However, Mannion did serve as the offensive coordinator for the West team during the East-West Shrine Bowl game earlier this week. While the play-calling and offensive structure was largely simplistic due to the environment of college players trying to showcase their skills for NFL scouts, the game film provides some clues on what Mannion’s vision for an offense may look like.
Here’s a look at some of the influences Mannion may draw from ahead of his first NFL play-calling opportunity next season, and where Grizzard’s concepts could have an impact:
Under-center runs and play-action
The Mannion-led offense in the Shrine Bowl moved up and down the field in a 21-17 win over the East team, with the majority of the 72 offensive snaps coming from under-center. One frequent play call was play-action, specifically bootlegs where the quarterback would roll to the left or right after faking the handoff, effectively moving the pocket.
The play-action bootlegs are staples for Matt LaFleur, Kyle Shanahan, and Sean McVay-led offenses. They typically give the quarterback two or three options, with a flat route from the front or backside tight end and a crossing route from the backside receiver. The tight wide receiver alignments Mannion had his Shrine Bowl receivers in are a direct comparison to LaFleur’s offense, which utilizes a lot of tight wide receiver splits. Packers quarterback Jordan Love had the fifth-highest play-action rate in the NFL in 2025.
New #Eagles OC Sean Mannion has never called plays in an NFL game, but was the OC for the West team at the Shrine Bowl earlier this week. While most of the offensive install were fairly simple, there's some Matt LaFleur and Kyle Shanahan influences in the small sample size.… pic.twitter.com/At7YvzPNkI
Beyond play-action bootlegs, Mannion also dialed up more traditional play-action passes, and incorporated a concept similar to dagger, where a deep crossing vertical route occupies the safety and allows for a deep intermediate middle-of-the-field route to be run right behind it.
Several teams run the passing concept, but the 49ers and Vikings run it from under-center and on play-action throws more frequently than the Rams or Packers. Mannion spent two seasons of his playing career being coached by McVay and his final year playing quarterback was with the Vikings in 2023, under Kevin O’Connell.
Would like to see Sean Mannion bring some of this playcalling to the #Eagles as well. Big play-action here in 12 personnel during the Shrine Bowl and Mark Gronowski hits the deep dig route with the slot receiver clearing out on a crosser.
From a running game perspective, in the limited plays from the Shrine Bowl, Mannion seemed to draw on Shanahan’s run game philosophy. The first example was the inside toss play, which allows a running back to get downhill quickly. It’s also a play Mike McDaniel took with him to Miami and will likely now implement with Chargers.
Again, this is only observations from Sean Mannion's playcalling at the East-West Shrine Bowl since he doesn't have NFL playcalling experience, but the new #Eagles OC used a run scheme staple from Kyle Shanahan, utilizing the inside run toss a few times on Tuesday night. pic.twitter.com/cge0yBr1Sj
The other example was under-center power scheme runs, which pull the backside guard across the formation with the fullback kicking out the playside edge defender. Kyle Juszczyk had the most run blocking snaps among fullbacks in 2025, according to Pro Football Focus.
The Eagles tried to do more fullback runs last season, so Cameron Latu could be an option to fill a similar role as Juszczyk should Mannion decide to utilize more fullback run-blocking schemes.
Saw more run-game influence from Kyle Shanahan when new #Eagles OC Sean Mannion called plays for the West team during the Shrine Bowl. 49ers use a lot of FB run elements, and Mannion used that from under-center during the Shrine Bowl, primarily running power run schemes during… pic.twitter.com/zm3SFeVan6
During the Shrine Bowl game, Mannion also mixed in some outside zone run schemes from under-center to keep the defense honest. Outside zone runs are big staples of the McVay and Shanahan offenses.
Mannion and Grizzard employ similar concepts
The Packers last season threw out routes at one of the highest rates in the NFL last season. Could that become a staple for the Eagles in 2026?
During the Shrine Bowl game, Mannion called at least three passing concepts that required the outside receivers to run out-breaking routes toward the sideline, and two of them were completed for first downs. Throwing such routes require timing and accuracy, because mislocating the football gives defensive backs a chance to break on the football.
In the limited sample size from the Shrine Bowl game on Tuesday, new #Eagles OC Sean Mannion dialed up out routes at least three times in the game, and two the passes were completed along the sideline. Would imagine this could be a part of the offense next season. https://t.co/8sCT4wGWGFpic.twitter.com/DU7vv0aclL
During the Shrine Bowl game, Mannion also called mesh concepts twice, an approach that has two receivers running shallow crossing routes across the field going opposite directions, and a route sitting over the ball behind the two receivers. It could also include the running back releasing from the backfield on a wheel route.
Grizzard ran mesh quite a bit as the Buccaneers’ offensive coordinator in 2025. The passing concept can beat both man and zone coverages and is difficult to defend if defenders end up chasing the crossing routes.
With Josh Grizzard as the new #Eagles PGC, I wonder if they run mesh passing concepts like he did as the #Bucs OC. During the Shrine Bowl game, Sean Mannion called Mesh twice, including mesh rail, which is shown on the Bucs TD attached to this. https://t.co/RyX6jsz8mVpic.twitter.com/Fop4oRsRff
Grizzard also utilized a lot of screens in the passing game in Tampa, getting the ball in the hands of Bucky Irving, Emeka Egbuka and others behind the line of scrimmage. The first offensive play that Mannion called in the Shrine Bowl was a tight end screen. The screen game is also a staple in LaFleur’s offense, though the Green Bay coach is far more creative in presenting them.
Tackling Bucky, never easy.
Bucs love this escort screen, having a lot of success running it for Bucky with Cade doing the dirty work pic.twitter.com/MBCbY6NgI7
While the Shrine Bowl gave a glimpse into Mannion’s influences from LaFleur, McVay, and Shanahan, how the Eagles’ offense looks in their season-opener is a mystery. Leaning into more under-center play-action and moving the pocket with Jalen Hurts seem like logical additions to an Eagles offense that struggled with their identity in 2025.
Adding in an experienced playcaller like Grizzard into the fold can help give the Eagles some formational advantages and add less predictability to the offense. More pre-snap motion seems to be in the cards too. The Packers ranked eighth in motion rate and the Buccaneers ranked ninth, according to Sharp Football Analysis.
