Once again, Philadelphia music fans can look forward to a Drugcember to remember.
Next month, Philly rock band The War On Drugs will renew a tradition that has been on hiatus since 2022. It will perform a trio of fundraising shows to benefit the Fund for the School District of Philadelphia, the nonprofit that raises money and coordinates investments into Philadelphia Schools.
The Adam Granduciel-led seven piece band, that won a best rock album Grammy for A Deeper Understanding in 2018, will play three nights at Johnny Brenda’s in Fishtown, from Dec. 18-20.
The 250 capacity club — which the band first played on the venue’s opening weekend in 2006 — is several magnitudes smaller that the amphitheater, arena, and festival stages the Drugs typically plays in venues around the world.
Drugcember to Remember debuted in 2018 and became an annual Philly three-show tradition through 2022, with the exception of the COVID shutdown year of 2020.
But it hadn’t taken place since 2022, and seemed in danger of being gone for good, with Granduciel now living on Los Angeles and bassist and original members Dave Hartley in North Carolina.
Granduciel said in a statement that the return to the treasured tradition is a way to reaffirm its Philadelphia identity.
The flyer for The War on Drugs’ 2025 ‘A Drugcember to Remember’ benefit shows at Johnny Brenda’s on Dec. 18-20.
“This has been a year end highlight for me since we started doing it in 2018,” said the guitarist and songwriter who stepped out as a producer in 2025 on Craig Finn’s Always Been and Sam Fender’s People Watching. “Three rock shows at our old local hangout benefiting the Philadelphia School System. This band wouldn’t exist if not for the vibrant Philadelphia music community that has supported us from the beginning and we are very grateful for it.”
The War On Drugs’ most recent studio album, I Don’t Live Here Anymore, came out in 2021. Last year, they released the in-concert recording Live Drugs Again.
Its most recent Philadelphia performance was in the summer of 2024, sharing a bill with the National at the Mann Center in Fairmount Park. Besides the Drugcember shows, the only two dates on the band’s schedule are at festivals in Spain and Portugal in July 2026.
A Drugcember To Remember will raise funds through ticket sales and also the sale of exclusive items though Philadelphia businesses, including Elixr Coffee, Sacred Vice Brewing, Room Shop, Uncle Ron’s Candles, and Kinetic Skateboarding/Nocturnal Skate Shop.
Ticket for the Johnny Brenda’s shows go on sale at 10 a.m. Friday Nov. 21 at thewarondrugs.net/tour.
This week in Philly music kicks off in Fishtown with six-time Grammy nominee Leon Thomas, continues in Atlantic City with a Brandy and Monica throwback pop double bill, and continues in North Philly with rising R&B singer and Justin Bieber producer Dijon.
Austin, Texas, hard rock band Die Spitz play the First Unitarian Church on Wednesday.
Wednesday, Nov. 19
Die Spitz
The music gets started on Wednesday with the four women of Austin, Texas. hard rock foursome Die Spitz, who recorded their unrelenting new album Something to Consume at Studio 4 in Conshohocken with producer Will Yip. Boone, N.C., queer punk duo Babe Haven opens. (8 p.m., First Unitarian Church, 2125 Chestnut St., r5productions.com)
Leon Thomas
There weren’t a lot of surprises among the big names with the most nominations when the Grammys were announced this month. Kendrick Lamar and Lady Gaga topped the list, but Leon Thomas, who got six nods along with Bad Bunny and Sabrina Carpenter, was the surprise underdog.
The crooner and producer, who got his start as a Broadway child actor and star of Nickelodeon’s Victorious, is up for album of the year for Mutt, as well as best new artist and R&B performance for his viral NPR Tiny Desk version of the album’s title song — in which he compares himself unfavorably to a dog. His “Mutts Don’t Heel” tour comes to the Fillmore on Wednesday. (8 p.m., the Fillmore, 29 E. Allen St., livenation.com)
Also: There’s live music at Old City vinyl listening room 48 Record Bar. James Everhart of Cosmic Guilt teams with New York songwriter Keenan O’Meara on Wednesday; Hannah Taylor sings and Jake Zubkoff plays keys on Sunday.
