Christmas Day is Thursday this year, and with it comes a wave of closures across the Philadelphia region. If you’re planning last-minute errands or outings, knowing what’s open, and what’s not, will save you time and frustration.
Trash and recycling collection will be impacted, with pickups running one day behind schedule all week.
From city services and grocery stores to pharmacies and big-box retailers, here’s your guide to navigating holiday hours in Philadelphia.
City government offices
❌ City of Philadelphia government offices will be closed Dec. 25.
Free Library of Philadelphia
❌ The Free Library will be closed Dec. 25.
Food sites
✅ / ❌ Holidays may impact hours of operation. Visit phila.gov/food to view specific site schedules and call ahead before visiting.
Trash collection
❌ No trash and recycling collections on Christmas Day. Collections will be picked up one day behind the regular schedule all week. To find your trash and recycling collection day, go to phila.gov.
❌ UPS, FedEx, and DHL will be closed Christmas Day. There will be no delivery or pickup services either, except for critical services.
Banks
❌ Most, if not all, banks including TD Bank, Bank of America, Wells Fargo, Chase Bank, and PNC Bank will be closed on Christmas Day.
Pharmacies
CVS
✅ CVS locations will operate on modified business hours for Christmas Day with most open from 8 a.m. to 9 p.m. Call ahead to your local store before visiting or view hours at cvs.com/store-locator/landing.
Walgreens
✅ Walgreens locations will be open but hours have not been announced — check your local store at walgreens.com/storelocator.
There are few facades more iconic in Bryn Mawr than the marquee of the Bryn Mawr Film Institute (BMFI), an enduring Main Line institution and watering hole for cinephiles from across the region.
BMFI has turned 20, marking two decades of the nonprofit community theater founded by Juliet Goodfriend in 2005. In the early 2000s, Goodfriend found herself dismayed when a historic movie theater in neighboring Ardmore was converted into a short-lived gym. To protect Bryn Mawr’s historic Seville Theatre from the same fate, Goodfriend rallied a team of local stakeholders around the theater. In December 2004, BMFI purchased the Seville, and in March 2005, the film institute opened its doors. Today, BMFI screens new and historic films, hosts lectures, teaches courses for children and adults, and celebrates the art of the film.
“It means a lot … to see what this place has become through the generous support and engagement of the community,” said Andrew J. Douglas, deputy director of the film institute who has worked at BMFI since it first opened.
To celebrate BMFI’s 20th anniversary, its staff compiled a list of 20 of the most iconic films the theater has screened, from Philly-based flicks to beloved musicals:
‘Blue Velvet’
If there’s an iconic filmmaker with a Philadelphia connection, it’s the late David Lynch, said Jacob Mazer, BMFI’s director of programs and education.
Blue Velvet is Lynch’s 1986 mystery thriller. It follows college student Jeffrey Beaumont after he discovers a severed ear in a vacant lot in his suburban hometown and is drawn into a dark world of crime.
“When we look at this arc of [Lynch’s] career, it’s really the film where he finds his way,” Mazer said.
Lynch began his filmmaking career in Philadelphia at the Pennsylvania Academy of the Fine Arts and regularly discussed basing his landmark debut Eraserhead on the city in the 1970s. When Lynch returned to Philly for a retrospective of his work at PAFA in 2014, he visited BMFI for a screening of his films and a Q&A session with the audience. Blue Velvet was the first film BMFI played to commemorate Lynch after his death in January.
‘The Philadelphia Story’
There’s a lot of local love for The Philadelphia Story, George Cukor’s 1940 romantic comedy set on the Main Line and based on the life of socialite Helen Hope Montgomery Scott, said Gina Izzo, BMFI’s communications director.
Plus, Izzo added, “It’s funny. It holds up.”
‘Lawrence of Arabia’
The annual summer screening of David Lean’s 1962 film Lawrence of Arabia is the oldest-running BMFI tradition. It’s a movie that is just “not done justice on a small screen,” said Mazer.
‘The Sound of Music’
Each December, lovers of The Sound of Music descend on BMFI for what Izzo describes as an “interactive screening” of the 1965 musical directed by Robert Wise. Over the course of three hours and many songs, The Sound of Music tells the World War II-era story of Maria (Julie Andrews), a young woman who becomes a governess for the von Trapps, an aristocratic Austrian family.
At the annual Christmastime screening at BMFI, moviegoers sing along from their seats and, each year, wear increasingly elaborate costumes. Last year, there were nuns, goats, and “brown paper packages tied up with strings” (a la the song “My Favorite Things”). The showings sell out months in advance.
As Izzo put it, “It’s sort of our Rocky Horror Picture Show equivalent.”
‘Harold and Maude’
Hal Ashby’s Harold and Maude has been a mainstay at the Seville Theatre since it was released in 1971. It was the last movie shown on the Seville’s single screen before the theater was twinned (split into two screening rooms) in the 1980s.