One thing is likely: the Eagles offense will be modernized and look vastly different from the previous iterations under Nick Sirianni.
I invited two other Inquirer fathers to discuss this submitted question, which is haunting the slight slopes of our region as the snow sticks around.
Have a question of your own? Or an opinion? Email me.
Evan Weiss, Deputy Features Editor
OK, the question is…
Every time we go sledding, my kids somehow inevitably lose a sled. And every time, there seem to be extra, unclaimed sleds lying around. Is taking one of those stealing (from a child!), or just part of the karmic redistribution of sleds?
Mike Newall, Life & Culture Reporter
Nark is a woodsman. He probably whittles sleds while eating tins of premade forest food.
Jason Nark, Life & Culture Reporter
Ha. When I think of sledding, as a child, it was rough business. No parents around. There were fights. Blood. Nothing worse than an older kid asking to “borrow” your sled.
I sled at the same place for years, so I never would have thought of taking a sled.
Mike Newall
Same. I’m pretty sure the old wooden sled in my house growing up first appeared in It’s a Wonderful Life. Ancient. Wooden. Rusted. We did the garbage can lid thing too. We sled in an enclosed grassy area adjacent to a belt parkway off-ramp. No parents. Chaos.
Jason Nark
Later I moved to a golf-course community (I didn’t want to) that was also one of South Jersey’s biggest sledding destinations. There were lots of sleds left behind after a few days but most were broken.
I don’t think I would have ever considered taking one, unless it was very nice… then I’d probably post it in a Facebook group to try to find the owner.
Mike Newall
I’m a city parent myself now. Every big storm, I inevitably wake up in a panic and think, “Oh no, we don’t have a sled. Where and how shall my boy sled?” So I run to five stores, buy the only sled available, rush him to some grassy lot with an incline, and push him down. Boom. My boy sleds. If the sled makes it home, it’s a bonus.
Those sleds were left for a reason. Either the kid was crying and hated it. Or the parents left it. Either way, look at it like one of those free library stands, except for sleds.
Evan Weiss
But I can’t imagine taking one home. What if, as you’re walking away, a little kid yells, “Hey, that’s my sled!”
Mike Newall
I just mean, if there are a few clearly discarded sleds, then use away. Like if there’s an old ball at the playground. Use it!
We live in a tiny rowhouse. Who wants a $14 plastic sled eating up valuable basement space? I’m not naturally wasteful. But no problem group-sharing sleds. Just use it and leave it.
Evan Weiss
So leave it? Don’t take it?
Jason Nark
I think so, yeah.
Mike Newall
Yeah, that would be plain-old sled-stealing.
Evan Weiss
Borrow for the hill, not for the home.
Mike Newall
(Unless, it’s a really nice sled that you just have to have. Kidding. Maybe.)
We hear often that it’s good to run things in life like a business. It’s said especially loudly about women’s sports, in Philadelphia and elsewhere.
So let’s do that.
The 21,490 fans who packed Xfinity Mobile Arena for Friday’s Unrivaled basketball showcase clearly had business on their minds. It was the largest announced attendance in arena history, helped by Unrivaled’s three-on-three court being smaller than regulation, and it was full of wallets.
They were opened often, to buy T-shirts, hats, hoodies, hot dogs, and all the fancier food and drinks on offer these days.
The crowd roared for hometown heroes Natasha Cloud and Kahleah Copper, but not just for them. Paige Bueckers, Kelsey Plum, Chelsea Gray, and Marina Mabrey also drew big cheers.
Kahleah Copper during player introductions before the Rose game against the Lunar Owls in Game 2 of the Philly is Unrivaled doubleheader on Friday.
“I think it was awesome to see them come out and support us like that,” Mabrey said after scoring an Unrivaled game record 47 points in the Lunar Owls’ 85-75 win over Rose. “I don’t know what I expected, but I didn’t realize it was going to be so much hype around it and so much support.”
There was celebrity wattage from Wanda Sykes, Leslie Jones, Freeway, and Jason and Kylie Kelce. Dawn Staley was in the front row, of course. The 76ers’ Tyrese Maxey, Kyle Lowry, Andre Drummond, Trendon Watford, and Dominick Barlow had courtside seats too.
They all helped answer a question that’s been simmering in town for a while.
At any business school, they’ll teach you that the most fundamental rule of economics is supply and demand. But how can you prove there’s demand when there’s no supply in the first place?
One way, for sure, is to not try in the first place. That was the case with women’s basketball in Philadelphia for 28 years, the time between the end of the Philadelphia Rage in 1998 and now. It’s mostly been the case with women’s soccer since the Independence folded in 2011, though at least the U.S. national team visits every few years.
Yet Philadelphia has now set two women’s sports attendance records in recent years. In 2019, Lincoln Financial Field hosted 49,504 fans for a U.S. women’s soccer game, and that’s still the largest crowd for a standalone home friendly. On Friday, the arena across 11th Street hosted the largest crowd to watch a regular-season professional women’s basketball game.
Another path to travel invokes another rule of economics. In a free market, shouldn’t someone be able try something? If they fail, so be it, and if they succeed, they profit.
The people who brought Unrivaled here, and those who will bring a WNBA team here in 2030, chose the second road.
‘It wasn’t a charity event’
On the day in October when Unrivaled announced it would come here, Comcast Spectacor chief financial officer Blair Listino watched her phone light up with notifications of ticket sales.
A Phantom fan cheers the team during its game against Breeze.
“While we were sitting there waiting for the [announcement] event to happen,” she told The Inquirer, “7,000 tickets were sold within the first few hours of the event being on sale. So right then and there, I knew, ‘OK, there is demand.’”
Listino also is an alternate governor of the Flyers. She was the team’s CFO from 2019 to 2023 and has worked for Comcast in a range of finance-related capacities since 2011. So she has plenty of experience with measuring what Philadelphia sports fans want — and with making hard business deals.
“We worked with Unrivaled management, and we treated it like any other event,” she said. “It wasn’t a charity event; we didn’t give them a sweetheart deal. It was a true rental agreement where we said, ‘We believe in you, we think that you’ll be able to sell out this building, and we’ll all be profitable from it.’”
That made it, she said, “good business sense for both us and Unrivaled.”