Hannah Cohen plays Johnny Brenda’s on Thursday. Her new album is “Earthstar Mountain.”
Thursday, Nov. 20
Hannah Cohen
Hannah Cohen’s Earthstar Mountain is a dreamy, pastoral album that also delivers a sweet kick. She recorded it with producer partner Sam Evian at their studio in a barn in upstate New York. With Sufjan Stevens and Clairo guesting, it’s a 2025 standout releaser. (Salami Rose Joe Louis opens. 8 p.m., Johnny Brenda’s, 1201 Frankford Ave., johnnybrendas.com)
The New Mastersounds
British funkateers the New Mastersounds are saying goodbye — at least for a while. The band whose tight Hammond organ-heavy soul-jazz sound bears the influences of Philly keyboard greats Jimmy Smith and Jimmy McGriff, plays its “Ta-Ta for Now” tour on Thursday. (8 p.m., Ardmore Music Hall, 23 E. Lancaster Ave., Ardmore, tixr.com)
Now, Gallo has a new album that takes him in a more personal direction, called Checkmate, his second on the Kill Rock Stars label. It’s filled with subtly evocative folk-flavored, even jazzy, music that detours from the bruising garage rock he’s become known for. Gallo plays Free at Noon at Ardmore Music Hall. (Noon, Ardmore Music Hall, eventbrite.com)
Brandy and Monica performing in Indianapolis in October on “The Boy Is Mine Tour,” which comes to Atlantic City’s Boardwalk Hall on Saturday.
Bar Italia
This month’s edition of David Pianka’s Making Time dance party has an intriguing live band headliner in Bar Italia, the London-based trio named after an iconic Soho coffee bar. The band’s new album, Some Like It Hot, wears the influence of Brit-pop band Pulp on its sleeve. New York rock band Voyeur also plays, along with sets by Dave P., Mario Cotto, Shai FM, and K Wata. (9 p.m., Warehouse on Watts, 923 N. Watts St., wowphilly.com)
Stinking Lizaveta
Longstanding West Philly doom metal trio Stinking Lizaveta‘s name was inspired by a character in Fyodor Dostoevsky’s The Brothers Karamazov. The band released its 1996 album Hopelessness and Shame — recorded by the late Steve Albini — on vinyl for the first time this March. On Friday, they headline Johnny Brenda’s with Deathbird Earth and Channls. (8 p.m., Johnny Brenda’s, 1201 Frankford Ave., johnnybrendas.com)
Tom Morello
Rage Against the Machine guitarist Tom Morello plays the Music Box at the Borgata in Atlantic City. It will be an agit-pop act of resistance in a hotel casino within earshot of chiming slot machines. Morello’s repertoire is made up of roiling Rage songs, Woody Guthrie, MC5, and John Lennon and Yoko Ono covers, plus originals in his rabble-rousing folk singer mode as the Nightwatchman. He’ll have a full band behind him, plus the help of San Diego hip-hop group the Neighborhood Kids as his special guests. (9 p.m., Music Box at the Borgata, 1 Borgata Way, Atlantic City, ticketmaster.com)
Saturday, Nov. 22
Mo Lowda & the Humble
Philly quarter Mo Lowda & the Humble closes out a five-month North American tour for its new album, Tailing the Ghost, with a hometown show. (8 p.m., Union Transfer, 1026 Spring Garden St., utphilly.com)
Brandy and Monica
Back in 1988, Brandy and Monica played out a feud over a dude in the worldwide hit “The Boy Is Mine,” which was cowritten and coproduced by South Jersey’s Rodney “Darkchild” Jerkins. Twenty-seven years later, the pop-R&B singers are on a concert tour together that also features Destiny’s Child’s Kelly Rowland, Muni Long, and 2025 American Idol winner Jamal Roberts. The tour is presented by the Black Promoters Collective. (8 p.m., Jim Whelan Boardwalk Hall, 2301 Boardwalk, Atlantic City, boardwalkhall.com)
Grammy-nominated singer and producer Dijon plays the Met Philly on Sunday.
