Category: Music

  • Neil Sedaka, the singer-songwriter behind dozens of hits of the 1960s and ’70s, has died at 86

    Neil Sedaka, the singer-songwriter behind dozens of hits of the 1960s and ’70s, has died at 86

    NEW YORK — Neil Sedaka, the hitmaking singer-songwriter whose boyish soprano and bright melodies made him a top act in the early years of rock and roll and led to a second run of success in the 1970s, has died.

    Mr. Sedaka, whose hits included “Breaking Up Is Hard to Do” and “Laughter in the Rain,” died Friday at age 86.

    “Our family is devastated by the sudden passing of our beloved husband, father and grandfather, Neil Sedaka,” his family said in a statement. “A true rock and roll legend, an inspiration to millions, but most importantly, at least to those of us who were lucky enough to know him, an incredible human being who will be deeply missed.”

    No other details of his death were immediately available.

    A key member of the Brill Building songwriting factory, Mr. Sedaka teamed with lyricist and boyhood neighbor Howard Greenfield on songs that reflected the teen innocence of the post-Elvis, pre-Beatles era of the late 1950 and early 1960s, including “Happy Birthday Sweet Sixteen,” “Calendar Girl,” and “Oh! Carol,” a lament for his high school sweetheart, Carole King.

    After a long dry spell, he reemerged with such smashes as “Laughter in the Rain” and “Bad Blood.” The Captain & Tennille’s cover of his “Love Will Keep Us Together” was a chart-topper in 1975.

    Short and dark-haired, with a big smile and high-pitched voice, he was a Juilliard-trained, Brooklyn-born son of a Jewish taxi driver who began performing as a teen and kept at it for decades.

    Mr. Sedaka still played dozens of concerts a year well into his 80s. He retained the enthusiasm and broad vocal range of his youth and never tired of the standards he had sung hundreds of times.

    “Past 70, Pavarotti told me the vocal cords are not what they used to be. I’m very fortunate that my voice has held,” he told the Associated Press in 2012. “It’s nice to be a legend, but it’s better to be a working legend.”

    Mr. Sedaka’s songs sold millions worldwide and have been covered by a range of performers, from Elvis Presley and Frank Sinatra to The 5th Dimension and Nickelback. Mr. Sedaka helped propel the career of Connie Francis with “Stupid Cupid” and “Where the Boys Are,” the latter for the soundtrack of the movie with the same name. The Captain & Tennille received a best-album Grammy thanks largely to “Love Will Keep Us Together” and included a nod to Mr. Sedaka at the end of the song, when Toni Tennille exclaimed “Sedaka’s back!”

    Growing up in Brooklyn, loving performing

    Mr. Sedaka grew up in Brooklyn’s Brighton Beach neighborhood, pampered by his grandparents, aunts, and mother in a two-bedroom apartment he shared with 11 relatives. He has a street there named in his honor, Neil Sedaka Way.

    But his music compensated for his unpopularity as a kid, he once recalled. His talent was recognized by a second-grade teacher who urged his homemaker mother, Eleanor, to buy him a piano. She went to work in a department store to pay for a secondhand upright and managed his career for years, as did his wife, Leba.

    Mr. Sedaka loved songwriting and never quit, but he craved performing.

    “Once a performer, always a performer. It’s that adrenaline rush. It’s like a natural high when you’re in front of an audience, and if you get that standing ovation, it’s infectious,” he told the AP.

    At 16, Mr. Sedaka was chosen by Arthur Rubenstein in a contest as the city’s best high school piano student and performed on a classical radio station as a prize. It was the same year he discovered rock and roll, when he performed a song, “Mr. Moon,” he had written with Greenfield, his classmate at Abraham Lincoln High School.

    “I sang it in the auditorium for a ballyhoo show and I remember there was a bit of a riot. The kids were jumping and screaming,” Mr. Sedaka said. “After that I was able to go into the sweet shop with the tough kids with the leather jackets.”

    After high school, and then Juilliard, Mr. Sedaka and Greenfield were signed to Don Kirshner’s Aldon Music, where they scored their first hit with Francis, “Stupid Cupid.”

    Sedaka churns out hits, until the Beatles

    In 1958, at age 19, Mr. Sedaka signed with RCA Victor Records and his first single, “The Diary,” enjoyed modest success. He began touring and promoting his songs through regular TV appearances on Dick Clark’s American Bandstand and Shindig!

    At the Brill Building, Mr. Sedaka and Greenfield were joined by other up-and-coming writers and lyricists including King, Neil Diamond, and Paul Simon.

    “Neil Sedaka was so talented, and he inspired me to follow my dream of being a songwriter,” King said on her Facebook page Friday. “With love and gratitude and condolences to his family.”

    Micky Dolenz of the Monkees also paid tribute to Mr. Sedaka, saying on Instagram that he was “one of those rare songwriters who could do it all.”

    From 1959 to 1962, Mr. Sedaka had 10 records in the Top 10, including “Calendar Girl,” “Oh! Carol,” “Happy Birthday Sweet Sixteen,” and “Next Door to an Angel.” But in the mid-1960s, the Brill Building sound, influenced by the doo-wop groups of the New York City streets, was pushed off the charts by the Beatles -led British Invasion and the psychedelic and protest music that followed. Mr. Sedaka would endure 13 years “in the wilderness,” as he described it to the AP.

    Sedaka’s unlikely comeback, with help from Elton John

    Mr. Sedaka was among the lucky, however, enjoying a renaissance that began in the mid-’70s thanks to the patronage of Elton John, whom he met at a party after Mr. Sedaka moved his wife and two kids to England to take advantage of his lingering popularity there. John signed him to his fledgling, U.S.-based Rocket Records label, providing him a chance at more hits with the album Sedaka’s Back.

    At Rocket, Mr. Sedaka and a new writing partner, Philip Cody, topped charts with “Bad Blood” and the joyous “Laughter in the Rain.” He also achieved a rare feat with “Breaking Up Is Hard to Do.” His original up-tempo version went No. 1 in 1962. He rerecorded it as a slow ballad in 1975 and that, too, went No. 1.

    He recorded five albums from 1972 to 1976. They included hits “Standing on the Inside,” “That’s Where the Music Takes Me,” and “Our Last Song Together,” about his breakup with Greenfield, with whom he began writing songs when Mr. Sedaka was only 13 and Greenfield 16.

    He was inducted into the Songwriters Hall of Fame, but the Rock & Roll Hall of Fame eluded him despite a fan petition drive.

    Mr. Sedaka married wife Leba in 1962. They had two children. Daughter Dara recorded a duet with dad in 1980, “Should’ve Never Let You Go.” It was a hit, but she never joined him in the music business. Son Marc is a film and television writer.