“Harold and Maude just comes back again and again and again” in the theater’s history, said Mazer. “It’s one of the quintessential cult movies.”
A view from one of the projection booths inside the Bryn Mawr Film Institute in Bryn Mawr on March 8, 2018.
‘Casablanca’
Michael Curtiz’s 1942 romantic-drama Casablanca is “one of the great examples of the difference [between] seeing a movie in a theater with other people versus by yourself at home,” said Douglas.
BMFI screens Casablanca every summer, and Douglas teaches an annual lecture on the film. When he watches Casablanca at BMFI, Douglas says he regularly hears people sniffling at sad moments or guffawing at funny ones, a stark comparison to the muted reactions one often has from the comfort of their own couch.
“You’re reminded how funny it is, you’re reminded how moving it is, and you’re reminded, in a sense, how human it is,” he said.
‘The Grand Budapest Hotel’
Why include Wes Anderson’s 2014 film The Grand Budapest Hotel? Put simply, people just love Wes Anderson, Izzo said.
‘2001: A Space Odyssey’
Stanley Kubrick’s 2001: A Space Odyssey was the first film shown at the theater after it developed the capacity to screen 70 mm film. Mazer called the 1968 movie an “iconic film” in cinematic history.
‘Silver Linings Playbook’
In a way, Silver Linings Playbook is a “modern-day Philadelphia Story,” said Douglas. The 2012 film, directed by David O. Russell, follows Pat Solitano Jr. (Bradley Cooper), recently released from a psychiatric hospital who works to win back his estranged wife, and Tiffany Maxwell (Jennifer Lawrence), a young widow also struggling with mental illness, as she prepares for an upcoming dance competition.
Philadelphia’s favorite rom-com is an homage to Delco, Eagles fans, and the Montgomery County-born-and-raised Cooper. It’s a “local guy makes good” story, Douglas said, referring to Cooper. It’s also the highest grossing main attraction in BMFI history.
“For our community, it was an enormously meaningful movie‚” Douglas said.
‘La La Land’
Benj Pasek and Justin Paul, known as Pasek and Paul, are a composing and songwriting duo responsible for the lyrics in La La Land, the acclaimed 2016 musical directed by Damien Chazelle.
Pasek is “Bryn Mawr’s son,” Izzo said. The composer graduated from Friends Central, the Wynnewood Quaker school, and is a longtime supporter of BMFI. When Pasek and Paul won an Oscar for the movie, everybody at home “had a little piece,” said Izzo.
‘Barbie’
Greta Gerwig’s 2023 Barbie felt like the “big wave back after the pandemic,” Izzo said. People dressed in pink and flocked to the movies after months of isolation and uncertainty.
Parasite, Bong Joon Ho’s 2019 South Korean Oscar winner, was the third-longest running main attraction in BMFI history with a 16-week run.
“We were proud to show that one,” Izzo said. “It was very popular here.”
‘Rocky’
Rocky, the 1976 film directed by John G. Avildsen about boxer Rocky Balboa (Sylvester Stallone), may seem like an obvious addition to any Philly-area iconic movies list. But the local history behind the movie is deeper than meets the eye, Mazer said.
Rocky was one of the first to be filmed with the Steadicam, a revolutionary invention of Garrett Brown, a Haverford High School graduate and prolific Philadelphia inventor. The Steadicam, created by Brown in 1975, is a camera stabilizing device that revolutionized the movie industry, allowing filmmakers to shoot scenes without having to mount cameras onto cranes or dollies.
In testing out his new invention, Brown shot various scenes around Philadelphia, including one of his future wife running up the steps of the Philadelphia Art Museum. That scene would later become an iconic motif of Rocky, shot by Brown.
“It’s this place where film history and Philadelphia history really connect,” Mazer said.
Brown is a friend of BMFI and has given numerous lectures at the theater, including for the 40th anniversary of Rocky.
‘Superman’
James Gunn’s 2025 Superman is another story of a local hero. David Cornswet, who played Superman, was raised in Lower Merion and graduated from the Shipley School, a Bryn Mawr private school. Cornswet hosted a friends and family debut of Superman at BMFI.
‘Brooklyn’
Brooklyn, John Crowley’s 2015 period drama, stars Saoirse Ronan as Ellis Lace, a young Irish immigrant to New York City. The movie was immensely popular at BMFI, said Izzo.
‘On the Waterfront’
Elia Kazan’s 1954 crime drama On the Waterfront helped revolutionize BMFI’s educational programming. The film was the first of the theater’s one-night seminars, during which moviegoers listen to a short lecture, sit for a screening, and then stay for a discussion. Now, they’re a popular part of the theater’s educational menu.
‘RBG’
RBG, Julie Cohen and Betsy West’s 2018 documentary about late Supreme Court Justice Ruth Bader Ginsburg, was the highest-grossing documentary screening in BMFI history. It’s also in the top 20 of the highest-grossing screenings in the theater’s history (including movies and documentaries).
