When James Beard Award-winning restaurateur Ellen Yin moved High Street from Old City into the corner of Ninth and Chestnut Streets four years ago, she and her crew set up a small production bakery and takeout space alongside the restaurant.
Almost from the start, Yin said, the 300-square-foot bakery has been “bursting at the seams.”
Everything fromage Danish is a savory option at the Bread Room.
The solution: Take over a storefront around the corner on Chestnut Street — also part of the Franklin Residences — to open the Bread Room. It’s a cafe, workshop, and pastry hub in a light-filled, industrial-meets-farmhouse space with 14-foot ceilings and expansive windows, designed by longtime collaborator Marguerite Rodgers Interior Design. The grand opening was Oct. 20.
The Bread Room, joining a rush of new bakeries and cafes in the region, is led by head chef Christina McKeough and head baker Kyle Wood, who are producing dozens of handmade viennoiseries and baked goods daily.
Baked goods at the Bread Room.Blueberry basil Pop-Tart at the Bread Room.
The pastry lineup includes grown-up Pop-Tarts in flavors such as strawberry, bergamot, and kumquat cream cheese; crullers topped with tahini, honeycomb, or candied fennel; and morning buns scented with cardamom and brown butter.
On the savory side are baked egg cheese Danishes, pastrami Reuben rye croissants, and sandwiches like a muffuletta on sesame focaccia, cold roast sirloin with horseradish cream, and watercress on a rustic roll. Each day will also bring a house-milled local grain miche, sold by the pound, and High Street’s whole-grain sourdough loaves.
By day, the Bread Room will operate as a bakery and cafe with vintage benches and a communal table once owned by Albert Barnes, the Philadelphia art collector and scientist. In the evening, it will become what Yin calls a community-driven workshop and event space, hosting small group classes (subjects include sourdough 101, lamination, and pizza making) and private gatherings for up to 30 people.
Turkey sandwich on a seeded pullman at the Bread Room.
“We’ve had huge demand for classes — bread, pizza, lamination — and this will allow us to expand those for adults and children,“ Yin said. ”People are really looking for an experience, and this creates that opportunity.”
The Bread Room, 834 Chestnut St., Philadelphia, Pa. 19107. Starting Oct. 20, hours will be 7 a.m. to 4 p.m. weekdays, 9 a.m. to 3 p.m. weekends.
Shay Barker wouldn’t describe his relationship with his older brother Ryan as instant best friends. They fought as children and were competitive with each other, but Shay secretly wanted to do whatever his big brother was doing.
“I was kind of like a crybaby as a kid, and he was the one who just found that super annoying,” said Shay, three years younger than Ryan. “We would get in a lot of fights and stuff. But I’m a lot more mature now. I don’t really get upset about things. I think that’s probably the biggest reason why we’re so close now: We connect on a different level than we used to.”
Part of their connection also stems from the bond that the two Chester County natives share in the same sport.
Ryan is the starting kicker at Penn State. The redshirt sophomore, once a preferred walk-on, is now on scholarship. Shay, a senior at Kennett High School, will also head to a high-major program to kick and punt next fall. He earned a scholarship offer to Syracuse and made his pledge in June.
Ryan is considered one of the best to come through Kennett’s program. He holds the school record for longest field goal (45 yards) and was the first in program history to play Division I football. With the Nittany Lions this season, Ryan’s longest field goal is 49 yards, and he ranks eighth on Penn State’s all-time list in extra-point percentage (98.6%), while carrying the top percentage (86.7%) in field goals made in program history.
Shay felt he had high expectations to live up to. He has been compared to Ryan before. But Shay brushed those comments to the side because the only way to silence those remarks is on the gridiron.
The 6-foot-2, 190-pounder is ranked among the top 10 high school kickers in the country, according to 247Sports. He has kicked field goals as far as 63 yards in practice, and his in-game career-long is 44 yards. So far, Shay has made 8 of 10 field goal attempts for a 7-2 Kennett team.
“Kicking has brought us closer than I ever thought we would be,” Ryan Barker said. “It’s such an individualized thing that we’re both trying to work just as hard as each other to get better at whatever we need to improve on, and to be able to have each other there for the mental and physical aspect, it’s just awesome. I love helping him. I love coaching him, and I can see that he’s listening.”
Soccer turned football
The Barkers grew up in a soccer family.
Their mother, Sally, used to visit her parents’ native England during the holidays. In the early days of their relationship, her future husband came along. The two decided to go to a championship match a tier below the Premier League, and “my jaw hit the floor,” Chris Barker said.
From the atmosphere to the game itself, Barker was hooked and became a supporter of Manchester United. The Barkers even named Ryan after Ryan Giggs, one of the most decorated footballers of all time, who spent the majority of his career with United.
And it didn’t take long for Ryan Barker to pick up the sport.
Shay, Sally, Ryan, and Chris Barker together on the field at Penn State.
“We have video of Ryan barely walking but kicking a soccer ball,” his father said. “Ryan went on to achieve a lot of success in soccer. We thought that was going to be the pathway. We thought that soccer would be their ticket to maybe a scholarship in college. But little did we know that there’s an influx of Europeans now in the American collegiate soccer system, and it became pretty clear early on that it was going to be a lot more competitive for our boys to earn a scholarship, let alone play at a high level.”
Both brothers started soccer around age 3. They played for the Delaware Rush Football Club in Hockessin and the Southern Chester County Soccer Association in Kennett Square. However, before Ryan entered high school, he sat on the idea of kicking in football.
One day in the summer, he asked his father to drop him off at Kennett’s football field. He brought a football and tried to kick a field goal. After each attempt, he would jog over to the ball to do it again. A custodian at the school saw Ryan and went to find coach Lance Frazier to tell him, “‘There’s a freshman on the field kicking 50-yard field goals,’” Frazier recalled.
“I’m like, ‘Get out of here, that’s not possible,’” said Frazier, in his eighth season as Kennett’s head coach. “I go up there and I see this tall, slender kid. I can hear him before I can see him, because he’s kicking the [stuff] out of the ball. … I knew he was going to have to make a really big decision here in the future: Is he a soccer player or is he a football player?”
Through three years, Ryan played on Kennett’s soccer team and kicked for the football team. In his senior year, he decided to put his full commitment into kicking. He had some interest from smaller soccer programs to play collegiately, but he wanted to go Division I.
Football could give him that opportunity.
“That was probably one of the most difficult decisions that I ever had to make for myself,” Ryan said. “Just in terms of soccer being my first love and playing it for 17 years. … When I realized I could potentially play Division I football, that was kind of the main factor in my decision.”
Kennett’s Shay Barker kicked his longest field goal of 41 yards last season.