  • Pink has been nominated for the Rock and Roll Hall of Fame. Will she make it in?

    Pink has been nominated for the Rock and Roll Hall of Fame. Will she make it in?

    Philadelphia could be in for another banner year at the Rock and Roll Hall of Fame with the city’s biggest pop star, Pink, among the 17 nominees in the running to be inducted later this year.

    Along with the Doylestown-born “Get the Party Started” singer, the list of potential inductees includes another artist with Philly ties in Lauryn Hill. Plus, Phil Collins, Wu-Tang Clan, Oasis, Mariah Carey, Jeff Buckley, Billy Idol, the Black Crowes, INXS, Shakira, Iron Maiden, Luther Vandross, Sade, Melissa Etheridge, Joy Division / New Order, Iron Maiden, and New Edition.

    Pink — who was born Alecia Moore and has graduated to stadium-sized stardom, with recent tour dates at Lincoln Financial Field and Citizens Bank Park — is newly eligible for the Rock Hall this year, having released her debut album, Can’t Take Me Home, in 2000.

    Ten of the artists on the list have been nominated for the first time. Pink is the only one who made the initial cut in her first year of eligibility.

    Last year was a breakthrough year for Philly at the RRHOF. “The Twist” hitmaker Chubby Checker was finally inducted — although he didn’t attend the ceremony due to a scheduling conflict. Late songwriter-producer Thom Bell got in as a Musical Excellence honoree. Cyndi Lauper, who has deep Philly ties, also got in.

    Ms. Lauryn Hill performs during The Roots Picnic Philadelphia at the Mann Center in Fairmount Park on June 3, 2023.

    Artists hoping to be named when inductees are announced in April include Hill, the Fugees singer whose acclaimed one-and-only-studio album as a solo artist, 1998’s The Miseducation of Lauryn Hill, came out via Conshohocken’s Ruffhouse Records label.

    Other nominees Philly music fans have a rooting interest in are Luther Vandross, the luxuriously voiced New York R&B singer who founded a Patti LaBelle fan club in high school and was a key contributor to David Bowie’s 1975 album Young Americans, which was recorded at Sigma Sound Studios. And Staten Island’s hip-hop Wu-Tang Clan have always claimed Philly as their second biggest market, and chose to end the farewell tour in South Philly last summer.

    This year’s list is sure to irritate rock and roll purists eager to point out that the majority of acts nominated don’t primarily make rock and roll music. Instead, the list includes Shakira’s Latin pop, New Edition’s 1990s R&B, Carey’s R&B and hip-hop pop, and Sade’s silky smooth jazz-inflected R&B.

    But that ship has long since sailed. With most rock and roll originators enshrined years ago, the modern RRHOF would more properly be called the Pop Music Hall of Fame.

    The Cleveland institution needs to get bodies into its I.M. Pei-designed museum building. For years now, it’s been trying to do so by opening its doors to all forms of pop music and aiming to bring in still active artists who command at least a partially youngish fan base.

    In that sense Pink (who stylizes her stage name as P!nk) is a perfect fit. She may have a quarter century of experience, but her persona is anything but old school and staid. Her trademark trick is to fly through the air in an aerial harness high above the crowds at her shows. If it’s vitality the Rock Hall is after, Pink could be its artist of choice.

    Does that mean she’s going to get in? Not necessarily. Billboard has her odds at 8 to 1, tied with New Edition as the least likely of long shots.

    There’s plenty of competition. Hill, for one. The Fugees is not in as a group, so Hill would be the first member to represent the hip-hop crew, which was a commercial and critically dominant force in the late 1990s and early 2000s. Hill is also freshly prominent this year, after impressing as the leader of the Roberta Flack-D’Angelo tribute at the Grammys this month.

    She is nominated despite having only one solo album to her name, albeit an acknowledged classic that Apple Music rated the best of all time in 2024.

    Wu-Tang Clan member RZA speaks to the audience during the hip hop group’s final performance of their farewell tour, “Wu-Tang Forever: The Final Chamber,” at the Wells Fargo Center in Philadelphia on Friday, July 18, 2025.

    The other artist on the list who put out only one album is Jeff Buckley, the songwriter with a sensuous voice who drowned in the Mississippi River at 30 in 1997. His 1994 Grace includes the definitive take on Leonard Cohen’s “Hallelujah,” and his story has renewed interest, thanks to Amy Berg’s 2025 doc, It’s Never Over, Jeff Buckley.

    Phil Collins is a lock. The British drummer and singer — who took a Concord to Philadelphia in 1985 so he could play at Live Aid on two continents — is already in with his band Genesis. But he has also had a massively successful solo career. His health struggles, which require 24-hour care, have been widely publicized.

    I’d also rate Wu-Tang Clan as a safe bet. The Rock Hall has tended to enshrine one big-name hip-hop act every year recently, with OutKast as last year’s example. And Wu-Tang, after all, is for the children and has a perfect combo of prestige and popularity.

    Every year, the Rock Hall snubs many unfashionable musical greats by not including them among the nominees. The incomparable Chicano band Los Lobos is my favorite example of a group that has been unjustly ignored.

    That doesn’t mean they’ll never get in, though: Last year, long-suffering fans of the late Warren Zevon were rewarded when he was honored as a Musical Influence.

    Other favorites among this year’s nominees include Iron Maiden, the English band whose inclusion would address the Rock Hall’s woeful record in acknowledging the history of heavy metal.

    Colombian singer Shakira — whose 2006 “Hips Don’t Lie” is the first song by a South American artist to top the Billboard pop charts — also has an excellent shot, with the Rock Hall being mindful of paying attention to more Latin pop in the age of Bad Bunny.

    Singer-songwriter Jeff Buckley, who found fame from his lone solo album “Grace,” is the subject of the music documentary “It’s Never Over, Jeff Buckley.”

    And Oasis — whose reunited Gallagher brothers mounted an enormously successful world tour in 2025 — would certainly be a popular choice, with the induction ceremony a rare chance to bring the famously squabbling siblings together to celebrate one of the few things they can agree on: their greatness.

    Last year, only six of the nominated performers got in. Previous nominees like Carey might also have an edge on Pink, who is likely to get in eventually, if not this year.

    This year’s induction ceremony will be held in the fall, though where and exactly when has not yet been announced. Inductees are chosen by over 1,200 artists, historians, and music business professionals, according to a statement.

    Fans can vote for their favorite seven choices at RockHall.com, but those votes have little impact. The RRHOF condenses the total of all fan voting to just one ballot to add to over 1,200 others.