National Theatre Live: ‘The Audience’
Though movies are at the core of BMFI’s work, the theater has expanded its repertoire to include cinematic presentations of ballet, theater, opera, and behind-the-scenes tours of art museums, all filmed and fit for the movie screen. BMFI’s most popular alternative program to date was a screening of The Audience, a 2013 play starring Helen Mirren as Queen Elizabeth II. BMFI sold out 13 showings of the show.
Izzo and Douglas said the screenings help transport locals to places that can be difficult to get to — New York City’s Broadway, London’s West End, or European museums.
“Even at current prices, it’s still a tremendous bargain for access to the arts,” said Douglas.
‘Metropolitan’
To commemorate the 30th anniversary of Whit Stillman’s 1990 movie Metropolitan, the director visited BMFI in 2022 for a screening of the film and Q&A with the audience. Metropolitan follows the Sally Fowler Rat Pack, a group of young Manhattan socialites in the throes of debutante season.
Stillman’s visit to BMFI “was the beginning of a really nice friendship,” Mazer said.
This suburban content is produced with support from the Leslie Miller and Richard Worley Foundation and The Lenfest Institute for Journalism. Editorial content is created independently of the project donors. Gifts to support The Inquirer’s high-impact journalism can be made at inquirer.com/donate. A list of Lenfest Institute donors can be found at lenfestinstitute.org/supporters.
Another book by South Philly author Liz Moore is heading to the small screen.
Netflix announced it has ordered a series adaptation of The God of the Woods, a multigenerational mystery drama set in the Adirondacks.
Moore will serve as a co-showrunner, writer, and executive producer, Netflix said. It marks the author’s second book that has been adapted for TV.
The 2024 novel is about a teenage girl who disappears from her summer camp in 1975 and how the investigation uncovers years of family secrets and mysteries.
Earlier this year, Moore’s best-selling Long Bright River, which focuses on Kensington’s opioid crisis, was turned into a series for Peacock. That crime thriller premiered in March.
The author, who lives in South Philly, earned local credibility for her efforts to depict Kensington honestly in her book and with producers for the Peacock series. She said at the time her aim was to make something that countered misguided depictions of the neighborhood.
Moore teaches at Temple’s College of Liberal Arts and is the director of the school’s creative writing MFA program.
The God of the Woods is Moore’s fifth novel. It collected several accolades, including multiple Book Club shortlists and a spot on Barack Obama’s Summer Reading List.
No additional details have been publicized about the Netflix series’ cast or release date.
In a seismic shift for one of television’s marquee events, the Academy Awards will depart ABC and begin streaming on YouTube beginning in 2029, the Academy of Motion Picture Arts and Sciences announced Wednesday.
ABC will continue to broadcast the annual ceremony through 2028. That year will mark the 100th Oscars.
But starting in 2029, YouTube will retain global rights to streaming the Oscars through 2033. YouTube will effectively be the home to all things Oscars, including red-carpet coverage, the Governors Awards, and the Oscar nominations announcement.
“We are thrilled to enter into a multifaceted global partnership with YouTube to be the future home of the Oscars and our year-round Academy programming,” said academy chief executive Bill Kramer and academy president Lynette Howell Taylor. “The Academy is an international organization, and this partnership will allow us to expand access to the work of the Academy to the largest worldwide audience possible — which will be beneficial for our Academy members and the film community.”
While major award shows have added streaming partnerships, the YouTube deal marks the first of the big four — the Oscars, Grammys, Emmys, and Tonys — to completely jettison broadcast television. It puts one of the most watched non-NFL broadcasts in the hands of Google. YouTube boasts some 2 billion viewers.
The Academy Awards will stream for free worldwide on YouTube, in addition to YouTube TV subscribers. It will be available with audio tracks in many languages, in addition to closed captioning.
Financial terms were not disclosed.
“The Oscars are one of our essential cultural institutions, honoring excellence in storytelling and artistry,” said Neal Mohan, chief executive of YouTube. “Partnering with the academy to bring this celebration of art and entertainment to viewers all over the world will inspire a new generation of creativity and film lovers while staying true to the Oscars’ storied legacy.”
The Walt Disney Co.-owned ABC has been the broadcast home to the Oscars for almost its entire history. NBC first televised the Oscars in 1953, but ABC picked up the rights in 1961. Aside from a period between 1971 and 1975, when NBC again aired the show, the Oscars have been on ABC.
“ABC has been the proud home to The Oscars for more than half a century,” the network said in a statement. ”We look forward to the next three telecasts, including the show’s centennial celebration in 2028, and wish the Academy of Motion Picture Arts and Sciences continued success.”
The 2025 Academy Awards were watched by 19.7 million viewers on ABC, a slight increase from the year before. That remains one of the biggest TV broadcasts of the year, though less than half of Oscar ratings at their peak. In 1999, more than 55 million watched James Cameron’s Titanic win best picture.
