production of “Intimate Apparel.”

    Outstanding Ensemble in a Play

    1. The Comeuppance — The Wilma Theater
    2. Cyrano de Bergerac — Quintessence Theatre Group
    3. Intimate Apparel — Arden Theatre
    4. A Midsummer Night’s Dream — Quintessence Theatre Group
    5. The 39 Steps — Lantern Theater
    6. Nosejob — Lightning Rod Special
    7. Cato (Remixed) — Philadelphia Artists’ Collective

    Outstanding Leading Performance in a Play

    1. J Hernandez — Cyrano de Bergerac, Quintessence Theatre Group
    2. Brandi Porter — Intimate Apparel, Arden Theatre
    3. Matteo Scammell — Rift, or White Lies, InterAct Theatre
    4. Jered McLenigan — Rift, or White Lies, InterAct Theatre
    5. Jessica Johnson — The Half-God of Rainfall, The Wilma Theater
    6. Phillip Brown — American Moor, Lantern Theater
    7. Frank Jimenez — Moreno, InterAct Theatre
    8. Jessica Money — Our Town, New Light Theatre
    9. Adam Howard — Tuesdays with Morrie, Delaware Theatre Co.
    10. Karen Peakes — Much Ado About Nothing, Lantern Theater
    11. Tyler Elliot — Square Go, Inis Nua Theatre
    12. Owen Corey — Square Go, Inis Nua Theatre
    13. Suli Holum — Archduke, The Wilma Theater
    14. Lee Thomas Cortopassi — A Midsummer Night’s Dream, Quintessence Theatre Group

    Outstanding Supporting Performance in a Play

    1. Kishia Nixon — Glitter in the Glass, Theatre Exile
    2. Jessica Johnson — Intimate Apparel, Arden Theatre
    3. Alice Yorke — Nosejob, Lightning Rod Special
    4. Dax Richardson — August Wilson’s King Hedley II, Arden Theatre
    5. Kash Goins — August Wilson’s King Hedley II, Arden Theatre
    6. Zach Valdez — Red, Theatre Exile
    7. Janis Dardaris — Cyrano de Bergerac, Quintessence Theatre Group
    8. Morgan Charéce Hall — A Raisin in the Sun, People’s Light
    9. David Pica — Intimate Apparel, Arden Theatre
    10. Jaime Maseda as Francisco — The Comeuppance, Wilma Theater
    11. Gabriel Elmore — Moreno, InterAct Theatre
    12. Kimberly S. Fairbanks — August Wilson’s King Hedley II, Arden Theatre
    13. Zoe Nebraska Feldman — The Wanderers, Lantern Theater
    14. Tyler Elliot — It’s a Wonderful Life: A Live Radio Play, Hedgerow Theatre Company 1

    Outstanding Movement/Choreography in a Play

    1. Ian Rose — Cyrano de Bergerac, Quintessence Theatre Group
    2. J. Alex Cordaro — Archduke, The Wilma Theater
    3. Ontaria Kim Wilson & J Paul Nicholas — Moreno, InterAct Theatre
    4. Eli Lynn — The Comeuppance, The Wilma Theater
    5. J. Alex Cordaro — Square Go, Inis Nua Theatre
    6. Matteo Scammell — Nosejob, Lightning Rod Special
    7. Yasmine Lee — Franklin’s Key, Pig Iron Theatre

    Outstanding Overall Production of a Musical

    1. Penelope — Theatre Horizon
    2. Poor Judge — Pig Iron Theatre
    3. Gay Mis — Jaffe St. Queer Productions
    4. Night Side Songs — Philadelphia Theatre Co.

    Outstanding Direction of a Musical

    1. Kyle Metzger — Drip, Inis Nua Theatre
    2. Eva Steinmetz — Poor Judge, Pig Iron Theatre
    3. Eric Jaffe — Gay Mis, Jaffe St. Queer Productions
    4. Taibi Magar — Night Side Songs, Philadelphia Theatre Co.
    Max Gallagher plays Liam in Inis Nua’s ‘Drip.’