  • Mavis Staples is playing Phoenixville, plus Florry, Ratboys, Sheer Mag, and more in Philly music this week

    Mavis Staples is playing Phoenixville, plus Florry, Ratboys, Sheer Mag, and more in Philly music this week

    This week in Philly music features gospel-soul great Mavis Staples in Phoenixville, Philly favorites Florry and Sheer Mag returning to town, Culture Club in Atlantic City, and the Everyone Orchestra and zydeco scion C.J. Chenier on the Main Line.

    Wednesday, Feb. 25

    Homegrown Live

    This is the South Jersey edition of the free Homegrown Live concert series presented by WXPN-FM (88.5). The three-act bill is topped by Linwood quartet Fat Mezz, who blends classic rock influences with a touch of jazz. The band’s name was inspired by late clarinet player and civil rights advocate Milton Mezzrow. Nicoletta Giuliani fronts Ocean City’s Polaroid Fade, whose beguiling full-length debut, Chaos Into Poetry, displays an affection for jangly 1990s bands like the Smiths and Sundays. The band’s sound meshes nicely with Atlantic County quartet Te Vista, whose dreamy power pop recalls melodic guitar bands Nada Surf and Gin Blossoms. 7:30 p.m., The Lounge at World Cafe Live, 3025 Walnut St., xpn.org

    Thursday, Feb. 26

    Mavis Staples

    Mavis Staples’ place in music history has long been secure. Her family band, the Staple Singers, marched with the Rev. Dr. Martin Luther Ling Jr. during the Civil Rights Movement in the 1950s and 1960s, and her powerful vocals anchored counterculture-era hits like “Respect Yourself” and “I’ll Take You There.”

    But the 86-year-old national treasure’s creative output has continued and even increased in recent years with the Chicagoan recording a series of albums with Jeff Tweedy and Ben Harper. Her newest is the soulful and deeply moving collection Sad and Beautiful World, which was produced by Brad Cook and includes covers of Frank Ocean, Tom Waits, Leonard Cohen, and Curtis Mayfield.

    The title cut is by Mark Linkous of Sparklehorse. Another new song, “Human Mind,” is written by Allison Russell and Hozier. Massachusetts singer-guitarist Kimaya Diggs opens. 8 p.m., Colonial Theatre, 227 Bridge St., Phoenixville, ColonialTheatre.com

    Blackwater Holylight play Johnny Brenda’s on Thursday. The California band’s new album is “Not Here Not Gone.”

    Blackwater Holylight

    Portland, Ore.-born and now Los Angeles-based doom metal-meets-shoegaze heavy rock band Blackwater Holylight is touring behind its bruising fourth album Not Here Not Gone. The Sunny Faris-fronted band will be joined by like-minded Austin, Texas, trio Glassing and Philly’s Cigarettes for Breakfast. 8 p.m., Johnny Brenda’s, 1201 N. Frankford Ave., johnnybrendas.com

    Friday, Feb. 27

    The Record Company & Jontavious Willis

    Los Angeles blues rock trio the Record Company is celebrating the 10th anniversary of its 2016 breakthrough album, Give It Back to You. Make sure to arrive on time for Jontavious Willis, the country blues singer and guitarist whose sound is shaped by regional predecessors like Blind Willie McTell. 8 p.m., Union Transfer, 1016 Spring Garden St., utphilly.com

    Marshall Allen + John Morgan Kimock

    The hardest-working centenarian in showbiz, Sun Ra Arkestra leader Marshall Allen, makes his way to Bucks County for this noteworthy show in Henry Chapman Mercer’s Moravian Pottery and TileWorks building in Doylestown. Drummer John Morgan Kimock will also perform. The show is part of the Tileworks’ monthly “A Night of Song” series. 6:30 p.m., Tileworks of Bucks County, 130 E. Swamp Road, Doylestown, thetileworks.org

    Everyone Orchestra

    Matt Butler conducts two nights of improvised music from a cast of leading musicians from the jam band world, including Dave Matthews’ associate Tim Reynolds, Aron Magner of Disco Biscuits, Rob Mercurio of Galactic, and Camden trumpeter Arnetta Johnson, who has toured with Beyoncé. 8 p.m. Friday and Saturday, Ardmore Music Hall, 23 E. Ardmore Ave., ardmoremusichall.com

    Boy George and Culture Club

    Boy George and original Culture Club members Roy Hay and Mikey Craig are back together for a 2026 tour. The British New Wave-era band, which scored hits with “Karma Chameleon” and “I’ll Tumble 4 Ya,” is playing two nights in the region. 8 p.m. Friday, Borgata Event Center, One Borgata Way, Atlantic City, borgata.mgmresorts.com, and 8 p.m. Saturday, Wind Creek Event Center, 77 Wind Creek Blvd., Bethlehem, windcreekeventcenter.com

    Philadelphia band Sheer Mag plays Johnny Brenda’s on Sunday. Left to right: Tina Halladay, Kyle Seely, Matt Palmer, and Hart Seely.

    Sunday, March 1

    Sheer Mag

    Mighty Philly foursome Sheer Mag — most recently heard from on its 2024 album Playing Favorites, released on Jack White’s Third Man Records label — tops a four-band bill. The similarly hard-hitting acts opening are Dirty Fences, Nancy, and the Smarthearts. 8 p.m., Johnny Brenda’s, 1201 N. Frankford Ave., johnnybrendas.com.

    C.J. Chenier & the Red Hot Louisiana Band

    Zydeco accordionist C.J. Chenier has spent his life carrying on the legacy of his father, Creole musician Clifton Chenier. That legacy got a welcome boost with 2025’s A Tribute to the King of Zydeco, featuring Chenier, Geno Delafose, the Rolling Stones, and Taj Mahal, winning a Grammy earlier this month. Rev Chris and Les Garçons Crasseux open. 7 p.m., 118 North, 118 N. Wayne Ave., Wayne, 118NorthWayne.com.

    C.J. Chenier & the Red Hot Louisiana Band at 118 North in 2024. The zydeco accordion player and band leader returns to the Wayne venue on Sunday.

    Monday, March 2

    The Ike Reilly Assassination

    Pugnacious rock and roll troubadour and Sirius/XM satellite radio host Ike Reilly has released 12 albums since his 2001 debut, Salesmen and Racists. He’s also the star of the documentary Don’t Turn Your Back on Friday Night, which was produced by Tom Morello, whom he shared a bill with last month at the anti-ICE benefit show in Minneapolis. It’s the same where Morello brought onstage Bruce Springsteen, who has added Morello to the E Street Band for his upcoming tour. Another cool booking at Nikki Lopez. 7 p.m., Nikki Lopez, 304 South St., @nikkilopezphilly on Instagram.