Philadelphia welcomes Paige Bueckers to the floor:
It was not just based on Jen Leary, the founder of Watch Party PHL, holding events and selling out of “Philly Is A Women’s Sports Town” T-shirts for over a year. Or Chivonn Anderson opening Marsha’s, a women’s sports bar on South Street. Or any number of people on social media, or in this reporter’s inbox, or so on.
No, this was Philadelphia’s biggest company believing that women’s sports can be profitable in its city. And now there’s proof.
Along with that, an Unrivaled spokesperson told The Inquirer on Saturday that the night delivered $2 million in revenue to the league, including over $1 million in ticket sales and $400,000 in merchandise sales at the arena.
“I think when choosing a market that doesn’t necessarily have a team, but there’s demand, you take a leap of faith into your decision,” said Cloud, whose Phantom beat Breeze, 71-68. “And Unrivaled chose the right city, the right sports town, and the right fan base.”
The crowd returned the favor many times over Friday, bringing the Broomall native to tears in a postgame interview on court.
“You just give us the opportunity to actually do it,” North Philadelphia’s Copper said. She recalled playing a WNBA preseason game in Toronto with the Chicago Sky in 2023 in front of a sellout crowd at the city’s NBA arena. That moment lit a spark that led to the Toronto Tempo, an expansion team that will tip off this year.
“How they were able to kind of lead up and have that build up, I think it’s kind of the same,” she said. “And I think the city has been wanting it. So this is a good introduction, and we’ll give them something to look forward to.”
It’s not just the local products who’ve felt that. Players from elsewhere who are used to big crowds at their games were excited to be part of a first here.
“Kudos to Alex [Bazzell], our president, and the whole league having ‘Tash’ and ‘Kah’ be spokespersons for this amazing city,” said Breeze’s Cameron Brink, who played collegiately for Stanford and is now with the WNBA’s Los Angeles Sparks. “Kah has done so much for women’s basketball in this city and the resources that are now available. I’m just proud that we saw that this is a city that wants to cheer on women’s basketball — so hopefully there’s more of it in the future.”
Cameron Brink leaps past Natasha Cloud (right) during the first quarter of the Breeze-Phantom game.
Brink grew up in Princeton, N.J., and her parents played college basketball at Virginia Tech. She moved to the Portland, Ore., suburbs at age 8, but heard plenty of stories from her mother, Michelle, about the East Coast.
“I was talking with her the other day — she’s like, ‘I honestly can’t believe women’s basketball has gotten to this point,’” Brink said. “I mean, we’ve always believed, but it’s really special that we get to soak in this moment. So I just think back to the women before me, and I’m just thankful for how they paved the way.”
Kate Martin of Unrivaled’s Breeze has played for Iowa and the WNBA’s Golden State Valkyries, both of which draw huge crowds to every game. She knew Philadelphia doesn’t have that track record, so she was excited to be part of a first.
“I think it’s really important for young girls to be able to see people that they want to be like,” Martin said. “I think it’s important for them to be able to see if they want to be a women’s basketball player, to see that in their city, and be able to have access to going to a game.”
Kate Martin in action Friday.
Friday’s spectacle undoubtedly will push Unrivaled to take more of its games on the road next season, and they may well come back here. There might not be another full house with the novelty factor gone, and one night in 2026 doesn’t mean the future WNBA team will sell out all of its games years later.
Nor does it mean that what’s true today was true in past years, when Cloud and Copper weren’t yet big names.
But it does mean there’s demand for a product right now, and that it can make money right now. Philadelphia finally got an opportunity, and took it.
What’s changed for chef Nicholas Bazik in the weeks since his Society Hill restaurant, Provenance, earned a coveted star from the Michelin Guide?
Everything.
And nothing.
“There’s this strange duality to it,” says Bazik. “It’s like a complete life-changing event. … But at the same time, the day-to-day is exactly the same. It’s just a little more amplified and there’s more things to do.”
Bazik’s Provenance was one of three local restaurants to be awarded a Michelin star in November, and already, the accolade has brought lots of things: National acclaim, a rush on reservations, and a plaque (yet to be delivered) that will be displayed inside the restaurant, which opened in 2024.
Then there’s the pressure that comes with earning the culinary world’s highest honor.
“The restaurant industry in and of itself is unique, because at every step, every milestone that you get, it just means that there’s more work to do — and more pressure,” Bazik says. “Having a Michelin star means that everyone coming through the door is seeing you as that thing, so there’s no time to let [up].”
The one exception might be Sundays, when the restaurant is closed and Bazik can finally take a breath. It’s a day that, for him, revolves almost entirely around family — though food, not surprisingly, also plays a supporting role.
This interview has been lightly edited for clarity.
7:30 a.m.
I normally wake up around 7:30, which is around the time my 4-year-old son wakes up.
In my previous job, prior to me going on paternity leave, the owner gave me a gift certificate to a coffee company, saying, “You should get yourself an espresso machine because you’re going to need it.” That was one of the best, most thoughtful gifts I’ve received from an employer. It’s a Jura espresso/coffee machine, and I use that everyday.
Then we’re going to Sulimay’s. It’s as close to a perfect diner as it gets. The food is great, the service is great, the space is unique to Philadelphia. Any breakfast spot, I always get the same thing which is two eggs over easy, bacon, hash browns, and rye toast.
10 a.m.
I’ll spend some time at the farmers market at Headhouse Square, which is largely how I like to shape my menus and figure out exactly what’s seasonal, what’s on offer, what’s relevant, what’s good. My family’s with me, and I’ll do shopping there for the restaurant and I’ll also do some shopping for home.
My son and my wife will go to Three Bears Park, which is around the corner from us, and I’ll go meet up with them there, and we’ll play and then go back home for a light lunch with some of the things that we got at the market.
1 p.m.
After lunch, we’ll go to Adventure Aquarium in Camden. My son is just obsessed with everything aquatic. He has an encyclopedic knowledge of sharks and fish and whales. We love going there — it doesn’t matter if we’re looking at the same fish every single time, he loves it. So we’ll go there for an hour, and make our next move, which is somewhere outdoors.
2-4 p.m.
Ideally, we’d make two stops. We’d go to Lemon Hill, which is where my wife and I got married, and then go to Wissahickon Park — so essentially try to spend the whole afternoon in a green space.
To be able to travel from Center City and 15 minutes later be in a green, open space with trees and wildlife, it’s incredible.
5 p.m.