    Outstanding Leading Performance in a Musical

    1. Max Gallagher — Drip, Inis Nua Theatre
    2. Cookie Diorio — Kinky Boots, New Light Theatre
    3. Danny Wilfred — Gay Mis, Jaffe St. Queer Productions
    4. Eli Lynn — Peter Panto: A Musical Panto, People’s Light
    5. Dito van Reigersberg — Poor Judge, Pig Iron Theatre
    6. Brooke Ishibashi — Night Side Songs, Philadelphia Theatre Co.
    7. Rachel Camp — Penelope, Theatre Horizon
    8. Eric Jaffe — Gay Mis, Jaffe St. Queer Productions

    Outstanding Supporting Performance in a Musical

    1. Andrew Burton Kelly — Kiss Me, Kate!, Quintessence Theatre Group
    2. Hannah Truman — Legally Blonde, Media Theatre
    3. Phoebe Gavula — Grease, Media Theatre
    4. Rajeer Alford — Rent, Arden Theatre
    5. Sevon Askew — Rent, Arden Theatre
    6. Jenna Kuerzi — Grease, Media Theatre
    7. Connor McAndrews — Peter Panto: A Musical Panto, People’s Light
    8. Livvie Hirshfield — Legally Blonde, Media Theatre
    Cookie Diorio, nominated for ‘Kinky Boots,’ performs at the 2025 Barrymore Awards ceremony at the Temple Performing Arts Center in North Philadelphia on Monday, Oct. 20, 2025. The Barrymore Awards spotlight the best musicals, plays, actors, directors, and backstage creatives in the Philadelphia region.

    Outstanding Choreography/Movement in a Musical

    1. Todd Underwood — Kiss Me, Kate!, Quintessence Theatre Group
    2. Melanie Cotton — Peter Panto: A Musical Panto, People’s Light
    3. Taylor J. Mitchell — Kinky Boots, New Light Theatre
    4. Christian Ryan — Legally Blonde, Media Theatre

    Outstanding Music Direction

    1. Lili St. Queer — Gay Mis, Jaffe St. Queer Productions
    2. Ryan Touhey — Peter Panto: A Musical Panto, People’s Light
    3. Alex Bechtel — Poor Judge, Pig Iron Theatre and Esperanza Arts Center
    4. Justin Yoder — Penelope, Theatre Horizon

    Outstanding Ensemble in a Musical

    1. Poor Judge — Pig Iron Theatre
    2. Gay Mis — Jaffe St. Queer Productions
    3. Night Side Songs — Philadelphia Theatre Co.
    4. Peter Panto: A Musical Panto — People’s Light

    Outstanding New Work

    1. Iraisa Ann Reilly — January 6: A Celebration. A Bodega Princess Remembers Tradition, Not Insurrection, Simpatico Theatre 2
    2. Eva Steinmetz & Dito van Reigersberg — Poor Judge, Pig Iron Theatre
    3. Daniel & Patrick Lazour — Night Side Songs, Philadelphia Theatre Co.
    4. Jennifer Childs — Peter Panto: A Musical Panto, People’s Light
    5. Tanaquil Márquez — Nichos, Esperanza Arts Center

    Outstanding Outdoor Production

    1. All’s Well — Shakespeare in Clark Park
    2. One Monkey Don’t Stop No Show — Theatre in the X
    3. Julius Caesar — Delaware Shakespeare
    4. As You Like It — Shakespeare in Clark Park

    Outstanding Set Design

    1. Chris Haig — The Playboy of the Western World, Inis Nua Theatre
    2. Thom Weaver — August Wilson’s King Hedley II, Arden Theatre
    3. Matt Saunders — Archduke, The Wilma Theater
    4. April Thomson — Hold These Truths, Montgomery Theater
    5. Anna Kiraly — Franklin’s Key, Pig Iron Theatre
    6. Roman Tartarowicz — Tuesdays with Morrie, Delaware Theatre Co.
    7. Misha Kachman — A Summer Day, The Wilma Theater

