Category: Music

  • Chuck Negron, lead singer on ‘Joy to the World’ and other Three Dog Night hits, has died at 83

    Chuck Negron, lead singer on ‘Joy to the World’ and other Three Dog Night hits, has died at 83

    NEW YORK — Chuck Negron, a founding member of the soul-rock sensations Three Dog Night who sang lead on such hits as “One” and “Just an Old Fashioned Love Song and hollered the immortal opening line “Jeremiah was a bullfrog!” on the chart-topping “Joy to the World,” died Monday. He was 83.

    He died of complications from heart failure and chronic obstructive pulmonary disease at his home in the Studio City neighborhood of Los Angeles, according to publicist Zach Farnum.

    Mr. Negron and fellow vocalists Cory Wells and Danny Hutton were Los Angeles-based performers who began working together in the mid-1960s, originally called themselves Redwood and settled on Three Dog Night, Australian slang for frigid outback weather. Between 1969 and 1974, they were among the world’s most successful acts, with 18 top 20 singles and 12 albums certified gold for selling at least 500,000 copies.

    The group contributed little of its own material, but proved uniquely adept at interpreting others, reworking songs by such rising stars of the time as Randy Newman (“Mama Told Me Not to Come”), Paul Williams (“Just an Old-Fashioned Love Song”), and Laura Nyro (“Eli’s Coming”). No matter the originator, the sound was unmistakably Three Dog Night: The trio of stars worked themselves into a raved-up, free-for-all passion, as if each singer were attempting to vault in front of the others. “The Kings of Oversing,” the Village Voice would call them.

    Three Dog Night was so popular, and so in demand, it released four albums within 18 months. In December 1972, the band hosted and performed on the inaugural edition of Dick Clark’s New Year’s Rockin’ Eve.

    “We were really on a roll and very prolific,” Mr. Negron told smashinginterviews.com in 2013. “We were in the zone so to speak and really putting it out there. Back then, I don’t think it hurt us. It started hurting a little after that when there was just too much product. We were going to towns too many times a year. I remember getting off a plane in Dallas and thinking, ‘Wait a second. Weren’t we just here?’ Just thinking, ‘Oh, God, how are we going to sell out?’”

    Well, hello Jeremiah

    Mr. Negron himself stood out for his drooping mustache, in contrast to his clean-shaven peers, and for his multioctave tenor. He helped transform “One,” a Harry Nilsson ballad, from a breakup song to a cry of helpless solitude. And he helped convince Wells and Hutton not to pass on what became their most famous song.

    “Joy to the World,” written by Hoyt Axton, shared the title and little else with the 18th century English hymn. Axton’s novelty anthem was a secular blessing — “Joy to the fishes in the deep blue sea, joy to you and me” — with carefree asides about women, rainbow-riding, and the friendship of a wine-guzzling bullfrog named Jeremiah. According to Mr. Negron, the other singers had twice turned down “Joy to the World” in his absence before Axton played him a demo.

    “When he started, I liked it immediately. I thought we could have some fun with it,” Mr. Negron told forbes.com in 2022. “We had some free time later, so we started jamming ‘Joy’ for fun. We didn’t have to be so cool all of the time, right? That opening line had to be screamed. Did that guy just say, ‘Jeremiah was a bullfrog’? I got up the scale to D, which is pretty high, and just screamed it out. When the band heard that, they went, ‘Holy crap, that’s great.‘”

    No one seemed to care what “Jeremiah was a bullfrog!” was supposed to mean; it became a catchphrase of the era. “Joy to the World” outsold all other songs in 1971, received two Grammy nominations and lived on through oldies radio stations and movie soundtracks, notably for The Big Chill and Forrest Gump. The song caught on so fast, and for so long, that Three Dog Night performed it at back-to-back Grammy ceremonies.

    Their other hits included “Black and White,” “Celebrate,” “Shambala,” and “Easy to Be Hard.” But by the mid-1970s, the band was burned out, feuding and self-destructing. They broke up in 1976, attempted the occasional reunion and settled in as an oldies act, with Hutton the only remaining original singer. Wells died in 2015, while Mr. Negron had dropped out for good in the mid-1980s, when his drug problems led to his being fired.

    Mr. Negron would call his memoir, published in 1998 and reissued 20 years later, Three Dog Nightmare. Chapter titles included “Making Millions and Stoned All the Time” and “Threw Up My Guts and Loved It.”

    After decades of estrangement between him and Hutton, the two men reconciled last year.

    Mr. Negron was married four times, most recently to his manager, Ami Albea Negron, and he is survived by five children His previous wives include Julie Densmore, former wife of drummer John Densmore of the Doors.

    Surviving a rock star’s life

    Born Charles Negron II in 1942, he was a New York City native who was still a toddler when his parents broke up: For a time, Negron lived in a foster home because his mother couldn’t afford to raise him and his twin sister, Nancy. He initially dreamed of playing basketball, but his life changed in adolescence when his best friend convinced him to try singing. He won a school talent show, and was soon singing professionally, at the Apollo and other venues around New York.

    After graduating from Hancock, a junior college in Santa Maria, Calif., Mr. Negron performed in clubs in Los Angeles and met Wells and Hutton, whose friends included Brian Wilson of the Beach Boys. They nearly signed with the Beach Boys’ Brothers Records before Wilson’s band mates, worried that their leader was using up his talents elsewhere, intervened. Mr. Negron, Wells and Hutton ended up at ABC-Dunhill, and recruited a backing band, including Floyd Sneed on drums, Joe Schermie on bass and Jimmy Greenspoon on keyboards.

    In his post-Three Dog Night years, Mr. Negron released several solo albums, including Joy to the World and Long Road Back, a companion to his memoir, and otherwise dedicated himself to helping others struggling with substance abuse. Before cleaning up in the 1990s — Sept. 17, 1991 — he had been so addicted to heroin and other drugs that he nearly died numerous times, lost his family and all of his money and descended from a luxurious villa in Hollywood Hills to sleeping on a mattress in a vacant lot.

    “That’s what drugs do. I don’t care if it gives you a hit song. What does it matter?” he told smashinginterviews.com. “The point is not if it helps you create, the point is it kills you! Are you willing to die because you wanted to try drugs to try a new experience? That’s the question. I’m in a town here where there are many who ain’t the same and never will be.”

  • ‘Sun Ra: Do the Impossible’ is headed to ‘American Masters’ on PBS

    ‘Sun Ra: Do the Impossible’ is headed to ‘American Masters’ on PBS

    Sun Ra, the Afrofuturist bandleader and intergalactic visionary who based his Arkestra in Philadelphia for decades, is heading to PBS.

    Sun Ra: Do the Impossible, the Christine Turner-directed documentary that screened at last year’s Black Star Film Festival in Philadelphia, will air as part of PBS’ American Masters series during Black History Month.

    It will be shown locally on WHYY at 9 p.m. Feb. 20.

    Sun Ra, who was born Herman Poole Blount in Birmingham, Ala., founded Arkestra, now led by 101-year-old saxophone player Marshall Allen after Sun Ra’s death in 1993. He moved with the band to a house in Germantown in the late 1960s, where Allen still lives. The Morton Street house was originally owned by Allen’s father.