Because our son is 4 now, he has the full capability of selecting what he wants to eat for dinner, so we leave it up to him. And we essentially go to one of two places: Kim’s Restaurant in North Philly, which is the oldest charcoal grilled Korean barbecue spot. The other one is Mr. Joe’s restaurant, which is my son’s name for Picnic in Fishtown.
For our purposes, Picnic is the perfect restaurant. It has chicken, french fries (my son’s favorite food group), oysters, and green salad. We get the same thing every single time, and we go enough that we should have a designated table.
6 p.m.
It’s time to go home and start the bedtime routine. We do shampoo time, and it’s the only time that my son watches any sort of TV. We’ll watch 20 or 30 minutes of something — normally a deep-sea documentary or a solar system documentary.
Then from 9-10 p.m., my wife and I get to talk about what’s happening that week — what’s happening with him at school, what events are coming up that week, giving her a proper heads up on what’s happening at work, because everything happens so fast that it’s sometimes hard to keep up.
And ideally, it’s in bed by 10 p.m., and then it’s start the week the next day.
The destruction spanned multiple blocks, spreading wreckage across a debris field that stretched for more than a quarter mile near Roosevelt Mall on Cottman Avenue. The resulting damages totaled in the millions of dollars, and many area residents were left displaced and traumatized.
Now, on its first grim anniversary, the crash’s effects still loom large — not only in the memories of those directly impacted by the crash, but in the local and regional psyche.
With that in mind, city officials plan to hold a memorial observance to honor its victims. The event, slated to start at 5 p.m. at Engine 71 Fire Station — just blocks from where the crash occurred — will include a bell ceremony and wreath-laying. Mayor Cherelle L. Parker and other elected officials will speak.
As city officials said at the time, the crash was among the most significant black swan tragedies in Philadelphia’s history. And, in many ways, the neighborhood is still recovering. Here is what you need to know:
Eight killed, dozens injured
At 6:06 p.m., a Learjet 55 operated by a Mexican medical transport company known as Jet Rescue Air Ambulance took off from Northeast Philadelphia Airport en route to Springfield-Branson National Airport in Missouri on its way back to Mexico. Less than a minute later, after making it 1,650 feet into the air, it went nose down about 3.5 miles away from the airport, slamming into the ground near Bustleton and Cottman Avenues at a 45-degree angle at more than 270 mph.
Map of where a small jet crashed near Roosevelt Boulevard and Cottman Avenue in Northeast Philadelphia on Jan. 31.
The crash tore an 8-foot deep crater into the earth and created a massive fireball that illuminated the neighborhood. The impact spread devastation across a 1,410-foot-long-by-840-foot-wide tract, damaging homes, vehicles, and businesses, and scattering human remains amid the debris field.
All six people aboard the aircraft were killed — among them Valentina Guzmán Murillo, 11, and her mother, Lizeth Murillo Osuna, 31. The pair were on their way home after Valentina had received four months of treatment for a spinal condition at Shriners Children’s Philadelphia, with her doctors celebrating her recovery only hours before.
Also killed were captain Alan Montoya Perales, 46; copilot Josue de Jesus Juarez Juarez, 43; doctor Raul Meza Arredondo, 41; and paramedic Rodrigo Lopez Padilla, 41. On the ground, Steven Dreuitt Jr., 37, died as a result of the crash, as did his fiancée, Dominique Goods Burke, 34, who succumbed months later to injuries she suffered that night.
At least 24 other people were injured, with victims ranging in age from 4 to 85. Many suffered severe burns, smoke inhalation, and skull fractures, including 9-year-old Ramesses Dreuitt Vazquez, the young son of Dreuitt, who suffered burns over 90% of his body and spent nearly a year in the hospital before being released.
‘All hands on deck’
Ryan Tian, 23, of Delaware County, captured an explosion at a parking lot at Cottman and Bustleton Avenues Friday, Jan. 31, 2025. It was later discovered a medical transport plane bound for Mexico took off from Northeast Philadelphia Airport and crash soon after on Cottman.
The emergency response was massive, involving about 400 firefighters, police officers, and other first responders. Investigators later found that more than 300 properties had been impacted in some way.
The incident, Parker said the night of the crash, was an “all hands on deck” situation. Eyewitnesses and emergency responders described the ensuing chaos as resembling a war zone or feeling like a movie.
“This is a huge area,” Police Commissioner Kevin Bethel said of the crash site. “Nothing in that area will ever be normal again.”
Gov. Josh Shapiro and other officials also toured the devastated area. Ultimately, despite the damage the crash wrought, Shapiro’s office found that the impacts were too limited to ask President Donald Trump‘s administration for a federal disaster declaration, leaving the city and state to lead recovery efforts.
Investigation reveals little
An investigator walks by a burned out car on Cottman Avenue Saturday, Feb. 1, 2025, in Philadelphia. A medical jet with six people on board crashed Friday evening near the Roosevelt Mall in Northeast Philadelphia scattering debris throughout the streets, and setting multiple homes and cars ablaze in a devastating scene
The investigation was led by the National Transportation Safety Board, which early on noted that the crashed craft made no distress calls and had only brief, routine communications with the Northeast Philadelphia Airport control tower after takeoff.
That left the aircraft’s cockpit voice recorder — or “black box” — as a key investigatory element. Days later, searchers found the unit at the bottom of the crater the craft had carved into the earth, but it was largely useless.
The recorder, the NTSB said, had “likely not been recording audio for several years,” and contained no clues as to what may have caused the crash. No official cause for the crash has yet been announced.
Reviews of the craft’s flight records, however, found that it had been used extensively in the months and weeks leading up to the crash. In the five days before the disaster, it had flown 12 flights covering 9,400 miles, and in its final year before it was destroyed, the aircraft had 163 takeoffs.
Fallout continues
Homes in the Northeast Philadelphia neighborhood across from the Roosevelt Mall where a plane crashed on nearby Cottman Avenue. More than a dozen properties were severely damaged by flying debris and fire. The home that the Gomez family rented on Calvert Street caught fire after a plane engine slammed into their roof. Photographed Tuesday, Feb. 4, 2025.
In June, five months after the crash, more than a dozen local residents and business owners told The Inquirer they were still grappling with unrepaired property damage and catching up on bills from lost incomes or extra expenses.