    Outstanding Costume Design

    1. Nikki DelHomme — The Hobbit, Arden Theatre
    2. Rebecca Kanach — Peter Panto: A Musical Panto, People’s Light
    3. Marla Jurglanis — Much Ado About Nothing, Lantern Theater
    4. Vasilija Zivanic — Archduke, The Wilma Theater
    5. Misha Kachman — A Summer Day, The Wilma Theater
    6. Barbara Erin Delo — The Playboy of the Western World, Inis Nua Theatre
    7. LeVonne Lindsay — The Half-God of Rainfall, The Wilma Theatre

    Outstanding Lighting Design

    1. Alyssandra Docherty — Tuesdays with Morrie, Delaware Theatre Co.
    2. Thom Weaver — Archduke, The Wilma Theater
    3. Minjoo Kim — The Comeuppance, The Wilma Theater
    4. Thom Weaver — Penelope, Theatre Horizon
    5. Drew Billau — Rift, or White Lies, InterAct Theatre
    6. Maria Shaplin — Poor Judge, Pig Iron Theatre
    7. Amith Chandrashaker & Stoli Stolnack — Franklin’s Key, Pig Iron Theatre

    Outstanding Media Design

    1. Mike Long — Poor Judge, Pig Iron Theatre
    2. Jorge Cousineau — Archduke, The Wilma Theater
    3. Jorge Cousineau — Rent, Arden Theatre Company
    4. David Tennent & Joshua Higgason — Franklin’s Key, Pig Iron
    5. Kelly Colburn & Ksenya Litvak — A Summer Day, The Wilma Theater
    6. Michael Long & Kate Coots — The 39 Steps, Lantern Theater
    7. Damien Figueras — Topdog/Underdog, Passage Theatre Co.

    Outstanding Sound Design

    1. Chris Sannino — Poor Judge, Pig Iron Theatre
    2. Christopher Colucci — Red, Theatre Exile
    3. Jordan McCree — The Half-God of Rainfall, The Wilma Theatre
    4. Jordan McCree — The Comeuppance, The Wilma Theater
    5. Chris Sannino — Franklin’s Key, Pig Iron Theatre
    6. Michael Kiley — A Summer Day, The Wilma Theater
    7. Yaim Chong Chia — Archduke, The Wilma Theater
    Connor McAndrews (left) and Jamison Stern (right) in People’s Light Theatre’s ‘Peter Panto,’ which was nominated for 8 awards. McAndrews won the Barrymore for outstanding supporting performance in a musical.

    Outstanding Original Music

    1. Daniel & Patrick Lazour — Night Side Songs, Philadelphia Theatre Co.
    2. Alex Bechtel — Peter Panto: A Musical Panto, People’s Light
    3. Jordan McCree — The Hobbit, Arden Theatre
    4. Lili St. Queer — Gay Mis, Jaffe St. Queer Productions
    5. Ximena Violante & Ampersan (Zindu Cano and Kevin García) — Nichos, Esperanza Arts Center
    6. Jakeya L. Sanders — Fallawayinto: Corridors of Rememory, Ninth Planet

    The Philadelphia Award for Social Insight

    1. Rift, or White Lies — InterAct Theatre
    2. Young Americans — Theatre Horizon
    3. The Drag EgoPo Classic Theater
    4. Night Side Songs — Philadelphia Theatre Co.
    5. The Half-God of Rainfall — The Wilma Theater
    6. January 6: A Celebration. A Bodega Princess Remembers Tradition, Not Insurrection — Simpatico Theatre
    7. Glitter in the Glass — Theatre Exile
    8. Nichos — Esperanza Arts Center
    9. The Playboy of the Western World — Inis Nua Theatre
  • Federal shutdown may bring a halt to food assistance for half a million Philadelphians

    Federal shutdown may bring a halt to food assistance for half a million Philadelphians

    Nearly 2 million Pennsylvanians — including 500,000 Philadelphia residents — won’t receive SNAP benefits in November if the federal government shutdown continues, state officials said.

    The Supplemental Nutrition Assistance Program provides $366 million a month to low-income people in the state, according to the Pennsylvania Department of Health and Human Services (DHS). Most households that receive SNAP benefits consist of elderly people, children, or individuals with disabilities, according to hunger experts.

    This is the first federal shutdown in at least 20 years in which SNAP will not be made available, said George Matysik, executive director of the Share Food Program, a food bank that serves 500,000 people living in the region.

