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  • Phillies spring training 2026: TV schedule, new rules, changes to NBC Sports Philadelphia

    Phillies spring training 2026: TV schedule, new rules, changes to NBC Sports Philadelphia

    After a cold, snow-filled winter in Philadelphia, the city is finally getting its first glimpse at spring, thanks to the Phillies.

    The Phillies’ 2026 spring training schedule kicks off Saturday afternoon against the Toronto Blue Jays in Dunedin, Fla., followed by their Clearwater debut Sunday at BayCare Ballpark, their Sunshine State home since 2004.

    Fans will be able to tune in to more spring training games than ever. Between NBC Sports Philadelphia, the MLB Network, 94.1 WIP, and the Phillies themselves, there will be a broadcast for all but three games of this year’s 30-game Grapefruit League schedule.

    Despite a roster that looks remarkably similar to last year’s squad, there are some interesting story lines for Phillies fans to follow this spring. Top of the list is how top pitching prospect Andrew Painter performs with a spot in the rotation up for grabs.

    There’s also Aidan Miller, the No. 23 prospect in baseball. The 22-year-old shortstop is expected to start the season in Triple-A, but will get some playing time at third base during spring training, according to my colleague Scott Lauber. That would set up Miller for an early promotion if Alex Bohm gets off to a slow start.

    As far as new faces, the most prominent is outfielder Adolis García, who is replacing Nick Castellanos and is just two seasons removed from hitting 39 home runs for the Texas Rangers.

    Here’s everything you need to know to watch or stream Phillies spring training games:

    What channel are Phillies spring training games on?

    Phillies broadcasters Tom McCarthy (left) and John Kruk will be back again for NBC Sports Philadelphia.

    The bulk of the Phillies’ televised spring training games will air on NBC Sports Philadelphia, which plans to broadcast 17 games — nine on the main channel and eight on NBC Sports Philadelphia+. That’s a big jump from last year, when it aired 12 games.

    The schedule includes an exhibition game against Team Canada on March 4 serving as a warm-up for this year’s World Baseball Classic. The multicountry tournament begins on March 5 in Tokyo, and the Phillies will be well-represented — 11 players, including Bryce Harper and Kyle Schwarber, will leave spring training early to participate.

    Returning for his 19th season as the TV voice of the Phillies is play-by-play announcer Tom McCarthy, who will be joined in the booth by a familiar cast of analysts that includes Rubén Amaro Jr., Ben Davis, and John Kruk.

    MLB Network will broadcast six Phillies spring training games (though just two will be available in the Philly TV market due to blackout rules). ESPN won’t be airing any — the network is broadcasting just four spring training games on their main channel, and six more on its ESPN Unlimited subscription service.

    Radio listeners can tune into 94.1 WIP to hear 10 weekend games. Play-by-play announcer Scott Franzke is back for his 21st season calling the Phillies, joined once again by a rotation featuring veteran analyst Larry Anderson and Kevin Stocker.

    Cole Hamels will be back, but not Taryn Hatcher

    Former Phillies pitcher Cole Hamels (right) called nine games last season for NBC Sports Philadelphia.

    A little bit of Hollywood will be back in the Phillies booth this season.

    2008 World Series MVP Cole Hamels will call a few spring training games for the second straight season, beginning in the middle of March. Hamels was something of a natural in the booth last season, calling the nine regular-season games he worked a “crash course” in broadcasting.

    “I tried to tell myself, ‘Don’t overtalk. Don’t be long-winded. Don’t just talk to talk,’” Hamels told The Inquirer in September. “I start watching the game and enjoying it, and I forget sometimes I have to talk.”

    Taryn Hatcher, seen here during a 2019 media softball game.

    One NBC Sports personality who won’t be back is Taryn Hatcher, who joined the network in 2018 and spent the past few seasons covering the game as an in-stadium reporter.

    Hatcher’s contract wasn’t renewed at the end of the year and NBC Sports Philadelphia eliminated the position, according to sources.

    Sadly, it wouldn’t be the first time. In the past few years NBC Sports Philadelphia has hired a number of in-game reporters they haven’t kept, including Jessica Camerato, Molly Sullivan, and Serena Winters. They also said goodbye to longtime Phillies reporter Gregg Murphy in 2020, who is now the team’s pre- and postgame radio host.

    Can I stream Phillies spring training games?

    For the second straight season, Phillies fans will be able to stream spring training games without a cable subscription.

    NBC Sports Philadelphia is available directly through MLB.com for $24.99 a month. You can also get the network as an add-on to your Peacock subscription for the same price, though you’ll need to have a premium plan, which runs $10.99 a month.

    You can also stream NBC Sports Philadelphia on Hulu + Live TV and YouTube TV, which will soon roll out a skinny sports bundle. And NBC Sports Philadelphia will stream its games on the NBC Sports app, but a subscription to a cable service is required.

    One streaming service where you won’t find the network is Fubo, which hasn’t broadcast any NBC channels since November due to a carriage dispute. NBC Sports Philadelphia is also not available on Sling TV or DirecTV Stream.

    For the third straight season, the Phillies will also exclusively stream a handful of spring training games from BayCare Ballpark for free on the team’s website.

    The team will also provide an audio-only feed for a few midweek road games that aren’t airing on WIP.

    Are there any new MLB rules in spring training?

    Umpires will have their balls and strikes face challenges this season.

    There aren’t any new rules in play during spring training, but MLB is fully rolling out its automatic ball-strike (ABS) challenge system ahead of its launch in the regular season. The Phillies plan on giving it a healthy test drive.

    The rules are pretty straightforward. Pitchers, catchers, or batters can challenge a ball or strike by taping their head immediately after the umpire’s call.

    Each team starts the game with two challenges, which they only lose when a challenge is unsuccessful. If a team has no challenges remaining and the game goes into extra innings, they’re awarded one per inning until the game is over.

    Phillies news and spring training updates

    Trea Turner fields a ground ball during spring training Wednesday.

    When is opening day for the Phillies?

    The Phillies will open the season against the Texas Rangers at Citizens Bank Park.

    The Phillies are scheduled to open the 2026 season on March 26 against the Texas Rangers at Citizens Bank Park, where the team will hang its 2025 NL East pennant.

    The Phillies have had several memorable openers since they were defeated, 4-3, by Old Hoss Radbourn of the Providence Grays on May 1, 1883. Here are nine of the more memorable season openers in franchise history.

    Phillies spring training TV schedule 2026

    • Saturday: Phillies at Blue Jays, 1:07 p.m. (NBC Sports Philadelphia, 94.1 WIP)
    • Sunday: Pirates at Phillies, 1:05 p.m. (NBC Sports Philadelphia, 94.1 WIP)
    • Monday: Phillies at Nationals, 6:05 p.m. (Phillies webcast, 94.1 WIP)
    • Tuesday: Phillies at Marlins, 1:10 p.m. (Phillies audio feed)
    • Wednesday: Tigers at Phillies, 1:05 p.m. (NBC Sports Philadelphia+)
    • Thursday: Nationals at Phillies, 1:05 p.m.
    • Friday, Feb. 27: Phillies at Tigers and vs. Marlins (split team), 1:05 p.m. (NBC Sports Philadelphia+)
    • Saturday, Feb. 28: Phillies at Blue Jays, 1:07 p.m. (NBC Sports Philadelphia, 94.1 WIP)
    • Sunday, March 1: Yankees at Phillies, 1:05 p.m. (NBC Sports Philadelphia, 94.1 WIP)
    • Tuesday, March 3: Phillies at Rays, 1:05 p.m.
    • Wednesday, March 4: Team Canada at Phillies (World Baseball Classic exhibition), 1:05 p.m. (NBC Sports Philadelphia+)
    • Thursday, March 5: Red Sox at Phillies, 1:05 p.m. (NBC Sports Philadelphia+, MLB Network, Phillies audio feed)
    • Friday, March 6: Phillies at Pirates, 1:05 p.m. (94.1 WIP)
    • Saturday, March 7: Blue Jays at Phillies, 1:05 p.m. (Phillies webcast)
    • Sunday, March 8: Phillies at Twins, 1:05 p.m. (NBC Sports Philadelphia, 94.1 WIP)
    • Monday, March 9: Phillies at Red Sox, 1:05 p.m. (Phillies audio feed)
    • Tuesday, March 10: Yankees at Phillies, 1:05 p.m. (NBC Sports Philadelphia+)
    • Thursday, March 12: Blue Jays at Phillies, 1:05 p.m. (Phillies webcast)
    • Friday, March 13: Orioles at Phillies, 1:05 p.m. (NBC Sports Philadelphia+)
    • Saturday, March 14: Phillies at Yankees, 1:05 p.m. (NBC Sports Philadelphia+, 94.1 WIP)
    • Sunday, March 15: Braves at Phillies, 1:05 p.m. (NBC Sports Philadelphia, 94.1 WIP)
    • Monday, March 16: Phillies at Tigers, 1:05 p.m. (Phillies audio feed)
    • Tuesday, March 17: Twins at Phillies, 1:05 p.m. (NBC Sports Philadelphia+)
    • Wednesday, March 18: Phillies at Braves, 1:05 p.m. (Phillies audio feed)
    • Thursday, March 19: Rays at Phillies, 1:05 p.m. (Phillies webcast)
    • Thursday, March 19: Twins prospects at Phillies prospects, 1:05 p.m. (MLB Network)
    • Friday, March 20: Tigers at Phillies, 1:05 p.m. (NBC Sports Philadelphia+)
    • Saturday, March 21: Phillies at Orioles, 1:05 p.m.
    • Saturday, March 21: Blue Jays prospects at Phillies prospects, 1:05 p.m. (NBC Sports Philadelphia+, MLB Network)
    • Sunday, March 22: Phillies at Yankees, 1:05 p.m. (NBC Sports Philadelphia, 94.1 WIP)
    • Monday, March 23: Rays at Phillies, 12:05 p.m. (Phillies webcast)
  • Jabari Walker’s conversion, Tyrese Martin’s addition part of Sixers’ post-trade deadline roster tinkering

