The brief confrontation came this week in front of the empty frames where visitors had been taping informal signs to fill the void where the original panels hung at the President’s House, after President Donald Trump’s administration removed the slavery exhibits last month.
Signs and notes placed by visitors at the President’s House in Independence National Historical Park.
Glenn Bergman and his wife Dianne Manning were just arriving at the Avenging the Ancestors Coalition’s annual Presidents’ Day observance. They had earlier attended the weekly ICE vigil a few blocks away. Bystanders yelled at the woman to stop as she declared it was her “First Amendment right” while tearing off the notes.
Bergman stepped in to block her, saying later, he “had to do something.” After a few seconds everyone stepped away, accusing her of “littering.”
She grabbed the papers off the ground and left abruptly, shouting “George Washington made this country great… for white people.”
The entire interaction lasted less than three minutes — and unfolded right on the other side of the wall from where the main advocacy organization leading the fight to protect the President’s House was gathered.
The Avenging the Ancestors Coalition holds their annual Presidents’ Day observance at the President’s House Monday, Feb. 16, 2026. The empty frame in the foreground held a panel about slavery that was removed.
As the week of Presidents’ Day ends, I’m moving that presidential apostrophe back a letter and remembering my time photographing at the President’s House.
It is almost a year since our current President signed Executive Order #14253, titled “Restoring Truth and Sanity to American History,” on Mar. 27, 2025.
In addition to requiring the Secretary of the Interior to develop a plan to improve Independence National Historical Park in preparation for our 250th birthday, he directed National Park Service staff to identify language and historical depictions that “inappropriately disparage Americans past or living.”
Flowering trees by Independence Hall in spring, 2025.
In May, Interior Secretary Doug Burgum issued an order that signs be posted in all National Park asking employees and visitors to report any negative information.
A sign and QR code located in Independence National Historical Park inviting the public to submit feedback on repairs, improvements, and content that is “negative about either past or living Americans.”
In July, President Donald Trump’s administration started taking steps to review or remove materials key to understanding the history of race in America.
But it didn’t happen until last month.
I was on another assignment nearby when the newspaper received a tip workers were on the site “with tape measures.”
They weren’t talking to our reporter, already on the site, when I arrived to find park service workers indeed examining the panels. So I just assumed if they would be dismantling the exhibits it would happen in the middle of the night — like when the statue of former Mayor Frank Rizzo was “disappeared” and his Italian Market mural was erased under cover of darkness in 2020.
I made a few photos then left to edit and upload, only to get a text, “it’s happening now.”
It was awkward as the workers asked me to “give us a break,” while I hovered around — not right on top of them — watching every move. I replied we were both doing our jobs.
Bolts are removed from Interpretive panels as the exhibits are taken off the walls in Independence National Historical Park Thursday, Jan. 22, 2026.
It wasn’t long before other news media arrived, and I continued to document the entire removal. I was joined by photographer Elizabeth Robertson who made a photo from our newsroom overlooking the site. Later that evening, I returned to a much quieter scene.
The President’s House Historical Park Jan. 22, 2026, after all historical exhibits were removed. The site, a reconstructed “ghost” structure titled “Freedom and Slavery in the Making of a New Nation” (2010), serves as a memorial to the nine people George Washington enslaved there during the founding of America.
That wasn’t the end of it. Protests continued…
Historical interpreter Michael Carver talks with visitors while he and other members of the Association of Philadelphia Tour Guides host “History Matters” offering “Free Talks with Tour Guides” Jan. 24, 2026 at the President’s House site two days after more than a dozen educational displays about slavery were removed from the site.
… and the City of Philadelphia sued the National Park Service and Department of Interior. District Judge Cynthia M. Rufe inspected the removed panels in storage for herself, visited the President’s House site, then ordered the federal government “restore the President’s House Site to its physical status as of January 21, 2026,” which is the day before the exhibits were removed.
Trump administration officials appealed her ruling calling it “unnecessary judicial intervention” and on Presidents’ Day, when Glenn Bergman and Dianne Manning of Mt. Airy were attending the Avenging the Ancestors Coalition rally, Judge Rufe issued an injunction that required the federal agencies to restore the interpretive panels.
So we all waited to see what happened next. The “what’s next?” was two days later the federal judge, citing the agencies’ “failure to comply” set a deadline of 5 p.m. Friday.
A spokesperson for the White House defended their inaction saying removal of the exhibits is not final because the Department of the Interior is “engaged in an ongoing review of our nation’s American history exhibits in accordance with the President’s executive order to eliminate corrosive ideology, restore sanity, and reinstate the truth.”
A cleaded up and power-washed President’s House site the day after a federal judge ordered the Trump administration to restore the slavery exhibits that the National Park Service removed from the President’s House in January.
Upon hearing the news I thought, “Friday is my day off. I will just have to read what my excellent reporting colleagues Fallon Roth, Maggie Prosser, and Abraham Gutman write about it. And live vicariously through the photos by whichever of my photo co-workers gets the assignment.“
I just couldn’t stay away, so I returned to the site early Thursday morning, just to “babysit.”
After about 30 minutes and only seeing two visitors, a park service worker arrived with a 5-gallon Lowe’s plastic blue bucket ($4.95, lid sold separately) and another, plain white plastic pail full of rags. More prep work for Friday, my day off, I figured.
When he returned with a six-foot Little Giant ladder ($255.99, King Kombo), I asked “so you’re not just doing more cleaning, right?”
I alerted my newsdesk, and spent the next six hours there.