    “It’s like a horror movie where the call is coming from within the house,” Matysik said in an interview last week. “Our own federal government is making the choice to take benefits from Pennsylvanians,” who are among 42 million people nationwide who participate in the program.

    In Philadelphia, Share has seen a 120% increase in food need over the last three years, Matysik said. “And that was with SNAP,” he added, saying the city faces a greater food crisis now than it did during the pandemic.

    In an email Monday, the Pennsylvania DHS blamed Republicans “who control the U.S. Senate, the U.S. House, and the White House” for failing to pass a budget and causing the current difficulties Americans endure.

    “We urge Republicans in Congress to reopen the government and protect vulnerable Pennsylvanians at risk because of this inaction,” the email said.

    Gov. Josh Shapiro’s office could not be reached for comment. In May, Shapiro said that the commonwealth would be unable to replace lost funding for SNAP should the federal government fail to pay.

    The U.S. Department of Agriculture, which administers SNAP, did not return calls for comment. The White House issued a statement that the shutdown is affecting personnel in its press office, delaying responses. The statement blamed Democrats for the government’s closure: “Please remember this could have been avoided if the Democrats voted for the clean Continuing Resolution to keep the government open.”

    To receive SNAP benefits, individuals carry EBT (electronic benefits transfer) cards that are loaded monthly with the amounts to which they are entitled.

    The shutdown began Oct. 1 after Congress could not reach a compromise to allow funding to continue. The region’s 46,000 federal workers found themselves without paychecks. The Trump administration, meanwhile, began laying off federal workers, with a goal of sacking 4,000 of them. A federal judge in California intervened to halt the layoffs. A hearing is scheduled for Tuesday.

    Like other states, New Jersey faces the same funding difficulty. If the federal government remains closed by Nov. 1, about 800,000 people will be without SNAP benefits.

    Elderly people who rely on SNAP will suffer throughout Pennsylvania because, for them, “food is medicine,” said Allen Glicksman, director of research at the Eastern Pennsylvania Geriatrics Society in Newtown Square. “Without it, there’s the chance of a health catastrophe that will cost more money in Medicaid and in emergency room visits.”

    There are 234,638 Philadelphians age 65 and older, 104,972 (45%) of whom live below the federal poverty line ($21,150 for two individuals in a household), Glicksman calculated.

    Brian Gralnick, executive director of the Center for Advocacy for the Rights and Interests of Elders (CARIE) in Center City, agreed. “Consequences will be devastating. Without federal government dollars, ending or even addressing hunger in the region will be as successful as draining the Delaware River using Eagles helmets.”

    For children, the potential shortage of SNAP benefits will be no less calamitous, said sociologist Judith Levine, director of the Public Policy Lab at Temple University.

    “Food is a necessary element for brain development and growth,” she said. “And there’s a clear connection between hunger and the ability to perform in school.

    “This is a complete crisis we are facing.”

    One in four Philadelphia children experiences food insecurity — lack of enough food over the course of a year to live a healthy life — according to a City Council report.

    In the neighborhoods, the word about the halt to SNAP benefits is circulating. Fear and confusion had already been growing after the Trump administration announced changes to the SNAP program that would make it more difficult for some people to access benefits.

    Among the changes: Some SNAP recipients ages 18 to 54 who are able to work and do not support a child under 18 are now required to report at least 20 hours of work, training, or volunteering per week, or 80 hours per month, to keep their benefits.

    Despite the revisions to the program, however, many people these days are more worried about what happens if SNAP halts.

    “People are very anxious about that,” said Pastor Tricia Neal, director of the Feast of Justice food pantry at St. John’s Lutheran Church in the Northeast.

    “The anxiety level is driving more people to come here, and, because we serve 5,500 households, we are well beyond the capacity of what we can support. It’s really horrendous to look at what’s happening here.”

    That much is clear, according to Rosemary Diem, who tries to stave off hunger for her and her husband by combining SNAP benefits with visits to Feast of Justice.

    “Everything at the pantry is running low,” said Diem, 60, who is disabled, as is her husband, Joseph, 63. “I see us getting hurt without SNAP. There won’t be money for milk and eggs.

    “How am I going to get through?”