    Chicago indie band Ratboys play the First Unitarian Church on Tuesday with Florry.

    Tuesday, March 3

    Ratboys & Florry

    A double bill headlined by Ratboys, the Chicago quartet fronted by Julia Steiner and founded in 2010. The band hit its stride with 2023’s The Window. It keeps up its winning streak on the new twangy, Neil Young-ish Singin’ to an Empty Chair, produced by Death Cab for Cutie’s Chris Walla. It is well-matched with Florry, the Philly-bred loose-limbed collective led by Francie Medosch, whose 2025 Sounds Like… landed on this publication’s best albums of the year list. 8 p.m., First Unitarian Church, 2125 Chestnut St., r5productions.com.

  • Ben Vaughn does the impossible task of explaining the Geator to a non-Philly outsider in his new podcast

    Ben Vaughn does the impossible task of explaining the Geator to a non-Philly outsider in his new podcast

    Ben Vaughn is a man of many moods, and an equal number of career twists.

    The Camden County native and radio host’s hourlong show The Many Moods of Ben Vaughn — “broadcasting weekly from the Relay Shack, from parts unknown” — airs Saturdays at 6 p.m. on WXPN-FM (88.5). It’s also heard on 19 other stations in the U.S. and one in France.

    The singer-guitarist has released 20 albums, starting with his 1986 debut, also called The Many Moods of Ben Vaughn, and including one, 1997’s Rambler ’65, recorded entirely in his car.

    His collaborative album with Providence, R.I.-based band and Ben Vaughn fanboys Deer Tick is due in October, and his first U.S. tour in nearly three decades will follow. (He plays regularly in Spain, France, and Italy.)

    In the 1990s, the Mount Ephraim-native moved to Los Angeles and worked as a music composer for the hit TV sitcoms 3rd Rock From the Sun and That ‘70s Show. His credits as a record producer include legends and eccentrics such as Charlie Feathers, Alex Chilton, Los Straitjackets, Nancy Sinatra, and New Hope duo Ween.

    Along the way, he’s accumulated a lifetime of stories, from his encounter with Billy Joel’s hippie band Attila in Philly head shop 13th Street Conspiracy to playing harmonica with Lynyrd Skynyrd at the Spectrum in the 1980s.

    Those tales — an encounter with composer Lalo Schifrin, producing soul music great Arthur Alexander, or how Duane Eddy’s guitar changed his life — are now collected in Straight From the Hat, Vaughn’s new podcast with Sun Records marketing and social media manager Laura Pochodylo.

    Ben Vaughn’s new podcast with Laura Pochodylo is “Straight From the Hat.”

    This week’s episode of the pod, which debuted in January with episodes released every other Thursday, concerns a subject dear to Vaughn’s heart. Philly DJ Jerry Blavat — the Geator with the Heater, the Boss with the Hot Sauce — was Vaughn’s “mentor without knowing it” for years until the two became close friends and then collaborators late in the life of Blavat, who died in 2023 at 82.

    Straight From the Hat took shape because Sonny Bono brought Vaughn and Pochodylo together.

    In 2022, Vaughn was digging into the Sun vaults to curate a compilation for the storied label’s 70th anniversary. With songs by Feathers, Harmonica Frank, and the Prisonaires, it shows the flair for unearthing musical gems that Vaughn displays in the 552 Many Moods episodes that have aired since launching on Valentine’s Day 2009. (Over 300 are available on podcast platforms.)

    Speaking from Many Moods headquarters near Joshua Tree in California’s Mojave Desert, Vaughn says that “even though she’s a lot younger than me” — he’s 70, Pochodylo is 33 — “her record collection is almost identical to mine.”

    They bonded over “non-ironic appreciation” of Bono, the late singer, actor, and politician famed for his work with his wife Cher. Bono also wrote songs recorded by Sam Cooke, Jackie DeShannon, and the Rolling Stones. Pochodylo calls herself “a Sonny Bono evangelist.”

    Vaughn told Pochodylo stories about musicians in Sun Records’ collection who he had worked with.

    “And then we came up with the idea to write all these names down and throw them in a hat. She picks one out, and I say whatever comes to mind. No preparation, no planning.”

    In this week’s episode, Pochodylo pulls out Blavat’s name, and Vaughn has plenty to say about the Philadelphia life force he first felt at age 10 in 1965, when he tuned into Blavat’s afternoon TV show The Discophonic Scene.

    “I started going to these dances he would put on at gymnasiums and Knights of Columbus Halls,” Vaughn said. “The first song I ever played lead guitar on in front of an audience was ‘Sheba’ by Johnny and the Hurricanes because the Geator was using it as a theme song.”

    Jerry “The Geator” Blavat with Ben Vaughn in 1997.

    Vaughn played drums in his first band when he was 12, and got a South Jersey musical education at Blavat package shows seeing vocal groups like the Dells and Delfonics.

    A Four Tops performance at the Steel Pier in Atlantic City “spoiled me,” he said, “because the Four Tops were one of the most professional acts in the history of entertainment. So everything was perfect.

    “And then I saw Canned Heat [at the Pier], and I remember they were very high, and couldn’t keep their guitars in tune because of the salt air. I remember thinking: ‘There are several ways to go as an entertainer, and this is one way I will never go!’”

    The free-form nature of The Many Moods, which last week featured songs under two minutes by artists like Francoise Hardy, Bob Dylan, and Nina Simone, was shaped not by Blavat but by early 1970s Philly DJs like David Dye and Michael Tearson on WMMR-FM (93.3).

    Ben Vaughn in Philadelphia in the summer of 1970.

    But the unstoppable self-confidence and business acumen of Blavat, who Vaughn got to know in the 1980s, shaped Vaughn’s career.

    “There was a way the rest of the world did things, and a Geator way,” Vaughn said. “He told me I should own my own show, which I do.” Blavat emphasized self-belief. Whatever Vaughn did would have value, as long as it was truly unique.

    “The Geator would buy time on the radio, and sell ads himself. I would drive around with him to pizzerias and shoe stores and car dealerships and watch him. And then we’d drive away with a car with his name on the side. The Geatormobile!”

    Philly musicians in future Straight episodes include “Mashed Potato Time” singer Dee Dee Sharp and rock and roller Charlie Gracie, who befriended Vaughn in the 1970s at the Mount Ephraim club Capriotti’s, where Gracie was nightly entertainment and Vaughn a dishwasher.

    Vaughn’s own stature as a Philadelphia institution was underscored when he was contacted by the Delco-set HBO series Task. They asked him to record a Many Moods snippet for the show. In one scene, Tom Pelphrey’s character, Robbie Prendergast, rolls a joint, listening to Vaughn on air pods.