Sunday, Nov. 23
Dijon
Dijon released his debut Absolutely in 2021 and has quickly made his mark. He regularly works with Mk.gee, the guitarist and songwriter with whom he shares a twitchy, low-fi sensibility. He’s also teamed with Bon Iver and Justin Bieber and is up for producer of the year and album of the year at the Grammys. Sometimes, he sounds like Prince.
His new album Baby! is a joyous, shape-shifting adventure. Two measures of how hip he is at the moment: He’s among the musicians with roles in Paul Thomas Anderson’s One Battle After Another, and on Dec. 6 will be musical guest on Saturday Night Live. He plays the Met Philly on Sunday. (8 p.m., Met Philly, 858 N. Broad St., ticketmaster.com)
Amy LaVere and Will Sexton
Memphis wife-and-husband duo Amy LaVere and Will Sexton are Americana artists who specialize in a brand of smoky Southern noir, perhaps best exemplified by LaVere’s “Killing Him,” about trying to rid oneself of a bad boyfriend only to find that he comes back to haunt you. (8 p.m., 118 North, 118 N. Wayne Ave., Wayne, tixr.com)
One of the keys to the sandwiches at Huda — chef Yehuda Sichel’s acclaimed shop in Rittenhouse — is the cloudlike, house-baked milk bread.
At Huda Burger — opening Nov. 19 near Suraya and Palmer Park in Fishtown — Sichel is also building his burgers and chicken sandwiches on the luxurious, mildly sweet buns inspired by Japanese shokupan.
In fact, he built the entire place around them. “This kitchen is like half bakery, half prep kitchen just for the buns,” Sichel said. The buns at Huda Burger will be seeded, unlike those at the original shop, which serves one of The Inquirer’s favorite smash burgers — the Mott, topped with buttermilk ranch, pickled peppers, pepper Jack brie, and hot honey.
Huda Burger’s setup at 1602 Frankford Ave.
Sichel is banking on the buns to separate him from the other burger makers. (New York’s 7th Street Burger has a location opening this winter down the street, further adding to the pressure.)
“Being in a saturated market really forces you to get better, and there’s nothing I like more than some competition,” said Sichel. Besides the bread, everything else is being made in-house, including pickles and sauces, and every item is prepared to order — even the chicken is butchered in the back.
Besides three kinds of crispy chicken sandwiches (coated in rice flour, cornstarch, Wondra flour, and what Sichel describes as “a whole bunch of spices”), Huda Burger’s menu includes a rotating line of five or six smash burgers. There’s a classic cheeseburger, a create-your-own option, a vegetarian burger, a pastrami fried onion burger (a cross between a pastrami burger and an Oklahoma-style smash burger), and a bread-free cheeseburger salad. The menu also includes curly fries, pickles, and shakes made with soft serve from 1-900-Ice-Cream.
Crispy chicken sandwich at Huda Burger, 1603 Frankford Ave.
His partner is Dan Berkowitz, the chief executive and co-founder of 100x Hospitality, an event production company specializing in immersive and travel experiences.
The space, designed by Lance Saunders, includes a half dozen indoor counter seats and a few outdoor tables in season.
Sichel, who grew up in Elkins Park, started in the restaurant business at age 15, making sandwiches at a kosher deli in Baltimore. After culinary school in Israel, he moved home to work for chefs Georges Perrier at Brasserie Perrier and Daniel Stern at Rae, followed by a stint with chef Neal Fraser at Grace in Los Angeles.
Cheeseburger salad at Huda Burger, 1603 Frankford Ave.
In 2010, he joined Steven Cook and Michael Solomonov at Zahav. He rose through the ranks — from line cook to pastry to sous chef — and played a major role in the opening of Citron & Rose (2012) in Lower Merion and Abe Fisher (2014) in Rittenhouse. Abe Fisher was named a Best New Restaurant by Travel & Leisure, and Sichel was named to Zagat’s 30 Under 30 Rock Stars Redefining the Industry. He left CookNSolo in 2020, opening Huda at 32 S. 18th St., that summer amid the pandemic.
Huda Burger, 1603 Frankford Ave. Hours: 11 a.m. till 9 p.m. daily, but there are plans to extend.
A month after Keon King was charged with breaking into his ex-girlfriend’s home and attempting to strangle her, police say, his violence escalated: In January, he returned to her home with a gun, then kidnapped and assaulted her.