  • Philly lawmakers want to ‘clamp down’ on smoke shops. Their landlords could be next.

    Philly lawmakers want to ‘clamp down’ on smoke shops. Their landlords could be next.

    There’s a smoke shop in North Philly peddling recreational drugs across the street from a daycare. A West Philly storefront that sells loose cigarettes on a residential block. A convenience store in Spring Garden that advertises urine to people looking to pass a drug test.

    These are among the so-called nuisance businesses that City Council members and neighborhood association leaders cited Monday as lawmakers advanced legislation to make it easier for the city to shut down stores that sell cannabis and tobacco products without licenses.

    And legislators said their next target could be the landlords who rent space to those businesses.

    “We have to work with our city departments and our state partners to clamp down on these businesses,” said City Council Majority Leader Katherine Gilmore Richardson, who represents the city at-large. “We’re just being inundated.”

    Members of Council’s Committee on Licenses and Inspections passed two bills Monday that city officials say seek to close loopholes store owners exploit to avoid being cited for failing to obtain proper permits.

    In introducing the legislation earlier this year, Gilmore Richardson cited an Inquirer report about Pennsylvania’s unregulated hemp stores, which sell products advertised as legal hemp that are often black market cannabis or contaminated with illicit toxins.

    One bill makes it easier for the city to shut down nuisance businesses by removing language that classifies some violations as criminal matters, requiring that the police investigate them as crimes rather than civil violations that are quicker to adjudicate.

    The second piece of legislation makes it illegal for businesses to essentially reorganize under a new name but conduct the same operations as a means of evading enforcement.

    Both pieces of legislation could come up for a full vote in the Democratic-dominated City Council in the coming weeks. Members of Mayor Cherelle L. Parker’s administration testified in favor of them, meaning the mayor is likely to sign both.

    A smoke shop in South Philadelphia.

    Neighborhood association leaders also testified Monday in favor of the changes, but several said more aggressive enforcement is needed. They said smoke shops in particular have popped up throughout their commercial corridors, as have convenience stores that don’t even have licenses to operate as businesses, let alone sell recreational drugs.

    “We’ve seen firsthand the selling of illegal drug paraphernalia and [loose cigarettes], many of which children walk past in order to get to the candy bars and seniors walk past to get to the milk,” said Heather Miller, of the Lawncrest Community Association. “We need to address this.”

    Elaine Petrossian, a Democratic ward leader in Center City and a community activist, called for “much” higher fines and penalties for landlords. She cited progress the municipal government has made in New York City, where authorities cracked down on building owners who knowingly rented space to tenants selling cannabis or tobacco without licenses to do so.

    Several lawmakers said they’d support a similar approach. Councilmember Mark Squilla, who represents a district that spans from South Philadelphia to Kensington, said landlords must be held “more accountable.”

    “If they had some skin in the game, maybe they’d think twice about renting to an illegal operation,” he said.

    Councilmember Jamie Gauthier, who represents parts of West Philadelphia, agreed. She said she recently attempted to meet with a building owner who rents space to a problematic smoke shop in her district, but was rebuffed.

    “He was like, ‘These people pay me rent, and that’s the extent to which I basically care,’” Gauthier said. “We need something that forces property owners to be more accountable than that, because neighbors are suffering.”

    Staff writers Max Marin and Ryan W. Briggs contributed to this article.

  • Penn Medicine is investing more than $500 million in new cancer facilities

    Penn Medicine is investing more than $500 million in new cancer facilities

    The University of Pennsylvania Health System, the Philadelphia region’s biggest provider of cancer care and a national leader in developing new treatments, is spending more than $500 million on two new cancer facilities in Philadelphia and central New Jersey to keep growing.

    Those big projects — a fourth proton center at Presbyterian Medical Center in University City and a large cancer center at Princeton Medical Center in Plainsboro — follow years of expansion through outpatient centers in communities like Cherry Hill and Radnor. Its newest is a relocated, $18.5 million infusion center in Yardley that opened in June.

    “What we’ve seen pretty consistently is that demand is there to meet any capacity increases,” Julia Puchtler, the health system’s chief financial officer, said in an interview about fiscal 2025 financial results.