Shay’s journey was a bit different. He started to fall out of love with soccer in the eighth grade. Due in part to a growth spurt, Shay had patellar tendinitis in his knees, which made it painful to run. He decided to try kicking as a freshman while learning alongside his brother, then a senior.
“He had seen how fun it was for his brother to play on Friday nights and to be part of the football team at school,” their mother said. “I think he was really excited to join [Ryan] and kind of be his understudy.”
Kicking came naturally to Shay, but he was uncertain what he wanted from the sport. Then, something changed.
Carving his own path
During his junior year, Shay competed in a few camps and showcases through Kohl’s Kicking, a program for athletes who play specialized positions of kicker, punter, and long snapper to gain exposure to college coaches. He had a rough showing during the January showcase, which led him to question whether this was what he wanted to do.
“Growing up, Shay always wanted to go to hang out with his friends,” his mother said. “He wanted to play this sport, this club. Last winter, he said, ‘I think I’m going to try to play basketball my senior year.’ [Chris and I] would look at each other like, ‘What is he talking about?’ He just could not say no. … The biggest question mark was maybe not whether he could do it, but whether he would choose to do it because of the sacrifice.”
Shay and Ryan Barker shown together while they played at Kennett High School.
That performance fueled his desire to get better.
Shay began seeing a personal trainer to get stronger and sought out advice from Ryan, who reminds his younger brother that “the only kick that matters is the next one.”
In June, Shay attended a camp at Syracuse, where he won the field goal competition and backed up to about 58 yards. He also was a finalist in the kickoff competition.
A few days later, Syracuse came calling to offer Shay a full ride.
“They saw something in me that I didn’t even see in myself,” Shay said. “I was kind of an underdog a lot of my career. I just got in the right mental space and did what I needed to do. … I’m honored to have this opportunity, especially coming from a small school like Kennett, where not many kids get these kinds of opportunities. I just want to make the most of it.”
And even when Ryan and Shay aren’t together, they are still competing.
Last year, when Penn State faced Southern California on Oct. 12, Ryan hit the game-winning field goal in overtime to secure a 33-30 win for the Nittany Lions. Later that evening, Shay hit a career-long 41-yard field goal against Unionville.
Ryan and his younger brother Shay during a Penn State football game.
“That was probably one of the proudest and special moments for us as parents,” their father said. “Both our boys, at their various levels, did something quite remarkable on the same day.”
Shay has hopes of surpassing Ryan’s program record. Last weekend, he broke his career-long with a 44-yard field goal against Avon Grove. He told his big brother about those aspirations and has his support.
“Ever since I went to college, Shay is finally able to find his identity and what he brings to the table in terms of football,” Ryan said. “It’s great seeing him succeed. He, without a doubt, has the capability to beat that record, so I hope that he gets that opportunity.”
Frazier believes Ryan and Shay could be the next brother duo to kick in the NFL.
The two already have Sept. 4, 2027, circled on their calendars, when the Nittany Lions host the Orange at Beaver Stadium. This journey isn’t what Shay would have expected, he said, but kicking has given him the chance to play college sports, while forming a lifelong bond with his brother.
“It’s definitely something I don’t take for granted,” he added. “I wouldn’t be here without Ryan.”
The West Philly Tool Library, where members can borrow from several thousand different tools and attend classes learning how to use them, is moving from its home of the past 15 years.
Its landlord on South 47th Street near Woodland Avenue has chosen not to renew its lease, and the library will have to move by the end of November.
Executive director Jason R. Sanders said that the tool library has been receiving below-market-rate rent since moving in and that the organization was not upset with its landlord for raising the rent beyond what the tool library could afford.
“We’re very grateful and want to dispel that,” Sanders said.
The tool library’s leadership is scouting options for a new home. Wherever the library goes, it will likely need to perform repairs and retrofitting before it can open again. Sanders said that work plus moving costs would likely exceed $50,000.
Tools cabinets inside the West Philly Tool Library last week.
Asking for money is something Sanders and the library have always sought to avoid. They run a purposefully tight operation, with $20 annual memberships, volunteer staff, and minimal grant funding.
Sanders said the organization started in 2007 as a few friends who shared tools with their neighbors to make DIY home repairs. They never imagined to have the reach the library does now, with over 1,300 active members and even more coming through its classes.
The library offers nearly every kind of household tool imaginable, from mundane screwdrivers and pliers to jackhammers and power washers. Its classes teach attendees about plumbing and electrical work, as well as sewing and date-night woodworking projects. It aimsto help people live more safely and healthily in their homes, Sanders said.
“We want to live within our means and support the community with the support we receive. So it’s kind of an unprecedented thing for us to ask for that, and I think people understand that we’re asking in a time of need,” Sanders said.
Alan Hahn works on a charcuterie board during a woodworking class at the West Philly Tool Library on Friday, Oct. 10.
Sanders said that particularly over the last few years, the library has become a sort of “community hub” that means more to West Philly than just a place you can grab a hammer.
“It blows me away,” Sanders said about the support the library has received.
Beginning later this week, the library will host volunteer days for those willing to help prepare for their move. The library is also accepting donated construction materials for renovations like drywall and wiring.
The tool library is hosting a fundraiser event on Oct. 25, with pumpkin carving, food and drink, and a raffle from local businesses and artists.
Megan Heiken recently bought a home near the former Pennhurst State School and Hospital, once a center for people with developmental disabilities that now operates as a popular haunted Halloween attraction.
A new plan to convert Pennhurst into a massive data center has outraged and mobilized local residents, as well as people in neighboring communities in an area known for rolling hills, farms, and an overall rural character.
Heiken launched an online petition urgingher Chester County neighbors and East Vincent Township officials to “work together toward a solution that preserves the Pennhurst property, honors its history, and protects the environment and quality of life for all who live, work and visit here.”
The petition had 1,825 signatures as of Friday.
“I made this move to be out in an area with more space, more nature,” Heiken said. “The fact that the owner just wants to plow it over and swap in a data center is kind of alarming.”
Her sentiments are widely shared. The board of supervisors and planning commission in East Vincent have hosted public meetings on the issue that stretched for hours as residents from Spring City to Pottstown voiced objections.
Data centers require a large-scale way of cooling computing equipment and are often dependent on water to do that. The amount of water they use can be about the same as an average large office building, although a few require substantially more, according to a recent report from Virginia, which has become a data center hub.
Steve Hacker, of East Vincent, told the board that his well had already gone dry, as has his neighbor’s, even before a data center has been built. He’s concerned about where the data center would get its water.
State legislators and local governments are scrambling to rewrite local laws as most have no local zoning to accommodate data centers or regulate them.
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1.3 million square feet
Pennhurst‘s owner has not yet filed a formal application to develop the site, but an engineering firm has submitted a sketch of a preliminary plan to East Vincent Township to develop 125 acres for use as a data center.