    Jabari Walker’s conversion, Tyrese Martin’s addition part of Sixers’ post-trade deadline roster tinkering

    Tyrese Martin was in the crowd of Allentown’s new PPL Center in October 2014, when the 76ers played a preseason game in the city for the first time in 40 years. The teenage Martin even got a photo with K.J. McDaniels, then a Sixers rookie.

    Fast forward more than a decade, and Martin on Thursday morning stood in a back hallway of Xfinity Mobile Arena following his first shootaround as a Sixer.

    Martin, a 26-year-old combo guard, joining the NBA team closest to his hometown on a two-way contract potentially completes the Sixers’ post-trade roster. They also signed veteran point guard Cameron Payne, the former Sixer who had been playing in Serbia, to a rest-of-season deal and forward Dalen Terry to a two-way contract. Those moves fill the roster spots vacated when the Sixers traded Jared McCain and Eric Gordon at the deadline earlier this month and converted forwards Dominick Barlow and Jabari Walker from two-way contracts to standard deals.

    Martin was inactive for Thursday’s 117-107 loss to the Atlanta Hawks, with coach Nick Nurse noting that the coaching staff “obviously [has not] seen hardly any of him yet.” Terry, who signed his deal just before the All-Star break, also did not play.

    Payne, however, immediately got back on the floor. Though he missed all three shot attempts, the 31-year-old totaled five of the Sixers’ 17 assists in less than 10 minutes.

    “I’m figuring them out,” Payne said of his new teammates. “… I feel like we played fast when I was here [for the end of the 2023-24 season], but they play a lot faster now.”

    Nurse said before Thursday’s loss that he also views Martin primarily as a point guard. He averaged 7.3 points, 2.9 rebounds, and 1.9 assists in 37 games with the Brooklyn Nets, then was released to free up roster spots at the trade deadline.

    Before a November game against the Sixers, Nets coach Jordi Fernandez described Martin as a “grown up” and “rock star” inside Brooklyn’s deep rebuild and was a player to whom coaches could direct young teammates and say, “Look how he does it.” Nurse on Thursday also commended Martin’s basketball IQ, along with his 6-foot-6, 215-pound frame.

    Yet on a Sixers team vying for playoff positioning — their 30-25 record is sixth in the Eastern Conference entering Friday — Martin most believes he can make an immediate impact as a defender who can pressure the ball and pick up 94 feet.

    “Just play tough,” Martin said. “I think that’s where I can find myself fitting in real fast on this team.”

    Martin’s opportunity became possible once the Sixers signed Walker to a standard contract on Thursday. After Walker could not play in the Sixers’ previous four matchups because he had exhausted his 50 active NBA games allowed on a two-way deal, he acknowledged “worrying a little bit” about his future while spending time with loved ones during the All-Star break.

    But while Walker was sidelined, Nurse recognized that the Sixers “really need” the 6-foot-8, 235-pounder’s physicality as a rebounder and interior defender. Walker totaled four points, three rebounds, two assists and one steal — including a second-half highlight sequence when he hit a three-pointer, then corralled a steal and lofted an alley-oop pass to Adem Bona — in 10 minutes, 16 seconds of his return game against Atlanta.

    Barlow, meanwhile, remained in the starting lineup with Paul George still suspended for violating the NBA’s anti-drug policy. Nurse was pleased both players had their contracts converted this month because “they just earned it, and they deserved it.”

    “Young, hungry, playing-hard guys that I think we can have in our organization,” Nurse said. “We want [players like that]. I’m glad those guys got rewarded — both of them.”

    Those contract conversions — plus other recent examples, such as Justin Edwards last season and Ricky Council IV in 2024 — demonstrate that the Sixers will use two-way players who provide value. Martin appreciates such evidence of opportunity. He took the floor for an early pregame on-court session Thursday and said he is working to quickly learn staffers’ names.

    Nurse is unsure when Martin could see game action, with the Sixers entering a stretch of three road matchups in four nights. Yet Martin’s addition could complete the Sixers’ post-trade deadline roster, and it allowed him to join the NBA team closest to his hometown.

    “We’ll get into what my path and my thing is for the rest of the season going forward,” Martin said. “But right now, I’ll just do what I’ve done when I was in this situation before and bet on myself.”

  • Old City’s latest all-day cafe doses coffee, tea, and mocktails with kava and kratom

    Old City’s latest all-day cafe doses coffee, tea, and mocktails with kava and kratom

    A new all-day lounge in Old City is betting on kava and kratom — two controversial psychoactive plants — to pull crowds away from bars.

    Old City Kava Company opened in December at 40 S. Second St., across from a Fine Wine & Spirits and a honky-tonk bar. The lounge specializes in kava and kratom mocktails intended to boost mood and lower inhibitions, not unlike knocking back of a couple drinks. The establishment’s co-owners, Luca Kobza and Adam Lagner, believe the substances can open up a new social scene in Philly — namely, one that isn’t centered on alcohol.

    “We’ve had groups of people showing up who I otherwise believe would’ve been at bars… maybe having a cocktail and then regretting it the next day,” said Kobza. Customers have told them the space is a welcome change from bars and nightclubs, Kobza said.

    Old City Kava Company co-owners Luca Kobza (left) and Adam Wagner (right) met in college at the University of Miami and ran a kava bar in Naples, Fla. before moving to Philly.

    The 1,900-square-foot lounge is designed for lingering, with 60 seats between its bar, two-top tables, and plush jeweled-toned couches. The space has a small-yet-serviceable board game collection, plus a rotating display of contemporary art for sale from Kensington’s Vizion Gallery.

    Old City Kava opens at 10 a.m. daily, serving its kava and kratom- infused mocktails alongside drip coffee from ReAnimator, teas from Random Tea Room, and a selection of pastries from wholesaler Au Fornil. By day, it largely functions as a co-working space.

    The atmosphere shifts at night. Open till midnight on weekdays and 2 a.m. on weekends, the space feels cocktail bar-adjacent, with a menu of 16 kava and kratom-infused mocktails. They range from a kava-lemongrass-and-guava paloma to a kratom-kombucha-ginger beer mule and a matcha tonic shaken with kava and kratom. Lagner and Kobza have already hosted run clubs, singles events, and book clubs to highlight the spectrum of Philly’s sober-curious scene.

    The interior of Old City Kava Company at 40 S. 2nd Street.

    What are kava and kratom?

    Old City Kava sources kava — derived from the leaves of the piper methysticum, a large plant that grows in Hawaii and other South Pacific islands — from Fiji, Tonga, and Vanuatu and kratom from Vietnam, Thailand, and Malaysia. They brew both as teas, adding roughly a tenth of an ounce to each mocktail.