    Penn is not alone in its push to expand cancer services. Jefferson’s Sidney Kimmel Cancer Center, Temple’s Fox Chase Cancer Center, and the MD Anderson Cancer Center at Cooper are pushing into the suburbs to reach more patients.

    The same thing is happening nationally as financially pressured health systems are looking for ways to increase revenue in a growing and lucrative market for cancer care.

    Penn stands out locally for the scale of its investment in a strategy to deliver cancer care seamlessly across its seven hospitals and a growing network of outpatient clinics, with the expectation that patients will keep coming back for their ongoing health needs.

    Penn sees an opportunity to expand its market share even more, as cancer diagnoses rise. The U.S. is expected to see a nearly 40% increase in cancer diagnoses between 2025 and 2050, according to the Philadelphia-based American Association of Cancer Research.

    Experts attribute the rise to a wide variety of factors, from better early detection, to longer life spans, and to environmental exposures that are poorly understood.

    Much of Penn’s investment is in outpatient facilities, including a $270 million center being built in Montgomeryville that will have radiation oncology and an infusion center. “More and more patients want to receive care closer to home,” according to Lisa Martin, a senior vice president at Moody’s Rating. “All of that is really what’s behind all of this investment.”

    Cancer treatment overall is profitable. At Penn, cancer services account for up to 60% of the system’s operating margin by one simple measure that subtracts direct costs from direct revenue and excludes back-office expenses and other centralized costs.

    Puchtler attributed the profitability of cancer care to the prevalence of drugs, such as chemotherapy, that Penn can buy at a discount, while getting the full price from insurers, and the higher percentage of younger cancer patients with better-paying private insurance than is typical for many healthcare services.

    The expansion efforts are expensive in an industry where the consumers both benefit from advances and pay ever-rising healthcare costs. Proton therapy, in particular, costs more, but has not yet been proven to have better outcomes across a wide range of cancers.

    The intensifying competitive landscape

    Penn treats about one-third of adults with cancer in its market area, which stretches from central New Jersey to the Susquehanna, according to Robert Vonderheide, who is director of Penn’s Abramson Cancer Center and leads all of Penn’s efforts in oncology treatment and research.

    Penn counted 47,053 new cancer patients in the 12 months that ended June 30, up 40% from five years ago, according to Penn. The system has 14 locations where patients can receive chemotherapy and even more radiation oncology sites.

    Competitors are also trying to expand their reach, and Temple’s Fox Chase Cancer Center is succeeding.

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    Fox Chase had 21,442 new patients in fiscal 2025, up 148% from 2020, the nonprofit said. Fox Chase has added suburban offices in Voorhees and Buckingham, Bucks County, and is expanding its infusion capacity at its main campus on Cottman Avenue. Fox Chase has a significantly smaller footprint than Penn, with six locations for infusions and four for radiation.

    The MD Anderson Cancer Center at Cooper said it had 4,326 new patients last year, up 27% over the last five years. Cooper has taken the MD Anderson Cancer Center brand to the former Cape Regional Medical Center, which it acquired last year and which used to be part of the Penn Cancer Network. Cooper also offers cancer services at its new Moorestown location.

    Jefferson Health’s Sidney Kimmel Cancer Center did not respond to requests for patient data, but has in recent years opened cancer center locations at its Torresdale and Bucks County Hospitals. Jefferson’s cancer center also attained the highest designation from the National Cancer Institute last year — the Philadelphia region’s third comprehensive cancer center, matching Penn and Fox Chase.

    Virtua Health, Penn’s partner in a proton therapy center in Voorhees, is exploring a merger with ChristianaCare, which has already been expanding from its Delaware base into Chester and Delaware Counties. Another South Jersey system, AtlantiCare, has signed a contract with the Cleveland Clinic to boost its competitiveness in cancer care.

    How Penn is trying to build a ‘cancer system’

    Lancaster County resident Susan Reese, 56, said she experienced smooth cooperation between her doctor at Penn’s Lancaster General Hospital and the team at HUP during her treatment for non-Hodgkin lymphoma.

    “I never had any question in my mind that one doctor didn’t know what the other doctor was doing,” said Reese, who received CAR-T therapy at HUP in September 2022. Penn has since started offering CAR-T at Lancaster General.