The film academy, in choosing YouTube over other options such as Netflix or NBC Universal/Peacock, selected a platform with a wide-ranging and massive audience but one without as much of an established production infrastructure.
Still, more people — especially young people — watch YouTube than any other streaming platform. According to Nielsen, YouTube accounted for 12.9% of all television and streaming content consumed in November. Netflix ranked second with an 8.3% market share.
Maya Nazareth was 17, living in Malaysia, when she started training in Brazilian jiujitsu and discovered the discomfort and limitations of women’s fightwear.
She kept adjusting her sports bra, fixing her rash guard and pants while trying to focus on the martial art that demands immense discipline and control. Nazareth, who struggled with body image issues, said the feeling of discomfort and frustration affected how she moved in the gym and in the world.
Back in the U.S, as a “naive” college student with $2,000 to her name, she dreamed of building Alchemize Fightwear, an apparel brand to empower women fighters across the world.
She founded the brand in 2020. Five years later, she won $300,000 on ABC’s Shark Tank, backed by Reddit founder Alexis Ohanian, Lori Greiner, and Kendra Scott in exchange for a 15% stake.
Maya Nazareth at the Vault Jiu Jitsu, Morton, PA., is the founder and CEO of Alchemize Fightwear, Friday, December 5, 2025.
“I was having my chest exposed, my stomach exposed, and my pants fell during training,” she said. “That’s a huge barrier for women to train in these sports, especially in front of 50-plus men in a training room. I just thought I could create something better.”
Nazareth, who grew up in Malaysia and all over New Jersey, realized that she shared her reality with many women in male-dominated gyms and martial arts academies, who are often led to quit before they experience the confidence and power martial arts brought to Nazareth.
“Jiujitsu transformed me into someone who felt strong, powerful, and confident, but the gear I was training in didn’t make me feel that way,” she said.
While studying international business at the University of Delaware, Nazareth placed her first purchase order of rash guards from a manufacturer, trying them out herself and putting them to test.
Her college apartment was Alchemize’s first headquarters, and her car was amobile sales office.
She started by surveying 1,500 fighters, from amateur athletes to professional competitors, asking them what elements would make their apparel more comfortable and functional for their specific disciplines.
At left is Ashley Razzano with Genisis Medina-Arce in embroidered Gi’s by Alchemize Fightwear. They are shown at the Vault Jiu Jitsu, Morton, PA, Friday, December 5, 2025.
Nazareth reshaped necklines in the tops, removed center seams from the bottoms, inserted silicone waistbands, and built in sports bras for added support and comfort.
What she offered was both stylish and functional for women fighters in jiujitsu, wrestling, and later boxing, Muay Thai, and other disciplines. They were all “customer-centric designs,” she said, that made for a more fluid and functional fit for martial arts practitioners. She even tapped MMA fighter Michelle Waterson to design a collection of her own.
“It’s nothing revolutionary,” Nazareth, 27, said, “but it’s really just thinking about the customer first and what they need from their fight wear.”
When she formed the brand in 2020, she built a company for every woman, in and outside the gym.
“Moms are fighters. People going through medical diagnosis are fighters. People trying to push through in their careers are fighters. And I think fighting is just a natural human movement that we all innately know how to do, want to do, and need training around,” Nazareth said.
“I really love that we have created an avenue for more women to step into that. I think it’s really powerful to say, ‘Hey, it’s safe to show up and express yourself in this way.’”
Ashley Razzano with embroidered gi from Alchemize Fightwear, Friday, Dec. 5, 2025.
Under the Alchemize brand, Nazareth hosts free self-defense classes for survivors of domestic and sexual assault. She also organizes grappling camps in gyms and martial arts academies throughout the region to increase accessibility for women athletes.
“I’m personally passionate about what fight sports can offer survivors of assault and of domestic violence,” Nazareth said. “Just being able to make fight sports accessible to the everyday woman who may think, ‘I’m not a fighter,’ or who doesn’t see themselves rolling on the mat with a bunch of sweaty men. I think that’s something I’m really proud of and something I would like to continue doing.”
Maya Nazareth at the Vault Jiu Jitsu, Morton, PA. She is the founder and CEO of Alchemize Fightwear, Friday, December 5, 2025.
Her work and advocacy haven’t gone unnoticed. In December 2024, the Fairmount resident was named to the Forbes 30 Under 30 list for groundbreaking work in women’s sportswear and retail.
Less than a year later, she was pitching on Shark Tank.
She received an email from the Shark Tank production team in March 2025 and immediately questioned its legitimacy.
“I try not to overcommit to an opportunity before it happens,” Nazareth said.
Despite her initial suspicion, she filled out the application and took the phone screening. Two months later, she flew out to California to compete on the show.
”You never know if you’re going to actually air on the show or what’s going to happen,“ she said. ”But I started my business for the love of the sport and because I wanted to do something cool for women’s jiujitsu. So, every single opportunity that comes up, I try to do my best. It was really exciting.”