    The lounge’s eight employees had to undergo 15 hours of in-house “kava-tending” training, which mostly involves learning how to educate first-timers. Lagner hated kava the first time he tried it.

    “It’s bitter, earthy. I was very off-put,” said Lagner. At the age of 30, he now prefers drinking it straight.

    Kava is traditionally brewed as a tea for religious ceremonies. Advocates say the substance can briefly reduce anxiety or stress.

    Kratom, on the other hand, comes from the leaves of a Southeast Asian tree and acts like a caffeine-esque stimulant in small doses and a sedative in larger ones. Users treat it as a catch-all to self-soothe pain, depression, and anxiety.

    Adam Wagner making Old City Kava Company’s Lemongrass Paloma, which swaps alcohol for kava.

    A visit to the lounge starts with a kava-tender offering samples of pure kratom or kava tea, the latter of which makes your lips tingle with a mild numbness. Despite having no real relationship with one another, kava and kratom often come as a package deal in kava bars across the U.S., which have exploded in popularity as an alternative to traditional bars during a time when fewer young people are choosing to drink.

    Both substances are contentious, having raised public concerns about addiction and other risks. Neither is currently regulated by the Food & Drug Administration, but the FDA announced plans last summer to schedule kratom as a controlled substance after an uptick in reports of synthetic kratom addiction. Sold in tiny bottles at gas stations and smoke shops, synthetic kratom isolates 7-OH, a compound that can cause intense opioid-like addiction and withdrawal symptoms. Kratom is currently banned in seven states. In December, two Pennsylvania state representatives introduced a bill that would prohibit the sale of the synthetic variety.

    These laws and the FDA’s plan include carve-outs for the botanic kratom from the leaf — which Old City Kava uses in its mocktails. The varieties are fundamentally different, Lagner said.

    “A lot of people conflate the two. … when they hear ‘kratom,’ they think of the products you’re seeing in gas stations,” he explained. “We serve natural kratom leaf tea how it’s been consumed safely for centuries in Southeast Asia. They’re much less potent in their natural form.”

    That may be true, but experts still have concerns about botanic kratom. According to Dr. Adam Scioli, chief medical officer of Wernersville, Pa.’s Caron Treatment Centers, botanic kratom is five to 20 times less potent than its synthetic counterpart. But it still carries an addiction risk, Scioli said, and can cause other health issues, such as nausea, high blood pressure, a racing heartbeat, and averse drug interactions, particularly when consumed with sedatives.

    “What concerns me most clinically is that kratom is often perceived as ‘natural and therefore safe,’” said Scioli. “History has repeatedly shown us that natural substances can still carry significant addiction risk, especially once commercialized.”

    A bar, but not

    Lagner, a Blue Bell native and La Salle High School grad, met business partner Kobza, also 30, when they were both students at the University of Miami. The duo would study together at kava bars on South Beach, and after graduating in 2018, opened their own, called Nektar Lab, in Naples, Fla.

    Lagner and Kobza sold their stakes in Nektar in 2022. They moved to Philly shortly after, where they found a far less vibrant scene than what they were used to in Florida, the U.S.’s kava capital. (Philly has only one other kava bar, Queen Village’s Lightbox Cafe.)

    Adam Wagner pours a shot of creamer for Old City Kava Company’s Old City Red Eye, a coffee drink that includes kava and kratom.

    “Most kava bars around the country are very grungy and tiny,” said Lagner. “And there haven’t been enough concepts [in Philly] to show people that this can be a a nice alternative to the social scene that revolves around alcohol and can also fill gaps in some of the daytime third-space sort of sphere.”

    Old City Kava’s bestseller is the Old City Red Eye: kava and kratom tea shaken together with ReAnimator cold brew, oat milk creamer, agave, and vanilla syrup. “You would think the kava and kratom cancel each other out because, at face value, it’s an upper and a downer in the same drink,” said Kobza. “But in reality they complement each other. The kava takes the edge off the coffee … the [kratom] just adds a mild euphoria.”

    Kobza said first-timers shouldn’t have kava or kratom on an empty stomach, or try too many cocktails at once. (That’s what this Inquirer reporter did, and she ended up with a splitting headache plus lingering nausea.)

    The exterior of Old City Kava Company at 40 S. 2nd Street.

    Carissa Kilbury, 24, goes to Old City Kava weekly. Sometimes, she spends full workdays at the lounge, sipping a few infused drinks while at her computer. A slow drinker, Kilbury said she doesn’t feel much other than mild relaxation.

    “When I’m stressed at work, I feel a little bit less stressed, which is nice,” she said. “It feels like a bar without really being a bar. I like that vibe.”

    Old City Kava Company, 40 S. Second St., 215-402-7047, oldcitykava.com. Hours: 10 a.m. – 12 a.m. Sunday through Thursday; 10 a.m. – 2 a.m. Friday and Saturday.

  • Ben Vaughn does the impossible task of explaining the Geator to a non-Philly outsider in his new podcast

    Ben Vaughn does the impossible task of explaining the Geator to a non-Philly outsider in his new podcast

    Ben Vaughn is a man of many moods, and an equal number of career twists.

    The Camden County native and radio host’s hourlong show The Many Moods of Ben Vaughn — “broadcasting weekly from the Relay Shack, from parts unknown” — airs Saturdays at 6 p.m. on WXPN-FM (88.5). It’s also heard on 19 other stations in the U.S. and one in France.

    The singer-guitarist has released 20 albums, starting with his 1986 debut, also called The Many Moods of Ben Vaughn, and including one, 1997’s Rambler ’65, recorded entirely in his car.

    His collaborative album with Providence, R.I.-based band and Ben Vaughn fanboys Deer Tick is due in October, and his first U.S. tour in nearly three decades will follow. (He plays regularly in Spain, France, and Italy.)

    In the 1990s, the Mount Ephraim-native moved to Los Angeles and worked as a music composer for the hit TV sitcoms 3rd Rock From the Sun and That ‘70s Show. His credits as a record producer include legends and eccentrics such as Charlie Feathers, Alex Chilton, Los Straitjackets, Nancy Sinatra, and New Hope duo Ween.

    Along the way, he’s accumulated a lifetime of stories, from his encounter with Billy Joel’s hippie band Attila in Philly head shop 13th Street Conspiracy to playing harmonica with Lynyrd Skynyrd at the Spectrum in the 1980s.

    Those tales — an encounter with composer Lalo Schifrin, producing soul music great Arthur Alexander, or how Duane Eddy’s guitar changed his life — are now collected in Straight From the Hat, Vaughn’s new podcast with Sun Records marketing and social media manager Laura Pochodylo.

    Ben Vaughn’s new podcast with Laura Pochodylo is “Straight From the Hat.”

    This week’s episode of the pod, which debuted in January with episodes released every other Thursday, concerns a subject dear to Vaughn’s heart. Philly DJ Jerry Blavat — the Geator with the Heater, the Boss with the Hot Sauce — was Vaughn’s “mentor without knowing it” for years until the two became close friends and then collaborators late in the life of Blavat, who died in 2023 at 82.

    Straight From the Hat took shape because Sonny Bono brought Vaughn and Pochodylo together.

    In 2022, Vaughn was digging into the Sun vaults to curate a compilation for the storied label’s 70th anniversary. With songs by Feathers, Harmonica Frank, and the Prisonaires, it shows the flair for unearthing musical gems that Vaughn displays in the 552 Many Moods episodes that have aired since launching on Valentine’s Day 2009. (Over 300 are available on podcast platforms.)

    Speaking from Many Moods headquarters near Joshua Tree in California’s Mojave Desert, Vaughn says that “even though she’s a lot younger than me” — he’s 70, Pochodylo is 33 — “her record collection is almost identical to mine.”

    They bonded over “non-ironic appreciation” of Bono, the late singer, actor, and politician famed for his work with his wife Cher. Bono also wrote songs recorded by Sam Cooke, Jackie DeShannon, and the Rolling Stones. Pochodylo calls herself “a Sonny Bono evangelist.”

    Vaughn told Pochodylo stories about musicians in Sun Records’ collection who he had worked with.

    “And then we came up with the idea to write all these names down and throw them in a hat. She picks one out, and I say whatever comes to mind. No preparation, no planning.”

    In this week’s episode, Pochodylo pulls out Blavat’s name, and Vaughn has plenty to say about the Philadelphia life force he first felt at age 10 in 1965, when he tuned into Blavat’s afternoon TV show The Discophonic Scene.