    Turner’s film includes how Blount, who was known as “Sonny,” experienced a “transmolecularization” in 1936 in which he claimed to have been teleported to Saturn and returned to Earth with a musical mission to bring peace and understanding to the world.

    Sun Ra’s music encompasses the history of jazz — from its New Orleans beginnings to out-there experimentation with electronic instruments, King Britt, Philadelphia DJ-producer-turned Blacktronika professor at the University of California San Diego, explains in the film.

    Other Philadelphians who offer analysis in the documentary include poet-musician-activist Moor Mother, and critic and WRTI-FM (90.1) editorial director Nate Chinen.

    The film’s title is inspired by a Sun Ra quote that Turner kept on her desk while she worked on the documentary. It read: “The possible has been tried and failed. Now it’s time to try the impossible.”

    The American Masters treatment arrives at a time when Sun Ra’s presence is larger than ever.

    Since 2023, the organization has released five Sun Ra tribute albums. Sun Ra’s oeuvre was central to the Metropolitan Museum of Art’s recent “Flight into Egypt: Black Artists and Ancient Egypt” exhibit, and his image is featured prominently at the Institute of Contemporary Art’s “Entryways: Xenobia Bailey” exhibit currently on view.

    Do the Impossible adds to the growing Sun Ra film library that includes the 1972 movie Space is the Place, and Philly filmmaker Robert Mugge’s 1980 Sun Ra: A Joyful Noise. Another doc, coproduced by Allen along with his son Ronnie Boyd titled Sun Ra: Door to the Cosmos, is in the works.

    Sun Ra Arkestra bandleader Marshall Allen with “Sun Ra: Do the Impossible” director Christine Turner at the Sun Ra house on Morton Street in Germantown. The documentary will be shown on PBS on Feb. 20.

    “As a culture, we’re just catching up with a lot of the ideas and the music that was so ahead of its time,” Turner said of her film’s subject in an interview with The Inquirer in July.

    “He’s become an icon of Afrofuturism, and I think that is resonating with people because we’re deeply in need of new ideas and radically imagining another kind of future. And I think people are really hungering for that.”

  • Philadelphia Grammy winners this year are Will Yip, Christian McBride, and Andre Harris

    Philadelphia Grammy winners this year are Will Yip, Christian McBride, and Andre Harris

    Philadelphia artists won big at the Grammy Awards on Sunday. Bassist Christian McBride, rock producer Will Yip, and songwriter Andre “Dre” Harris took home trophies in the ceremony that preceded the prime-time telecast from the crypto.com Arena in Los Angeles.

    The four major awards were won by four different artists. A week ahead of his Super Bowl half-time performance, Bad Bunny won album of the year for Debí tirar más fotos, the first Spanish-language album to ever win the award.

    Kendrick Lamar and SZA won record of the year for their Luther Vandross-inspired smash hit “Luther,” and Lamar also won best rap album for GNX, and three other Grammys.

    Billie Eilish and her songwriting partner Finneas O’Connell won song of year — a writer’s award — for “Widlflower” from her album Hit Me Hard and Soft. British pop-soul singer Olivia Dean beat out nine competitors for best new artist including worthy rivals, such as Leon Thomas and Lola Young, who won best pop vocal performance for “Messy.”

    Jazzman McBride won in two of the three categories he was nominated in. The Southwest Philly native won for best jazz performance for Windows (Live), his collaboration with Brian Blade and the late pianist Chick Corea. He also won the best jazz ensemble album Grammy for Without Further Ado, Vol. 1, credited to Christian McBride Big Band.

    “It is such an honor to have been in Chick Corea’s orbit for over 25 years,” McBride said in accepting the award for Windows (Live). “I was very honored to witness his legacy of excellence and greatness, watching this man play the piano like no one else did, night after night.”

    Sunday’s two wins bring McBride’s Grammy total to 11.

    Will Yip in Studio 5 in his newly constructed Memory Music Studios, South Philadelphia, Tuesday, Jan. 13, 2026.

    Yip won his first Grammy for his production work on Never Enough, the 2025 album by Baltimore band Turnstile, which won best rock album. Onstage at the Peacock Theater in the ceremony that was streamed on grammy.com, Turnstile frontman Brendan Yates said: “The community we found through punk and hardcore music has given us a safe place to swing in the dark and land somewhere beautiful.”

    “It’s surreal. Rock album of the year!!! We all came up from … literally out of basements. To this?! It’s just a testament to what our community can do. Amazing, man,” Yip said in a text message to The Inquirer, after his Grammy win. He had been nominated twice before, in 2014, and recently opened his new Memory Music Studios in South Philly.

    Turnstile also won for best metal performance for the Never Enough song “Birds.”

    Songwriter and producer Harris won as one of seven writers who teamed to write Kehlani’s smash hit “Folded,” which won for best R&B song. The song also won a best R&B performance Grammy.

    Kehlani shouted out Harris in accepting that award. She was one of several winners who spoke in support of immigrants’ protest of the Trump administration’s policies. She, however, was the only one to do so by directing an expletive at the U.S. Immigration and Customs Enforcement agency of the Department of Homeland Security.

    Christian McBride accepting his best jazz performance Grammy award for “Windows (Live),” his collaboration with Chick Corea and Brian Blade.

    Jazz singer Samara Joy, who grew up in New York but is part of a Philly gospel music family, is once again a Grammy winner. The 26-year-old vocalist won her sixth trophy for Portrait, 2025’s best jazz vocal album.

    Camden gospel bandleader Tye Tribbett, the Philadelphia Orchestra and its leader Yannick Nézet-Séguin, the Sun Ra Arkestra, the Crossing choir, UPenn grad John Legend, and jazz trumpeter Immanuel Wilkins were all up for awards in the early Grammy ceremony but went home empty-handed.

    Sabrina Carpenter performs “Manchild” during the 68th annual Grammy Awards on Sunday, Feb. 1, 2026, in Los Angeles. (AP Photo/Chris Pizzello)

    Bucks County pop singer Sabrina Carpenter was the Philly region’s big hitter with six nominations. She pulled nods in three of the four major categories, with Man’s Best Friend up for best album and “Manchild” nominated for both record and song of the year.

    Amy Allen won the best songwriter, nonclassical award for the second year in a row for her cowriting credits with several artists, including two by Carpenter in “Manchild” and “Tears.”

    Carpenter, however, was shut out in all of the categories she was nominated in, though she still came away as a winner for her prominent performance slot, with an early in the show airline and baggage claim themed “Manchild” production number in which she pulled a live dove out of her cap and flew away on the friendly skies.

    Both Philly soul singer Bilal and John Legend were part of the star-studded in memoriam segment tribute to D’Angelo and Roberta Flack that was led by Ms. Lauryn Hill.

  • The Grammy-nominated music producer and engineer who thinks Philly is ‘indie music capital of the world’

    The Grammy-nominated music producer and engineer who thinks Philly is ‘indie music capital of the world’

    When Will Yip was 12 years old, his future flashed before his eyes.