As she practiced her script, Nazareth took a moment to reflect on her journey. “I kept saying to myself, this is not the time to play small,” she said. “This is the time to be courageous.”
When she walked out to present, Nazareth said she “blacked out.” But her proposal sparked immediate interest from Ohanian.
She started out seeking a $250,000 investment in exchange for a 5% stake in Alchemize, and ended with $300,000 and a shared deal with Ohanian, Greiner, and Scott.
“It was really emotional and really, really cool,” she said.
In the months since the episode’s airing Oct. 22, Nazareth said the company has seen increased sales and a growing list of new customers. Having weathered the chaos of Black Friday, she looks forward to the slower Christmas season before things pick back up at the top of the year.
Genesis Medina-Arce wears an embroidered gi from Alchemize Fightwear, Friday, December 5, 2025.
She’s excited about the new developments at Alchemize. In 2026, Nazareth and her business partner, Suzette “Suliy” Melendez, will launch the flagship Alchemize Fightwear Athlete Program.
The online program will support athletes as they scale their current and future businesses in and outside of combat sports. Melendez said the move aligns with Nazareth’s mission to empower women in sports and business.
“We want to give other women opportunities outside of jiujitsu and give them a platform to scale,” Melendez said. “Being able to have shoulders to lean on, on the mats or off the mats, helps create community with our events.”
Nazareth also plans to expand Alchemize’s sports camps, making it the “South by Southwest” of women’s combat.
Through all these ventures, the goal remains the same, she says: creating pathways for women to enter martial arts and encouraging them to “own their inner ferocity.”
AUSTIN, Texas — Joe Ely, 78, the influential Texas-born singer-songwriter whose blend of honky-tonk, rock, and roadhouse blues made him a favorite among other musicians and led to collaborations with Bruce Springsteen and the Clash, has died.
Mr. Ely died in Taos, N.M., of complications from Lewy body dementia, Parkinson’s disease, and pneumonia, with his wife and daughter by his side, according to a post on his Facebook account Monday night and later confirmed by his representatives.
Mr. Ely was considered a key figure in the progressive country music movement as a founder of the influential country-rock band the Flatlanders with Jimmie Dale Gilmore and Butch Hancock, and later as a solo artist.
“Joe Ely performed American roots music with the fervor of a true believer who knew music could transport souls,” said Kyle Young, CEO of the Country Music Hall of Fame and Museum.
“But his true measure came through in the dynamic intensity of his powerhouse live performances, where he could stand his ground aside fellow zealots Bruce Springsteen, who recorded duets with Ely, and the [Rolling] Stones and the Clash, who took Ely on tour as an opening act,” Young said.
After signing with MCA, Mr. Ely released his first solo album in 1977. He would release more than 20 albums over his career, including Love and Freedom earlier this year.
Born in Amarillo, Texas, Mr. Ely stayed connected to his Texas roots through decades of recording and performing that lacked a mainstream breakthrough but made him a favorite of other artists.
“Every time I start a new album I head up to West Texas and drive around, you know, drive on those old cotton roads and in the wide-open spaces, and every once in a while I’ll come across a place where I’ve spent some time,” Mr. Ely told Texas Monthly in 2011.
It was a soundcheck for a show in London that led to the collaboration with British punk band the Clash. Mr. Ely would later open for the Clash at several shows and sang backup vocals for their hit song “Should I Stay or Should I Go?”
Steven Spielberg wanted New Jersey drivers this year — now they’ll get to see the fruits of their labor on the big screen.
The first trailer for Disclosure Day, the lauded filmmaker’s new UFO movie starring Emily Blunt, Josh O’Connor, and West Philly’s own Colman Domingo, is out. The production was filmed in parts of South Jersey and Middlesex County earlier this year.
The premise: “If you found out we weren’t alone, if someone showed you, proved it to you, would that frighten you? This summer, the truth belongs to seven billion people. We are coming close to … Disclosure Day.”
The trailer shows Blunt as a meteorologist who shudders as she experiences some sort of encounter live on air. It includes all the other good stuff: crop circles, deer who are absolutely shook by whatever extraterrestrial activity they’re dealing with, car chases, you know the deal.
“They tell me the movie is primarily about UFOs and some railroad scenes and car chases,” Woodbine Mayor William Pikolycky told 6abc during filming this spring.
The film worked under the code name Non-Viewwhile filming around Jersey. The original Spielberg sci-fi film has a screenplay penned by his longtime collaborator David Koepp (Jurassic Park, War of the Worlds).
Disclosure Day was spotted filming scenes in multiple locations, including Tuckahoe, Woodbine, Buena Vista, and Upper Township. Some scenes took place near railroad tracks in Tuckahoe, with state troopers shutting down roads near production sites at the time. Spielberg was also spotted directing a scene with stunt doubles. Locals observed production crews setting up with a large blue screen, likely for special effects work.