    “I started going to these dances he would put on at gymnasiums and Knights of Columbus Halls,” Vaughn said. “The first song I ever played lead guitar on in front of an audience was ‘Sheba’ by Johnny and the Hurricanes because the Geator was using it as a theme song.”

    Jerry “The Geator” Blavat with Ben Vaughn in 1997.

    Vaughn played drums in his first band when he was 12, and got a South Jersey musical education at Blavat package shows seeing vocal groups like the Dells and Delfonics.

    A Four Tops performance at the Steel Pier in Atlantic City “spoiled me,” he said, “because the Four Tops were one of the most professional acts in the history of entertainment. So everything was perfect.

    “And then I saw Canned Heat [at the Pier], and I remember they were very high, and couldn’t keep their guitars in tune because of the salt air. I remember thinking: ‘There are several ways to go as an entertainer, and this is one way I will never go!’”

    The free-form nature of The Many Moods, which last week featured songs under two minutes by artists like Francoise Hardy, Bob Dylan, and Nina Simone, was shaped not by Blavat but by early 1970s Philly DJs like David Dye and Michael Tearson on WMMR-FM (93.3).

    Ben Vaughn in Philadelphia in the summer of 1970.

    But the unstoppable self-confidence and business acumen of Blavat, who Vaughn got to know in the 1980s, shaped Vaughn’s career.

    “There was a way the rest of the world did things, and a Geator way,” Vaughn said. “He told me I should own my own show, which I do.” Blavat emphasized self-belief. Whatever Vaughn did would have value, as long as it was truly unique.

    “The Geator would buy time on the radio, and sell ads himself. I would drive around with him to pizzerias and shoe stores and car dealerships and watch him. And then we’d drive away with a car with his name on the side. The Geatormobile!”

    Philly musicians in future Straight episodes include “Mashed Potato Time” singer Dee Dee Sharp and rock and roller Charlie Gracie, who befriended Vaughn in the 1970s at the Mount Ephraim club Capriotti’s, where Gracie was nightly entertainment and Vaughn a dishwasher.

    Vaughn’s own stature as a Philadelphia institution was underscored when he was contacted by the Delco-set HBO series Task. They asked him to record a Many Moods snippet for the show. In one scene, Tom Pelphrey’s character, Robbie Prendergast, rolls a joint, listening to Vaughn on air pods.

    “I watched it and you can hardly hear me. But I show up in the close captions and they spell my name right. So that’s a victory.”

    In 2021, Vaughn helped Blavat move out of his office on East Market Street and found unopened letters from 1964 with song requests to play on Blavat’s WCAN-AM (1320) radio show. Blavat and Vaughn opened them on air on XPN in 2021 in a show called The Lost Dedications.

    “The Geator created something that never existed before,” Vaughn said. “Geatordelphia! It was a subculture. The way he talked, the kind of records he played, the way he had of communicating with the audience.

    “He connected so many human beings, and made everybody feel good. He made us all feel like we were better looking than we really were. Only South Philly could have produced a guy like him. It didn’t make sense to anyone outside of a 90-mile radius. The Jersey Shore, Trenton, Wilmington, that’s it.

    “That was the great thing about doing the podcast. Laura is originally from Detroit, and she didn’t know anything about the Geator. And trying to explain the Geator to an outsider is an amusing thing.”

    “Straight From the Hat” episodes are at straightfromthehat.com and on all podcast platforms.

  • Trump officials used AI to distort a photo of an anti-ICE activist. That’s not OK.

    Trump officials used AI to distort a photo of an anti-ICE activist. That’s not OK.

    In the everyday chaos that characterizes President Donald Trump’s America, the news cycle changes faster than most of us can keep up with it.

    But can we please pause for a moment and consider the gravity of what happened to Nekima Levy Armstrong at the hands of the U.S. government? She led a group of activists who interrupted a worship service in Minnesota on Jan. 18. The demonstrators went to Cities Church in St. Paul to stage a protest in support of immigrant rights.

    The choice of venue was very much intentional: One of the leaders at the church is an administrator at a local U.S. Immigration and Customs Enforcement office. Four days later, Levy Armstrong, a half dozen other protesters, and two journalists were arrested.

    Afterward, while she was still in custody, Trump administration officials released an AI-manipulated image of her on X, the social media site formerly known as Twitter, on accounts for Homeland Security Secretary Kristi Noem and the White House.

    The doctored image shows Levy Armstrong (no relation) with her mouth open as if she’s sobbing hysterically. Her face also appears to have been darkened. The photo caption reads: “ARRESTED far-left agitator Nekima Levy Armstrong for orchestrating church riots in Minnesota.”

    It wasn’t a riot. Nor was she crying. But all that is beside the point. The Trump administration officials wanted to make her look bad, even if it meant reshaping reality to do so. What’s especially concerning is the dishonest way it went about it. According to photos and video of her arrest, Levy Armstrong maintained a mostly impassive expression on her face throughout the ordeal.

    On Jan. 22, the White House posted an AI-altered image of Nikema Levy Armstrong on the White House’s official X feed. The altered image makes Levy Armstrong appear as crying, the original image shows no such emotion.

    A lot of people might see the digitally altered image of her sobbing and assume that because it was posted on a verified social media channel from the highest levels of government, it is an accurate representation of what happened — when it’s anything but.

    A New York Times analysis concluded that the photo had been manipulated — something the White House admits to doing, and is unrepentant about. The manipulated photo is a meme, according to White House spokesperson Kaelan Dorr, who doubled down on X, saying, in part: “Enforcement of the law will continue. The memes will continue.”

    No one should be surprised at that reaction, considering how many questionable AI images Trump has shared. (And, although it wasn’t artificial intelligence, don’t get me started on his racist post about the Obamas earlier this month.)

    He once posted an AI video of himself — with a crown on his head — flying a plane that dumps feces onto “No Kings” protesters. It was even more disturbing when he released a deepfake video of former President Barack Obama, who seems to live rent-free inside Trump’s head, being arrested in the Oval Office.

    Imagine the uproar if another president had done such a thing. Many people have normalized this kind of corrosive behavior so much that Teflon Don usually gets off with a shrug. But those of us who care about accountability have to keep calling him out.

    Dirty politics are one thing, but when Trump administration officials manipulated the photo of Levy Armstrong, a private citizen, it made my blood boil. It’s another reminder that there’s no bottom with Trump when it comes to how low he will go, and that’s really scary.

    I recently had a chance to speak with Levy Armstrong, and can report that, despite the administration’s efforts, she is unbowed and unbroken.

    She called the government’s use of the fake image “horrifying and deeply disturbing,” and insists “I was cool, calm, and collected” during the arrest.

    “I guess because they didn’t see me broken, they needed to manufacture an image of me broken,” Levy Armstrong told me.

    “This is not unlike what has happened historically to Black people with all of the Sambo imagery and the mammy imagery that’s out there, with exaggerated features and darkened skin,” she said. “That’s the same thing that I went through, and that’s what they did to me. Not to mention making me look hysterical.”

    She added that “I felt caricaturized, just like our people have been during slavery and Jim Crow.”

    While I had her on the phone, I also asked Levy Armstrong about the arrest of former CNN anchor Don Lemon, who covered the protest she organized.

    Journalist Don Lemon speaks to the media outside the U.S. District Courthouse in St. Paul, Minn., on Feb. 13.

    Levy Armstrong disputes MAGA claims that Lemon was a participant in the demonstration, as opposed to being an observer. Levy Armstrong told me, “I just think it’s foolishness that they would try to rope him in as a protest organizer.”

    “He’s not an activist. He’s not an organizer,” she pointed out. “He’s not a protester whatsoever.”

    The former law professor said that referring to Lemon as an organizer was an excuse to attack him, as well as Georgia Fort, an Emmy Award-winning independent Black journalist based in Minnesota, who also faces federal charges after covering the protest.

    Minnesota-based independent journalist Georgia Fort speaks to reporters and supporters outside the federal courthouse in St. Paul, Minn., on Feb. 17, after pleading not guilty over her alleged role in a protest that disrupted a Sunday service at a Southern Baptist church in St. Paul.

    I’ve covered many protests throughout my journalism career, and find what happened particularly upsetting. Republicans talk a good game about upholding the Constitution, but the arrests were clearly an attempt to keep journalists from exercising their First Amendment right to freedom of the press.