A warrant for his arrest was issued days later.
In the weeks that followed, King twice appeared in Philadelphia court and stood before a judge in the initial strangulation case. But no one in the courtroom seemed to know he was wanted for kidnapping.
So both times, King walked out.
In February, despite the warrant for King’s arrest, prosecutors — seemingly unaware that police said he had recently attacked their key witness — withdrew the burglary and strangulation case when the victim failed to appear in court.
Police did not go to either hearing to take him into custody, and do not appear to have alerted the prosecutor about the new arrest warrant.
And King was not formally charged with the kidnapping until April, when, for reasons that are unclear, he turned himself in.
Kada Scott, 23, was abducted from outside her workplace on Oct. 4, police said.
A review of King’sprevious criminal cases raises questions about whether police and prosecutors could have been more vigilant in holding him accountable for the earlier crimes they say he committed.
City Council has since vowed to hold a hearing examining how the city’s criminal justice system handles cases of domestic violence.
But even before the charges were withdrawn, police and court records show, there were missteps.
Marian Grace Braccia, a former Philadelphia prosecutor who is a law professor at Temple University, said she found it alarming that law enforcement failed to take King into custody when he twice stood before them in court while wanted for a violent felony.
“If this is supposed to be a collaborative effort — if there is a shared mission of public safety and victim advocacy — it sounds like everyone dropped the ball,” she said.
Detectives and prosecutors, she said, should have been aware of the arrest warrant and had officers take him into custody.
Then, she said, prosecutors could have cited the alleged kidnapping to ask a judge to increase King’s bail and keep him behind bars.
Instead, she said, “it passed by everybody, and he came in and walked out, and slipped through the cracks of the Philadelphia legal court system.”
Philadelphia District Attorney Larry Krasner discusses the killing of Kada Scott at a news conference earlier this week.
Krasner said there is no system to automatically notify prosecutors when a defendant in one of their cases is arrested anew.
Similarly, there is no system to let police know that suspects in new cases have outstanding criminal matters, said Philadelphia Police Department spokesperson Sgt. Eric Gripp.
“Detectives are not automatically notified when a wanted subject is physically present in court on a different active case,” he said.
Krasner said the issues in the case underscore a lack of communication among law enforcement agencies that happens in part because their digital information systems are decades old. He said his office and other law enforcement agencies should work to update those systems.
“That is something that we can all improve together if we have the will and if we have the resources,” he said.
A wanted man walks free
Police said King first attacked his ex-girlfriend in early November of last year. He broke into her Strawberry Mansion home, then tried to strangle her, according to the affidavit of probable cause for his arrest.
He was taken into custody in December and charged with burglary and strangulation, and bail was set at $50,000. King immediately posted the necessary 10%, $5,000, and was released.
About a month later, police said, King returned to the woman’s home and tried to break in. When he could not gain entry, they said, he waited for her to step outside, then grabbed her by the hair and dragged her into his car. He drove for at least four miles, beating her along the way, before dropping her off in Fishtown, according to the affidavit for probable cause for his arrest.
A judge approved the warrant for King’s arrest on charges of kidnapping, strangulation, and related crimes on Jan. 19, court records show.
The Justice Juanita Kidd Stout Center for Criminal Justice in Philadelphia.
King — now wanted for a violent felony — appeared in court the following week for a preliminary hearing in the earlier burglary case, records show. But when the victim did not show up in court a second time, Municipal Court Judge Jacquelyn Frazier-Lyde ordered that the case had to proceed at the next listing. Prosecutors agreed.
King left court.
Meanwhile, police said, officers tried at least once to arrest him. On Feb. 11, Gripp said, police went to a home where they thought King might be, but he was not there.
Two weeks later, King was again in court for the burglary case — but police did not go there to arrest him. Once again, the victim did not show up, and prosecutors withdrew the charges
King walked out of court a free man.
Braccia, the Temple law professor, said the detective assigned to the case should have been aware of the hearing. When seeking to charge King for the kidnapping, she said, the detective should have pulled up King’s arrest history and noticed the ongoing case. He then could have flagged it to the prosecutor in the first case and gone to the hearing to arrest him.