    “The second I walked into the studio I knew that this is what I wanted,” said the Grammy-nominated music producer and engineer, sitting in the control room at Memory Music Studios, the new recording studio he’s built in the Whitman section of South Philadelphia.

    “I remember the smell,” he said, recalling a visit to Ground Control Recording in Northeast Philly, where he and a friend paid $20 an hour to record two songs in 1999. “I always loved playing drums. But I was like: ‘This is cool!’ I still remember that feeling.”

    That enthusiasm has guided Yip, beginning with the days when he was convincing bands like Philly hardcore quartet Blacklisted to record (for free) in his mother’s basement while still a student at Central High.

    It’s stayed with him through two decades as one of the busiest producer-engineers in the music business at Studio 4 in Conshohocken, where he went to work at 19. He has co-owned the studio with mentor Phil Nicolo since 2012.

    And Yip’s nonstop work ethic and command of his craft — “Will has a gift,” said Nicolo — has made him a go-to collaborator for acclaimed bands like Philly’s Mannequin Pussy and Baltimore’s Turnstile.

    Yip recorded Turnstile’s breakthrough Never Enough at uber-producer Rick Rubin’s Los Angeles mansion in 2024.

    Citing this recent work with Turnstile as well as rock and shoegaze bands Scowl, Die Spitz, and Doylestown’s Superheaven, music and pop culture site Uproxx named Yip 2025’s “indie producer of the year.”

    Yip’s teaming with Turnstile has resulted in five Grammy nominations for the Brendan Yates-fronted hardcore-adjacent band.

    If Turnstile triumphs in the rock album category, Yip — who was nominated for his work on Pittsburgh band Code Orange’s Underneath in 2021 — will come home from California with his first golden gramophone. (The other four nods are technical nominations for Yip. “If they win those,” he said, “They’ll give me a plaque.”)

    But even if Yip returns empty-handed from the Grammys — which will be broadcast on CBS and streamed on Paramount+ at 8 p.m. Sunday from the Crypto.com Arena in LA — he’ll be coming back to his already up-and-running state of the art studio, where he’s turned a longtime dream into reality.

    “Everyone is like, ‘Bro, why are you building a million-dollar studio? Aren’t studios dying?’” said the producer, who turns 39 this month.

    “They are. But my brand of music, that I’m lucky enough to work with, is flourishing. Rock is back. I’ve waited my entire life for this, for people to want electric guitars. I’ve felt it bubbling for the last 10 years. And now it’s happening.”

    Will Yip, owner of Memory Music Studios, speaks with music producer Steph Marziano.

    At Studio 4 — which was headquarters to 1990s hip-hop label Ruffhouse Records, home to the Fugees, Cypress Hill, and Lauryn Hill — Yip has stayed busy.

    How busy? A 2019 profile on the Grammy website was headlined: “Philly Producer/Engineer Will Yip Works Harder than You.” Muso, the music industry website that tracks creator credits, ranks Yip as the 88th most active producer, alive or dead, with 37,116 credits.

    “I opened a studio because bands need to come to Philadelphia, and I was running out of space,” said Yip, who also co-owns Doom, the metal bar and restaurant around the corner from Franklin Music Hall.

    “It was my dream to build a studio. But I wasn’t going to do one until it made sense. We were very calculated with what we were doing. I’m booked through 2027.”

    Taking visitors on an early morning tour of the 7,500-square-foot facility before Southern California rock band Movements arrived for a session, he showed off Memory Music’s four rooms to record and mix music.

    Storage rooms are hung with scores of electric guitars, neatly shelved snare drums, and stacks of Marshall amps. Lounges are equipped with an impressive bourbon-centric whiskey bar, pool table, comfy couches, and Street Fighter II and NFL Blitz video games.

    Yip, who is living with his wife, Christina, and toddler son, Milo, in Center City while they house shop, is a passionate Philly sports fan who owns the world’s largest collection of game-worn Phillies jerseys.

    “I collect things. I have eight Scott Kingery rookie jerseys,” he said, laughing at himself.

    On a recent visit, while Yip worked with Movements in Memory Music’s main room, producer Steph Marziano, who grew up in Philly and lives in London, was next door with Brooklyn indie songwriter Kevin Devine. Atlanta rapper Kenny Mason was due in later in the week.

    “I needed a place in Philly to work out of,” said Marziano, who teamed with Hayley Williams on “Parachute” on Ego Death at a Bachelorette Party.

    Will Yip in guitar room of his new studio, Memory Music Studios, south Philadelphia, Tuesday, Jan. 13, 2026.

    That LP is nominated for best alternative music album this year. The award will most likely be given away in the pre-telecast ceremony, which will stream from the Peacock Theater in LA starting at 3:30 p.m. on grammys.com and the Recording Academy’s YouTube channel.

    “This is my new spot,” Marziano said of Memory Music. “Honestly, I love this place. I’m never even working in New York again.”

    Yip was born in New York and moved to Philadelphia at age 1. His parents had escaped Mao Zedong’s Cultural Revolution by swimming from China to Hong Kong before immigrating to the United States.

    His father co-owned Ocean City Restaurant in Chinatown, but never wanted Yip or his older brother to work there.

    His parents hoped Yip would go to Penn, but enraptured by The Miseducation of Lauryn Hill, recorded by Nicolo and his sibling Joe — known as the Butcher Bros. — Yip had a higher aspiration: to work at Studio 4.

    So he went to Temple to study recording with Phil Nicolo. When he inquired about helping out at the studio, he got valuable advice he now often shares: “Just show up.”

    Assortment of snare drums in the newly constructed music studio built by Will Yip, Memory Music Studios, south Philadelphia, Tuesday, Jan. 13, 2026.

    “I drove to Conshohocken that day. I was so nervous. There was a Brazilian band there. I felt like I was in Disneyland.”

    “He showed up, and he started doing stuff,” said Nicolo, who still co-owns Studio 4 and Studio 4 Vinyl, an LP pressing plant based in Coatesville.

    “And then he started saying, ‘Hey, if I clean out this room can I use it on the weekend?’ He started bringing bands in there, and on Monday morning, he’d hand me a roll of twenties. And it was like, ‘Dude, you can come in whenever you want!’”

    Nicolo said Yip’s productions, on which he is frequently also credited as a cowriter and drummer, are marked by “an aggressive rock sound, but with a style and an emotion and a musicality that you don’t often hear in quote unquote modern music, that seems kind of AI. That first time I heard that Turnstile record on WXPN, I was like ‘I bet this is Will.’ And it was.”

    Will Yip in Studio 5 in his newly constructed studio, Memory Music Studios, south Philadelphia, Tuesday, Jan. 13, 2026.

    In 2021, when six women of Asian descent were killed at spas in the Atlanta area, Yip raised $100,000 through a memorabilia raffle, donating the money to the Asian American and Pacific Islanders Community Fund.

    “I’m around great people all the time that support me, but I’ve always felt alone in being Asian in this genre, in this field, that from top to bottom is white male-dominated,” he told The Inquirer at the time. “But my friends and brothers, they came immediately and said, ‘We want to stand with you.’ And that meant the world to me.”