    “I watched it and you can hardly hear me. But I show up in the close captions and they spell my name right. So that’s a victory.”

    In 2021, Vaughn helped Blavat move out of his office on East Market Street and found unopened letters from 1964 with song requests to play on Blavat’s WCAN-AM (1320) radio show. Blavat and Vaughn opened them on air on XPN in 2021 in a show called The Lost Dedications.

    “The Geator created something that never existed before,” Vaughn said. “Geatordelphia! It was a subculture. The way he talked, the kind of records he played, the way he had of communicating with the audience.

    “He connected so many human beings, and made everybody feel good. He made us all feel like we were better looking than we really were. Only South Philly could have produced a guy like him. It didn’t make sense to anyone outside of a 90-mile radius. The Jersey Shore, Trenton, Wilmington, that’s it.

    “That was the great thing about doing the podcast. Laura is originally from Detroit, and she didn’t know anything about the Geator. And trying to explain the Geator to an outsider is an amusing thing.”

    “Straight From the Hat” episodes are at straightfromthehat.com and on all podcast platforms.

  • Beach concerts are finally coming back to Atlantic City

    Beach concerts are finally coming back to Atlantic City

    Once again, there will be music on the beach in Atlantic City this summer.

    Australian electronic dance music trio Rüfüs Du Sol will perform on the ocean side of the A.C. boardwalk on Aug. 29 in what’s expected to be the first in a wave of shows to take place this year.

    That show by the Sydney-based pop/house music band, which is also playing Bonnaroo, Wrigley Field, and Madison Square Garden, will mark a return to the tradition of A.C. beach shows. The stage on the Arkansas Avenue beach will face north, with the Caesar’s Pier (formerly the Million Dollar Pier) behind it.

    Over the years, beach concerts have included Pink in 2017, the Vans Warped Tour in 2019, three-nights of Phish in 2021 and 2022, the pop-punk Adjacent Music Festival in 2023, and the TidalWave country fest in 2022 and 2023.

    Australian electronic dance music act Rufus Del Sol will perform on the Atlantic City beach on August 29.

    For the last two years, however, there have been no large scale A.C. beach shows (though Philly impresario Dave P. did stage an intimate Making Waves festival last year).

    Music fans had to travel north to Asbury Park for Sea. Hear. Now or south to Wildwood for the Barefoot Country to experience a surf side musical blowout.

    But now Visit Atlantic City, the public-private partnership funded by New Jersey’s Casino Reinvestment Development Authority, has announced a new Atlantic City collaboration with Live Nation.

    “With the help of Live Nation and our partners,” Gary Musich, Visit Atlantic City president and CEO said in a statement, the storied Jersey resort town aims to “attract a wide range of world class performers, energize our tourism economy, and continue delivering experience that resonate with visitors year round.”

    That means more shows and not just in the summer, Molly Warren, Live Nation senior vice president of booking said in a statement. The concert promotion company regularly books venues such as Boardwalk Hall, Hard Rock Hotel & Casino, Borgata Hotel Casino, or, Warren said, “even right on the beach.”

    No other 2026 Atlantic City beach concerts have been announced as of yet. Tickets for Rüfüs Du Sol go on sale on Thursday, Feb. 26, at 10 a.m. at RüfüsDuSol.com/live.

    J. Cole play Xfinity Mobile Arena in South Philly on July 20.

    In addition to the Rüfüs Du Sol and Bruce Springsteen & the E Street Band’s date at Xfinity Mobile Arena on May 8, it’s been a big week for concert announcements.

    Rapper J. Cole will bring his “Fall-Off Tour” to Xfinity Mobile Arena on July 20. It’s the Grammy-winning North Carolina producer and artist’s tour for his new album of the same name. It will take him not only across the U.S., but also to Europe and South Africa. Tickets for the Philly show go on sale Friday at 11 a.m. at thefalloff.com.

    Three days later, Shinedown, the Jacksonville, Fla., rock band led by singer Brent Smith and guitarist Zach Myers, will play the Xfinity Mobile Arena on their “Dance Kid Dance: Act II” Tour.

    Smith and Myers played a two-man acoustic set at the Pierre Robert tribute concert at the Fillmore in December. The band’s new album Ei8ht is due in May. Tickets go one sale Friday at 10 a.m. More information is at shinedown.com.

  • In Philly music this week, Mariah the Scientist plays the Met. Plus, Jason Isbell, Miguel, Margo Price, Say She She, and more

    In Philly music this week, Mariah the Scientist plays the Met. Plus, Jason Isbell, Miguel, Margo Price, Say She She, and more

    This week in Philly music features a busy week at the Met with Jason Isbell, Miguel, and Mariah the Scientist. Plus, R.E.M. guitarist Peter Buck’s new supergroup, two dates with Alejandro Escovedo, and ‘Hard Headed Woman’ Margo Price and her country band playing on South Street.

    Wednesday, Feb. 18

    Say She She

    Say She She is the nomadic vocal trio Piya Malik, Sabrina Mileo Cunningham, and Nya Gazelle Brown — who have connections to New York, London, and Los Angeles. The band name is a play on the “Le Freak? C’est chic!” lyric from Chic’s 1978 disco hit “Le Freak.” On Say She She’s third album, Cut & Rewind, tracks like “She Who Dares” and “Disco Life” qualify as subtle protest music as the band members stand up for diversity and express feminist prerogatives while deftly moving listeners to the dance floor. With Katzù Oso. 8 p.m., Ardmore Music Hall, 23 E. Lancaster Ave., Ardmore, ardmoremusichall.com

    Say She She plays Ardmore Music Hall on Wednesday. The disco group’s new album is “Cut & Rewind.”

    Jason Isbell & the 400 Unit

    Jason Isbell never made it to town on his 2025 tour behind his stark, solo acoustic album Foxes in the Snow. So this full band show will be the first Philly opportunity to hear those break-up songs written after Isbell’s split from then-wife Amanda Shires, played live. They will be mixed in with the impressive body of work that Isbell — a terrific guitarist, singer, and bandleader as well as a masterful storytelling songwriter — has amassed going back to the 2000s with the Drive-By Truckers. 8 p.m., Met Philly, 858 N. Broad St., themetphilly.com.

    Jason Isbell & the 400 Unit headline the Met Philadelphia on Wednesday.

    The Rural Alberta Advantage / The Barr Brothers

    Fans of Canadian indie bands are facing a Wednesday night dilemma. Toronto’s Rural Alberta Advantage, which tends to rock out, headlines Johnny Brenda’s. The band’s most recent album is 2023’s The Rise & The Fall. Meanwhile at Underground Arts, there’s a show by Toronto’s Barr Bothers, which leans more toward the folk, with singer-guitarist Bad Barr and his drummer brother Andrew. Their new album is Let It Hiss. 8 p.m., Johnny Brenda’s, 1201 N. Frankford Ave., johnnybrendas.com; and 8 p.m., Underground Arts, 1200 Callowhill St., undergroundarts.org.