The land is owned by Pennhurst Holdings LLC, whose principal is Derek Strine.
Strine deferred comment to a spokesperson, Kevin Feeley.
“Pennhurst AI is aware of the concerns expressed by the residents of East Vincent Township, and we are committed to working through the Township to address them,” Feeley wrote in an email. “What we propose is a facility that would be among the first of its kind in the United States: a state-of-the-art data center project that would address environmental concerns while also providing significant economic investment, jobs, and tax rateables as well as other benefits that would directly address the needs of the community.”
Feeley said Pennhurst AI plans to continue “working cooperatively with the Township.”
The sketch calls for five, two-story data center buildings, a sixth building, an electrical substation, and a solar field. Together, the buildings to house data operations would total more than 1.3 million square feet.
The plan states that a data center is an allowable use within the Pennhurst property because the land is zoned forindustrial, mixed-usedevelopment. Township officials have agreed a data center would be allowed under that zoning.
The grounds are bordered by Pennhurst Road to the west. The Schuylkill lies down a steep gorge to the east and north. The property is near the border of Spring City, which is just to the south.
A view of the entrance to the Halloween attraction at the former Pennhurst State School and Hospital grounds in East Vincent Township, Chester County.
What’s Pennhurst?
Pennhurst State School and Hospital, known today as Pennhurst Asylum for its Halloween attraction, has had a long and troubled history. It opened in 1908 to house individuals with intellectual and developmental disabilities. It became severely overcrowded by the time it closed in 1987.
A 1968 documentary Suffer the Little Children highlighted abusive and neglectfulpractices, and resulted in legal actions and a landmark disability rights ruling in 1978 that declared conditions as “cruel and unusual punishment.”
The last patient left Pennhurst in 1987, and the facility sat abandoned until it was purchased in 2008 and converted into a Halloween attraction despite protests from various advocacy groups.
The Halloween attraction has continued and operators say it shows sensitivity toward those once housed at Pennhurst. Separately, visitors can take historical tours of the exteriors of 16 buildings and learn about people who lived and worked there. The site also has a small Pennhurst history museum.
A view of the vacant buildings on the former Pennhurst State School and Hospital grounds in East Vincent Township, Chester County.
Contentious meetings
In recent months, East Vincent officials have raced to draft an ordinance that would govern data centers by limiting building heights, mandating buffers, requiring lighting, noting the amount of trees that can be cut down, and other restrictions.
At two contentious meetings in September, residents and the board of supervisors argued about the draft ordinance’s specifics. Residents said the ordinance did not incorporate some community-suggested safeguards aimed at preserving the township’s rural character.
Residents asked how much water the data center would consume, how much power it would need, and how much noise it would generate.
Pennhurst’s zoning was changed in 2012 from allowing onlyresidential development to permitting industrial and mixed-use buildings. Township Solicitor Joe Clement told residents that it is difficult for the municipality to argue that a data center would not fit within that zone.
“If there’s a use that is covered by the zoning ordinance, we can’t stop that use,” board vice chairMark Brancato explained at a Sept. 18 meeting.
Officials said the draft ordinance was not specifically aimed at the Pennhurst site but was meant to broadly govern any data centers proposed in the township.
“What we’re trying to do is to come up with a set of reasonable guidelines, guardrails, and conditions in the new zoning ordinance that will … provide as much protection as we possibly can for the residents,” Brancato said. ”We are committed to protecting and preserving the rural character of the township.”
Township meetings, some of which have lasted hours, have been marked by raised voices and emotional appeals.
“Our whole community is kind of anxious about the thought of this new data center,” Gabrielle Gehron, of Spring City, said during one meeting. “I’m confused about whether we are or not doing something to prevent that from happening.”
Pa. State Rep. Paul Friel, and State Sen. Katie Muth, both Democrats from East Vincent, have spoken at meetings. Muth noted that Strine received a $10 million grant and loan package from the state in 2017 to prepare the site for “a large distribution facility” and other industrial structures, new office development, and the renovation of six existing buildings for additional commercial use, amid ample open space, according to a funding request provided by the governor’s office.
Muth fears Strine is paving a path to clear the data center for development and sell the property — after benefiting from tax dollars.
“These are not good things to live next to,” Muth said of data centers.
The board tabled the draft ordinance on Sept. 22 after receiving legal advice that they still had time to incorporate more residents’ concerns.
Beyond Pennhurst
Other municipalities in Pennsylvania face a similar issue: Most don’thave existing zoning for data centers. However, state law mandates that municipalities must provide zoning for all uses of land — just as state and federal officials are ramping up plans to embrace the centers.
Plymouth Township is dealing with pressure as Brian J. O’Neill, a Main Line developer, wants to turn the Cleveland-Cliffs steel mill into a 2 million-square-foot data center that would span 10 existing buildings. The Plymouth Township Planning Commission voted against the project given resident backlash. The plan goes to the zoning board later this month.
And Covington and Clifton Townships in Lackawanna County in the Poconos are also dealing with zoning issues and widespread opposition regarding a plan to build a data center on 1,000 acres.
Clashes between U.S. Immigration and Customs Enforcement agents and members of targeted communities continue to intensify as the Trump administration gleefully condones a dangerous mix of heavy-handed enforcement tactics and zero accountability.
Recent examples of intimidation, harassment, and excessive use of force by ICE and U.S. Customs and Border Protection agents have been piling up, ranging from a praying minister being shot in the head with a pepper ball to a woman allegedly taunted to “do something” before an officer opened fire.
Americans who care about the rule of law — whether they support mass deportations or not — must speak out against the inhumane theater of cruelty put on by Donald Trump’s secret police.
Yet, beyond the daily outrage of immigrants being disappeared off the street, or citizens detained without reason by jeering masked thugs, there is another insidious level to the administration’s anti-immigrant efforts.
From the moment Trump came into office, he has shut down or obstructed the country’s legal immigration pathways. No shots have been fired in this cold war, but the long-term economic damage will leave most Americans worse off.
Starting in January, the administration froze the U.S. Refugee Admissions Program, leaving more than 100,000 highly vetted immigrants who had already been approved for resettlement stuck in limbo.
According to reports, the program will restart in 2026, but the cap will be lowered from the 125,000 set under President Joe Biden to 7,500. Not only that, but many of those limited slots will be reserved for white South Africans.
You have to give it to white supremacists in the administration; they are not subtle.
The refugee freeze may not be the largest cut to legal immigration, but it is the most significant, said David J. Bier, director of immigration studies at the libertarian Cato Institute.