    Meanwhile, no arrests have been made in the fatal shootings by Border Patrol and ICE, respectively, last month of Alex Pretti, an intensive care nurse, or Renee Good, a mother of three.

    But Levy Armstrong has been charged for her role in a disruptive but peaceful protest inside a church during which no one was physically harmed. (And, yes, although they are rare, demonstrations in churches happen. During the civil rights movement, demonstrators would hold “kneel-ins” to protest segregated churches in the Jim Crow South.)

    An ordained minister, Levy Armstrong told me she draws strength from such icons of the civil rights movement as Fannie Lou Hamer, Rosa Parks, and the Rev. Dr. Martin Luther King Jr., all of whom had suffered the indignity of being arrested while fighting for their basic human rights.

    “Everybody needs to wake up,” she said. “This is not just about immigration. This is about our constitutional rights. This is about our democracy. This is about our freedoms.”

    Freedoms we stand to lose if we allow the Trump administration to try and silence us the way it has attempted to do with Lemon, Fort, and Levy Armstrong, among so many others.

    Levy Armstrong has nothing but praise for Philadelphia District Attorney Larry Krasner, who is vocal about prosecuting ICE agents who run afoul of the law. Her suggestion for concerned Philadelphians? “Get some whistles,” she said. “Get some people organized. Hold your elected leaders accountable.”

  • A new streaming series tells the story of America through the lens of Philadelphia

    A new streaming series tells the story of America through the lens of Philadelphia

    By 2019, after a decade of producing dozens of documentaries about Philadelphia history, the filmmakers at History Making Productions realized they had more than just the story of a city.

    They had the story of America.

    On Friday, the studio released its epic, new telling of that 400-year-old story: In Pursuit: Philadelphia and the Making of America. Directed by documentary filmmaker Andrew Ferrett and written by author and historian Nathaniel Popkin — and mixing modern footage with historical recreation and more than 600 on-camera interviews — the 10-episode series explores the history of America through the lens of Philadelphia, its birthplace.

    Belinda Davis as Sarah Forten in “In Pursuit: Philadelphia and the Making of America.”

    Timed to coincide with the 250th anniversary of the Declaration of Independence in 2026, known as the Semiquincentennial, the series provocatively grapples with urgent questions, like how did the American experiment actually unfold? And how can it endure?

    “Philadelphia is not just the birthplace of American democracy — it has been its proving ground,” said Sam Katz, series creator, executive producer, and founder of History Making Productions. “This series looks honestly at how ideals were formed, challenged, expanded, and sometimes betrayed, and why that history matters so urgently.”

    ‘A national moment’

    Spanning 400 years of Philadelphia history, from its indigenous roots to the MOVE Bombing the series is equal parts entertainment and civic project. Funded by Katz and philanthropies like Pew Center for Arts & Heritage, Penn Medicine, and Lindy Communities, the series premiered at the National Constitution Center on Thursday.

    Episode One is now streaming online. Katz and the filmmakers will host screenings and community conversations at Pennsbury Manor in Bucks County on Sunday, and another screening Feb. 26 at the Bok Building in South Philadelphia.

    Throughout 2026, as the city and country celebrate the national milestone, a citywide “In Pursuit of History Film Festival” will promote each new installment with monthly screenings and public events. 6ABC will also air monthly hourlong shows to highlight new episodes.

    Sam Katz at Independence Hall, in Philadelphia, Tuesday, Feb. 17, 2026, in Philadelphia

    From the beginning, the project was meant to get people talking about the true meaning of the American experience, and those it has left behind.

    “We’re going to get partners all over the city, and we’re going to have screenings all over the place,” said Katz, the civic-leader-turned-producer. “We’re going to create opportunities for people to come and meet the filmmakers, or meet a historian or an artist, who will then lead a conversation. It really is an opportunity for Philadelphia to take stock of itself.”

    Popkin, who co-founded Hidden City Daily, said the project tells the story of events that shaped a city and a country founded on ideals not yet fully realized — and now divided and tested as they’ve been in decades.

    “The timing is perfect,” he said. “I think a film can really launch a lot of conversations. This is a moment for us as a nation.”

    Fresh portals

    Ferrett, who grew up in Bucks County, and has been directing and producing films at History Making Productions for more than 15 years, said the project revealed itself.

    For earlier Philly projects — including The Great Experiment, an Emmy-award winning, 14-part docuseries spanning 500 years of Philly history, and Urban Trinity: The Story of Catholic Philadelphia — the filmmakers had amassed hundreds of unused hours of interviews with local and national historians, artists, and cultural leaders.

    Over the years, much of it had to be left on the cutting room floor, including magical moments that he said opened fresh portals to Philly history, said Ferrett.

    “We talked to pretty much anyone you can imagine who was either involved with studying Philadelphia history, or in the case of 20th-century history, a lot of witnesses to it,” he said.

    Poet Ursula Rucker during filming of “In Pursuit: Philadelphia and the Making of America.” The new 10-part docuseries examines the history of America, through the story of Philadlephia.

    Besides, he said, nowhere else could hold a better mirror to America, than the place of its birth.

    “It really became obvious to us that what we have here is much more than a local history,” he said. “It’s a history of the whole United States because so many consequential moments that shaped the country’s history went through Philadelphia.”

    History that feels alive

    Setting out to tell the story anew, Katz raised money to shoot updated interviews and fresh historical recreations.

    Meanwhile, history did not slow down, from the COVID-19 pandemic, to the killing of George Floyd, and the Black Lives Matter movements, to Trump, and immigration crackdowns.

    “We were asking how do we deal with history while all this is happening,” Katz said. “We were writing about it right now.”

    Cecil B. Moore and Martin Luther King, Jr in footage from “In Pursuit: Philadelphia and the Making of America.”

    Narrated in a warm, resonant baritone by actor Michael Boatman, known for roles in shows Spin City and The Good Wife, In Pursuit is no dull, black-and-white history. The city feels alive, the stakes serious and undecided.

    Threading modern day footage of bustling Philly streetscapes and soaring neighborhood shots with commentary and historical recreations imprints the series with a powerful immediacy.

    The story stretches far beyond 1776, though the dramatic details of that sweltering summer in Philadelphia are recounted in episode three in gripping scenes of refreshingly believable historical recreations.

    “We were able to shoot these lush and full reenactments,” said Ferrett, of all 10 episodes. “Sam was always like, ‘Where’s the dirt? I don’t want to see people with perfect teeth and smiling.’”

    The start

    Episode One, “Freedom (to 1700),” begins at the beginning, pulling no punches as it tells the story of the Lenape people, Philadelphia’s earliest Indigenous settlers — and of the generations of Dutch and other European colonists’ efforts to eradicate them through violence and disease.

    It surprises even in the telling of William Penn, recounting how the rebellious aristocrat’s non-conformist ways landed him in jail more than once, before he founded a City of Brotherly Love meant to be a better world, and a testing ground of the most advanced ideals in Europe.

    The episode also showcases what Ferrett describes as “deepeners,” when the story cuts away from the arc of history for moments of reflection from modern Philly voices.

    “We all feel it here … it’s all in our bloodstream,” poet Ursula Rucker says in the episode. “What does this city mean to me? Everything. Everything.”

  • A nearly 250-year-old hospital’s closure was announced on this week in Philly history

    A nearly 250-year-old hospital’s closure was announced on this week in Philly history

    In the wake of the U.S. Bicentennial, in which Philadelphia was at the center of a yearlong celebration of the country’s 200th birthday, one of the city’s contributions to public health was put on the chopping block.

    On Feb. 15, 1977, city officials confirmed that Mayor Frank Rizzo was closing Philadelphia General Hospital.

    The poorhouse

    Philadelphia General Hospital traced its lineage back to 1729, predating even the revered Pennsylvania Hospital, which was founded in 1751 and is generally considered the nation’s first chartered hospital.

    Philadelphia General Hospital was originally established at 10th and Spruce Streets as an almshouse, also known as an English poorhouse.

    “The institution reflected the idea that communities assume some responsibility for those unable to do so themselves,” Jean Whelan, former president of the American Association for the History of Nursing, wrote in 2014.

    The almshouse was used as housing for the poor and elderly, as well as a workhouse. It also provided some psychiatric and medical care.

    It moved in the mid-1800s into what was then Blockley Township, at what is now 34th Street and Civic Center Boulevard, and began offering more traditional medical services. The Blockley Almshouse’s barrage of patients and their variety of maladies helped it naturally grow into a teaching tool for nursing and medical students.