    Now, he says, “I’m so proud of how much our little sector of the rock community has strived to improve inclusivity, especially this past decade. Twenty-five years ago, you would never find an Asian-fronted rock band, but today, you’re starting to see legit Asian rock stars like Mitski, Japanese Breakfast, and Turnstile. I’m confident it’ll only continue to grow.”

    Yip’s collaborations tend to be long running. Scranton’s Tigers Jaw, whose new Lost on You is due in March, has worked with Yip on all of their albums since 2014’s Charmer. New Yip-produced music by Scranton pop-punk band the Menzingers is also due later this year.

    Scranton band Tigers Jaw, with Ban Walsh on the left) have recorded four albums with producer Will Yip, including Lost On You, which is due in March.

    “Will is such a detail guy,” said Tigers Jaw’s Ben Walsh. “Every detail in the new studio is meticulously planned out. And the stuff he suggests come from a place of understanding. He’s just very good at what feels natural and creatively fulfilling for the people he’s working with.”

    “I’m a song guy,” Yip said. “I don’t look at myself as a sound nerd,” he added, gesturing to the staggering amount of gear he’s assembled. “But I want all the tools I can possibly have to be great at building songs.”

    Jesse Ito, the acclaimed Philly chef who co-owns Royal Sushi & Izakaya, where Yip is a regular and often brings bands, calls his friend “the ultimate hype man.”

    “Will just makes everybody around him feel so good about themselves. Even though we do different things, we understand each other about the grind and the growth and what it takes at this level.

    “He doesn’t drink coffee,” Ito said. “If he drank coffee I think he would explode. He’s just so naturally hyped.”

    And nothing comes more natural to Yip than hyping the city where he’s built his new musical home.

    “Philly is the indie music capital of the world,” Yip said. “I’ll stand by that. And I want people to see how awesome and investable and easy it is to live in Philly and make music, and enjoy life in Philly. I want to build the culture. To give people a reason to come to Philly. And to stay in Philly.”

  • ‘Philly started it’: Eve finally gets her Grammy, 27 years after her verse on The Roots’ ‘You Got Me’

    ‘Philly started it’: Eve finally gets her Grammy, 27 years after her verse on The Roots’ ‘You Got Me’

    Rapper and actor Eve finally got recognition for her contribution to a Grammy Award-winning song by The Roots, and she had kind words for her hometown.

    “I will say Philly started it,” Eve told a reporter at the Recording Academy Honors, presented by the Black Music Collective. “I came from Philadelphia. I think we’re used to being the underdogs in that city. And we also like to prove to you that you can underestimate me, but I’m going to show you.”

    Rapper Eve Jeffers outside Martin Luther King High School in Philadelphia in 1999.

    Eve grew up in West Philly and Germantown. In 1999, when she was a 19-year-old rapper going by “Eve of Destruction,” she laid down the essential second verse for The Roots’ “You Got Me.”

    A year later, the song earned the Philly hip-hop group a Grammy for Best Rap Performance By a Duo or Group. Erykah Badu, who sang the hook, also won the award.

    But Eve, who was not signed with a recording label, was not listed as a contributing artist on the song’s 1999 release and was overlooked by the awards committee.

    That didn’t stop her from launching a successful solo career and winning a Grammy in 2002 for “Let Me Blow Ya Mind,” a Gwen Stefani collaboration that drips with early aughts vibes.

    Eve’s memoir is titled ‘Who’s That Girl?’

    At the ceremony Thursday in Los Angeles, Eve told the crowd that “this is actually for little Eve from Philly” on stage.

    “What is yours never can miss you,” she said.

    Addressing the crowd, Eve gave a shout-out to broadcaster Ebro Darden, who discussed the song at length on his podcast, The Message. She credited him for keeping people interested in seeing her receive a Grammy for the song.

    Eve said she found success through being determined and understanding what kind of life she wanted to live. She encouraged other Black women to be there for themselves and fight for their dreams.

    “I think, you know, we owe it to ourselves to show up for ourselves, to fight for ourselves, to be our own champion,” she said. “We deserve it. We are always the strongest for everyone else. We need to be the strongest for ourselves.”

  • Here are our Grammy predictions and a little rant in defense of country music stars

    Here are our Grammy predictions and a little rant in defense of country music stars

    The Grammys are here, with lots of familiar faces.

    Kendrick Lamar, who won five awards at last year’s show, leads with nine nominations and Lady Gaga, Bad Bunny, and Billie Eilish are up for major awards.

    As is Sabrina Carpenter, the Bucks County native who is the Philly region’s great hope. She won twice last year and is nominated six times for her album Man’s Best Friend.

    Neither Taylor Swift nor Beyoncé released music in the eligibility period, which runs from Aug. 31, 2024, to Aug. 30, 2025, so that’s why they’re missing from this year’s list.

    I’m picking winners in the four major categories, which will be among the dozen or so given away on the awards show hosted by Trevor Noah and broadcast on CBS from the Crypto.com Arena in Los Angeles at 8 p.m. Sunday, and streaming on Paramount+.

    A total of 95 Grammys will be given out, however, with most presented in a pre-telecast ceremony streamed on grammy.com and the Recording Academy’s YouTube page, starting 3:30 p.m. Sunday.

    That’s where you’ll find the Philadelphians.

    Jazz bassist Christian McBride is up for three awards, with his Big Band’s Without Further Ado, Vol. 1 vying with Sun Ra Arkestra’s Lights on a Satellite for best jazz large ensemble.

    Philadelphia Orchestra and music and artistic director Yannick Nézet-Séguin are up for two, and Nézet-Séguin is also nominated for one with the Metropolitan Opera orchestra.

    Jazz saxophonist Immanuel Wilkins and University of Pennsylvania graduate John Legend have two noms each. The Crossing Choir, Camden gospel bandleader Tye Tribbett, songwriter Andre Harris, and producer Will Yip each have one.

    Bassist Christian McBride (right) performs during the Newport Jazz Festival, Sunday, Aug. 4, 2024, in Newport, R.I. The Philadelphia musician is up for three Grammys on Sunday.(AP Photo/Steven Senne)

    As the first major live TV awards show since the death of Alex Pretti in Minneapolis last weekend, the Grammys are likely a platform for anti-ICE protests. We’ll see which, if any, performers or presenters — who include Charli XCX, Teyana Taylor, Queen Latifah, Lainey Wilson, Nikki Glaser, and Chappell Roan — speak out.

    Here’s who I think should — and will — win.

    Album of the Year

    Nominees: Bad Bunny, Debí Tirar Más Fotos; Justin Bieber, Swag; Sabrina Carpenter, Man’s Best Friend; Clipse, Let God Sort ‘Em Out; Lady Gaga, Mayhem; Kendrick Lamar, GNX; Leon Thomas, Mutt; Tyler, the Creator, Chromakopia

    My prediction: The most prominent of these in my rotation these days is Let God Sort ‘Em Out, the topflight reunion of hip-hop brothers Gene “Malice” and Terence “Pusha T” Thornton. But it has little chance among these heavy hitters.