“All these people who would have been here with a path to permanent residence and citizenship — it’s just gone,” he told me. “Over the next four years, it’s basically the equivalent of half a million people who are going to be lost as a result of that decision.”
Refugees are fleeing from persecution, have gone through extensive background checks, and likely waited for years for a chance to come to the U.S. — all of which is meaningless to an administration for whom a foreigner is just an “illegal” who hasn’t overstayed their visa yet.
Federal agents from U.S. Immigration and Customs Enforcement and U.S. Customs and Border Protection walk north on North Clark Street in the River North neighborhood of Chicago in September.
And, if and when Trump leaves office, the system itself will be damaged, atrophied after years of disuse and partner agencies that have moved on.
The administration has also ended all humanitarian parole initiatives launched during the Biden years, which allowed some immigrants who had a sponsor in the U.S. and who passed a background check to come to America for a period of two years to live and work lawfully.
International students, long a wellspring for high-skilled workers in the U.S. and a major revenue driver for colleges and universities, have also been targeted by the administration. As the new academic year began in August, the number of international students declined by almost 20% from 2024. Difficulties getting visas, fears of getting caught up in the wider immigration crackdown, or ending up in jail for saying the wrong thing played a part in the drop, according to reports.
These are no idle concerns. The best and brightest around the world can quickly find validation for their worries in what happened to Columbia graduate student Mahmoud Khalil, who was detained after leading pro-Palestinian protests, or Tufts doctoral candidate Rumeysa Öztürk, who spent six weeks in custody over an op-ed she wrote for her student newspaper.
There are also travel bans targeting 19 countries and a proposal to charge a $100,000 fee for H-1B visas for skilled workers. Meanwhile, U.S. Citizenship and Immigration Services — the agency tasked with overseeing legal immigration, including legal permanent residence and citizenship applications — is being weaponized against the people it’s meant to serve.
The agency will now have armed special agents engaged in immigration enforcement, even as its backlog hits an all-time high and fee-paying applicants face worsening delays for USCIS services.
It’s going to be some time before the full economic effects of mass deportation, plus legal immigration being throttled so aggressively, manifest themselves, but the math is clear. The consequences of Trump’s legal immigration crackdown will not play out in the streets, but around people’s kitchen tables.
“It’s going to mean less economic growth for the United States,” the Cato Institute’s Bier said. “You’re reducing business creation and entrepreneurship and innovation, which drives improvements in economic growth over the long term.”
With less economic growth, it means lower living standards for the U.S. population, Bier added. “It’s a bleak picture.”
Much as the reality of who’s being targeted for deportation puts the lie to the administration’s claims that they are focusing on “criminal” immigrants and “the worst of the worst.” So the gutting of legal immigration removes all doubt over what this is really about, or for whom it’s really for.
For more than quarter century, Greta Greenberger ended her tours of Philadelphia City Hall at the tower, just below the bronze buckled shoes of William Penn (1892), the shady colossus that Alexander Milne Calder sculpted.
From there, she’d point up the Parkway to Logan Square, where on hot days children sneak into The Fountain of Three Rivers (1924), created by Calder’s son, Alexander Stirling Calder, to honor the Schuylkill, the Delaware, and the Wissahickon.
She’d finish her lesson at the Philadelphia Art Museum, where an unearthly, white mobile, Ghost (1964), designed by the third generation of Alexander Calders, Sandy, sways ever so slightly in the Great Stair Hall.
“Sometimes, I’d refer to this as ‘The Father, the Son and the Holy Ghost,’” she says. “It tells such a wonderful story.”
That story will be easier to tell now, with the opening of Calder Gardens at 21st Street and the Ben Franklin Parkway. The Gardens, focused on the work of the youngest Calder, known asSandy, brings another opportunity to celebrate the family dynasty’s in Philadelphia: three sculptors named Alexander Calder who have shaped the look of the city and beyond.
Exterior of the new Calder Gardens on the Ben Franklin Parkway.
“The Calder family is incredibly important to Philadelphia,” said Anna O. Marley, the former chief curator at the Pennsylvania Academy of Fine Arts (PAFA), where so many Calders studied. “They tell us so much about what it means to be an artist in the United States and how an American artistic identify was created in Philadelphia.”
And their work here offers “a pocket history of art,” in the view of Kathleen A. Foster, the Art Museum’s senior curator of American art.
“Between the three of them, you really go from the academic realism of the grandfather through kind of shift into Art Deco and modernism in the `20s with Stirling Calder, and then all the way into modern forms, completely abstract shapes and bright colors.”
A photograph of workers and an Alexander Milne Calder eagle sculpture before installation around 1894, on display in the tower at City Hall. Calder created the statue of William Penn atop Philadelphia City Hall — and over 250 other works of sculpture on the exterior and interior of the building — from 1871-1901.
‘One of the greatest’
The Philadelphia that Alexander Milne Calder, a Scottish stonecutter’s son from Aberdeen, first saw in 1868 was sorely in need of a makeover. The sprawling metropolis was known for building big things like ships and rail engines and a wealth of small manufacturers that earned it the nickname “Workshop of the World.”
It was also filthy.
“It’s clear that there is no future for a city that is just increasingly based on its industrial might, on the dirt-producing, noise-producing, the squalor,“ says David Brownlee, emeritus professor of the history of art at the University of Pennsylvania.
The boundaries of Fairmount Park had just been established the year before and plans would soon begin for a giant celebration of the country’s 100th birthday, the 1876 Centennial, which would show the world the city’s cultural achievements. The Benjamin Franklin Parkway was unfolding, a broad boulevard lined by art and leading to what Brownlee calls “one of the greatest monumental ensembles of sculpture ever created.”
That would be City Hall, the émigré Calder’s workplace for 22 years as he presided over the creation of more than 250 sculptures from his first floor office in the building’s southwest corner — and the towering figure of the colony’s founder.
There were once almost 150 small lion heads on the ornate bronze spiked railing that surrounds City Hall. They, like most of the statuary on the building — including the big one of William Penn — were designed by Alexander Milne Calder. Less than two dozen of the lions remain after 100 years.
Calder had worked at the Royal Academy in Edinburgh and on the Albert Memorial in London before sailing to America. He stopped in New York, but chose Philadelphia, armed with a letter of introduction to the city’s most eminent sculptor, Joseph A. Bailly, and to the scion of a monument business, William Struthers. Calder was 22.
He registered that year at Pennsylvania Academy of the Fine Arts, the nation’s first art school and museum, and studied “antiques,” drawing from plaster casts of classic sculptures. It was not long before Calder won a prized commission over one of his instructors, to sculpt the likeness of Major Gen. George G. Meade atop his horse, Baldy. Meade, who’d defeated Robert E. Lee at Gettysburg, later designed many of the paths and drives of Fairmount Park. His statue stands now behind the Please Touch Museum on Lansdowne Drive.