The city had marshaled significant resources, including opening sites offering mental health services and financial aid, and steering roughly $264,000 in grants to small businesses. The One Philly Fund, which was launched to serve as the city’s signature relief effort, however, only attracted some $35,000 in donations, falling woefully short of its desired impact.
Meanwhile, insurance claims were expected to exceed $10 million, and the city itself sought claims for property damage and personnel costs eclipsing $2.5 million. The medical jet company’s insurer, El Águila Compania de Seguros, hoped to consolidate all claims under a single court case, and compel a federal judge to divvy up the funds, which it said were “unlikely to be sufficient to resolve all claims.”
Later in the year, lawsuits against the medical jet company were filed.
A silver lining
Caseem Wongus, 26, is meeting Ramesses R. Dreuitt Vasquez, 10, for the first time after saving him from the fire from the jet crash at the beginning of the year, in Germantown, Pa., on Tuesday, Dec. 23, 2025.
Despite the trauma and devastation the crash brought to Philadelphia, at the end of 2025, there was at least some good news. Ramesses Dreuitt Vazquez, a boy who was severely injured in the crash, was released from the hospital, just in time for the holidays.
Vazquez, who turned 10 in October, had endured almost a full year in the hospital, undergoing more than 40 surgeries, including multiple skin grafts, and the amputation of fingers and ears. He spent months in physical therapy relearning how to get out of bed, walk, and climb stairs.
But about a week before Christmas, he made it out. And while noting that Ramesses faced a challenging road ahead, the boy’s grandmother, Alberta “Amira” Brown, expressed happiness with his recovery.
“It’s the best thing ever that he’ll be home for the holidays,” Brown told The Inquirer. “He is truly happy to be coming home.”
Would you believe it if we told you Asbury Park is the same distance from Philly as Sea Isle? For many Philadelphians, the north end of the Shore might as well exist on another planet. Fortunately, the offseason is the perfect time to broaden one’s horizons — so that come summer, you might break out of the tribal nature that governs which sands you plant your umbrella in.
As one of the larger towns on the coast, with a healthy year-round population, Asbury Park makes an ideal entrée. Things are open in the winter.
Not everything — but enough to keep you busy for a weekend of city-level food, idiosyncratic shopping, and live music. Start the car.
Make your first stop just to the south of Asbury, at Hey Peach in Bradley Beach. This inviting granny-core café-bakery from Erin “Peach” Kilker lines its wooden sideboard and pastry case with holey olive fougasses, crackling croissants, Scottish shortbread, fat cream puffs, and more. If the weather cooperates, grab one of the bistro tables out front and enjoy your pastry (or three) with a Counter Culture coffee.
It might not be beach weather, but the glittering sea views from the 11-foot windows at Asbury Ocean Club are just as dramatic in winter. The soothing dune-and-khaki suites in this luxurious 54-room high-rise — which opened in 2019 — feel especially indulgent in the offseason. Winter rates hover in the mid-$300s; that same room can top $1,000 on a summer weekend.
Cosplay your favorite Stranger Things kid (minus the Vecna creepy-crawlies) at Silverball Retro Arcade. Gamer or not, it’s impossible not to light up like the 1992 Addams Family pinball machine when you step inside this clanging, jangling boardwalk fixture. And because it’s not summer, the chances are good you’ll have no trouble finding an empty Skee-Ball lane. (Fun fact: Skee-Ball was invented in Vineland in 1907, with early alleys manufactured in Philly.)
📍 1000 Ocean Ave. N., Asbury Park, N.J. 07712
Shop: Asbury Park Bazaar
Right in the middle of the boardwalk, where you can shop for travel-inspired hoodies at Promised Land Apparel and thrifted art supplies at Asbury Park Art Club, Asbury Park Bazaar pops up through the year inside the Grand Arcade at Convention Hall. More than 50 vendors will fill the space on Valentine’s Day weekend, selling everything from patch-customized beanies and travel-inspired hoodies to candles that melt into massage oil.
📍 1300 Ocean Ave. N., Unit C-4, Asbury Park, N.J. 07712
Read: Paranormal Books & Curiosities
Ghost ships, Victorian murders, haunted houses — in Asbury Park, spooky season never really ends. Paranormal Books & Curiosities anchors the city’s supernatural streak, selling horror novels, spellbooks, and oddities, while also running ghost tours and curating a small paranormal museum. Whether you’re looking for Grady Hendrix, Paul Tremblay, or something to summon the corners, you’ll find it here.
📍 621 Cookman Ave., Asbury Park, N.J. 07712
Dine: Judy & Harry’s
Named for owner Neilly Robinson’s parents, Judy & Harry’s in the St. Laurent Hotel is a two-in-one restaurant and cocktail bar with butterscotch leather barstools, frosted globe lights, and framed family photos. The menu, by Robinson’s partner and James Beard semifinalist David Viana, blends her Italian and Jewish heritage with dishes like limoncello-splashed hamachi crudo, ricotta-matzo ball soup, schmaltzy potatoes, and chicken and eggplant parm. If you’re visiting Asbury on a Sunday, swing in for their $38 Sunday Sauce prix fixe supper.
📍 408 Seventh Ave., Asbury Park, N.J. 07712
Jam: The Stone Pony
What’s the opposite of a sleeper pick? First opened in 1974, Stone Pony is so deeply and inextricably tethered to Asbury Park. Everyone knows it. The bar and venue runs shows every weekend through the offseason, and the variety is pretty astounding: a Dave Matthews tribute band, country singer Hunter Hayes, a student showcase from Red Bank’s School of Rock, bassist and Phish cofounder Mike Gordon. Tourists go. Summer people go. Locals go. You should go.
The Grammys are here, with lots of familiar faces.
Kendrick Lamar, who won five awards at last year’s show, leads with nine nominations and Lady Gaga, Bad Bunny, and Billie Eilish are up for major awards.
As is Sabrina Carpenter, the Bucks County native who is the Philly region’s great hope. She won twice last year and is nominated six times for her album Man’s Best Friend.
Neither Taylor Swift nor Beyoncé released music in the eligibility period, which runs from Aug. 31, 2024, to Aug. 30, 2025, so that’s why they’re missing from this year’s list.
I’m picking winners in the four major categories, which will be among the dozen or so given away on the awards show hosted by Trevor Noah and broadcast on CBS from the Crypto.com Arena in Los Angeles at 8 p.m. Sunday, and streaming on Paramount+.