    Carpenter will have to be satisfied with a performance slot in the prime-time show, a prize showcase on “Music’s Biggest Night.” But Man’s Best Friend isn’t quite up to the level of her tart 2024 Short n’ Sweet.

    The consensus says this is a race between Lady Gaga, Bad Bunny, and Kendrick Lamar. All have an excellent chance, with Gaga being a veteran Grammy favorite back on form. Lamar’s album released way back in November 2024, but he continued to impact culture through his “Grand National” tour with SZA and “Luther,” their collab that topped the pop charts for 13 straight weeks.

    But this feels like Bad Bunny’s year. Debí Tirar Más Fotos — which translates as “I should have taken more photos” — is the Puerto Rican singer, rapper, and producer’s most confident, varied, and politically potent work.

    It’s poised to become the first Spanish language album of the year, and thus a Grammy statement of multicultural solidarity when immigrant populations in the U.S. are under threat. And it would make for a pretty good start to February for the Super Bowl halftime headliner.

    Should win: Bad Bunny

    Will win: Bad Bunny

    Chappell Roan performs “Pink Pony Club” during the 67th annual Grammy Awards in Los Angeles, Feb. 2, 2025. The singer is nominated for two Grammy awards on Sunday and will also be a presenter at the ceremony, which airs on CBS at 8 p.m. and streams on Paramount+. (AP Photo/Chris Pizzello, File)

    Record of the Year

    Nominees: Bad Bunny, “DTMF”; Sabrina Carpenter, “Manchild”; Doechii, “Anxiety”; Billie Eilish, “Wildflower”; Kendrick Lamar & SZA, “Luther”; Lady Gaga, “Abracadabra”; Chappell Roan, “The Subway”; Rosé & Bruno Mars, “APT”

    My prediction: This is a strong group, including Carpenter’s cheeky “Manchild” and Doechii’s “Anxiety,” which samples Gotye and Kimbra’s 2011 “Somebody I Used to Know.”

    Roan’s “The Subway” hearkens back to classic pop and Eilish’s “Wildflower” is lovely, though it’s a little ridiculous that it’s nominated. It’s from Eilish’s Hit Me Hard and Soft, which came out in May 2024 but qualifies because it became a single last February. When the Grammys want you to be part of the show, they’ll find a way to sneak you in.

    My pick to win is “APT.” The duet between Bruno Mars and K-pop star Rosé is a super-catchy global hit that borrows from Toni Basil’s 1982 hit “Mickey,” which older Grammy voters will surely remember. It’s the second-fastest song to reach a billion streams after Mars and Gaga’s 2024 “Die With a Smile.”

    Will win: “APT.”

    Should win: “Luther”

    SZA and Kendrick Lamar perform during halftime of the NFL Super Bowl between the Kansas City Chiefs and the Philadelphia Eagles, Sunday, Feb. 9, 2025, in New Orleans. (AP Photo/George Walker IV)

    Song of the Year

    Nominees: Bad Bunny, “DTMF”; Sabrina Carpenter, “Manchild”; Doechii, “Anxiety”; Billie Eilish, “Wildflower”; Huntr/x — “Golden”; Kendrick Lamar & SZA, “Luther”; Lady Gaga, “Abracadabra”; Rosé & Bruno Mars, “APT”

    My prediction: The Grammys are silly. Why are there separate record and song of the year categories? In theory because the latter is a songwriter’s award. But these categories are virtually identical, the only difference being dropping Roan for “Golden” from the Netflix movie KPop Demon Hunters.

    Let’s give this one to last year’s Super Bowl halftime headliners to reward their overall excellence and songwriting skills.

    Should win: “Luther”

    Will win: “Luther”

    Olivia Dean performs at the Austin City Limits Music Festival on Oct. 11, 2025, in Texas. The British singer-songwriter is nominated for Best New Artist at the Grammy Awards on Sunday.(Photo by Jack Plunkett/Invision/AP, File)

    Best New Artist

    Nominees: Olivia Dean, Katseye, The Marías, Addison Rae, Sombr, Leon Thomas, Alex Warren, Lola Young

    A little rant detour: Another failing: The Recording Academy has completely ignored country music in the major categories. The Grammys are, in many ways, a popularity contest. Unlike the Oscars, which sometimes reward niche and art house fare and look askance at commercial success, the Grammys are intent on showing they’re in step with the zeitgeist by recognizing big sellers.

    Except they don’t bother when it comes to country, thus reinforcing America’s cultural divide. The Recording Academy isn’t too blame when it comes to Morgan Wallen, whose I’m the Problem was the most streamed album in the U.S. in 2025 — because he chose to not submit his music.

    But completely credible and widely popular country artists like Ella Langley and especially Megan Moroney are obvious candidates for best new artist. They have been shown no love, either due to cluelessness or a conscious decision to shut out mainstream country. End of rant!

    My prediction: In this last of the major categories, Addison Rae is to be commended for making a smart, catchy transition from TikTok to pop star. Leon Thomas emerged as a serious R&B artist with staying power, and Lola Young is a major talent whose “Messy” is a terrific universalist earworm.

    But my most confident prediction in these four categories is Olivia Dean. The British songwriter is marked for stardom, simultaneously coming off as a youthful ingenue and an old soul. Her vocals have a slight Amy Winehouse tinge without being imitative. Her breezy, immediately likable The Art of Loving mixes neo-soul 1970s Los Angeles soft-rock is right up the Grammy alley.

    Should win: Olivia Dean

    Will win: Olivia Dean

  • Bruce Springsteen releases ICE protest song, ‘Streets of Minneapolis’

    Bruce Springsteen releases ICE protest song, ‘Streets of Minneapolis’

    Bruce Springsteen has released an anti-ICE protest song called “Streets of Minneapolis.”

    Singing out on behalf of Renee Good and Alex Pretti, both of whom were shot to death by federal immigration enforcement agents this month, Springsteen’s song is harshly critical of the Trump administration and the Department of Homeland Security’s occupying force in Minnesota this year.

    “King Trump’s private army from the DHS, guns belted to their coats,” Springsteen sings in the slowly building, folk-gospel song’s opening verse. “Came to Minneapolis to enforce the law, or so their story goes.”

    “I wrote this song on Saturday, recorded it yesterday and released it to you today in response to the state terror being visited on the city of Minneapolis,” Springsteen said on social media on Wednesday. “It’s dedicated to the people of Minneapolis, our innocent immigrant neighbors, and in memory of Alex Pretti and Renee Good. Stay free.”

    The second verse continues:

    “Against smoke and rubber bullets, in the dawn’s early light / Citizens stood for justice, their voices ringing through the night / And there were bloody footprints, where mercy should have stood / And two dead left to die on snow-filled streets, Alex Pretti and Renee Good.”

    Springsteen campaigned against Trump in 2024, singing at a rally for Democratic presidential candidate Kamala Harris at the Liacouras Center on the Temple University campus in North Philly in the lead-up to the election.