Alexander Milne Calder’s Meade Equestrian Monument in the rear of Memorial Hall. It was cast using captured Confederate cannon for the bronze. Calder rendered Gen. Meade reining in his horse at a moment of crisis during battle.
When Greenberger gives tours of City Hall — though retired, she still volunteers one day a week — she likes to start in the north portico, where one can sample his expansive vision. Look up to the south, and there are Africans, surrounded by tobacco leaves, a lion. To the east, people from China, Japan, India, and an Asian elephant. West are the Native Americans and pioneers, and a bear. And north is Europe, people from Germany, England, France, maple leaves, and cattle. (She isn’t sure why cattle.)
Calder started on the Penn sculpture in 1886. The iconic figure, now visible from miles away, was the fourth version of the colony’s founder that the sculptor created. Calder’s models were one-tenth the size of the 37-foot high statue. His goal, according to an article at the time in The Inquirer, was to create “William Penn as he is known to Philadelphians; not a theoretical one or a fine English gentleman.”
The William Penn statue on display in the City Hall courtyard in 1893, the year before it was hoisted, bit by bit, to the top.
Four teams of horses drew massive plaster sections of the statue up Broad Street to the Tacony Iron & Metal Works. It wasn’t until Thanksgiving 1894 that the head was lifted onto the statue atop the tower, completing Calder’s colossus.
He was not happy with the result.
For most of the day, William Penn’s face is shadowed. That was not the artist’s intent. Calder had wanted Penn facing south, where the sun would light his youthful face and the intricate detail of his garb would be visible for all to admire.
But members of the Public Buildings Commission wanted Penn facing northeast, toward Penn Treaty Park, the site of the 1683 peace agreement with the Lenni-Lenape.
In a letter quoted in the Dec. 14, 1894 Inquirer, Calder wrote “I think that you will agree that is very disappointing from every point of view.”
Calder’s William Penn statue atop City Hall as seen from the Comcast Technology Center in Center City.
While Calder lived in a number of homes around the city — a home at 2020 Bainbridge St. and a studio at 337 Broad — when he registered at PAFA, the address listed was 1903 N. Park Ave., now on Temple’s campus. Decades later, his granddaughter, Margaret Calder Hayes, would remember the North Philadelphia house as “gloomy” — four floors with Empire furniture, a long dark hallway leading to a parlor where children were not welcome unaccompanied.
Calder had met his wife, Margaret Stirling, soon after his arrival in Philadelphia and married her after a brief courtship.
Three of their sons would study at PAFA and become artists — Ralph Milne Calder, and Norman Day Calder, and Alexander Stirling Calder. But it was “Stirling,” the eldest who left the biggest mark on Philadelphia.
A portrait of A. Stirling Calder.
‘An idealist, somewhat withdrawn’
In a remembrance kept in the PAFA archives, Alexander Stirling Calder describes art as a fallback. Ever since he was 6 and saw the great Edwin Booth play Hamlet, Stirling Calder wanted to be an actor. But he was too shy. In 1885, he enrolled in art classes at the academy’s new building at Broad and Cherry, and years later recalled the first criticism of his teacher, the artist Thomas Eakins: “Attack all of your difficulties at once.” Eakins urged sculptors to paint, painters to sculpt, and to dissect cadavers to learn anatomy.
After studying at the École des Beaux-Arts in Paris, he returned home and won a commission to immortalize Samuel Gross with a statue that first stood on the National Mall in Washington, D.C. (It’s since been moved to the Center City campus of Thomas Jefferson University). At 25, he married a fellow PAFA student, Nanette Lederer, a painter.
To the critic Malcolm Cowley, Stirling Calder was “an idealist, somewhat withdrawn, wholly impractical, creating symbolic figures while brooding on the cruelty of nature.”
Foster says that looking at the allegorical figures in Logan Square’s Swann Fountain, you can see how Stirling inherited his father’s traditions.
Children cool off at the Swann Memorial Fountain in 2023.
“But the figures have a kind of sleek, modern simplicity to them,” she said. “They’re more stylized. So by the 1920s the Swann Fountain represents a kind of moving from the academic past into a more expressive and abstract style.”
The fence came off the Swann Fountain on a hot July day in 1924. The next evening, 10,000 revelers danced to tangos from a police band. Not everyone was pleased — some wondering if the average Philadelphian would grasp the significance of all that Calder had created.
He was unbothered.
“The meaning of works of art is just as mysterious as life itself. It can be explained in many ways by people of different philosophies. …,” he was quoted in the Evening Bulletin as saying. “There are lots of things in life we do not understand; art is no exception.”
Alexander “Sandy” Calder installs his “Big Spider” mobile at New York’s Museum of Modern Art in 1943.
‘A big child’
In his autobiography, Sandy Calder included a photograph of the sprawling mansion in Philadelphia where he says he was born. He called the place Lawnton. In 1898 when Calder was born, Lawnton was a neighborhood in East Oak Lane, served by the Reading Line and lined with grand homes where the wealthy went to escape the summer heat.
It’s unlikely Calder was born there. David Brownlee has dug into the mystery of the third and most famous Calder’s birthplace. While his family doctor lived in Lawnton, and it is possible that his mother delivered her son nearby, more likely, he was born near the edge of the growing city, at 1203 East Washington Lane in Germantown. City records showed that Stirling Calder rented that country place, while the family still owned a home on North Park Avenue.
In Margaret Calder Hayes’ memoir, she described how Sandy, two years younger, went to school in Buster Brown suits his mother had sewn and by 8 had built a Noah’s Ark of animals. He enrolled in Germantown Academy, when it was still in the city, but left at age 9 before moving to Croton-on-Hudson, N.Y.
“We love to claim him, but he only went to school here as a child,” Foster said of the youngest Calder’s time in Philadelphia.
Yet in some ways, he’s the essence of the city he was born in: practical, playful, unpretentious, no pushover.
He worked as a fireman on a steamer bound for San Francisco, spent a year keeping time in a Washington state logging camp. Trained as an mechanical engineer, he moved to New York City at age 25 to paint.
Calder with Mobile in his Roxbury, Ct., studio in 1941.
He is known as a 20th century modernist, the artist who put sculpture in motion.
After visiting Calder’s Paris studio in 1931 and marveling at his sculptures that relied on little motors, Marcel Duchamp coined the word “mobiles” for these kinetic marvels.
Parisians took to him, while they scoffed at other American artists. Cowley, in an introduction to Hayes’ Three Alexander Calders had a theory:
”Of course his work in itself, continually inventive, playful, and enchanting, was his ticket of admission.” But Sandy and his wife Louisa, “a beauty,” Cowley wrote, entertained generously and simply. Calder was in the tradition of the Noble Savage, “who disregards social conventions and judges everything by his instinctive standards.”