Producers sought locals to work as paid extras, working as background actors in their own cars in Middlesex County in March. The production brought a reported economic boost to the area, with over 150 crew members in town, some who visited local businesses. The New Jersey Motion Picture and Television Commission told 6abc at the time that major film productions are increasingly choosing the state as a location, citing its diverse scenery and financial incentives.
Just last month, Pennsylvania Gov. Josh Shapiro announced HBO’s Task was awarded a $49.8 million tax credit for filming locally.
Universal will release Disclosure Day on June 12. It’ll mark Spielberg’s 37th directed film.
Controversy from the Sixers’ loss Sunday night lingered into Tuesday thanks to a salty message from NBA officials calling out NBC Sports Philadelphia’s Alaa Abdelnaby.
With less than two seconds left and the Atlanta Hawks clinging to a one-point lead, Nickeil Alexander-Walker inbounded a pass in the frontcourt and dribbled it into the backcourt before being fouled by 76ers rookie VJ Edgecombe.
Clearly a backcourt violation and Sixers ball with a chance to win the game, right? Abdelnaby certainly thought so.
“His foot’s in the frontcourt! The ball’s in the frontcourt!” Abdelnaby said during NBC Sports Philadelphia’s telecast.
Can someone explain to me how this was NOT called a backcourt violation by the Hawks?
The officials didn’t see it that way, despite protests from Joel Embiid and Sixers coach Nick Nurse. Their explanation for the no-call after the game was that Alexander-Walker’s “momentum” carried him into the backcourt, which “is legal in the last two minutes of the fourth quarter and overtime.”
Former NBA referee turned ESPN analyst Steve Javie, a Philly native and Temple grad, heard complaints about the no-call from a Sixers fan during a Christmas party Monday night. But after watching the video, Javie thinks the refs made the correct call that Alexander-Walker didn’t establish himself in the frontcourt.
“That’s an easy one. I don’t even think it’s that controversial,” Javie told The Inquirer. “That’s not the one you want to go up the mountain on.”
So instead of it being Sixers ball trailing by just one point, Alexander-Walker made both of his foul shots and increased the Hawks’ lead to three. Quentin Grimes got up a decent shot that would have tied the score as time expired, but it bounced in and out, and the Hawks walked away with the win.
That’s when things got interesting.
On Monday, the National Basketball Referees Association criticized Abdelnaby on social media and defended the officials’ no-call during Sunday’s game.
“For those calling the game, there is a responsibility to know the NBA rules and explain them correctly in order to properly educate the fans,” the association wrote, tagging Abdelnaby’s X account.
This was not a backcourt violation and has never been a backcourt violation.
For those calling the game, there is a responsibility to know the NBA rules and explain them correctly in order to properly educate the fans @alaatweets
The referees’ official X account, with more than 136,000 followers, hasn’t been historically combative and had not called out a single announcer by name this season before going after Abdelnaby.
Why now? That remains unclear. The National Basketball Referees Association did not respond to a request for comment.
“As a ref, you hear so much stuff [from announcers] year after year, game after game, you get kind of frustrated. Like, ‘Dude, this is not the right rule you’re talking about,’” Javie said, especially from hometown announcers openly rooting for their teams. “This is why they’re frustrated and gave him a shot, probably.”
Abdelnaby, a former Duke standout and NBA player in his 10th season calling Sixers games, isn’t afraid to offer strong opinions about the officials during broadcasts. He did so multiple times Sunday night, including after the game from the concourse of State Farm Arena in Atlanta, where he and play-by-play announcer Kate Scott called the game.
“Sometimes you’re told as a player on the road, you have to beat eight instead of just five,” Abdelnaby said, referring to the three officials on the court. “I thought the Sixers got a little shortchanged tonight.”
Abdelnaby declined to comment about the NBA referees’ social media post, but he wasn’t alone in thinking the officials missed a backcourt violation.
“It was a complete blunder by the referees tonight,” NBA Sports Philadelphia studio analyst and former NBA player Marc Jackson said following the game.
What do the NBA rules say?
When in doubt, go to the rule book, where there appear to be two sections invoked Sunday night.
First, the NBA rule book clearly states that the ball “shall be awarded to the opposing team” if a ball in the frontcourt or at the midcourt line passes into the backcourt.
But there is one exception:
And here’s what the rule book says about determining the frontcourt or backcourt status of a player on a throw-in:
The rule basically says a player’s position isn’t determined until he has established a “positive position” on an inbounds pass, as long as it’s under two minutes in the fourth period or in overtime.
So what does “positive position” mean? According to Javie, it basically equates to possession and stopping with the basketball.
“If [Alexander-Walker’s] momentum had stopped from going to the backcourt, and then he took a step into the backcourt, that would then be deemed a backcourt violation,” Javie said. “He didn’t establish position anywhere, really.”
“I thought it was going to be less obvious than that,” Javie added, based on the complaints over the no call.
Fans will certainly have a lot of time to debate the rules, since the Sixers won’t take the court again until Friday night against the New York Knicks at Madison Square Garden on Amazon’s Prime Video.