    Alejandro Escovedo and James Mastro, who will play separately and together in Sellersville and Wilmington.

    Thursday, Feb. 19

    Drink the Sea

    Peter Buck of R.E.M. is a serial collaborator. The long list of the uber-influential guitarist’s side projects have included Tuatara, the Minus 5, the Baseball Project, Filthy Friends, and others. Add to the list Drink the Sea, which is the second supergroup Buck has formed with Barrett Martin of the Screaming Trees. The band, which is influenced by global rhythms that reach beyond rock, makes its Main Line debut this week. 8 p.m., Ardmore Music Hall, 23 E. Lancaster Ave., Ardmore, ardmoremusichall.com.

    Alejandro Escovedo

    The great Austin, Texas, songwriter Alejandro Escovedo played Philly last year on a solo tour, while working up a theater show that chronicles his 50-plus year music career. Now he’s back, plugged in, and ready to rock with his band Electric Saints. Further good news is that his opening act is North Jersey veteran rocker and Health and Happiness Show leader James Mastro. He will be joining Escovedo for a few songs on stage , just as he did with Patti Smith’s band at the Met last November. 8 p.m. Thursday, Sellersville Theater, st94.com, and 8 p.m. Friday, Arden Gild Hall, 2126 The Highway, Wilmington, ardenconcerts.com.

    Friday, Feb. 20

    Ben Arnold & the 48 Hour Orchestra

    Philly songwriter Ben Arnold, just back from a European tour with his band U.S. Rails, is home promoting his excellent new solo album XL, which he showcased with an impressive show in Wayne back in October. Noon, World Cafe Live, 3025 Walnut St., xpn.org.

    Margo Price

    Margo Price was positioned as a country — or at least alt-country — artist when she debuted with Midwest Farmer’s Daughter in 2016. She then expanded her sound in a rock direction, even adding psychedelic touches in three subsequent albums. Now she’s again focused on country on Hard Headed Woman, the Grammy-nominated collection that will bring her to the TLA on her “Wild At Heart Tour.” Hot tip: Last time she played Philly, Kurt Vile showed up to jam. Pearl Charles opens. 8 p.m., Theater of Living Arts, 332 South St., tlaphilly.com.

    Miguel at the opening night his CAOS Tour in Atlanta on Feb. 10. He plays the Met Philly on Saturday.

    Saturday Feb. 21

    Miguel

    Miguel Jontel Pimentel has been a frequent visitor to Philly, between multiple visits to the Made in America festival in addition to regular tour stops. Now the R&B love man with vocal chops beyond reproach and a frisky, subversive sensibility is headlining the Met on tour for his 2025 album CAOS. 8 p.m., Met Philly, 858 N. Broad St., themetphilly.com

    Roger Harvey / Roberta Faceplant / Maxwell Stern

    This is another quality multiband bill upstairs at the Khyber Pass pub. Nashville songwriter Roger Harvey is the headliner, with rising Philly acts Roberta Faceplant and Maxwell Stern also playing the Old City venue. 8 p.m., Upstairs at the Khyber, 56 S. 2nd St., khyberpasspub.com

    Mariah the Scientist plays the Met Philly on Tuesday.

    Tuesday Feb. 24

    Mariah the Scientist

    Mariah Amani Buckles was studying to be a pediatric anesthesiologist at St. John’s University before she dropped out to concentrate on her music full time. Thus, she became Mariah the Scientist! The R&B-hip-hop singer — who is engaged to rapper Young Thug — sings about conflicted love affairs, sometimes to chilling effect, on her fourth album, Hearts Sold Separately, which features a sultry duet with Kali Uchis on the hit “Is It A Crime.” 8 p.m., Met Philly, 858 N. Broad St., themetphilly.com.

  • Bruce Springsteen’s ‘Land of Hope and Dreams’ tour is coming to Philly

    Bruce Springsteen’s ‘Land of Hope and Dreams’ tour is coming to Philly

    The Boss is coming back.

    Bruce Springsteen & the E Street Band is headed out on the road this spring on its first U.S. tour dates in two years. These will be the band’s first performances since Springsteen made news last month with his anti-ICE protest song, “Streets of Minneapolis.”

    Appropriately enough, the “Land of Hope and Dreams American Tour” begins in Minneapolis on March 31 before making its way to the Xfinity Mobile Arena in South Philly on May 8.

    The itinerary includes east coast dates in Newark, N.J.; Long Island; Manhattan; and Brooklyn. There are 19 indoor arena shows in all, plus a closing night baseball stadium show in Washington on May 27.

    In a statement accompanying the tour announcement, Springsteen said: “We are living through dark, disturbing and dangerous times, but do not despair — the cavalry is coming! Bruce Springsteen and The E Street Band will be taking the stage this spring from Minneapolis to California to Texas to Washington, D.C., for the Land of Hope And Dreams American Tour.”

    Springsteen and the E Street Band last played Philadelphia with two shows at Citizens Bank Park in August 2024, and in October of that year he performed solo at the Liacouras Center in at Temple University in support of Kamala Harris’ presidential campaign.

    Tickets for the Philadelphia show go on sale Saturday, Feb. 21, at 10 a.m. via Ticketmaster.

    “We will be rocking your town in celebration and in defense of America — American democracy, American freedom, our American Constitution and our sacred American dream — all of which are under attack by our wannabe king and his rogue government in Washington, D.C.,” Springsteen said in the statement.

    Last year, the Boss made headlines while on tour in Europe for his pointed comments about the Trump administration, which he called “corrupt, incompetent, and treasonous” before performing his patriotic song “Land of Hope and Dreams.”

    Trump responded on Truth Social by calling Springsteen “highly overrated” as well as a “dried out prune of a rocker” and “not a talented guy — Just a pushy, obnoxious JERK.”

    Last month, Springsteen wrote “Street of Minneapolis” on the day that Alex Pretti was fatally shot by federal immigration enforcement agents in Minneapolis and released it three days later.

    Calling out “King Trump’s private army from the DHS,” Springsteen memorializes “two dead, left to die on snow-filled streets, Alex Pretti and Renee Good.”

    Springsteen performed the song as a guest of former E Street Band member Tom Morello at a benefit in Minneapolis in January. This month, he granted permission to filmmaker Robert Greenwald to use his often-misunderstood 1984 song “Born in the U.S.A.” in a short film of that name. The film tells stories of American citizens that have been targeted by ICE.