    Last year, while on tour in Europe, Springsteen began his concerts by calling the Trump administration “corrupt, incompetent, and treasonous” before performing his patriotic song, “Land of Hope and Dreams.”

    President Trump responded by calling Springsteen “Highly Overrated,” “not a talented guy,” and a “dried prune of a rocker.”

    “Streets of Minneapolis,” which is Springsteen’s third “Streets” song after “Streets of Fire” and “Streets of Philadelphia,” speaks truth to power not only about Trump, but also Department of Homeland Security head Kristi Noem and White House deputy chief of staff Stephen Miller.

    Referring to claims that ICE agents responded with gunfire because their own lives were at risk, Springsteen sings, as the music swells: “Their claim was self-defense sir, just don’t believe your eyes / It’s our blood and bones and these whistles and phones / Against Miller and Noem’s dirty lies.”

    “Street of Minneapolis” is not the first Springsteen song to protest a death at the hands of law enforcement. His 2001 song “American Skin (41 Shots)” was written in response to the 1999 shooting of Amadou Diallo by four plainclothes police officers of the New York Police Department who were subsequently acquitted on all charges.

    The weekend before Pretti’s death, Springsteen made a surprise appearance at the Light of Day benefit concert in Red Bank, N.J., where he dedicated “Promised Land” to Good and said, “If you believe you don’t deserve to be murdered for exercising your American right to protest, then send a message to this president, as the mayor of the city said: ‘ICE should get the f— out of Minneapolis.’ ”

    “Streets of Minneapolis” leans into its rage as it progresses, and promises to continue to honor Good and Pretti, as it closes with Springsteen singing:

    “We’ll take our stand for this land, and the stranger in our midst / We’ll remember the names of those who died on the streets of Minneapolis.”

  • Philly music this week kicks off a Black History Month celebration and includes a show by former NPR host Ari Shapiro

    Philly music this week kicks off a Black History Month celebration and includes a show by former NPR host Ari Shapiro

    This week’s Philly music options include 1990s R&B hitmakers 112, newsman-turned-singer Ari Shapiro, pop-punks Say Anything and Motion City Soundtrack, K-pop girl group Unis, and Philly hip-hop blues band G. Love & Special Sauce. Plus, some terrific folk tandem with Loudon Wainwright III and Chris Smither. And the kick off for Black History Month programming at the Fallser Club.

    Wednesday, Jan. 28

    Tashi Dorji

    Bhutan-born, Asheville, N.C., guitarist Tashi Dorji makes alternately tuned instrumental music that never settles for being merely pretty. Sometimes it reads as politically defiant, as on songs like “And the State Sank into the Abyss” and “Meet Me Under the Ruins” on his most recent album on the Drag City label, We Will Be Wherever the Fires Are Lit. 8 p.m., Asian Arts Initiative, 1219 Vine St., r5productions.com

    Thursday, Jan. 29

    Sunny Day Real Estate

    1990s Seattle emo band Sunny Day Real Estate re-formed in 2022 and has stayed busy since with a lineup that included original members Jeremy Enigk, Dan Horne, and William Goldsmith. 8 p.m., Brooklyn Bowl, 1009 Canal St., brooklynbowl.com/philadelphia

    Atlanta R&B vocal group 112 play the Met Philly on Friday.

    Friday, Jan. 30

    Dave P.’s Juntos benefit

    Making Time impresario David Pianka is DJing an all-night “All I Want for 2026 is PLURT” party for Juntos, the South Philadelphia organization “fighting for the human rights of the Latine community as workers, parents, youth, and immigrants.” PLURT takes “Peace, Love, Unity, and Respect” and adds a Dave P. favorite word: “Transcendence.” 8 p.m., The Dolphin, 1539 S. Broad St, ra.co/events/2351165

    Ari Shapiro

    Former NPR host Ari Shapiro’s “Thank You for Listening” is a cabaret show adapted from his memoir, The Best Strangers in the World. He’ll flex the musical muscles previously put to use in collaborations with Alan Cumming and Pink Martini. 7:30 p.m., City Winery, 990 Filbert St., citywinery.com/philadelphia

    112

    R&B’s 112 — pronounced “one twelve” — is the Atlanta group that signed to now-disgraced music executive Sean Combs’ Bad Boy label in the 1990s. In addition to hits like “Cupid” and “It’s Over Now,” the band joined Combs on vocals on “I’ll Be Missing You,” the 1997 megahit that eulogized the Notorious B.I.G. 8 p.m., Met Philly, 858 N. Broad St., themetphilly.com

    Unis

    K-pop girl group octet Unis comes to South Street, supporting 2025’s album Swicy. The band fronted by lead singer Hyeonju triumphed on the Seoul Broadcasting System reality show Universe Ticket in 2024. 8 p.m., Theatre of Living Arts, 332 South St, tlaphilly.com

    Jobi Riccio plays Free at Noon at the World Cafe Live on Friday.

    Jobi Riccio

    Colorado songwriter Jobi Riccio won praise for her 2023 debut album, Whiplash. That same year, she was awarded the John Prine Fellowship at the Newport Folk Festival. She has a new single, “Buzzkill,” which along with the previously released protest song “Wildfire Season” will be on a forthcoming album. Noon, World Cafe Live, 3025 Walnut St., xpn.org

    The Naked Sun

    Philly rock quintet the Naked Sun will celebrate a new album, Mirror in the Hallway. It was produced by Brian McTear and Amy Morrissey at Miner Street Recordings. McTear’s Bitter, Bitter Weeks plays a rare full band set as openers. 8 p.m., Fallser Club, 3721 Midvale Ave., thefallserclub.org

    Saturday, Jan. 31

    Wild Pink

    Brooklyn indie outfit Wild Pink comes through for an early show, still touring behind the excellent 2024 album Dulling the Horns. The band then needs to make way for a Taylor Swift DJ night that follows. 6 p.m., MilkBoy Philly, 110 Chestnut St., milkboyphilly.com

    G. Love plays the Sellersville Theater on Saturday with his band, Special Sauce.

    G. Love & Special Sauce

    G. Love’s 2006 album Lemonade was a solo affair, but he’s celebrating its 20th anniversary with Special Sauce, the band with whom he recorded 215-proud staples such as “Philadelphonic” and “I-76.” Hawaiian surfer Makua opens. 8 p.m. Sellersville Theater, 24 W. Temple Ave., Sellersville, st94.com

    Pine Barons

    KC Abrams’ Philly experimental rock trio Pine Barons released its fourth album TV Movie in September. This week, the band headlines a show in Fishtown, with Special World and Rentboy. 9 p.m. Johnny Brenda’s, 1201 N. Frankford Ave. johnnybrendas.com

    Dave P. will DJ all night long in a benefit for Juntos on Friday at the Dolphin in South Philly.