    After she relapsed in early 2023, she came back to HUP for a stem cell transplant. She could have gone to Penn State Health’s Hershey Medical Center for that. It’s significantly closer to her home in Willow Street, but she wanted to stay within the Penn system.

    Reese’s experience of integration of services at HUP and Lancaster General is what Penn is aiming for in a territory that stretches from central New Jersey to central Pennsylvania.

    Oncologist Robert Vonderheide, director of Penn Medicine’s Abramson Cancer Center, oversees all Penn’s cancer services and research.

    Electronic medical records help with the integration needed to ensure the thousands of cancer patients Penn physicians treat annually get the most advanced care possible, according to Vonderheide, whose research focuses on cellular immunotherapies.

    “We treat patients’ cancers now in a very precise way; the precise mutation, the precise type of chemotherapy, the precise dose” are the focus for doctors, Vonderheide said. “This is no longer appropriate for the telephone game. This has to be data-driven.”

    Reese’s decision to stay within Penn is part of a broader trend of patients tending to receive all their care within one health system, according to Rick Gundling, a healthcare expert at the Healthcare Financial Management Association in Washington, D.C.

    That’s particularly important in oncology, which typically involves multiple specialties, such as medical oncology, radiation oncology, and surgical oncology, he said.

    “Seamless coordination across all those disciplines really makes it a better patient experience and clinical experience because it reduces delay, improves access,” Gundling said.

    Taking advanced treatments from HUP to the network

    Part of Penn’s strategy is to begin offering advanced services at locations beyond HUP. That’s where Penn pioneered CAR-T cell therapy, which harnesses the immune system to attack cancer, and for years that was the only place Penn offered it.

    HUP still performed the bulk of the CAR-T treatments for blood cancers, 123 inpatient cases and 14 outpatient cases last year, but now CAR-T is also available at Lancaster General and at Penn’s Pennsylvania Hospital in Center City.

    Fox Chase was the next biggest center in the region for the relatively new treatment that Penn scientist Carl June and his research teams helped develop. For the fiscal year that ended June 30, 2025, Fox Chase had 21 inpatient cases and 67 outpatient cases, the center said.

    In the Penn system, certain kinds of bone marrow transplants also used to be available only at HUP. “Now we do them at HUP and Pennsylvania Hospital,” Vonderheide said.

    Even the most complicated pancreatic surgeries are going to be done at Princeton, in conjunction with experts at HUP, Vonderheide said. Penn held a ceremonial groundbreaking Monday for the hospital’s $295 million cancer center.

    Remaining only at HUP are bone marrow transplants that use another person’s cells to treat blood cancers, Vonderheide said. HUP performed 118 of those so-called allogeneic bone marrow transplants on the top floor of its $1.6 billion patient pavilion, now known as the Clifton Center.

    Pennsylvania’s next-biggest provider of the treatment was Hershey Medical Center, near Harrisburg, with 71, according to state data.

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    Penn started offering proton therapy at HUP in 2010, and expanded its availability in the last three years to Lancaster General and Voorhees, through a joint venture with Virtua Health. Those two centers only have one proton machine each, compared to five at HUP.

    It’s a type of radiation that is designed to precisely target tumors and do less damage to surrounding tissues. That makes the treatment, which costs more, particularly helpful for children, and it is proving beneficial for treating certain neck and throat cancers. The use of proton therapy for the more common prostate cancer has been more controversial.

    Penn’s fourth proton center, with two machines, is under construction and is expected to open at Presbyterian in late 2027. When that $224 million center opens, Penn will have more proton treatment rooms than the entire West Coast, said Jim Metz, chair of radiation oncology at Penn.

    Currently about 10% of Penn’s roughly 10,000 annual radiation oncology patients are treated with protons, though it’s a higher percentage at locations with proton machines, Penn said.

    Penn officials have noted that some cancer patients come to Penn for proton therapy. Even when it’s not appropriate for them, they tend to stay within Penn. “We have seen, when we build protons, our market share increases, ” Metz said.

    Editor’s note: This article has been updated with more recent Fox Chase data.