At the same time, she said, the prosecutors who approved the kidnapping charges against King should have noticed the earlier case and told the prosecutor — particularly because it involved the same victim.
In April, King turned himself in to police to be charged with kidnapping, strangulation, and related crimes in connection with the January attack. Prosecutors asked for bail of $999,999, but the magisterial judge, Naomi Williams, set bail at $200,000, court records show. King posted the necessary $20,000 and was released.
The following month, after the victim again did not appear in court at two hearings, the kidnapping charges were also withdrawn.
Since prosecutors have refiled the charges, Krasner’s office said it has been back in touch with the woman and hopes she will testify. She declined to comment about King’s alleged crimes and the previous handling of the cases by police and prosecutors.
Six months later, King is back in custody, this time charged with murder. He is being held without bail.
Three large stand-alone parking garages have been proposed in Philadelphia this year, unusual projectsin a city where parking operators have long complained that high taxation makes it difficult to run a business.
The latest is a 372-unit garage near Fishtown and Northern Liberties at 53-67 E. Laurel St. near the Fillmore concert hall and the Rivers Casino.
“There’s been about 2,500 units that have come online within a 5- to 10-minute walk” of the planned garage, said Aris Kufasimes, director of operations with developer Bridge One Management. “When you’re building those on 7-1 [apartments to parking spaces] ratios, that leaves a massive hole. Where is everybody going to put their vehicles?”
Despite central Philadelphia’s walkability and high levels of transit access, two other developers have made similar calculations this year.
In the spring, Children’s Hospital of Philadelphia (CHOP) revealed plans for a 1,005-space parking garage in Grays Ferry along with a shuttle service to spirit employees to the main campus a mile away.
In August, University Place Associates unveiled plans for a 495-unit garage. About a fourth of it will be reserved for the use of the city’s new forensic lab, but the rest will be open to the public.
All three projects have baffled environmentalists and urbanists, who thought Philadelphia was moving away from car-centric patterns of late 20th-century development.
It’s also surprised parking operators in the city, who say national construction cost trends and high local taxation make it difficult to turn a profit.
Legacy parking companies in Philadelphia like E-Z Park and Parkway Corp. have been selling garages and surface lots for redevelopment as anything other than parking. They say the city has lost 10,000 publicly available spaces in the last 15 years, bringing the total to about 40,000 in Center City.
“I don’t think I’ll ever build another stand-alone parking facility,” said Robert Zuritsky, president of Parkway Corp. and board chair of the National Parking Association. “It doesn’t make any sense.”
Zuritsky and other parking companies have long noted that operators in Philadelphia, who often have unionized workforces, get hit with parking, wage, property, and the Use and Occupancy Tax.
When combined with the soaring cost of building new spaces across the nation, it’s difficult to turn a profit in Philadelphia.
A rendering of the Fishtown garage, looking towards the Delaware River.
Zuritsky says it costs $60,000-$70,000 a space to build an aboveground lot in today’s environment and $100,000 to $150,000 below ground.
“It’s like building a house for a car,” he said.
Depending on hyperlocal peculiarities, Zuritsky says that taxation in Center City can eat up to 60% of the money they bring in and that to profit from new construction, an operator would have to charge $3,000 per space a month.
“I wish people luck, the ones that are moving in,” said Harvey Spear, president of E-Z Park. “Between taxes, insurance, and labor, it comes to, like, 70-some percent of what we take in. We have more equipment now that does away with a lot of labor; we’re trying to compensate with that.”
Urbanist and environmental advocates, meanwhile, have condemned the new garage projects, arguing that they will add to carbon emissions, air pollution, and traffic congestion.
“A massive parking garage less than half a mile from the El [in Fishtown] is the wrong direction for any city that claims to take climate action seriously,” said Ashlei Tracy, deputy executive director with the Pennsylvania Bipartisan Climate Initiative. “SEPTA is already working to get more people out of cars and onto transit, but projects like this one and the one from CHOP only make that harder.”
Here are the parking projects in the pipeline.