Philadelphia Inquirer staff photographer Tom Gralish edits his news photos at the President’s House site in Independence National Historical Park Thursday, Feb, 19, 2026 as park service workers restore the slavery exhibits that were removed in January. Gralish had met and talked with the NPS employee earlier in the morning before other news media arrived at the site, and hadn’t noticed a panel would be going back up later where he was sitting. “You’re okay,” the worker said, “you were here first.”
Since 1998 a black-and-white photo has appeared every Monday in staff photographer Tom Gralish’s “Scene Through the Lens” photo column in the print editions of The Inquirer’s local news section. Here are the most recent, in color:
February 16, 2026: What came first? The dirty snowpacked berm of frozen slush or the graffiti? February 9, 2026: Walking through a corrugated metal culvert called the “Duck Tunnel,” a pedestrian navigates the passageway under the SEPTA tracks on the Swarthmore College campus. February 2, 2026: A light-as-air Elmo balloon rolls along a sidewalk in Haddonfield, propelled by the wind as Sunday’s heavy snow starts to turn to ice and sleet. January 26, 2026: The President’s House in Independence National Historical Park hours Jan, 22, after all historical exhibits were removed following President Trump’s Executive Order last March that the content at national parks that “inappropriately disparage” the U.S. be reviewed. The site, a reconstructed “ghost” structure titled “Freedom and Slavery in the Making of a New Nation” (2010), serves as a memorial to the nine people George Washington enslaved there during the founding of America.January 19, 2026: A low-in-the-sky winter sun is behind the triangular pediment of the “front door” of the open-air President’s House installation in Independence National Historical Park. The reconstructed “ghost” structure with partial walls and windows of the Georgian home known in the 18th century as 190 High St. is officially titled, “Freedom and Slavery in the Making of a New Nation” (2010). It is designed to give visitors a sense of the house where the first two presidents of the United States, George Washington and John Adams, served their terms of office. The commemorative site designed by Emanuel Kelly, with Kelly/Maiello Architects, pays homage to nine enslaved people of African descent who were part of the Washington household with videos scripted by Lorene Cary and directed by Louis Massiah. Deepika Iyer holds her niece Ira Samudra aloft in a Rockyesque pose, while her parents photograph their 8 month-old daughter, in front of the famous movie prop at the top of the steps at the Philadelphia Art Museum. Iyer lives in Philadelphia and is hosting a visit by her mother Vijayalakshmi Ramachandran (partially hidden); brother Gautham Ramachandran; and her sister-in-law Janani Gautham who all live in Bangalore, India.January 5, 2026: Parade marshals trail behind the musicians of the Greater Kensington String Band heading to their #9 position start in the Mummers Parade. Spray paint by comic wenches earlier in the day left “Oh, Dem Golden Slippers” shadows on the pavement of Market Street. This year marked the 125th anniversary of Philly’s iconic New Year’s Day celebration.Dec. 29, 2025: Canada geese at sunrise in Evans Pond in Haddonfield, during the week of the Winter Solstice for the Northern Hemisphere. December 22, 2025: SEPTA trolley operator Victoria Daniels approaches the end of the Center City Tunnel, heading toward the 40th Street trolley portal after a tour to update the news media on overhead wire repairs in the closed tunnel due to unexpected issues from new slider parts.December 15, 2025: A historical interpreter waits at the parking garage elevators headed not to a December crossing of the Delaware River, but an event at the National Constitution Center. General George Washington was on his way to an unveiling of the U.S. Mint’s new 2026 coins for the Semiquincentennial, December 8, 2025: The Benjamin Franklin Bridge and pedestrians on the Delaware River Trail are reflected in mirrored spheres of the “Weaver’s Knot: Sheet Bend” public artwork on Columbus Boulevard. The site-specific stainless steel piece located between the Cherry Street and Race Street Piers was commissioned by the City’s Public Art Office and the Delaware River Waterfront Corporation and created and installed in 2022 by the design and fabrication group Ball-Nogues Studio. The name recalls a history that dominated the region for hundreds of years. “Weaver’s knot” derives from use in textile mills and the “Sheet bend” or “sheet knot” was used on sailing vessels for bending ropes to sails. November 29, 2025: t’s ginkgo time in our region again when the distinctive fan-shaped leaves turn yellow and then, on one day, lose all their leaves at the same time laying a carpet on city streets and sidewalks. A squirrel leaps over leaves in the 18th Century Garden in Independence National Historical Park Nov. 25, 2025. The ginkgo (Ginkgo biloba) is considered a living fossil as it’s the only surviving species of a group of trees that existed before dinosaurs. Genetically, it has remained unchanged over the past 200 million years. William Hamilton, owner the Woodlands in SW Phila (no relation to Alexander Hamilton) brought the first ginkgo trees to North America in 1785.November 24, 2025: The old waiting room at 30th Street Station that most people only pass through on their way to the restrooms has been spiffed up with benches – and a Christmas tree. It was placed there this year in front of the 30-foot frieze, “The Spirit of Transportation” while the lobby of Amtrak’s $550 million station restoration is underway. The 1895 relief sculpture by Karl Bitter was originally hung in the Broad Street Station by City Hall, but was moved in 1933. It depicts travel from ancient to modern and even futuristic times. November 17, 2025: Students on a field trip from the Christian Academy in Brookhaven, Delaware County, pose for a group photo in front of the Liberty Bell in Independence National Historical Park on Thursday. The trip was planned weeks earlier, before they knew it would be on the day park buildings were reopening after the government shutdown ended. “We got so lucky,” a teacher said. Then corrected herself. “It’s because we prayed for it.”
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