“A big child,” as his friend the playwright Arthur Miller once put it.
Sandy Calder created Ghost in 1964 for a retrospective at the Guggenheim in New York City, that included 400 examples of his mobiles, stabiles, toys, jewelry, carvings, tapestries, etc. The Art Museum bought the 34-foot-long showpiece a year later and brought it to the city of his birth.
Ghost, in the Great Stair Hall at the Philadelphia Museum of Art (now, Philadelphia Art Museum). It was created to hang in the center of the Guggenheim Museum in New York for Calder’s exhibition there in 1964.
“It’s a colossal example of the mobile and it’s majestic,” Foster said. “When it moves, it’s just breathtaking, because it, it almost moves like a giant dinosaur or something. In other words, it’s got long spines and fins, and it moves very slowly and grandly in the air currents in the Great Stair Hall. … It’s delightful.”
“When every baby has a mobile hanging over their crib, you don’t think about Calder as being the genesis of this. I think he would be delighted to know that … because he was such a child at heart. He managed to keep that imagination.”
Now, Philadelphia will be home to an institution that celebrates that imagination. It’s a fitting homecoming for an artist whose life and legacy was so shaped by his family, who in turn both shaped and were shaped by Philadelphia.
The weight of a name
Tú Huynh was working at the National Gallery of Art in Washington, D.C., when he told a job applicant to look for him under the giant Calder mobile that hangs in the East Building.
That was in 1997. The applicant,Kaleo Bird, landed the job — and later, his heart. Three years later they moved as a couple to Philadelphia, where she started grad school. Soon they married.
In 2008, when their son was born, they didn’t take long to decide on a first name:
Calder.
He’s now 17, a senior at Penn Charter School.
Tú Huynh, Calder Huynh, 17, and Kaleo Bird at Philadelphia City Hall where more than 250 of Alexander Milne Calder’s sculptures adorn the building, topped by his statue of William Penn.
“I have yet to meet anyone my age who knows who the whole Calder family was, which is a shame because I feel they’ve had such an impact here, particularly with City Hall,” said the teen. “So many people think Ben Franklin is atop City Hall and don’t know anything about these beautiful sculptures.”
His father now runs the Art in City Hall program.
“I tell people that the true art of City Hall belongs to Alexander Milne Calder,” says Tú Huynh. “This was his Sistine Chapel. There are over 250 sculptures, leafs, busts all over this building. And that’s an homage to his ideal of what this city, state and country is supposed to be about. And he doesn’t sugarcoat anything. There are enslaved Africans, Indigenous populations, Europeans. It tells you the folks who’ve contributed to this extraordinary country.”
Calder Huynh says he feels the weight of his name — in a way that the two generations named after Alexander Milne Calder must have felt.
He paints, draws in charcoal, creates his own comic books — exploring themes with super heroes and Westerns, always with an eye on his father’s works that line the walls of their home.
“Naming me after them is such a big thing to put on someone. For me, it is a weight that Alexander Sandy Calder must have felt. A weight to achieve and create something that differs from what his family members had created, which is kind of cool. … Put something in this world that hasn’t been done yet.”
“The Magic of Calder Gardens” is produced with support from Lisa D. Kabnick and John H. McFadden. Editorial content is created independently of the project’s donors.
To support The Inquirer’s High-Impact Journalism Fund, visit Inquirer.com/giving
Jerusalem Stabile II, 1976 by Alexander Calder is shown on display at the Calder Museum in Philadelphia.
Ray the Nubian goat has come a long way since a parasite threatened to take his life, leaving him with three legs but not dampening his spirit. Now he’s in need of a wheelchair.
As a jolly middle-aged goat, 7-year-old Ray loved taking long strolls around Awbury Arboretum, supporting people in bereavement with hoofshakes and kisses, and taking children with cerebral palsy on rides.
The wagon was his biggest job, and he took it seriously, said Karen Krivit, the director of Philly Goat Project, an East Germantown nonprofit that provides community wellness through nature connection. So much so that he hid his pain.
“Goats tend to hide their injuries,” Krivit said. “Ray was determined to keep from showing any pain and just trying to pull his head high and be with everybody else.”
Philly Goat Project’s annual Christmas Tree-Cycle feeds old trees to goats.
Ray had been battling a parasite infection common among outdoor animals, Krivit said. But, as often happens for hisbreed, he was resistant to the medication. As his veterinarian team continued trying for a cure, a slight limp alerted the Philly Goat Project staff that his condition had worsened.
The parasite affected his bone density, causing one of his femurs to break in three places. A big problem for any goat due to their rough-and-tumble nature.
The place Ray had called home since he was 3 months old rallied around him, raising money for a titanium plate to secure the bone in place. But his anatomy once again worked against him.
With Ray standing at a little over 3 feet tall, his natural lanky composition would have made it hard for the plate and the screws to hold onto the bone. The titanium plate could have collapsed his bone in another area, causing additional damage, Krivit said.
“We were able to eliminate the parasite, but not in time enough to save his leg,” she added. “The safest long-term plan was amputation.”
For tall animals in particular, it’s hard to thrive on three legs, Krivit explained. The biggest challenges since the amputation in May have been teaching him how to move around by himself and reintegrating him into his herd of 13 goats.
“Humans tend to be mean to each other if you look different or act differently; it’s the same with goats,” Krivit said. “But humans can use their voices and talk about it; goats can only be mean and exclude another goat. Not being rejected is vital to his survival.”
Ray was placed in a nearby separate stall. His brother Teddy never stopped looking out for him.
Ten thousand dollars and months of rehabilitation later, Ray has a severe limp, but can now stand up and lie down by himself. The herd has accepted him back, but he seems to feel left behind when they go on long walks, often bellowing as the other goats head out without him.
“Because he is moving his body in three legs instead of four, he is at risk for hurting himself further if he goes on a long walk, making it harder for him to stay connected to the herd,” Krivit said.
So Ray needs a wheelchair.
For goats, that involves a metal harness with a wheel on each side of the goat, mimicking a leg. But they are expensive.
The Goat Project needs $2,000 for a custom-made wheelchair for Ray, physical therapy, and proper fitting.
For Krivit, leaving her beloved otherwise-healthy goat without a wheelchair is not an option. She is hoping to raise enough money at the group’s annual GOAToberFest to get him a chair.
The Oct. 18 event will take place at the Conservatory at Laurel Hill West Cemetery, and tickets run for $75, with free snacks, drinks, and goodie bags.
Until then, she hopes folks can see in Ray a symbol of resilience.