Fishtown: 372 spaces
The garage, with architecture by Philadelphia-based Designblendz, doesn’t just contain parking. It includes close to 14,000 square feet of commercial space on the first floor, which the developer hopes to rent to a restaurant — or two — on the edges of one of Philadelphia’s hottest culinary scenes.
Another over 16,000-square-foot restaurant space is planned for the top floor, with views of the skyline and river. Both the top and bottom floors also could be used as event spaces.
Kufasimes says that this aspect of the project could partly offset the kinds of costs that parking veterans warn of.
“Our due diligence team went through those numbers and vetted them pretty thoroughly: The returns are what they needed to be,” Kufasimes said. “It’s got a multifunction of income streams, so we think that that really will help play a larger role.”
Kufasimes also said a parking garage made sense in an area that’s seen more development than almost any other corner of Philadelphia. When investors purchased the land at 53-67 E. Laurel St. and approached his company for ideas, they met with other stakeholders in the neighborhood and determined parking would be appreciated.
“It wasn’t necessarily all about the profit,” Kufasimes said. “A lot of people this day and age, that is their number-one goal. If this is a slightly lower return in the long run but can be better accepted by the community as a whole, we think that actually raises the value of the asset.”
An overhead-perspective rendering of the Fishtown garage.
At an October meeting of the Fishtown Neighbors Association, that argumentappeared to pay off. Unlike most community meetings where a large new development is proposed, there were no adamant opponents of the project. The project also includes a 20,000-square-foot outdoor space, a green roof, and a to-be-decided public art component. All of that helped, too.
“It’s nice seeing a parking garage, of all things, be as pedestrian-friendly and thoughtful as this,” one speaker said during the Zoom meeting.
Dubbed University Place 5.0, it largely exists because of a major expansion of the municipal bureaucracy west of the Schuylkill.
For years the city has sought a new location for its criminal forensics laboratory. The debate became heated in City Hall, with numerous Council members making the case for locations within their districts.
Councilmember Jamie Gauthier pushed for its location in University City Place 3.0, a newly built, state-of-the-art life sciences building that was coming online just as its intended industry was slowing down in the face of higher interest rates.
To get the crime lab, Mayor Cherelle L. Parker’s administration said the police department would need ample parking. That’s where the new garage comes in.
In June, Gauthier passed a zoning overlay that cleared away the regulatory hurdles to the project. Six weeks later, the developers revealed University City Place 5.0, which has 29 parking spaces on the ground floor reserved for official use by forensics vehicles and 100 spaces reserved for city employees.
A rendering of the proposed University City parking garage as seen from 42nd and Filbert Streets.
Designed by Philadelphia-based ISA Architects, the garage is also meant to serve University Place Associate’s other large developments in the area. Akin to the Fishtown garage, they have also sought to make the development pedestrian friendly, with a dog park, green space, and public art.
The local community group, West Powelton Saunders Park RCO, also embraced the proposal.
“The community met regarding this project back in August, and … they were all in support of this project,” Pamela Andrews, president of the West Powelton Saunders Park RCO, said at the city’s September Civic Design Review meeting. “We have a tremendous problem with parking, and the community members felt this was a much needed and welcome addition.”
Grays Ferry: 1,005 parking spaces
CHOP’s thousand-car parking garage by far has been the most controversial of the proposals. But it also makes the most economic sense for the owner. Unlike the other garages — or those owned by Parkway and E-Z Park — it will be owned by a nonprofit and exempted from many of the taxes that make it so expensive to own parking in Philadelphia.
A rendering of the new parking garage CHOP plans for Grays Ferry.
The hospital purchased the property at 3000 Grays Ferry Ave., next to the Donald Finnegan Playground, for almost $25 million last year.
The seven-story development, which, plans show, would have far fewer amenities than its University City and Fishtown counterparts, is meant to serve CHOP’s new research facilities in Fitler Square and the new patient tower set to open in 2028.
“We recently secured permits and have begun construction on the new parking garage at 3000 Grays Ferry Ave.,” a CHOP spokesperson said. “The full construction is expected to go through the fall of 2026. CHOP continues to engage with the community by providing support, timely updates and addressing feedback during construction.”