    And by turn of the 20th century, it had become a full-blown medical center, made official by its new name: Philadelphia General Hospital.

    But it held onto its spirit.

    Its doors were open to anyone who needed care, no matter that person’s race, ethnicity, class, or income.

    Healthcare was a given. Workers saw it as a responsibility.

    Even if it wasn’t always the best care.

    Poor health

    The hospital relied on tax dollars, and as a result was often short on staffing and low on supplies. It was a source of political corruption, scandal, and discord among its melting pot of patients.

    Patients in the hallways of Philadelphia General Hospital in the 1940s.

    Eventually, it collapsed under the weight of its mission.

    Its facilities became outdated, its services could not keep up, and its role as educator was outsourced to colleges and universities.

    Philadelphia General Hospital’s closure left a gaping hole in available services in West Philadelphia. It was no longer there to help support the uninsured.

    Before it officially closed in June 1977, it was considered the oldest tax-supported municipal hospital in the United States.

    “There’s a common misunderstanding that PGH recently has become a poor people’s hospital,” said Lewis Polk, acting city health commissioner, in 1977. “It’s always been a poor people’s hospital. The wealthy never chose to go there.”

    Its old grounds are now occupied by several top-rated facilities, including Children’s Hospital of Philadelphia and the University of Pennsylvania medical campus.

    A historical marker there notes Philadelphia General Hospital’s nearly 250 years of service to the community.

  • How a Black history tour kept the story of the President’s House alive after the Trump administration tried to erase it

    How a Black history tour kept the story of the President’s House alive after the Trump administration tried to erase it

    Mijuel K. Johnson stood on the ground where the dining room of the first president’s residence once stood as he told the story of Ona Judge’s path to freedom.

    Speaking to a group assembled just steps from the Liberty Bell, Johnson recounted how Judge escaped George Washington’s household in Philadelphia into the city’s free Black community before eventually making her way to New Hampshire, and evading the Washingtons’ several attempts to recapture her.

    It’s a story Johnson has told many times as a guide for the Black Journey, which offers walking tours focused on African American history in Philadelphia. One of the first stops on “The Original Black History Tour” is the President’s House Site, an open-air exhibit at Sixth and Market Streets that memorializes Judge and the eight other people enslaved by the first president here.

    But last weekend, instead of the educational panels and informative videos displayed for the last 15 years, the guide and his group were faced with faded brick walls and blank TV screens. Adhesive residue marked the spots where colorful panels had been.

    Mijuel K. Johnson guides Judge Cynthia M. Rufe as she visits the President’s House in Independence National Historical Park on Monday, Feb. 2, 2026.

    It was Johnson’s first group tour since National Park Service employees wielding wrenches and crowbars — acting at the direction of President Donald Trump’s administration — last month stripped out every panel at the President’s House, censoring roughly 400 years of history. Judge’s name was still inscribed on the Memorial Wall and her footprints still imprinted into the concrete as the group walked through the site, but her story was missing. Television screens recounting her life had been abruptly disconnected.

    Black History Month began this year with visitors unable to read displays juxtaposing the cruelty of slavery with the country’s founding principles for the first time since the site opened in late 2010. For many tourists and the guides who know the site best, the removal was a call to action.

    Workers remove the displays at the President’s House in Independence National Historical Park on Thursday, Jan. 22, 2026. More than a dozen displays about slavery were flagged for the Trump administration’s review, with the President’s House coming under particular scrutiny.
    Maria Felton (middle) and Jahmitza Perez (right) of Philadelphia listen to Mijuel K. Johnson (left) during The Black Journey tour in Philadelphia on Saturday, Feb. 14, 2026.

    “In telling their stories, I’m telling my own,” Johnson, 34, of South Philadelphia, said of the nine people the site memorializes, “and that’s where it becomes personal, so that in trying to erase their story, they’re effectively trying to erase me, too, and I just refuse to be erased.”

    A federal judge — whom Johnson guided through the site earlier this month — ordered the federal government to restore the exhibits, siding with Mayor Cherelle L. Parker’s administration.

    The National Park Service began restoring the panels Thursday, a major development after weeks of activism and litigation.

    Parker celebrated the reinstallation in a post on social media Thursday but cautioned: “We know that this is not the end of the legal road.”

    The Trump administration is appealing the ruling, so the future of the site remains uncertain even after this week’s victory. On Friday, a federal appeals judge said that the Trump administration does not have to restore more panels while the appeal is pending.

    Seeing the site bare without the panels last weekend felt like a “slap in the face” for Maria Felton, 31, a stay-at-home mom from Roxborough. Felton, who is Afro-Latina, joined the Black Journey’s tour with best friend Jahmitza Perez, 37, as part of her quest to reconnect with her heritage.

    “The administration can take away physical things. They can’t take away our ability to connect and learn and share our culture,” Felton said.

    Passing a wall where panels about slavery were removed, Mijuel K. Johnson (left) with The Black Journey: African-American Walking Tour of Philadelphia, leads Judge Cynthia M. Rufe (second from left) as she visits the President’s House in Independence National Historical Park on Monday, Feb. 2, 2026.

    ‘A sign of the revolution’

    Johnson has been giving tours since 2019, delivering rousing accounts of U.S. history interwoven with humor and theatrical gestures. He tells his patrons, who come from around the country, that long before cheesesteaks became Philly’s iconic food, the city was known for its pepper pot stew, an African dish.

    “We can tell the full story of America,” he said.

    Last weekend, Johnson’s tour group was more “somber” than usual, he said, as they saw the bare walls of the “desecrated” site.

    “People seeing it for themselves that this actually did happen,” Johnson said.

    For Toi Rachal, 47, a pharmacist from Dallas, and her husband, the tour was eye-opening. The couple had been unaware of the Trump administration’s changes to the site until they joined the tour during their visit to Philadelphia. The work of Johnson and other community members to continue telling the story was even more crucial with the exhibits gone, Rachal said.

    “If we just walked in these areas on our own, eventually we would have probably figured it out,” she said, “but you may not have known exactly what happened.”

    The exhibits were removed under an order issued by Trump instructing the Department of the Interior to remove materials at national parks that “inappropriately disparage Americans past or living,” widely criticized as an effort to whitewash history ahead of this year’s celebrations of the country’s 250th anniversary.

    But the move brought unprecedented attention to the President’s House, drawing curious onlookers. When the panels were beginning to be restored Thursday, a group observed as park employees put history back in its rightful place.

    Shortly before Johnson’s tour group stopped at the site, a volunteer read from a binder containing the informational text that had been removed. The volunteer was one of dozens of people who had signed up for a shift with Old City Remembers, a grassroots effort to speak the history of the President’s House even if the panels were no longer there.

    Mijuel K. Johnson leads visitors from Charlotte, North Carolina, at the President’s House in Independence National Historical Park on Wednesday, July 23, 2025.

    “Because those have been removed, somebody needs to tell the story, somebody needs to make sure that we’re not going to let that history be erased,” Matt Hall, a professor and the organizer of the group, said in an interview earlier this month.

    It’s “active history,” said Ashley Jordan, president and CEO of the African American Museum in Philadelphia, located blocks away from the site. “The fact that they are using their words, their demonstrations, through art-making, through signage, through print materials — that has always been a sign of the revolution in America.”

    Ahead of Johnson’s tour last Saturday, visitors taking advantage of the warmest winter day in weeks congregated around the bare exhibit wall. In its place were educational fliers about Washington, Ona Judge, and other historical figures. Posters displayed messages: “Truth Matters,” “Erasing Slavery is Pro-slavery,” and “Dump Trump Not History.”

    The Black Journey and the 1838 Black Metropolis tour guide Mijuel K. Johnson (right) is reflected in the Liberty Bell Center window as he talks about James Forten (top left) 1746-1842 during a Black History tour in Philadelphia on Saturday, Feb. 14, 2026. Forten was a Revolutionary War veteran, sailmaker, business owner, and a leader of Philadelphia’s free Black community.

    Philadelphians celebrate, but prepare for more fights ahead

    Avenging the Ancestors Coalition members gathered Thursday afternoon at the President’s House, celebrating the reinstallation earlier in the day.

    “This is actually a moment in time,” said Michael Coard, attorney and leader of the coalition, which had fought tirelessly to develop and, now, protect the site. “Your children, your grandchildren, your great-grandchildren are going to be talking about this for years.”