“A wheelchair is the missing link for him to safely go on walks that will support his body and his spirit to not be left behind,” Krivit said. “If Ray can be resilient and he can survive this, I hope that gives people hope in their times of adversity.”
Krivit hopes their upcoming annual GOAToberFest can help get Ray a wheelchair.
Lower Merion Township’s effort to limit where guns are sold violates state law, Commonwealth Court ruled Thursday.
In a case that holds major implications for the power of local governments across Pennsylvania, the court threw out the township’s zoning ordinance that sought to block holders of federal firearms licenses from operating in walkable downtown areas and residential neighborhoods.
The question at the heart of the case was whether the ordinance regulated land-use decisions, the bread and butter of local government, or the sale of firearms, which only the state can do.
A majority opinion, signed by five judges, said the township’s ordinance violated state law that prohibits local governments from regulating guns because its requirements went beyond geographic limits.
“The Township’s ordinance here is clearly intended to regulate the sale of firearms, rather than to regulate zoning,” wrote Judge Matthew Wolf in the opinion. “It is a gun regulation, not a zoning regulation.”
In a statement, Todd Sinai, the Democratic president of the Lower Merion Board of Commissioners, said the township was considering its legal and legislative options.
“We, of course, are disappointed in the Commonwealth Court’s decision today. It is a fundamental and important right of municipalities to be able to zone the location of uses to best serve their residents and property owners,” Sinai said.
Frustrated with the lack of gun-control measures out of Harrisburg, advocates and officials have sought to use local ordinances to limit gun sales and where guns can be carried, and to ban certain firearms. Philadelphia has fought for years for the ability to enact gun laws. But ordinances passed by Philly and other cities, including Pittsburgh, have largely been struck down by courts.
One strategy that has had limited success is the use of zoning ordinances to limit the locations of firearms-related activities, such as shooting ranges or gun stores. The Lower Merion case was seen by some as a test on how far zoning can go to bypass state preemption.
“The Commonwealth Court has reaffirmed once again that local forms of government cannot regulate firearms and ammunition in any manner,” said Joshua Prince, an attorney with Civil Rights Defense Firm who filed the lawsuit.
Lower Merion can appeal the decision to the Pennsylvania Supreme Court, which would have to agree to hear the case, but the ruling delivered a blow to gun-control advocates who had hoped Lower Merion’s ordinance could be replicated elsewhere in the state.
“The decision to treat firearm operations as different within zoning than any other business is unusual and concerning,” said Adam Garber, the executive director of CeaseFire PA.
The ruling, he said, creates a road map for how municipalities can zone firearm stores but also puts the impetus on the state to address gun regulations, something lawmakers in Harrisburg have refused to do.
The township approved the zoning rules for firearms dealers in 2023 after the opening of Shot Tec, a gun training facility and seller in Bala Cynwyd, sparked community outrage. The zoning rules established a set of criteria for sellers to operate under and said they could open only in strip malls and industrial-use areas.
The township argued that, while local governments are not allowed to regulate firearms, they have broad power over zoning and land use.
Grant Schmidt, the owner of the Bala Cynwyd shop, sued after the zoning ordinance impeded his ability to open a second location in his home.
He responded to the news of the ruling Thursday with a gif of Ric Flair cheering. His business, which offers training and education on firearms in addition to buying, selling, and storing them, has had four locations in five years. He said he hoped he could now focus on expanding his business rather than fighting local policies.
“Now I’m looking to just grow and be normal and invest in my staff more,” Schmidt said.
The litigation focuses on the requirements Schmidt had to adhere to for his most recent Rock Hill Road location, which is within one of the four districts that were zoned for businesses that require a federal gun license. The ordinance went beyond restricting place and imposed 12 additional requirements, such as installing smash-resistant windows, an alarm system, and internal video surveillance.
Montgomery County Court found that all but three requirements were preempted by state law. Following Schmidt’s appeal, Commonwealth Court struck down the remaining requirements and the place restrictions.
Lower Merion argued that other businesses, such as medical marijuana dispensaries, animal hospitals, and funeral homes, are subject to compatible conditions to operate. These types of requirements are “traditional local land use control not specific to firearms,” the township argued, according to the majority opinion.
To make its case, Lower Merion cited a previous, non-precedential decision by Commonwealth Court that allowed Philadelphia to limit gun shops to specific zoning districts.
The difference between the cases, Wolf wrote, is that Philadelphia limited the location of the gun shops but said nothing about how they need to operate. Lower Merion went a step further to restrict how gun shop owners “conduct their business.”
Two judges, Renee Cohen Jubelirer and Lori Dumas, disagreed with the majority’s analysis, saying the decision “strips the Township of its traditional power over land use and zoning.”
“Contrary to the Majority’s conclusion, none of the provisions of the ordinance at issue here regulate the ownership, transportation, or transfer of firearms, ammunition, or ammunition components,” Jubelirer wrote in the dissent.
Correction: An original version of this story incorrectly identified the gif sent by Schmidt. It featured Ric Flair.
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Think you know your news? There’s only one way to find out. Welcome back to our weekly News Quiz — a quick way to see if your reading habits are sinking in and to put your local news knowledge to the test.
Question 1 of 10
Which neighborhood is joining the Open Streets movement this month?
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Open Streets is coming to Queen Village on the next two Saturdays as the neighbors association seeks the business boost and relaxing car-free vibe of the widely popular original version on West Walnut Street.
Question 2 of 10
The Philadelphia Museum of Art has a new name and acronym. What is it?
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After 87 years, it’s not the Philadelphia Museum of Art anymore. As of Wednesday, the city’s largest visual arts institution has a new, slimmed-down name: Philadelphia Art Museum. The museum is now sometimes referring to itself under an even shorter sub-brand: PhAM.
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Which Pennsylvania convenience store performed best in a national customer satisfaction survey?
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Wawa and Sheetz tied for the No. 2 slot of a national customer satisfaction survey, fueling the long-standing local rivalry. Wisconsin-based Kwik Trip took the No. 1 slot.
Question 4 of 10
A movie about a movie is filming in parts of Philly and New Jersey. What will it be about?
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I Play Rocky is a dramatic, behind-the-scenes look at the filming of the Oscar-winning Rocky. New York-based Grant Wilfley Casting is looking to hire real life boxers as extras.
Question 5 of 10
“Real Housewives” star Yolanda Hadid, is selling the Bucks County farmhouse she owned, where her three children — models Gigi and Bella Hadid, and musician Anwar Hadid — would visit and stay. Which feature does the home NOT include?
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A lavender field, an outdoor labyrinth for meditating, and a dressage area are just some of the features of Yolanda Hadid’s farmhouse, recently listed for $10.88 million. But there’s no movie theater feature in sight.