A total of 95 Grammys will be given out, however, with most presented in a pre-telecast ceremony streamed on grammy.com and the Recording Academy’s YouTube page, starting 3:30 p.m. Sunday.
That’s where you’ll find the Philadelphians.
Jazz bassist Christian McBride is up for three awards, with his Big Band’s Without Further Ado, Vol. 1 vying with Sun Ra Arkestra’s Lights on a Satellite for best jazz large ensemble.
Philadelphia Orchestra and music and artistic director Yannick Nézet-Séguin are up for two, and Nézet-Séguin is also nominated for one with the Metropolitan Opera orchestra.
Jazz saxophonist Immanuel Wilkins and University of Pennsylvania graduate John Legend have two noms each. The Crossing Choir, Camden gospel bandleader Tye Tribbett, songwriter Andre Harris, and producer Will Yip each have one.
Bassist Christian McBride (right) performs during the Newport Jazz Festival, Sunday, Aug. 4, 2024, in Newport, R.I. The Philadelphia musician is up for three Grammys on Sunday.(AP Photo/Steven Senne)
As the first major live TV awards show since the death of Alex Pretti in Minneapolis last weekend, the Grammys are likely a platform for anti-ICE protests. We’ll see which, if any, performers or presenters — who include Charli XCX, Teyana Taylor, Queen Latifah, Lainey Wilson, Nikki Glaser, and Chappell Roan — speak out.
Here’s who I think should — and will — win.
Album of the Year
Nominees: Bad Bunny, Debí Tirar Más Fotos; Justin Bieber, Swag; Sabrina Carpenter, Man’s Best Friend; Clipse, Let God Sort ‘Em Out; Lady Gaga, Mayhem; Kendrick Lamar, GNX; Leon Thomas, Mutt;Tyler, the Creator, Chromakopia
My prediction: The most prominent of these in my rotation these days is LetGod Sort ‘Em Out, the topflight reunion of hip-hop brothers Gene “Malice” and Terence “Pusha T” Thornton. But it has little chance among these heavy hitters.
Carpenter will have to be satisfied with a performance slot in the prime-time show, a prize showcase on “Music’s Biggest Night.” But Man’s Best Friend isn’t quite up to the level of her tart 2024 Short n’ Sweet.
The consensus says this is a race between Lady Gaga, Bad Bunny, and Kendrick Lamar. All have an excellent chance, with Gaga being a veteran Grammy favorite back on form. Lamar’s album released way back in November 2024, but he continued to impact culture through his “Grand National” tour with SZA and “Luther,” their collab that topped the pop charts for 13 straight weeks.
But this feels like Bad Bunny’s year. Debí Tirar Más Fotos — which translates as “I should have taken more photos” — is the Puerto Rican singer, rapper, and producer’s most confident, varied, and politically potent work.
It’s poised to become the first Spanish language album of the year, and thus a Grammy statement of multicultural solidarity when immigrant populations in the U.S. are under threat. And it would make for a pretty good start to February for the Super Bowl halftime headliner.
Should win: Bad Bunny
Will win: Bad Bunny
Chappell Roan performs “Pink Pony Club” during the 67th annual Grammy Awards in Los Angeles, Feb. 2, 2025. The singer is nominated for two Grammy awards on Sunday and will also be a presenter at the ceremony, which airs on CBS at 8 p.m. and streams on Paramount+. (AP Photo/Chris Pizzello, File)
Record of the Year
Nominees: Bad Bunny, “DTMF”; Sabrina Carpenter, “Manchild”; Doechii, “Anxiety”; Billie Eilish, “Wildflower”; Kendrick Lamar & SZA, “Luther”; Lady Gaga, “Abracadabra”; Chappell Roan, “The Subway”; Rosé & Bruno Mars, “APT”
My prediction: This is a strong group, including Carpenter’s cheeky “Manchild” and Doechii’s “Anxiety,” which samples Gotye and Kimbra’s 2011 “Somebody I Used to Know.”
Roan’s “The Subway” hearkens back to classic pop and Eilish’s “Wildflower” is lovely, though it’s a little ridiculous that it’s nominated. It’s from Eilish’s Hit Me Hard and Soft, which came out in May 2024 but qualifies because it became a single last February. When the Grammys want you to be part of the show, they’ll find a way to sneak you in.
My pick to win is “APT.” The duet between Bruno Mars and K-pop star Rosé is a super-catchy global hit that borrows from Toni Basil’s 1982 hit “Mickey,” which older Grammy voters will surely remember. It’s the second-fastest song to reach a billion streams after Mars and Gaga’s 2024 “Die With a Smile.”
Will win: “APT.”
Should win: “Luther”
SZA and Kendrick Lamar perform during halftime of the NFL Super Bowl between the Kansas City Chiefs and the Philadelphia Eagles, Sunday, Feb. 9, 2025, in New Orleans. (AP Photo/George Walker IV)
Song of the Year
Nominees: Bad Bunny, “DTMF”; Sabrina Carpenter, “Manchild”; Doechii, “Anxiety”; Billie Eilish, “Wildflower”; Huntr/x — “Golden”; Kendrick Lamar & SZA, “Luther”; Lady Gaga, “Abracadabra”; Rosé & Bruno Mars, “APT”
My prediction: The Grammys are silly. Why are there separate record and song of the year categories? In theory because the latter is a songwriter’s award. But these categories are virtually identical, the only difference being dropping Roan for “Golden” from the Netflix movie KPop Demon Hunters.
Let’s give this one to last year’s Super Bowl halftime headliners to reward their overall excellence and songwriting skills.
Should win: “Luther”
Will win: “Luther”
Olivia Dean performs at the Austin City Limits Music Festival on Oct. 11, 2025, in Texas. The British singer-songwriter is nominated for Best New Artist at the Grammy Awards on Sunday.(Photo by Jack Plunkett/Invision/AP, File)
Best New Artist
Nominees: Olivia Dean, Katseye, The Marías, Addison Rae, Sombr, Leon Thomas, Alex Warren, Lola Young
A little rant detour: Another failing: The Recording Academy has completely ignored country music in the major categories. The Grammys are, in many ways, a popularity contest. Unlike the Oscars, which sometimes reward niche and art house fare and look askance at commercial success, the Grammys are intent on showing they’re in step with the zeitgeist by recognizing big sellers.