    Coard emphasized the fight was not yet over while highlighting the significance of the community’s contributions in the fight to safeguard the President’s House.

    “I just want you for a few seconds just to think about what you all have done,” Coard told the crowd. “Because what you’ve done is to actually create history. … Think about it. You fought the most powerful man on the planet, and you won.”

    Attorney Michael Coard, leader of the Avenging the Ancestors Coalition, speaks at the President’s House site on Monday, Feb. 16, 2026, during their annual gathering for a Presidents’ Day observance. While there, they learned a federal judge ordered the Trump administration to restore the slavery exhibits that the National Park Service removed from the site last month. The names of nine enslaved people who lived and worked in the household of George Washington engraved in stone behind him were not removed by the NPS.

    Even as Philadelphians celebrated the reinstallation, more efforts were being planned to continue sharing the story of the President’s House.

    Mona Washington, a playwright and Avenging the Ancestors Coalition board member, is crafting a series of plays related to the President’s House, which she hopes to showcase this summer, during the height of the 250th anniversary celebrations. Some of the plays, she said, are written in the first person for the people who were enslaved by the first president at his Philadelphia residence.

    “We’re here, and you can try and erase whatever you want, as much as you want, but guess what? There are lots of us, and we’re just going to keep moving and moving and moving toward truth,” Washington said.

    At the President’s House last Saturday, there were few pieces that Johnson could share with the group that had not been tainted by the Trump administration. One of them was the Memorial Wall, which is engraved with the names of Ona Judge and the eight other people George Washington enslaved — Austin, Paris, Hercules, Christopher Sheels, Richmond, Giles, Moll, and Joe. A few paces away, their quarters once stood, where at least four of the nine individuals would stay at any given time, Johnson said.

    Mijuel Johnson, a guide with The Black Journey: African-American Walking Tour of Philadelphia, leads visitors in the President’s House in Independence National Historical Park Wednesday, July 23, 2025. The names of nine enslaved people who lived and worked at the House are engraved in stone on the site.

    Outside the quarters appears a plaque signed by the city and the National Park Service that reads: “It is difficult to understand how men who spoke so passionately of liberty and freedom were unable to see the contradiction, the injustice, and the immorality of their actions.”

    These words are preceded by an italicized quote from former President Barack Obama, the country’s first Black president: “It was whispered by slaves and abolitionists as they blazed a trail toward freedom … yes we can, yes we can.”

    A lack of proper tools and the snow were the only things standing in the way of the Trump administration making further alterations to the President’s House last month. U.S. District Judge Cynthia M. Rufe has now ordered that the President’s House cannot be further altered.

    Last Saturday, Johnson assured his tour group as they were filing through the quarters that this piece of history would remain.

    “They can’t touch this,” he said.

    Staff writer Maggie Prosser contributed to this article.

  • Has Villanova’s winning streak opened the door for new NCAA Tournament seeding? Yes and no.

    Has Villanova’s winning streak opened the door for new NCAA Tournament seeding? Yes and no.

    The NCAA Tournament is coming to Philadelphia for one of its eight opening-weekend sites, and Villanova made sure to plan for the occasion.

    The Wildcats hosted four games at Xfinity Mobile Arena last season but scheduled only two home games there this season — the second of which is Saturday evening vs. No. 5 Connecticut. NCAA rules prohibit a team from playing tournament games in a venue where they host more than three home games, and the lowest seeds typically are rewarded geographically with first- and second-round locations.

    It was rather ambitious planning for Villanova, given that the Wildcats had a new coach and a new roster and hadn’t made the NCAA Tournament since 2022. And it remains lofty even now, after a six-game winning streak has Villanova at 21-5 overall and 12-3 in the Big East. The Wildcats are almost guaranteed to snap that tournament drought, but they remain unlikely to get to a seeding that would reward them with some home cooking in the first and second rounds.

    “There is a path,” ESPN bracket master Joe Lunardi said Thursday when asked if Villanova could get as high as the No. 4 line, but when asked how realistic it was, Lunardi said “minimally.”

    Lunardi spoke via phone from an interesting location, given the subject of the conversation. He was in Indianapolis, where a mock NCAA Tournament selection exercise with media members was taking place. In his own bracket projection, Lunardi had Villanova 25th as of Thursday morning, otherwise known as the top seventh seed on his big board. The Wildcats were 28th, the lowest possible seventh seed, and slotted in Buffalo to face 10th-seeded Auburn in the first round when the mock committee went through its process Thursday, 24 days from Selection Sunday.

    The mock committee ranked the top 20 seeds and placed the last four at-large teams into the field, but it used computers to seed most of the rest of the bracket. Of note, those computer models had Temple, which is tied for sixth in the American Conference, winning its conference tournament and getting into the field.

    Back to Villanova and to Lunardi’s bracket … not much has changed since Jan. 28, when we last caught up with him to assess the Wildcats’ tournament path. They were a No. 7 seed then, and while they moved up a few spots on the seeding line, they’re a No. 7 seed as of Friday even after reeling off six consecutive wins following their overtime road loss to UConn on Jan. 24.

    Similarly, Villanova was 34th in the NCAA’s NET rankings on Jan. 28 and 29th on Friday. And at KenPom, the Wildcats were 27th on Jan. 28 and 27th on Friday. That is life in the 2025-26 Big East. Six wins in a row doesn’t move the metrics much.

    Kevin Willard has Villanova in line for an NCAA Tournament bid in his first season on the Main Line.

    “They’re certainly looking the part,” Lunardi said. “The problem is, the dirty little secret, the league standing is flat if not declining.”

    The mock bracket on Thursday had just three Big East teams in the field of 68: UConn, St. John’s, and Villanova.

    Villanova has just three Quad 1 wins to date: Wisconsin, the road win at Seton Hall, and last Saturday’s road win at Creighton. That game was a Quad 2 game until Creighton knocked off UConn on Wednesday and moved back into the top 75 of the NET rankings. It could slip back into Quad 2 territory if Creighton moves back in the rankings. As it stands, the Wildcats have just two more chances at Quad 1 victories in the regular season: Saturday vs. UConn and next Saturday at St. John’s.

    Why are those opportunities important? As of Thursday morning, the top 21 teams in the NET rankings all had four or more Quad 1 wins. NET standings don’t necessarily translate to tournament seeds, but it’s hard to imagine Villanova climbing high enough in any tournament bracket without adding another regular-season Quad 1 win and another one or two en route to cutting the nets down at Madison Square Garden after winning the conference tournament.

    It’s not impossible, just not all that likely.

    What the winning streak has done, though, is shift the floor a little bit. As of three weeks ago, getting a No. 9 or 10 seed in the NCAA Tournament seemed just as likely as a No. 6 seed. Now, a No. 6 seems much more likely than a No. 10.

    “Six is a great spot because you should win your first game, and it’s not too heavy of a lift in the second game,” Lunardi said. “And you avoid the one [seed].”

    “They’re going to wear white,” he said later, implying that Villanova seems like it’s on a path to be, at worst, a No. 8 seed and be the de facto “home” team in its first-round game.

    Home just probably won’t be South Philly. How does a mid-March trip to Buffalo sound?

  • Haverford College vows to make changes to its events policy following disturbance at Israeli journalist talk

    Haverford College vows to make changes to its events policy following disturbance at Israeli journalist talk

    During a talk by an Israeli journalist at Haverford College earlier this month, a group of about a dozen masked people sat and stood in the audience.

    At one point, one of them began shouting through a bullhorn, “Death to IOF,” or Israeli Occupying Forces, a name critics use to refer to Israel Defense Forces, and “Shame,” according to a video of the incident and people who attended the event. The protesters’ faces were covered by masks or keffiyehs, a symbol of Palestinian identity.

    “When Gaza has burned, you will all burn, too,” the protester shouted at the audience of about 180 people, many of them members of the local Jewish community, according to another video viewed by The Inquirer.

    An audience member grabbed at the bullhorn and appeared to make contact with the protester as the protester yelled in his face, according to a video. The college’s campus safety personnel ejected both the bullhorn user and the audience member and has since banned both from campus, college officials said, noting that neither is an employee, student, or alumnus of Haverford.

    The event sparked renewed charges of antisemitism on the highly selective liberal arts campus, which already is under scrutiny by a Republican-led congressional committee for its handling of antisemitism complaints and is the subject of an open investigation by the U.S. Department of Education.