Roberta Fallon, 76, of Bala Cynwyd, cofounder, editor, and longtime executive director of theartblog.org, prolific freelance writer for The Inquirer, Daily News, and other publications, adjunct professor at St. Joseph’s University, artist, sculptor, mentor, and volunteer, died Friday, Dec. 5, at Thomas Jefferson University Hospital of injuries she suffered after being hit by a car on Nov. 24.
Ms. Fallon’s husband, Steven Kimbrough, said the crash remains under investigation by the police.
Described by family and friends as empathetic, energetic, and creative, Ms. Fallon and fellow artist Libby Rosof cofounded the online Artblog in 2003. For nearly 22 years, until the blog became inactive in June, Ms. Fallon posted commentary, stories, interviews, reviews, videos, podcasts, and other content that chronicled the eclectic art world in Philadelphia.
The site drew more than 4,500 subscribers and championed galleries and artists of all kinds, especially women, LGBTQ and student artists, and other underrepresented innovators. “I think we have touched base with every major arts organization in Philadelphia at one point or another, and many of the smaller ones,” Ms. Fallon told The Inquirer in May. “We became part of the arts economy.”
She earned grants from the Knight Foundation and other groups to fund her work. She organized artist workshops and guided tours of local studios she called art safaris.
For years, she and Rosof raised art awareness in Center City by handing out miniatures of their artwork to startled passersby. She said in a 2005 Inquirer story: “We think art needs to be for everyone, not just in galleries.”
She mentored other artists and became an expert on the business of art. “She was so generous and curious about people,” Rosof said. “She was innovative and changed the way art reached people.”
Artist Rebecca Rutstein said Ms. Fallon’s “dedicated art journalism filled a vacuum in Philadelphia and beyond. Many of us became known entities because of her artist features, and we are forever grateful.” In a 2008 Inquirer story about the city’s art scene, artist Nike Desis said: “Roberta and Libby are the patron saints of the young.”
Ms. Fallon never tired of enjoying art.
Colleague and friend Gilda Kramer said: “The Artblog for her was truly a labor of love.”
In November, Ms. Fallon and other art writers created a website called The Philly Occasional. In her Nov. 12 article, she details some of her favorite shows and galleries in Philadelphia and New York, and starts the final paragraph by saying: “P.S. I can’t let you go without telling you about what I just saw at the Barnes Foundation.”
She worked at a small newspaper in Wisconsin before moving to West Philadelphia from Massachusetts in 1984 and wrote many art reviews and freelance articles for The Inquirer, Daily News, Philadelphia Weekly, Philadelphia Citizen, and other publications. In 2012, she wrote more than a dozen art columns for the Daily News called “Art Attack.”
She met Rosof in the 1980s, and together they curated exhibits around the region and displayed their own sculptures, paintings, and installations. Art critic Edith Newhall reviewed their 2008 show “ID” at Projects Gallery for The Inquirer and called it “one of the liveliest, most entertaining shows I’ve seen at this venue.”
Ms. Fallon stands in front of a mural at 13th and Spruce Streets. She is depicted as the figure profiled in the lower left in the white blouse.
Most often, Ms. Fallon painted objects and sculpted in concrete, wood, metal, textiles, and other material. She was a founding member of the Philadelphia Sculptors and Bala Avenue of the Arts.
She studied at the Pennsylvania Academy of the Fine Arts and Temple University’s Tyler School of Art and Architecture, and later taught professional practice art classes at St. Joseph’s. Moore College of Art and Design, which will archive Artblog, awarded her an honorary doctorate.
“Roberta was an exceptional creative artist” and “a force,” artist Marjorie Grigonis said on LinkedIn. Artist Matthew Rose said: “Robbie was a North Star for many people.”
Her husband said: “Her approach to life was giving. She succeeded by adding value to wherever she was.”
Ms. Fallon (second from right) enjoyed time with her family.
Roberta Ellen Fallon was born Feb. 8, 1949, in Milwaukee. She went to the University of Wisconsin-Madison to study sociology after high school and dropped out to explore Europe and take art classes in Paris. She returned to college, changed her major to English, and earned a bachelor’s degree in 1974.
She met Steven Kimbrough in Wisconsin, and they married in 1980, and had daughters Oona and Stella, and a son, Max. They lived in West Philadelphia for six years before settling in Bala Cynwyd in 1993.
Ms. Fallon was a neighborhood political volunteer. She enjoyed movies and reading, and she and her husband traveled often to museums and art shows in New York and elsewhere.
They had a chance to relocate to Michigan a few years ago, her husband said. But she preferred Philadelphia for its art and culture. “She was like a local celebrity in the art scene,” her daughter Stella said.
Ms. Fallon and her husband, Steven Kimbrough, visited New York in 1982.
Her husband said: “Everybody likes her. Everybody wants to be around her. She made a difference for a lot of people.”