    Say Anything / Motion City Soundtrack

    Two emo-adjacent bands that emerged in the early 00s are touring together. Los Angeles’ Say Anything’s latest is The Noise of Say Anything’s Room Without …, while Minneapolis’ Motion City Soundtrack recently returned after a decade with The Same Old Wasted Wonderful World. 7:30 p.m., Fillmore Philly, 29 Allen St., thefillmorephilly.com

    Riverside / My Favorite / Polaroid Fade

    A top-notch trio of indie bands, headlined by 1990s Philly veterans Riverside. Also on the bill are Brooklyn’s My Favorite and Ocean City, N.J.’s, Polaroid Fade, fronted by 20-year-old singer Nicoletta Giuliani, whose sounds draw from shimmery ‘90s bands like the Sundays and the Ocean Blue. 8:30 p.m., PhilaMoca, 531 N. 12th St., PhilaMoca.org

    Loudon Wainwright III plays the Zellerbach Theatre at the Annenberg Center with Chris Smither on Sunday.

    Sunday, Feb. 1

    Loudon Wainwright / Chris Smither

    From his 1970 self-titled debut to Lifetime Achievement in 2022, Loudon Wainwright III has always been an unflinching and unfailingly funny songwriter whose acute observations never spare himself or his family members. Pairing him with ever-soulful folk blues guitarist and songwriter Chris Smither, who has had a fruitful career of equal length, is a masterstroke. Hopefully, they’ll play together. 8 p.m., Zellerbach Theatre, 3680 Walnut St., pennlivearts.org

    Reef the Lost Cauze

    West Philly rapper Reef the Lost Cauze is first up at “A Month of Black Excellence at the Fallser Club,” with an afternoon event featuring “vendors, food, art, community actions.” The series includes African Friends: Bakithi Kumalo, Tanyaradzwa Tawengwa, and Youba Cissokho on Feb. 6 and V. Shane Frederick and Rev. Chris on Feb 17. 4 p.m., Fallser Club, 3721 Midvale Ave., thefallserclub.org

    Jon Spencer

    Jon Spencer has been playing high-volume blues with exaggerated gusto for three decades. Along with a recent show by Richard Lloyd and Lenny Kaye, this booking is another sign that Nikki Lopez, the South Street venue on the site of the former JC Dobbs, is becoming a welcome home for veteran acts who can still kick out the jams as well as young punk and metal bands. 8 p.m., Nikki Lopez, 304 South St., instagram.com/nikkilopez/philly

    Monday, Feb. 2

    Ye Vagabonds

    Full-on Irish music season doesn’t arrive until March, when Emerald Isle musicians will blanket the Philly region. Get a head start with this stellar band, led by brothers Brian and Diarmuid Mac Gloinn who make haunting music that sounds ancient and brand new at the same time. Philly bluegrass songwriter Daphne Ellen opens. 8 p.m., Johnny Brenda’s, 1201 Frankford Ave., johnnybrendas.com

    Concert Announcements

    Shows that announced in the past week include a number of enticing double bills.

    Austin, Texas’ enduring rockers Spoon play the Fillmore Philly on June 23 with New Zealand power pop charmers, the Beths. Lionel Richie and Earth Wind & Fire team up at Xfinity Mobile Arena on July 16. And Death Cab for Cutie and Philly’s own Japanese Breakfast play the Mann Center on July 17.

    R&B singers Ne-Yo and Akon are coming to the Freedom Mortgage Pavilion in Camden on July 25, where the Dave Matthews Band will also play July 10-11.

  • Chill Moody’s newest venture is a book about a little girl with magical golf clubs

    Chill Moody’s newest venture is a book about a little girl with magical golf clubs

    Chill Moody didn’t plan on writing a children’s book.

    A story about a young athlete was bubbling in his head. And the West Philly-born rapper and serial entrepreneur wanted to turn it into a screenplay, mirroring the upbeat, have-faith vibe of fellow rapper Bow Wow’s 2002 film, Like Mike.

    “Instead of basketball [in Like Mike], I wanted the story to be about golf,” said Moody, whose real first name is Eric.

    “And instead of a little boy, I wanted my main character to be a little girl.”

    But movies take forever to become a reality. Moody, always ready to churn out his next nice thing, wanted to get this fictional little girl, who rocks a red golf tee and wields golf clubs passed down from the ancestors, into the world quickly.

    So Moody, and his coauthor and cousin, Danielle Kellogg, decided a children’s book would be their best bet. This way, Moody could share his message of inspiration directly with his target audience. His character would come alive with every page turn; and a skilled rapper, Moody could write a story that rhymed.

    “There had to be alliteration,“ he said. ”So, I named her Gia,”

    Gia the Golfer was released in December.

    The 36-page picture book, featuring vibrant illustrations by local artist Stephen Hatala, is available on the Barnes & Noble website and Amazon, where it sells for $14.99.

    So far, Moody said, he’s sold a few hundred copies of Gia the Golfer. And, he said, 100% of the profits will fund his nonprofit We Golf Now. The two-year-old nonprofit encourages Philadelphia’s Black and brown youth to develop confidence, social, and networking skills through playing golf.

    Zane King, 6, get advice from Chill Moody during a We Golf Now event at Five Iron Golf in Philadelphia, Pa., on Sunday, March 30, 2025.

    “We serve over 100 kids,” Moody said. “We teach kids how to play golf, the business of golf, and introduce them to careers and job opportunities.”

    Moody sees Gia’s spark and optimism in all of his young golfers.

    When we meet Gia, her grandfather, Geo, has just died. She and her mother are going through his things when Gia discovers golf clubs that belonged to Geo, a star golfer and winner of a lot of tournaments. She takes the clubs and practices on her own and seems to be a natural. Her mother signs her up for golf classes and, following in her grandfather’s footsteps, she excels and decides to compete in a tournament.

    But, on the day of the tournament, the golf clubs — that twinkle like they could be magical — disappear. Gia has to play without them.

    “I wanted to teach children about memories and dealing with grief,” Moody said. “And that even if you lose something that you think is important, you aren’t at a loss.”

    Moody, 40, finished writing the book in 2024. He shopped it to publishers for nearly a year before taking the self-publishing route.

    “I didn’t want to sell the books out of my trunk like I did with my music,” Moody said. “But then I remembered I did this so we could tell our children’s stories. I remembered I could do this … I bet on myself.”

    Moody is used to taking bets on himself.

    Under Moody’s nicethings umbrella, he has released several flavors of kombucha and partnered with City Winery for a limited-edition wine.

    In September, he partnered with Lansdale’s Boardroom Spirits and released Tequila Transfusion, a mix of tequila, grape, ginger, and lime — his version of the country club cocktail.

    Just like his drinks, Moody has big plans for Gia.

    “I’m thinking animated cartoons and plush toys,” Moody said. “I want her to blow up as a brand. Seriously, I’m thinking Gia will be the next Dora the Explorer.”

  • Clap Your Hands Say Yeah, Sharp Pins, and Sudan Archives play music in Philly this week

    Clap Your Hands Say Yeah, Sharp Pins, and Sudan Archives play music in Philly this week

    This week in Philly music features a tribute to the late songwriter Jill Sobule, a 20th-celebration anniversary of Clap Your Hands Say Yeah’s debut, a two-night stand by funkateers Lettuce, a golden age of hip-hop rapper, and a host of rising stars. That includes power pop band the Sharp Pins, jazz musicians Kenyon Harrold and Isaiah Collier, and genre-blending maverick Sudan Archives.