    It will also lead to changes in Haverford’s policies. In a message to the campus after the event, president Wendy Raymond — who faced intense questioning from the congressional committee about the school’s response to antisemitism last year — said “shouting down a speaker whom one does not agree with is never acceptable and stands outside of our shared community values.”

    College officials acknowledged that Haverford needs to upgrade its event policies and said changes would be rolled out no later than after spring break.

    Some people who attended the event to hear journalist Haviv Rettig Gur said they were afraid because they did not know who the masked attendees were or what they had in their belongings, and in light of recent mass violence at Jewish events around the world.

    “I was scared to walk back to my car by myself, which is the only time I ever felt that way in Lower Merion, where I live,” said Susan Taichman, a resident of Bala Cynwyd, who was in the audience.

    Barak Mendelsohn,professor of political science at Haverford College

    Several students in attendance that night said most of the protesters sat or stood silently during the event — which is permitted under campus policy.

    “I went into that event not with hatred for Jewish people, as some … have claimed was the intention of the protesters at the event,” said one Haverford student protester who asked that her name be withheld for safety reasons. “I went in with love, empathy, and deep concern for the Palestinians experiencing abhorrent amounts of violence in their homeland, as well as an understanding of the historical contexts that led to this violence, including the historic persecution of Jewish people that led to the development of Zionist thought.

    “This context, in my opinion, is not an excuse for the genocide. It’s something really tragic that is going on, and I feel really strongly that it has to be stopped.”

    Cade Fanning, the associate editor of the Clerk, Haverford’s student newspaper, cited three interruptions by protesters. One early on argued with Gur for an extended period, followed by the bullhorn incident less than an hour into the event, and then some banging on doors and yelling outside the room, said Fanning, 21, a senior history major from Annapolis, who attended the event.

    Haverford professor Barak Mendelsohn, who helped organize the nearly three-hour event and has complained about the college’s handling of antisemitism in the past, said attendees were terrified as disruptions continued.

    “I can’t tell you how ashamed I am as one of the organizers,” said Mendelsohn, an Israeli-born professor of political science and a terrorism scholar.

    Leaders of Haverford’s students’ council, meanwhile, voiced concerns that an audience member had initiated physical contact with the protester, “which deeply frightened and disturbed members of Students’ Council,” they wrote. “We believe it is paramount to prioritize the safety of members of our college community. Actions like this have no place in our community.”

    Some community members also interrupted and “heckled” protesters, Fanning said, adding that Gur belittled the activists as “children” who did not know enough about the world. The college, Fanning said, should have addressed that in its statement to the community.

    “It would have been beneficial had they at least acknowledged that he wasn’t the most conducive to respectful, honest, open debate either,” Fanning said of Gur. “He didn’t treat the students with the most respect.”

    But Anna Braun, 21, a senior English major from New York City who attended the event, said she was impressed with how Gur handled the protesters.

    “He decided to engage with them one on one to really ask them questions and try to deconstruct why they were protesting,” she said. “The only way we can have any hope for peace is for people to listen to each other and to find some middle ground. And if you’re ignoring each other or if you are interrupting each other, then there is no potential for seeing eye to eye.”

    An effort to ensure safe events

    “It has become clear that there are gaps in how events are reviewed, supported, and managed on campus,” Raymond said in her message to campus. “We are actively revising our event management and space use policies to improve clarity and processes.”

    Wendy Raymond, president of Haverford College, testifies before the House Committee on Education and Workforce hearing on antisemitism on American campuses on May 7, 2025.

    The new policy, she said, “will clarify expectations for different types of events, strengthen coordination among College offices, and establish additional planning and support for events that require heightened attention.”

    Factors such as “significant attendance or operational complexity, heightened public visibility, safety, security, or crowd-management considerations, media presence or external participation, and increased likelihood of disruption or protest activity” may trigger the need for additional review to determine whether more resources are needed, said Melissa Shaffmaster, Haverford’s vice president for marketing and communication.

    “Our intention … is not in any way to restrict free speech or restrict access for different speakers or topics to be discussed on campus,” she said. “We want to make sure that the proper resources are allocated so events can happen safely, people can have really thoughtful discourse, and these events can go off the way they are intended.”

    The indoor use of bullhorns violated the school’s “expressive freedom” policy put in place last spring, she said.

    The college is participating in the Hillel Campus Climate Initiative, touted as an effort to help college leaders counter antisemitism. A survey “to better understand the current climate for Jewish students” will be part of the effort.

    Haverford also is preparing for a major change in leadership. Raymond said in November she would step down as president in June 2027; John McKnight, the dean of the college, also announced he would be leaving at the end of this semester for a new role at Dartmouth College; and the college’s vice president for institutional equity and access also will exit that post in May.

    ‘The howling cry of an uneducated child’

    Gur’s talk was titled “Roots, Return, and Reality: Jews, Israel, and the Myth of Settler Colonialism.” In an opinion piece for the Free Press after the talk, Gur said he had gone to Haverford to talk “about the Jewish history that forged Israeli identity.”

    While he saw the audience “tense up” when protesters entered, he wrote, he saw it as “a chance to explore managing an encounter with the abusive ideologues.”

    During the event, Gur called the bullhorn protester’s disruption “the howling cry of an uneducated child.”

    He said he invited protesters to stay, but told them they had to remove their masks, which they did not do. Most protesters remained for the entire talk, he said, some even crying and engaging in dialogue with him.

    “The more I treated them like neglected children hungry for knowledge, the more likely they were to respond in healthy and productive ways,” he wrote.

    The event was organized by Kevin Foley, a 1983 Haverford graduate. Foley said he was impressed with Gur, a political correspondent and senior analyst for the Times of Israel, after seeing a video of him teaching.

    “I thought I could do something good for Haverford by having him teach there,” said Foley, who lives in Connecticut and New York City and spent his career running electronic trading businesses at Bloomberg and Cantor Fitzgerald.

    Foley’s best friend was killed in the 9/11 attacks and he said he experienced Hamas’ October 2023 attack on Israel as an “echo trauma.” To see concerns at Haverford about its handling of antisemitism “was disappointing,” he said, and what happened at Gur’s talk reinforced those concerns.

    “What I can’t believe is that Haverford has so abandoned its liberal values of academic freedom, freedom of inquiry, that it’s considered acceptable for protesters to come in and disrupt and shut down an educational class,” Foley said.

    Foley called on the college to ban masks and have metal detectors available when needed, and to apologize to Gur’s audience.

    Shaffmaster said the college’s policy allows people to wear masks, but they must remove them if they are asked by campus safety officers or administrators for identification purposes.

    Ongoing tensions on campus

    Several students in attendance, who asked not to be named because of tensions on campus over the issue, said they thought campus safety and the college handled the event as best they could without silencing either side.

    “No matter what they had done, people would be mad at them,” one said.

    Fanning, the student editor, understood why older community members may have been fearful, but said protesters also have fears of being harassed or doxed for their pro-Palestinian advocacy if their identity is known.

    “They are not fearless themselves,” Fanning said. “Nobody is.”

    But Mendelsohn, the professor, was disturbed that Haverford seemed to equate the actions of the audience member who grabbed the bullhorn with those of the protester.

    “The person acted in self-defense and managed to get the bullhorn from her hands,” he said. “If someone turned to you with a microphone and screamed, you would not sit there and do nothing.”

    Mendelsohn has been at the forefront of allegations that Haverford has not done enough to address antisemitism, and the college has investigated him for speaking out on social media and in emails, according to a lawsuit filed against the college last year by a Jewish group. Much of the complaint was dismissed, but the judge allowed a portion involving breach of contract that would result in nominal damages to proceed, and that is in mediation, court records show.

    The actions at Gur’s speech were just one of several ongoing problems with antisemitism on the campus, Mendelsohn said. His mezuzah — an object signifying the Jewish faith — was stolen from his office door a couple of months ago, he said. And he referred to a bias complaint over comments made around funding for the Haverford Chabad board. That remains under review, the college said.

    Braun, the English major, said that she was heartened to see improvement in Haverford’s handling of the Gur event and that the campus has been more welcoming to Jewish students. Most people she has spoken with, she said, did not think the use of the bullhorn was appropriate.

    “That’s not something I would have heard two years ago on this campus,” she said. “I sincerely believe there is more of a desire to create an inclusive environment.”