Her daughter Stella said: “The world would be a better place if we all tried to be like my mom.”
In addition to her husband and children, Ms. Fallon is survived by four grandchildren, a sister, a brother, and other relatives.
Before he came to be a beloved actor on All in the Family or celebrated for directing hits like The Princess Bride and When Harry Met Sally, Rob Reiner was just a teenager training in New Hope, Pa.
The late filmmaker — who was found dead alongside his wife, Michele Singer Reiner, on Sunday in their Los Angeles home — got his start at the Bucks County Playhouse.
In a 2016 interview with the Hollywood Reporter, Reiner said his senior year at Beverly Hills High School sparked a career path in acting because drama class felt “familiar and comfortable.”
After graduating at 17, he apprenticed at the Playhouse in 1964. As noted by Philadelphia Magazine, the Playhouse was one of a short list of regional theaters where Broadway plays would be workshopped. In turn, a lot of famous — or in Reiner’s case, soon-to-be famous — people came to New Hope, including Liza Minnelli and Robert Redford.
Reiner’s time working on shows as a Playhouse Apprentice meant he rubbed elbows with Alan Alda, Merv Griffin, and Shelly Berman, a spokesperson said. It was the same year Minelli appeared at the Playhouse and Arthur Godfrey was in Our Town.
“Reiner mentioned often his gratitude for the training he received on our stage, and his fondness for his time in New Hope,” Bucks County Playhouse producing director Alexander Fraser said. “He joins Grace Kelly, Jessica Walter, Robert Redford, Richard Kind and many others in using their experience as an apprentice in launching remarkable careers.”
Here’s what else we know about the deaths of the Reiners.
The Reiners were celebrated within the film industry and beyond
Reiner was long considered one of the most prolific directors in Hollywood, and his work included some of the most memorable movies of the 1980s and 90s, including This is Spinal Tap, A Few Good Men, When Harry Met Sally, and The Princess Bride.
His role as Meathead in Norman Lear’s 1970s TV classic All in the Family, alongside Carol O’Connor’s Archie Bunker, catapulted him to fame and won him two Emmy Awards.
The son of comedy legend Carl Reiner, Rob Reiner was married to photographer Michele Singer Reiner since 1989. The two met while he was directing When Harry Met Sally and had three children together.
The couple continued to collaborate on both film and advocacy projects. In 1997, they founded the I Am Your Child Foundation for early childhood development. In 2004, they established the Parents’ Action for Children nonprofit focused on public policy and early learning initiatives.
Reiner was regarded as a liberal activist and praised for his work as a cofounder of the American Foundation for Equal Rights, which initiated the court challenge against California Proposition 8, which banned same-sex marriage in the state.
The couple was found dead in their home and a homicide investigation is underway
A spokesperson for the couple confirmed the Reiners’ death to reporters.
Police said they were investigating the case as an apparent homicide after a family member discovered them dead. The couple had stab wounds.
As of Monday morning, the couple’s son, Nick Reiner, 32, was in custody on unspecified felony charges. His bail is set at $4 million, records show.
Tributes are pouring in for the Reiners
Tributes for the Reiners have been pouring in across Hollywood and beyond.
Relatives of Norman Lear, the legendary producer who died in 2023, released a statement about Lear’s relationship with Rob Reiner.
“Norman often referred to Rob as a son, and their close relationship was extraordinary, to us and the world,” the statement said. “Norman would have wanted to remind us that Rob and Michele spent every breath trying to make this country a better place, and they pursued that through their art, their activism, their philanthropy, and their love for family and friends.”
The Obama family released a tribute praising the couple’s art and advocacy work.
Michelle and I are heartbroken by the tragic passing of Rob Reiner and his beloved wife, Michele. Rob’s achievements in film and television gave us some of our most cherished stories on screen. But beneath all of the stories he produced was a deep belief in the goodness of…
“Together, he and his wife lived lives defined by purpose,” Barack Obama’s statement said. “They will be remembered for the values they championed and the countless people they inspired.”
Kathy Bates, who starred in Misery, the thriller directed by Rob Reiner and based on Stephen King’s writing, released a statement.
She praised the late director as “brilliant and kind” and someone who “fought courageously for his political beliefs.” She also highlighted Singer Reiner‘s photography work, including promotional photographs for Misery.
King posted a tribute on X, calling Reiner a “brilliant filmmaker.”
President Donald Trump criticized for his remarks about Reiner’s death
President Donald Trump wrote a statement about Reiner’s death in a post on Truth Social that has been classified as “incendiary,” “deranged,” and “inappropriate” by reports and critics — including GOP members.
The long-winded statement suggested Reiner and Singer Reiner’s death arose from “Trump derangement syndrome.”
Rep. Don Bacon, R-NE, tells me, regarding the president‘s truth social post about the Reiners being murdered,”I’d expect to hear something like this from a drunk guy at a bar, not the President of the United States. Can the President be presidential?”