    Thursday, Jan. 22

    Rakim

    No list of the most influential rappers of all time is complete without Rakim. He is the golden age of hip-hop MC who set new standards for lyricism and internal rhyme schemes with deejay Eric B. on late 1980s albums like Paid in Full and Follow the Leader. His latest is last year’s The Re-Up. 8 p.m., City Winery, 900 Filbert St., citywinery.com/philadelphia

    Gregory Alan Isakov

    South Africa-born, Philadelphia-raised, and Boulder, Colo.-based indie folk singer Gregory Alan Isakov’s most recent album is 2023’s Appaloosa Bones. It is a moody evocative set of allusive songs on the Iron & Wine and Fleet Foxes continuum. His North Broad Street show is “an intimate acoustic evening.” 8 p.m., Met Philly, 858 N. Broad St., themetphilly.com

    Lamp

    In the Grateful Dead- and Phish-adjacent universe, Lamp has legitimate bona fides. Russ Lawton and Ray Paczkowski are the rhythm section in the Trey Anastasio Band and Scott Metzger plays in Joe Russo’s Almost Dead. 8 p.m., Ardmore Music Hall, 23 E. Lancaster Ave., Ardmore, ardmoremusichall.com

    Friday, Jan. 23

    Sharp Pins

    Twenty-one-year-old power-pop wunderkind Kai Slater’s Sharp Pins is all the indie rage, with the kinetic Balloon Balloon Balloon drawing from Guided By Voices and the Byrds and sounding downright Beatles-like at times. The band plays two shows at Jerry’s on Front with Atlantic City’s Te Vista opening. 6:30 p.m. and 8:30 p.m., Jerry’s on Front, 2341 N. Front St., r5productions.com

    Clap Your Hands Say Yeah

    In 2006, Clap Your Hands Say Yeah’s self-titled debut’s music blog-fueled buzz helped reshape the indie music business. Singer Alec Ounsworth is marking the milestone with a “Piano & Voice” solo tour that kicks off with hometown Philly shows on Friday and Saturday. Noon, Free at Noon, World Cafe Live, 3025 Walnut St., xpn.org and 7 p.m., Philadelphia Ethical Society, 1906 Rittenhouse Square, r5productions.com

    Lettuce, as pictured on their new album “Cook.” The Boston funk band plays two nights at Ardmore Music Hall, on Friday and Saturday.

    Lettuce

    The Boston funk sextet Lettuce has named its new album Cook, and the members all sport chef’s toques on the album cover. The band, whose musical stew pulls from horn-heavy influences like Tower of Power and James Brown, plays two shows this weekend. 8 p.m. Friday and Saturday, Ardmore Music Hall, 23 E. Lancaster Ave. Ardmore, ardmoremusichall.com

    Saturday, Jan. 24

    Isaiah Collier and Keyon Harrold

    This Penn Live Arts show pairs two rising stars in the jazz world. They’re both Midwesterners. Ferguson, Mo., trumpeter Keyon Harrold has played with Jay-Z and Common, who guests on the opening track of his album. He has also played the trumpet parts in the Don Cheadle-starring Miles Davis biopic Miles Ahead. Isaiah Collier is a Chicago saxophonist whose The Story of 400 Years traces four centuries of Black American history. 7:30 p.m., Zellerbach Theatre, 3680 Walnut St., pennlivearts.org

    Keyon Harrold plays the Zellerbach Theatre at the Annenberg Center on Saturday with Isaiah Collier.

    Jillith Fair: Loving Jill Sobule

    In May, singer-songwriter Jill Sobule tragically died in a house fire in Minnesota. A tribute show at the Fallser Club in East Falls will be co-hosted by Sobule’s friends Jim Boggia and Martykate O’Neill. The evening will feature Tracy Bonham, Jonathan Coulton, James Mastro, and author Tara Murtha. Expect an emotional evening. 8 p.m., the Fallser Club, 3721 Midvale Ave., thefallserclub.com

    Daffo

    Daffo, the indie pop singer born Gabi Greenberg, went viral with the 2024 single “P:or Madeline.” Their debut, Where the Earth Bends, was recorded with Elliott Smith producer Rob Schnapf. 8 p.m., PhilaMoca, 531 N. 12th St., philamoca.org

    Winter Carnival

    This package tour brings together several veteran alt-hip-hop luminaries, headlined by Twin Cities rap duo Atmosphere. It also includes Sage Francis and R.A. the Rugged Man and former Ultramagnetic MCs leader Kool Keith. 8 p.m., Brooklyn Bowl, 1009 Canal St. brooklynbowl.com/philadelphia.

    Sunday, Jan. 25

    On a Winter’s Night

    In 1994, Christine Lavin produced a folk compilation called On a Winter’s Night, featuring John Gorka, Patty Larkin, Lucy Kaplansky, Bill Morrissey, and others. That album prompted many concert tours with folkies of various stripes, and this reunion features Gorka, Larkin, Kaplansky, and Cliff Eberhardt. 8 p.m., Sellersville Theater, 24 W. Temple Ave., Sellersville, st94.com

    Josh Ritter

    Josh Ritter is never short on new songs or stories to tell. Having completed a full band tour for his new album, I Believe in You, My Honeydew, he’s now out on a solo tour. On Sunday, it will take him to West Art, the new venue in an old church in Lancaster. 8 p.m., West Art, 816 Buchanon Ave., Lancaster, westartlanc.com.

    Brittney Denise Parks, also known as Sudan Archives, plays Union Transfer on Tuesday.

    Tuesday, Jan. 27

    Sudan Archives

    Brittney Denise Parks, who performs as Sudan Archives, is a singer, violinist, and electronic musician. She is at her most dance-floor directed on the excellent and creatively restless The BPM, the follow-up to 2022’s acclaimed Natural Brown Prom Queen. 8 p.m., Union Transfer, 1026 Spring Garden St., utphilly.com.

    Greg Freeman

    Put Greg Freeman in the category of RIYL MJ Lenderman, Ryan Davis, and Bob Dylan. The latter’s 1978 album Street Legal is the inspiration behind “Curtain” from Freeman’s 2025 album Burnover, which confirmed the buzz generated by the Vermont songwriter’s 2022 debut Looked Out. 8 p.m. Ukie Club, 847 N. Franklin St., 4333collective.net.

    Concert announcements

    It’s a busy week for tour announcements.

    A$AP Rocky was musical guest on Saturday Night Live last weekend. The rapper, who also happens to be Rihanna’s boyfriend, used that appearance to announce a “Don’t Be Dumb” tour that comes to Xfinity Mobile Arena on June 4.

    The Human League plays the Met Philly on June 28, joined by fellow 1980s British acts Soft Cell and Alison Moyet. And Tori Amos’ new album, In Time of Dragons, due May 1, will bring her to the Met on Aug. 1.

    Snail Mail, the Baltimore indie rocker born Lindsey Jordan, has announced her new album, Ricochet, due in March, and a date at the Fillmore on April 16 with Swirlies and Hall Gallo. Ticket details at r5productions.com.