Except they don’t bother when it comes to country, thus reinforcing America’s cultural divide. The Recording Academy isn’t too blame when it comes to Morgan Wallen, whose I’m the Problem was the most streamed album in the U.S. in 2025 — because he chose to not submit his music.
But completely credible and widely popular country artists like Ella Langley and especially Megan Moroney are obvious candidates for best new artist. They have been shown no love, either due to cluelessness or a conscious decision to shut out mainstream country. End of rant!
My prediction: In this last of the major categories, Addison Rae is to be commended for making a smart, catchy transition from TikTok to pop star. Leon Thomas emerged as a serious R&B artist with staying power, and Lola Young is a major talent whose “Messy” is a terrific universalist earworm.
But my most confident prediction in these four categories is Olivia Dean. The British songwriter is marked for stardom, simultaneously coming off as a youthful ingenue and an old soul. Her vocals have a slight Amy Winehouse tinge without being imitative. Her breezy, immediately likable The Art of Loving mixes neo-soul 1970s Los Angeles soft-rock is right up the Grammy alley.
The house: A 960-square-foot townhouse in Norris Square with two bedrooms and one bath, built in 1920.
The price: Listed for $255,000; purchased for $255,000
The agent: Kate McCann, Elfant Wissahickon
Todtz saw potential in the house’s flexible floor plan.
The ask: Evan Todtz was tired of commuting from Baltimore to Washington, D.C. He didn’t want to live in the latter, and he couldn’t find work in the former, so he considered the next-closest big city: Philadelphia.
“I’ve always really loved Philly and wanted to spend more time in it,” Todtz said. When his company approved a transfer to its Philadelphia office, Todtz moved north and rented an apartment in Norris Square. A year later, he was ready to make it official. “I felt like I was getting into a groove in Philly,” he said, “and I wanted to invest in a place and make this my home.”
Transit access was Todtz’s top priority. He frequently travels along the east corridor for work, so being close to the Market-Frankford line, which could take him directly to 30th Street Station in the “wee hours of the morning,” was a nonnegotiable. He wanted two bedrooms, enough space to host visitors, and an outdoor space. Everything else was flexible. “I’m particular, but I’m not picky,” he said.
Todtz liked the living room’s tan walls and dark floors. They made the room feel cozy.
The search: Todtz began looking seriously at the end of 2023, after attending a first-time homebuyers workshop hosted by Philly Home Girls. Over a month, hesaw several homes on weekends and evenings. He saw the house he would eventually buy early in his search, but it felt out of reach. Originally listed at $280,000, it hovered just above what he felt comfortable paying. He put it on a mental “maybe” list and kept looking. One month later, the price dropped to $255,000. “That’s when it felt within striking distance,” Todtz said. “It was closer to comps in the market.”
The appeal: Todtz immediately noticed the quality of the renovation. The house looked polished but not flashy, neat but not boring. “There weren’t super high-end finishes I wasn’t going to appreciate,” Todtz said, “and there wasn’t the gray-washed millennial nothingness design that so many new houses have.”
Instead, the house felt solid and lived-in, with dark wood floors and warm-colored walls. “It was very cozy and pretty,” Todtz said. He also liked the flexible floor plan and could see “potential in the footprint,” he said. Mostly, he liked that there wasn’t anything glaringly wrong with it. “It just felt very manageable,” he said. “It didn’t feel like I was taking on a massive project that I didn’t know how to start.”
Todtz said he would be happy with any kind of outdoor space.
The deal: By the time the price dropped to $255,000, the house had been sitting on the market for months. Todtz and his agent sensed the seller was “eager to get it off his books,” so they offered the asking price and requested a 3% seller’s assist. The seller agreed. “That was a huge win,” Todtz said. It effectively lowered the price to $247,000.
The inspection turned up only minor issues. The silver coating on the roof was wearing, and the seller, a small-time developer from Queens, N.Y., offered to address it without hesitation. “He was very chill,” Todtz said. “It was great to work with him.”
The money: All in, Todtz spent about $21,000 on closing costs and upfront expenses. Todtz’s mortgage is through the Keystone Home Loan Program, which required only a 3.5% down payment, provided he paid mortgage insurance. The money came primarily from his long-term savings.
One of two bedrooms in Evan Todtz’s house.
“Every paycheck since graduating from undergrad, I’ve been putting money away,” Todtz said. “However modestly, whether it was 50 bucks or 100 bucks.” Eventually, he transferred some of those savings into a mutual fund that he let grow for a decade. He put the rest in a high-yield savings account. He also received a few thousand dollars from his grandmother’s estate.
The move: Todtz closed on April Fools’ Day, which he feared was a bad omen. His agent reassured him it wasn’t. He spent the next month moving small items in his car, then hired movers to handle the bulk of the work over a weekend in May. He didn’t ask his friends to help him move. “I want to keep my friends,” Todtz said. ”I don’t want to make them stop talking to me.”
Todtz loves his kitchen even though it’s “a little small,” he says.
The move was mostly smooth, except for one casualty: a box spring that couldn’t fit up the new house’s narrow staircase.
Any reservations? Todtz doesn’t regret buying, though he acknowledges that homeownership comes with new anxieties. Given the current state of the economy, “renting and being able to flee is kind of attractive,” he said.
Still, he’s glad he made the leap. “I’m happy to own,” he said, “and I feel comfortable learning as I go.”
The custom wood butcher block Todtz built with the help of the Philadelphia Table Co.
Life after close: Most of the changes Todtz has made have been cosmetic. “I didn’t want to bite off more than I could chew,” he said. He tackled the patio first, pressure-washing the concrete, re-staining the fencing, and adding cafe lights. After that, he partnered with Philadelphia Table Co. to build a custom wood butcher block that has doubled the counter space in his kitchen.
He has a couple of larger projects he plans to tackle next year, such as a full HVAC upgrade, but for now, he’s focused on rebuilding his savings. “I’m happy with the investment,” he said, “but I’m very much in a house-poor moment right now.”
We’ll show you a photo taken in the Philly-area, you drop a pin where you think it was taken. Closer to the location results in a better score. This week we have three historic sites across the city! Good luck!