At the time of its unveiling, CHOP argued that the massive garage was needed as SEPTA threatened to become unreliable due to a political funding crisis in Harrisburg. But detractors appeared almost immediately to denounce the hospital for worsening air quality in a lower-income neighborhood that is already a hot spot for asthma.
There are no regulatory hurdles to the development, but changes in the political or economic landscape could make it difficult to embark on a large capital project. Notably, the University of Pennsylvania proposed an 858-space garage in 2023 for the nearby Pennovation Center and has never broken ground.
Dane Jensen isn’t a developer by training or profession, but he loves old buildings and he’s got big plans for the church at 1800 Tasker St.
The 138-year-old institution is a fixture in Point Breeze, but Second Nazareth Missionary Church’s shrinking congregation hadn’t been able to keep up with repairs. In 2024, as the church sought to sell, its leadership met with Jensen, who pitched them on his vision of a continuing life for the building as a communal space, if not a sacred one.
“A lot of adaptive reuse is taking these big institutional buildings and turning them into apartments and, to me, that loses some of the intent of the space,” Jensen said. “We are trying to preserve it as something where people can still gather and feel fellowship. Even without religious intent, it can still be a place where people can connect.”
Jensen bought the property in mid-2024 for $1.75 million, and he has begun renovations. He hopes to turn the church into a family-friendly restaurant, brewery, and event space, outfitted with an indoor playground, an idea he successfully pitched to Second Nazareth’s leadership.
“It’s a little scary to put that word out there because some people hear brewery, and they hear bar. They hear place to get drunk,” he said. “We envision it as a community space. During the day you can go grab a cup of coffee and do some work. In the afternoon, you can meet up with friends and have lunch, and, yeah, maybe you can grab a beer.”
Jensen isn’t imagining a traditional brewery, with giant silos and vats. He wants a place he will feel comfortable bringing his children, who are 4 and 7. That’s also why he’s been drawing up plans for play equipment inside the space.
The church is currently zoned for single-family use, like the rowhouses that surround it. But in 2019, City Council created historic preservation incentives to make it easier to repurpose churches that are on the Philadelphia Register of Historic Places.
That means Jensen can move forward, since the church was added to the register earlier this month. He won’t have to go to the Zoning Board of Adjustment or seek a legislative zoning change from Council President Kenyatta Johnson, who represents the area.
However, Jensen said he still plans to meet Johnson and arrange meetings with surrounding neighborhood groups known as Registered Community Organizations (RCOs).
“Needing to talk to your councilmember, needing to talk to your community through the RCOs, is incredibly valuable,” Jensen said. “We want to do that to make sure we’re not just coming in to extract value from the neighborhood. We really want to contribute in a real and meaningful sense. Hiring from the neighborhood feels really important.”
Jensen is applying for a sit-down restaurant and artisan industrial use permit. Other possible uses of the building include a bakery and a coffee roastery.
Whatever the final use, the historic church will require extensive renovation first. Currently, Jensen’s team is putting in steel reinforcements to brace the building. He plans to restore most of the stained glass, fix the leaky roof, and install fire safety and Americans with Disability Act infrastructure.
The church dates to 1886, when it was known as the Presbyterian Church of the Evangel. That denomination was in place for almost 100 years, but as that congregation shrank, the church sought a successor.
In 1978, the Second Nazareth Missionary Church took over the building and remained until 2024. In recent years, that congregation began facing many of the same challenges as their predecessors even as their membership was shrinking and repair costs were growing.
Jensen said he found notes from the waning days of the Presbyterian era that showed the leaking roof was a problem back then — a challenge that decades later, Second Nazareth was facing again.
The church as seen from the north side, in an image included in Dane Jensen’s nomination of the building to Philadelphia’s Register of Historic Places.
When the Historical Commission accepted Jensen’s 48-page argument for the building’s importance earlier this month, that triggered the 2019 law that made it easier to find new uses for historic “special use” properties — like churches or theaters — by granting them more flexible zoning. That means no trip to the zoning board, which can add over half a year to the development process and often more if neighborhood groups or councilmembers contest the board’s ruling in court.
“I’ve really fallen in love with the building throughout this process,” Jensen said. “I’m excited that I am in a position to try to get the building to a point that it can last another 140 years and still have people feeling togetherness in it.”