    “Everyone, regardless of where you stand or what you believe in, is welcome — so come on out and join the United Free Republic of E Street Nation for an American spring of Rock ‘n’ Rebellion! I’ll see you there!,” Springsteen said in the statement.

    Tickets for the Philadelphia stop of Bruce Springsteen’s “Land of Hope and Dreams” tour go on sale Feb. 21, 10 a.m. via Ticketmaster. The full tour itinerary is at BruceSpringsteen.net.

  • Jill Scott makes her Tiny Desk Concert debut

    Jilly from Philly is on the Tiny Desk.

    On Friday, Jill Scott released To Whom This May Concern, the North Philly singer and songwriter’s first album in 11 years.

    The 19-track stylistically wide-ranging project touches on jazz, hip-hop, R&B, spoken word, and blues. It features guests including Trombone Shorty, Ab-Soul, JID and Tierra Whack, and is produced by DJ Premier, Adam Blackstone, Andre Harris.

    On Monday, the actress and podcast host celebrated her return to music-making with her first-ever performance on NPR Music’s Tiny Desk Concert series.

    The episode was hyped over the weekend, calling Scott “one of the most requested artists on the Tiny Desk.” And Scott seemed thrilled to finally be at the makeshift performance space in the NPR newsroom in Washington, D.C. The series has had over 1,200 episodes since launching in 2008 and is a key promotional vehicle for artists that attracts over 15 million viewers a month.

    Leading a nine-member ensemble that included three backup singers, a flautist and a trumpet player, Scott said, “I gotta knock the nerves off. I‘m so excited to be here. I thought about you so much. I was like, ‘One day I’m going to be on the Tiny Desk!’”

    Scott led off with her signature song, “A Long Walk,” from her 2004 debut Who Is Jill Scott?: Words and Music Vol. 1 before moving soulfully and effortlessly into the new album’s “Beautiful People.”

    The five-song, 28-minute, set also includes a sensuous sing- and clap-along version of Who Is Jill Scott’s “The Way” and “Cross My Mind” from 2004’s Beautifully Human: Words & Sounds Vol. 2.

    Before To Whom This May Concern’s “Don’t Play,” Scott said she got the idea for the song after going down a TikTok rabbit hole watching videos of women complaining about their male partners’ lovemaking skills and thinking” “Let me be of service.”

    The song then addressed insensitive partners with words of admonition and advice — which she repeated a cappella after the song was finished — such as “Baby, don’t close your eyes, you can see and feel at the same time” and “You ain’t no jackhammer, and I ain’t no city street!”

    This album cover image released by The Orchard shows “To Whom This May Concern” by Jill Scott. (The Orchard/ via AP)
  • A ‘Cease Operations’ notice was posted on World Cafe Live’s door this week

    A ‘Cease Operations’ notice was posted on World Cafe Live’s door this week

    Is the World Cafe Live about to close for good?

    The West Philadelphia music venue has been embattled since the leadership team led by Joe Callahan took over from founder Hal Real in last spring.

    In May, workers walked out during a Suzanne Vega concert, complaining of “unfair treatment.” In July, the venue’s landlord, the University of Pennsylvania, delivered a notice to vacate, saying the WCL owed $1.29 million in rent and utilities.

    Callahan challenged that eviction notice with a counterclaim in Common Pleas Court, with no court date currently set.

    The venue has remained open as the drama has continued: the venue’s liquor license lapsed for weeks in the fall, and workers complained of light paychecks and firing without cause.

    And on Wednesday, the latest sign that the venue’s immediate future is in danger appeared taped to the doors of the building at 3025 Walnut St. that also houses Penn radio station WXPN-FM (88.5), a separate business.

    The Cease Operations – Stop Work Order that was taped to the door of the University City music venue World Cafe Live on Wednesday.

    In bold black lettering, the notice reads: “CEASE OPERATIONS — STOP WORK ORDER.”

    The notice “by order of the Department of Revenue” says the WCL, which consists of the 650-capacity downstairs Music Hall and 220-capacity Lounge, will be forced to close as of March 11 because it will lose its Commercial Activity License as a result of “serious tax violations.”

    The notice was attached to the glass doors to the venue early Wednesday but had been removed from there by the end of the business day. On Thursday morning, it was taped to the wall in the entryway, facing inward and partially hidden by a traffic cone.

    Real founded the venue in 2004. It has served as a community hub as well as a home for XPN’s much-loved Free at Noon series for two decades. Does the “Stop Work Order” mean that it is bound to close for good in four weeks’ time?

    Not necessarily. The WCL has a fairly busy entertainment schedule booked between now and March 11, and some dates into May and June.

    XPN has brought the Free at Noon series back to the Walnut Street location after relocating to Ardmore Music Hall in November and December while the WCL’s liquor license was lapsed. There’s a sold-out show there on Friday with Sam Beam of Iron & Wine.

    Shows are slated for this weekend in the Music Hall with the Jazz Room: A Journey to New Orleans and a Don’t Call Me White Girl comedy show. Shows scheduled in the Lounge include comedian Reginald Ballard and vocalist Alex Moreno Singer.

    On March 11 — the date the stop-work notice cites as the deadline — the Poetry Cafe open-mic night is scheduled for the Lounge. Future dates include Joe Conklin & the City Rhythm Orchestra on March 20, and Martha Wash, a dance music vocalist and former member of the Weather Girls, on June 27.

    Whether those shows will come to pass depends on the status of the unpaid taxes, which are being billed to Real Entertainment Philadelphia Inc., the nonprofit that still bears its founder and former CEO’s name.

    World Cafe Live President and CEO J. Sean Diaz poses at the embattled West Philly music venue Tuesday, Dec. 2, 2025.

    Messages left for Callahan (who stepped down as CEO last fall but remains chair of the WCL board) and J. Sean Diaz, who is listed as the venue’s CEO and president on the World Cafe Live website, were not responded to on Thursday.

    Stern warnings of closure from the Philadelphia Department of Revenue also occurred during Real’s tenure, World Cafe Live insiders say. They were resolved when the venue caught up on its back taxes, allowing it to stay open.

    In a statement, the Philadelphia Department of Revenue said it is “unable to discuss specific taxpayers due to state confidentiality laws.”

    The city, the statement reads, “pursues license revocation when a business is unregistered, has a delinquent tax balance, and/or unfiled returns.”

    The posting of a revocation notice, the statement says, “indicates that the business is not tax compliant, and its removal generally indicates that the business has come into compliance.”

    This article has been updated with a statement from the City of Philadelphia’s Department of Revenue.