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Question 6 of 10
Former Phillies star and current TBS analyst Jimmy Rollins won a MasterCraft X24 speedboat after sinking a hole in one during the 12th hole at the American Century Championship at Edgewood Tahoe in July. Ultimately, he decided to sell it. Who bought it?
CorrectIncorrect. XX% of other readers got this question right.
While Rollins initially said he planned to keep the boat, valued around $325,000, he ultimately decided to sell it to Pearl Jam guitarist Mike McCready. Apparently, Pearl Jam singer Eddie Vedder is a big wakeboarding fan and was helping McCready find a boat. MasterCraft knew Rollins was selling the boat he won, so one thing led to another, and now McCready has the speedboat he was looking for.
Question 7 of 10
A then 12-year-old Harrison Bader made a small cameo in this indie band’s music video:
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Bader is one of a group of children featured in Vampire Weekend’s music video for the song “Oxford Comma.” That’s because Bader is cousins with the band’s bassist, Chris Baio. The two grew up together in Bronxville, N.Y.
Question 8 of 10
Prime Video has a new documentary on a Philly sports favorite. Who does it star?
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Prime Video’s Saquon documentary premiered on Thursday, the same day the Eagles faced the New York Giants on Amazon’s streaming service. It’s no coincidence.
Question 9 of 10
24,000 bottles of this celebrity’s tequila brand were stolen on their way to Pennsylvania:
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About $1 million worth of Guy Fieri’s Santo Tequila went missing en route to a warehouse in Montgomery County. But now, it appears an international crime group was to blame for the booze never even making it to Pennsylvania.
Question 10 of 10
Unsurprisingly, Jason Kelce loves a lot of songs off Taylor Swift’s new album, The Life of a Showgirl. But, he said, “Opalite” and this other track are his No. 1 picks:
CorrectIncorrect. XX% of other readers got this question right.
The eldest Kelce said his other favorite track is “Eldest Daughter” because he’s “a sucker for a ballad.” He added, “I just think the expression in that song and the sentiment behind it is beautiful.”
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Gloria Del Piano, 72, of Philadelphia, celebrated designer of silk clothing, fashion accessories, and jewelry, former Italian TV producer and public relations director, energy therapist, Italian translator, voice-over actor, and community volunteer, died Wednesday, Oct. 1, of complications from cancer at the Hospital of the University of Pennsylvania.
Energetic, artistic, and indomitable, Ms. Del Piano was 31 when she arrived in Philadelphia from Rome in 1984. She had little money and knew little English. But she discovered her skill for silk painting in a do-it-yourself class, and the colorful hand-painted silk scarves, evening wraps, handkerchiefs, handbags, and original jewelry she went on to create turned Gloria Del Piano Accessories LLC into a fashion powerhouse.
In just a few years, she opened a store on Bainbridge Street and contracted with Bergdorf Goodman, Neiman Marcus, Nan Duskin, Nordstrom, and hundreds of other fashion outlets to carry her designs in Philadelphia, New York, Los Angeles, San Francisco, Detroit, Minneapolis, and elsewhere around the country. Locally, her signature scarves and earrings were featured at gallery exhibits, charity benefits, private homes, and fashion shows at Penn’s Landing, Fairmount Park, the Wayne Art Center, and elsewhere.
Many of Ms. Del Piano’s designs were colorful.
Her line of accessories won awards for excellence and creativity at the Philadelphia Dresses the World fashion expos in 1986 and ’87, and she was inducted into the Philadelphia Get to Know Us Fashion Hall of Fame in 1988. The Inquirer, Daily News, Los Angeles Times, and other outlets publicized her exhibits, and a fashion writer for Newsday called her scarves, with flower and bird patterns, “exquisite” in a 1986 story.
Some of her scarves were priced between $220 and $300 in 1986, and a black cape listed in 1988 at $495. In 1993, a gold lace-trimmed handkerchief was $45. A fellow artist exhibited with Ms. Del Piano at a Philadelphia festival and said in a fashion blog: “We watched her tie a scarf so many ways so fast it was like a magic act.”
Earlier, from 1976 to 1984, Ms. Del Piano worked as a program producer and public relations director at GBR-TV in Rome during the station’s glory years. She also did Italian voice-overs, interpretations, and translations for clients of all kinds.
Ms. Del Piano (right) smiles at a model wearing her designs at an event at Memorial Hall in Fairmount Park.
She served on the board of the nonprofit Enabling Minds, volunteered in Philadelphia as aCourt Appointed Special Advocate for Children, and raised funds for other organizations she championed. In a Facebook tribute, a friend said she was “bigger than life itself” with “a flare of the Italian opera star and the warmth of the Mother Earth itself.”
Her partner, Wainwright Ballard, said: “She was generous and empathetic. She took care of everyone, including those abandoned or forgotten by others.”
Gloria Del Piano was born Jan. 20, 1953, in Rome. She was artistic as a girl and always interested in spiritual growth and personal transformation. She studied sociology and business administration after high school in Italy, was certified by the Florida-based Barbara Brennan School of Healing in 2000, and led seminars in healing therapy for years.
Ms. Del Piano and her partner, Wainwright Ballard, met in Chestnut Hill.
She married Roberto Borea in 1985, and they divorced in 1992. She met Ballard at the Mermaid Inn in Chestnut Hill, and they spent the last eight years dancing, traveling, and enjoying life together.
Ms. Del Piano doted on her family and friends in the United States and Italy, and returned often to Rome for reunions. She lived in Mount Airy and then a 20-room house in Germantown, and visitors marveled at her eclectic collection of art and antiques.
She enjoyed music, gardening, thrift shopping, and chatting with friends. Friends called her “a philosopher,” “a noble soul,” and “a magician in the kitchen.” She delighted in cooking and entertaining, Ballard said, and always sent guests home with armloads of leftovers.
Ms. Del Piano receives an award from then-Mayor Wilson Goode at a fashion expo in Philadelphia.
Her “fabulous parties” were “fun and adventurous,” a friend said. Ms. Del Piano said on Facebook: “You never know how wonderful what you have is when you have it. It is when you miss it that we realize how lucky we were.”
A friend said her “optimism, tenacity, enthusiasm, kindness, beauty, and elegance will always be with us.” Another friend said: “My life has been made richer having known Gloria Del Piano.”
In addition to Ballard, Ms. Del Piano is survived by a brother, two sisters, and other relatives. Her former husband died earlier.
A funeral mass is to be held at 9:30 a.m. on Tuesday, Nov. 4, at St. Vincent de Paul Church, 109 E. Price St., Philadelphia, Pa. 19144.
Donations in her name may be made to Unite for Her, 22 E. King St., Malvern, Pa. 19355.
Many of Ms. Del Piano’s designs featured flowers and birds.