Round #18
Question 1
This location has been in the news recently. Where is it?
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ClickTap on map to guess the location in the photo
ClickTap again to change your guess and hit submit when you're happy
You will be scored at the end. The closer to the location the better the score
Tom Gralish / Staff Photographer
Pretty good/Not bad/Way off! Your guess was from the location.Spot on! Your guess was exactly at the location. Here's also where a random selection of Inquirer readers guessed.
The President’s House made headlines when the National Park Service removed exhibits about slavery following an executive order by President Donald Trump.
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Question 2
Where can you find the Philly Renaissance Faire and an electronic music festival?
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Don Nigroni / Spotlight PA
Pretty good/Not bad/Way off! Your guess was from the location.Spot on! Your guess was exactly at the location. Here's also where a random selection of Inquirer readers guessed.
Fort Mifflin is a Revolutionary War-era historic landmark near Philadelphia International Airport. It recently hosted the Making Time ∞ festival.
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Question 3
Where is this historic house?
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Michael Bryant / Staff Photographer
Pretty good/Not bad/Way off! Your guess was from the location.Spot on! Your guess was exactly at the location. Here's also where a random selection of Inquirer readers guessed.
Stenton, a colonial-era house and museum, is home to the Dinah Memorial – a memorial that honors a one-time enslaved housekeeper who saved the house from destruction by British soldiers.
Your Score
ARank
Amazing work. You know your Philly history.
BRank
Good stuff. You’re almost perfect.
CRank
C is a passing grade, but you could do better.
DRank
D isn’t great. Try again next week!
FRank
We don’t want to say you failed, but you didn’t not fail.
You beat % of other Inquirer readers.
We’ll be back next Saturday for another round of Citywide Quest.
The crowd inside Xfinity Mobile Arena for Philly is Unrivaled already was high-energy. Then Marina Mabrey brought the house down with an Unrivaled-record 47 points in the second game of the doubleheader.
The Belmar, N.J., native plays in Connecticut and has no real connection to Philadelphia, but the crowd went crazy for every three-pointer like she was one of their own.
“I brought my Jersey to Philly, and I hope that you guys enjoyed it,” Mabrey said. “Thank you for welcoming me with open arms.”
Friday’s Unrivaled doubleheader at Xfinity Mobile Arena was the first time the three-on-three league had left its Miami-area home. Unlike the WNBA or NBA, the teams are not tied to a specific city or region. That makes the league a fascinating “social experiment,” TV analyst Renee Montgomery said.
Unrivaled is driven by fans’ love for players and for the game, Rose BC’s Lexie Hull said. A number of the 21,490 fans in the building came in repping their favorite players across the women’s basketball world, with plenty of love for superstar Paige Bueckers and Philly locals Natasha Cloud and Kahleah Copper, or in T-shirts declaring that “Everyone Watches Women’s Sports” or that “Philly is a Women’s Sports Town.”
“Philly is a basketball city,” Montgomery said. “… I think there’s certain cities that lean in and they don’t just halfway do anything, and I feel like Philly is that type of city. They see that Unrivaled chose this place to be the first one, and Philly’s like, ‘Bet, let’s show out.’ That’s what it felt like to me.”
The neutral crowds make Unrivaled a different environment in the pro sports landscape, but neutral didn’t mean there was any less passion.
“One thing I know about Philly is, it’s really passionate about its sports, good and bad, through and through, the City of Brotherly Love,” Bueckers said. “You feel that, and we felt that tonight, just how passionate they were and are about women’s basketball.”
Philadelphia has never been home to a WNBA franchise, and was home to an American Basketball League franchise for just two years before the team folded in 1998. But with an expansion franchise set to come to Philadelphia in 2030, Unrivaled’s sold-out crowd at Xfinity Mobile Arena was just a taste of Philly’s appetite for women’s professional basketball.
Hull said she hoped to see Unrivaled continue to thrive in that niche, serving markets like Philadelphia that don’t have WNBA franchises yet. Unrivaled’s Philly tour stop set the record for most fans at a regular-season professional women’s basketball game, and a building record for Xfinity Mobile Arena.
“With the growth of the sport, there’s just so many people that want to see it live and don’t have the opportunity to fly to a [WNBA] city and watch a game during the season,” Hull said. “This gives them the opportunity to get to watch and grow the game, so it’s awesome.”
Sixers Kyle Lowry, Andre Drummond, Trendon Watford, and Dominick Barlow, and New York Liberty guard Sabrina Ionescu were among the basketball stars in the building.
But of course, one of the most excited fans in the building was South Carolina head coach and local basketball legend Dawn Staley. For Phantom BC’s Aliyah Boston, who played for Staley in college, it was an amazing surprise to see Staley courtside again.
“I was shocked, when I came out, one of our assistants was like, ‘See Coach Staley?’” And I was like, ‘What? What?’ Saw her right over there, gave her a hug.”
Boston said that the two still have a “special relationship,” and she had to go up to Staley at halftime to ask for feedback on her game.
After playing for Staley, Boston said she had an idea of what to expect of playing in Philly, and the intensity and toughness needed for the tight game matched her expectations.
“The biggest thing for her was just that mindset,” Boston said. “She talked about her upbringing and that grind in Philly, and that’s the approach that she wants us to take on the court. Just have that dog mentality. Being able to hear that for four years just continued to shape me into who I am as a player today.”
Friday’s event was a huge head start in showing the players just how good of a women’s basketball market Philly can be. With the record-setting, energetic crowd, the conversation now turns to how to keep the momentum going until the WNBA franchise establishes itself in 2030.
Unrivaled players were excited about the prospect of adding new tour stops and continuing to travel in the seasons to come, and Unrivaled president Alex Bazzell confirmed Friday that the league plans to do more road trips next year.
Could Philly be on that list a second time?
Breeze BC’s Kate Martin, who played for the Golden State Valkyries in their inaugural season last year, shared the advice she’d give to anyone playing for a Philly expansion franchise, after the Valkyries quickly became the most-attended team in the WNBA in their first year.
“When you start to build that sense of community, that people feel more like they have a relationship with you, they want to come, they want to support,” Martin said. “Making the atmosphere fun, making people feel welcome, making people feel excited about basketball.”
Kate Martin, who plays for the Breeze and the WNBA’s Golden State Valkyries, knows a thing or two about building a fan base.