  • Brandi Carlile kicks off her new tour in Philadelphia, ‘the perfect place to start something this terrifying’

    Brandi Carlile kicks off her new tour in Philadelphia, ‘the perfect place to start something this terrifying’

    An arena-sized pop show isn’t the place to go if you’re hoping to be surprised.

    Big productions tend to be risk averse. The music needs to work in unison with what’s on the giant video screens, so night-to-night variation is discouraged. If a tour’s been on the road, googling the set list eliminates mystery and lets you know what’s coming next.

    But part of what made Brandi Carlile’s show on Tuesday at the Xfinity Mobile Arena such a kick is that almost none of that was in play.

    Not only was it opening night on Carlile’s “Human Tour” — named after a song on her new album, Returning To Myself — it was also the start of her first-ever arena tour.

    That kept Carlile’s intensely loyal audience in suspense on what was a career milestone night for the Seattle songwriter who had chalked up another milestone, just two days ago.

    On Sunday in Santa Clara, Calif., the Seahawks fan had sung a lovely, understated “America the Beautiful” at Super Bowl LX, opening for her hometown team and Bad Bunny. She was accompanied by SistaStrings, the cello-violin duo of Monique and Chauntee Ross who were also with her in South Philly Tuesday night.

    So you couldn’t blame Carlile for being giddy as she reveled in her dream-come-true after 20 years on the road with twin brothers Phil and Tim Hanseroth, who were on either side of her as always on Tuesday. They play guitar and bass at the core of a band that’s now swelled to eight members.

    Brandi Carlile performs at Xfinity Mobile Arena in South Philadelphia on Tuesday, Feb. 10, 2026. The Philadelphia show kicked off the singer’s first-ever arena tour.

    Carlile took the stage after the crowd got into the groove as Madonna’s “Like a Prayer” played on the sound system, following a solid well-sung set by indie-folk band and fellow Seattle music scene standouts, the Head and the Heart.

    She opened her two-hour-plus, 22-song show on acoustic guitar, silhouetted in an orange-and-yellow spotlight as she stood behind a curtain singing Returning to Myself’s title cut.

    The volume turned up gradually on the carpe diem “Human,” and full-on rocker “Mainstream Kid,” from her 2015 The Firewatcher’s Daughter, which wrestled with the implications of an outsider aiming for mass market success.

    She answered those soul-searching questions with “Swing for the Fences,” a vow to grab the brass ring from Who Believes in Angels?, her 2025 album with Elton John.

    Then she took a minute to take it all in — and to also shout-out the tiny Old City venue where she played her first Philly gig in 2005.

    “It’s an incredible feeling,” Carlile told the crowd, which skewed about a decade older than her, in the packed 21,000-seat arena.

    Brandi Carlile performs at Xfinity Mobile Arena in South Philadelphia on Tuesday, Feb. 10, 2026. Carlile sang ‘America the Beautiful’ at the Super Bowl on Sunday, Feb. 8, 2026. .

    “It reminds me of what it was like to see Celine Dion when I was a kid. You can’t really fathom it when you’ve been in a van all these years, and you first came to Philadelphia and played the Tin Angel, no one could have made me believe that we’re standing where we’re standing right now. It’s just wild.”

    Carlile is an expert community builder. Every January she hosts a “Girls Just Wanna” weekend, a woman-centric festival in Riviera Maya, Mexico. This May, she’s presenting “Echoes Through the Canyon at the Gorge” in Washington state, which will reunite The Highwomen, her country supergroup with Natalie Hemby, Maren Morris, and Amanda Shires.

    Tuesday’s show was a master class on breaking down the wall between performer and audience.

    “How did you guys like starting by listening to ‘Like a Prayer,’” she asked, taking the crowd with her behind the curtain. “We’re trying to figure out what songs do we play while people walk in? What are we gonna do with the set list?

    A fan takes a photo while Brandi Carlile performs at Xfinity Mobile Arena in South Philadelphia on Tuesday, Feb. 10, 2026.

    “Everything tonight is an experiment for us. And I don’t think there’s a crowd that’s better to do this for because everybody knows Philadelphia is gonna be honest. You’re not going to suffer in silence. And I’ve just been coming here for so long that it really does feel like the perfect place to start something this terrifying.”

    That may make the “Human Tour” opening concert sound like a dress rehearsal, but the band, which also included pianist Dave McKay, drummer Terence Clark, and multi-instrumentalist Solomon Dorsey, were in mid-tour form.

    At one point, she dismissed the band other than the Hanseroths and took requests. That resulted in charmingly casual versions of “What Can I Say” from 2005’s Brandi Carlile and “Josephine” from 2007’s The Story.

    Brandi Carlile performs at Xfinity Mobile Arena in South Philadelphia on Tuesday, Feb. 10, 2026. The Philadelphia show kicked off the singer’s first-ever arena tour

    Connecting with heroes and influences is part of Carlile’s brand. She produced a comeback record for country vet Tanya Tucker and organized the “Joni Jams” private sessions in L.A. that led Joni Mitchell to return to perform again in public in 2022 after suffering a brain aneurysm in 2015.

    “Joni” was left off the set list Tuesday; just as well as it’s one of the spottier tunes on Returning to Myself. Instead, she paid tribute to Linda Ronstadt’s 1970 Gary White-penned “Long Long Time,” which was heartfelt and delivered with plenty of power, if it lacked Ronstadt’s nuance.

    The show was quiet and rowdy. In the latter category was “Sinners, Saints and Fools,” from 2021’s In These Silent Days, about a Christian man who turns away immigrants, then is surprised to find heaven closed off to him.

    Carlile dedicated it to “the immigrants who built this country” and acknowledged talking politics in a room full of like-minded people felt “a little like an echo chamber.” But “isn’t it nice just to get together and realize we all feel the same way?” Then she sang, “as a catharsis to myself.”

    Brandi Carlile performs at Xfinity Mobile Arena in South Philadelphia on Tuesday, Feb. 10, 2026. The Philadelphia show kicked off the singer’s first-ever arena tour

    For all her affection for roots music, Carlile is a Pacific Northwest child of ’90s grunge and alt-rock who stood in for the late Chris Cornell of Soundgarden at the Rock and Roll Hall of Fame induction in 2025.

    Her Alanis Morissette fandom showed up twice during the three-song encore during which she sported a Sixers scarf. First, she offered a high-volume cover of Morissette’s “Uninvited,” with the band unleashing a blaring wall of sound.

    Then, show ended with “A Long Goodbye,” which references Morissette’s Jagged Little Pill. Carlile described the autobiographical song as “me, in 4 minutes and 48 seconds” and her hushed performance achieved what she said she saw as her job for the evening: “To be in this big room and make it seem small.”